Allegorical and Mythical Figures

Engravings of allegorical women representing virtues, muses, and harvest, illustrated in elegant poses, showcasing artistic influences from the Renaissance.

The Harvest, represented by a woman with tuil of fruit on her lap and a garland of flowers in her hair, The Harvest, print maker: Johannes Jacobsz van den Aveele, (mentioned on object), 1682, paper, etching, h 213 mm × w 181 mm

Temperance personfied by a woman standing in a niche holding a bit, from 'The Virtues'. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: Plate: 8 5/8 × 4 1/4 in. (21.9 × 10.8 cm)Sheet: 16 1/16 × 10 13/16 in. (40.8 × 27.5 cm). Date: ca. 1515-25. Museum: Metropolitan Museum of Art, New York, USA.

Sibille Van Samos, Raffaello Schiambinossi, 1606 - 1609 print The Sibille of Samos standing with a writing tablet in the hands. Title and a Latin text in the end margin. Numbered bottom left: 6. Italy paper etching Samian sibyl. writing tablets

Female figure standing in the right-hand margin of the third sheet of the Rape of the Sabine Women 1570-1615 Cherubino Alberti (Zaccaria Mattia) Italian. Female figure standing in the right-hand margin of the third sheet of the Rape of the Sabine Women 651233

The Harvest, represented by a woman with tuil of fruit on her lap and a garland of flowers in her hair, The Harvest, print maker: Johannes Jacobsz van den Aveele, (mentioned on object), 1682, paper, etching, h 213 mm × w 181 mm

Muse with harp standing in Nis; Gods and muses and young women.

Italy, Bonasone, Giulio, Statues in niches, Muse, verso - stamped, A statue of a muse in a niche., print, prints, height 162 mm, width 86 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, papier, engraving, engraving (printing process)

A muse standing in a niche, left arm resting in a ledge ca. 1531-76 Giulio Bonasone Italian. A muse standing in a niche, left arm resting in a ledge 392828

Fiducia, a seated woman holds a book and banner while turning her head away from a bare-breasted woman, who lies at her feet before an assemblage of masks on the ground, from the series 'Virtues conquering vices' after Maerten de Vos 1579 Johann Sadeler I Netherlandish. Fiducia, a seated woman holds a book and banner while turning her head away from a bare-breasted woman, who lies at her feet before an assemblage of masks on the ground, from the series 'Virtues conquering vices' after Maerten de Vos 398772

Section E: Christ riding on a triumphal cart, from The Triumph of Christ 1836 Andrea Andreani Italian. Section E: Christ riding on a triumphal cart, from The Triumph of Christ. Andrea Andreani (Italian, Mantua 1558/1559-1629). 1836. Lithographic copy of a woodcut. Callisto Ferranti (Italian, active Rome, 1626-47). Prints

. Minerva, with a helmet, a spear and the shield of Medusa. She looks at an owl in the clouds. The print is part of a three-part series with the three goddesses of Paris judgment and has a Latin caption.

The Madonna. Dated: c. 1490/1491. Dimensions: sheet (trimmed to plate mark): 17.1 x 11.9 cm (6 3/4 x 4 11/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.

Diligence, from the Virtues. Heinrich Aldegrever; German, 1502-c.1560. Date: 1552. Dimensions: 104 x 62 mm (image/plate). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Ottens, I., Estius, Franco, Goltzius, Hendrick, Matham, Jacob, The Seven Deadly Sins, Pride (Superbia), recto lower right - stamped, Personification of vanity or pride, depicted as a richly dressed female figure looking into a mirror., print, prints, height 324 mm, width 169 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1593 - 1593, paper, engraving, engraving (printing process), 1558-01 - 1617-01-01, intermediary draughtsman, after a drawing by, writer, Publication (Event), Publication, publisher

Personification of the phlegmatic temperament; Phlegmatist / FLEGMATIQUE; Temperaments. Personification of the phlegmatic temperament, surrounded by a Rocaille frame. In a landscape is an old man with hat and a walking stick in a rocaille chair. A turtle rests on his feet. Publisher number 40.

Solomon's Idolatry 1501 Germany. Engraving in black on tan laid paper . Master M.Z.

Hulda, Jacob Matham (attributed to), after Hendrick Goltzius, 1588 print The prophetess hulda, standing with a hand in her side and in her other hand a book (the Old Testament). Haarlem paper engraving female persons from the Old Testament (with NAME) (not in biblical context)

. A woman's figure with an anchor in a landscape as a personification of the hope (SPES).

Diligence The Virtues. 1552. Aldegrever, Heinrich, 1502-. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Minerva, Giulio Bonasone (possibly), 1501 - 1580 print Minerva with shield and two spears. Italy paper engraving (story of) Minerva (Pallas, Athena). attributes of Minerva

Angel with attributes needed by a hermit to lead an ascetic life such as a cross, rosary, bible and whip, Angel with attributes of hermit Sacra Eremus Ascetriarum , print maker: Christoffel van Sichem (II), (mentioned on object), Abraham Bloemaert, publisher: Pieter Jacobsz. Paets, Amsterdam, 1644, paper, letterpress printing, h 141 mm × w 104 mm

. The Prophetes Debora, standing with a hand in her side and in her other hand a book.

St. Mary Magdalene on the Clouds (copy) 1518 () After Lucas van Leyden Netherlandish. St. Mary Magdalene on the Clouds (copy) 364825

Peace, Zacharias Dolendo, Jacob de Gheyn (II), Hugo de Groot, c. 1596 - c. 1597

Patience, Heinrich Aldegrever, 1552 print Personification of patience. Woman standing with a banner in the left hand on which a pigeon is depicted. At the top left a coat of arms with a dog, on top of a bird. Under the show a two -line text in Latin. Third print from a series of seven. paper engraving Patience; 'Patienza' (Ripa) (+ abstract concept represented by female figure)

Personification of the phlegmatic temperament, Johann Gottfried Thelott, after Johann Gottfried Haid, 1745 print Personification of the phlegmatic temperament, surrounded by a rocaille framing. In a landscape is an old man with a hat and a walking stick in a rocaille chair. A turtle rests on his feet. Publishing number 40. Augsburg paper etching / engraving phlegmatic temperament. the ages of man

Wealth, Heinrich Aldegrever, After Cornelis Anthonisz., 1549 print Personification of wealth (Divitiae). A woman with riches in her hands, lying down at her feet with money and a money box. Fifth print from a series of fourteen with personifications of virtues and vices. Germany paper engraving Wealth, Opulence; 'Opulenza', 'Richezza' (Ripa) (+ abstract concept represented by female figure). money

Personification from Vanitas, Willem Isaacsz. Van Swanenburg, after Abraham Bloemaert, 1608 print A woman is sitting at a table with valuables, including a bag of money and a treasure chest. Under the table is a skull. She holds a jug where smoke comes out. There is a peacock with the jug and there is a scepter next to a crown. Vaatwerk lies on the ground. Under the performance is a six -line, Latin text in which the performance is discussed disapproving. print maker: Leidenafter design by: Utrecht (possibly)Leiden paper engraving person(s) sitting among objects forming a 'Vanitas' still life. scenes symbolizing 'Vanitas'. exhibition of wealth. smoking pot as symbol of 'Vanitas'. ornamental birds: peacock. money-chest, treasure-chest, money-box. skull as symbol of 'Vanitas'

Sir Peter Paul Rubens, Saint Catherine in the Clouds Saint Catherine in the Clouds

Patience. 1540. Beham, Hans Sebald, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Persian Sibille, Philips Galle, After Anthonie Blocklandt, 1575 print The Persian Sibille is on a rock. An open book on her lap. The print has a Latin caption and is the title print of a ten -part series about the Sibillen. Antwerp paper engraving Persian sibyl

Judge, Johann Georg.

Prudence as a young woman, sitting on a lion and holding the neck of a dragon with her left hand, holding a mirror in her right hand ca. 1510-27 Marcantonio Raimondi Italian. Prudence as a young woman, sitting on a lion and holding the neck of a dragon with her left hand, holding a mirror in her right hand 342646

The virtues according to Raphael, caution. Seventh issue of a sequence of 7 rooms (Bartsch 392) Marc Antoine Raimondi (1480-vers1534). The virtues according to Raphael, caution. Seventh issue of a sequence of 7 pieces (Bartsch 392). Fight, chisel. 16th century.

Antwerp, Jode, Gerard de, Series Regum Persarum, Persian kings, King Artaxerxes II, verso - stamped, King Artaxerxes II of Persia standing with an arrow in his hand. In the background Artaxerxes can be seen defeating his younger brother Cyrus, who had rebelled against him. Below the image a three-line text in Latin., print, prent, prints, height 292 mm, width 198 mm, print maker, printmaker, 1547 - 1585, paper, papier, engraving, graveren (drukprocedé), Work conception, naar ontwerp van, Publication (Event), Publicatie, Noord-Nederlands, 1509 - 1591-02-05, publisher

Hope; SPES; Three Divine virtues. Hope female personification, one of the three divine virtues, with an anchor among her legs. Putti fly above her head with a laurel wreath and flowers.

Proserpina and Ascalaphus as owl. Proserpina standing in a landscape, her hand extended to Ascalaphus in the form of an owl. Ascalaphus discovered Proserpina when she secretly stood pomegranates, on which she changed him for punishment in an owl.

Wealth, pl. 2 of 9 from the series Virtues andVices. Engraver: Zacharias Dolendo, Dutch, 1561 - ca.1604 Publisher: Jacques de Gheyn II, Dutch, 1565-1629

Juno, an ancient Italian, especially Roman goddess, who was equated with the Greek goddess Hera. Juno was regarded as the goddess of birth, marriage and care, Historical, digitally restored reproduction from an original from prehistoric times

Pallas Athena n.d. René Boyvin French. Pallas Athena. René Boyvin (French, Angers ca. 1525-1598 or 1625/6 Angers). n.d.. Engraving. Prints

Jupiter and semele; Jupiters love adventures. Jupiter appears before semele. He stands between clouds, with lightning bolts in his hand. His eagle is between his legs. Semele is waiting for him on a stone bench. Print from a series of 10 prints that illustrate Jupiter's love life.

Standing, Jacques de Gheyn (ii) (Workshop of), After Jacques de Gheyn (ii), 1591 - 1595 print Steadfastness, in the form of a woman with a pillar in the arms. At the top of the show the word 'Fortitvdo' (steadfastness). This print is part of a series of seven round performances of the virtues, each personified by a female figure with typical attributes, and with Latin inscription. Netherlands paper engraving Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues

Woman as a personification of power (fortitudo) leaning on column standing in NIS; Seven virtues.

Bishop Hatto and theRats. Artist, attributed to: Henry Marsh, American, 1848-1860 After: John La Farge, American, 1835-1910, M.A. (HON.) 1896

Hearing; AVDITVS; The five senses. Hearing female personification. She is half naked and plays on a winch. Under her feet are musical instruments. The hearing is accompanied by two deer. The print has a Latin caption. The print is part of a series about the five senses.

Personificatie van toorn staand in nis.Personification of wrath as a woman dressed in armor standing in niche. Two lines of Latin text in undergarment.

The Knight and the Lady by Durer. Bisson Frères (French, active 1840 - 1864)

Female shield holder, Joachim Wtewael (Circle of), 1576 drawing Female shield holder in an oval niche, turned to the left, with one hand on her hip. In each hand she holds a ribbon that is attached to a diamond -shaped shield. paper. paint (coating). ink pen / brush hand on the hip. protective weapons: shield

Delphic Sibyl, Frans Huys, 1546 - 1562

The cloud of ducks obscures the sky so much that poor Europe does not know which road to take, from 'News of the day,' published in Le Charivari, October 22, 1867 October 22, 1867 Honoré Daumier A duck is a newspaper hoax.. The cloud of ducks obscures the sky so much that poor Europe does not know which road to take, from 'News of the day,' published in Le Charivari, October 22, 1867. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). October 22, 1867. Lithograph on newsprint; fourth state of four (Delteil). Arnaud de Vresse. Prints

Frygische Sibille, Philips Galle, After Anthony Blocklandt, 1575 print The Frygian Sibille is on a tree trunk. A book is open on her knees. The print has a Latin caption and is part of a ten -part series about the Sibillen. Antwerp paper engraving sibyls (with NAME)

Passe, Crispijn van de (I), Utrecht, Sibyls, Sibylla Delphica., Delphic Sibyl, verso lower left - stamped, The Delphic Sibyl stands with a crown of thorns in her right hand and an open book in her left hand. In the margin a caption in Latin. Print from a series with sibyls., print, prent, prints, prenten, height 267 mm, width 199 mm, 1564 - 1637, print maker, printmaker, 1615 - 1615, paper, papier, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

The Moon, from the cycle: The Seven Planets. Beham, Sebald (1500-1550), graphic artist

Tiburtin Sibille, Christoffel van Sichem (I), in or before 1608 print Tiburtine Sibille, standing in a landscape. With one of her feet she stands on top of a sword. Six verse lines in Latin under the print. Amsterdam paper engraving sibyls (with NAME)

Copper engraving by Sebald Beham from 1539 titled 'The Melancholy', depicting a seated human figure in a reflective pose.

Sibille from Samos; S. Samia; Twelve sibilles. Sibille from Samos

Anger; IRA; Inventions. Personification of anger in the form of a woman in armor. She has a helmet on her head and a saber in her left hand. In her right hand she has a shield. She is sitting in a landscape for an antique building. A building is on fire in the background. On the right a dog. In the margin a single-line caption in Latin.

Saint Eulalia. Saint Eulalia. Part of a series of 24 performances of female martyrs (Martyrological). The performances are equipped with edges with flowers and animals.

Melancholie, Hans Sebald Beham, 1539 print Winged woman sitting with her head supported by her hand as personification of melancholy with geometry instruments such as a passer and carpentry tools such as a saw and hammer. paper engraving melancholic temperament

Reni, Guido, Rome, Frey, Jacob (der Ältere), Caput Joannis Baptistae, Salome with the head of John the Baptist, verso - stamped, With caption in Latin., print, prints, height 528 mm, width 335 mm, 1681 - 1752-01-11, print maker, printmaker, 1745 - 1745, paper, engraving, engraving (printing process), intermediary draftsman, after a drawing by, Italian, 1575-11-04 - 1642-08-18

Copper engraving by Tarocchimeister 'S' around 1485 depicting the Genius of the Sun, part of the 'S' series, showing figure, celestial symbols, and late 15th-century European iconography.

Gluttony, 1575 print Personification of gluttony in the form of a woman in antique gown, who sits under a tree on a wine barrel. In her left hand she has a jug and in the right hand a glass that she brings to her mouth. Next to her the boar like her attribute. In the margin a single -line caption in Latin. paper engraving Gluttony, Intemperance, 'Gula'; 'Gola', 'Ingordigia', 'Ingordigia overo Avidití', 'Voracití' (Ripa) ~ personification of one of the Seven Deadly Sins. boar (male pig). glass of wine. wooden container: barrel, cask, bucket

Print made by John Smith, 1652-1743, British, Maria Magdilena, undated. Mezzotint on medium, slightly textured, blued white, laid paper.

Jan Pietersz Saenredam, after Hendrik Goltzius, Pallas (Minerva), 1596 Pallas (Minerva)

Cleopatra. Artist: Johann Jakob Frey the Elder (Swiss, active in Rome 1681-1752); After Carlo Maratti (Italian, Camerano 1625-1713 Rome). Dimensions: sheet: 20 1/4 x 14 9/16 in. (51.5 x 37 cm)plate: 14 3/8 x 9 7/16 in. (36.5 x 24 cm). Date: 1720. Museum: Metropolitan Museum of Art, New York, USA.

Patience or passibility, Philips Galle, c. 1585 - c. 1590 print A standing woman with a helmet and a lamb on her head. With her left hand she supports a yoke, in the right hand she holds a Doornenbos with a lily. There is a burning heart on the anvil next to the woman. Under the show two lines of text in Latin. The print is part of an album. print maker: AntwerpSouthern Netherlands paper engraving Patience; 'Patienza' (Ripa)

Judit with the head of Holofernes, Nicolas -Gabriel Dupuis, After Guido Reni, 1708 - 1757 print print maker: Francepublisher: Paris paper etching / engraving Holofernes beheaded by Judith with his own sword; the maidservant may be keeping watch

Caution (Prudentia). Personified caution; A women's figure with two snakes in her hand and a second face on her mind.

Saint Paul van Egypt as a recluse, Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1619 print paper engraving saints. anchorite, hermit

Personification from Vanitas. A woman is sitting at a table with valuables, including a bag of money and a treasure chest. There is a skull under the table. She holds a jug that smoke comes out. The jug is a peacock and lies a scepter next to a crown. Dishwoard is lying on the ground. Under the show there is a six-line, Latin text in which the show is disapproving.

Woman with chalice and scepter, Frederick Bloemaert, After Abraham Bloemaert, After 1635 - 1669 print A classic figure with a scepter in the right hand, keeping the left hand up with a chalice. Utrecht paper engraving the Greek heroic legends (II): heroines

Galatea, 1670 - 1724 print The Zeenmf Galatea stands on two dolphins. She is wearing a flower wreath in the hair. paper engraving (story of) Galatea; 'Galatea' (Ripa). swimming mammals: dolphin

Juno, Crispijn van de Passe (I), After Hendrick Goltzius, after Jan Saenredam, 1574 - 1637 print Juno sitting on a cloud cover, accompanied by her symbol De Pauw. She gives a scepter in her hand. As a wife of the supreme god Jupiter, she is wearing a crown. In the background you can see how Juno is pulled on her car by a few peacocks. Under the cloud cover is Mercury with the head of the hundred -eyed giant Argus, who had to guard from Juno Io. In the margin a four -line caption in Latin. North Netherlands paper engraving (story of) Juno (Hera). Mercury beheads Argus

Unequal love, Anonymous, 1602.

Couple Embracing, from The Small Wedding Dancers 1538 Heinrich Aldegrever German. Couple Embracing, from The Small Wedding Dancers. Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). 1538. Engraving. Prints

Health; Sanitas; Prosopographia, Sive Virtutum, Animi, Corporis, Bonorum Externorum, Vitiorum, ET Affectuum Variorum Deineatio. A standing woman with a star and an escula monkey in her right hand and in the left hand, a stick around which a snake swings, the recognition sign of Aesculapius, God of health and medicine. Under the show two lines text in Latin. The print is part of an album.

Sémiramis ca. 1639-40 Gilles Rousselet French. Sémiramis 391438

Gardener with a Basket on her Arm, from Hortulanae series. Artist: Jacques Bellange (French, Bassigny () ca. 1575-1616 Nancy). Dimensions: Sheet: 13 11/16 x 8 5/16 in. (34.8 x 21.1 cm)Image: 11 5/16 × 6 1/2 in. (28.8 × 16.5 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: 1612-16. Museum: Metropolitan Museum of Art, New York, USA.

Pomona at a burning sacrifice column. The goddess Pomona with a bundle branches with fruits in her arm runs to a burning sacrifice column.

Allegorie op Washingtons dood, 1799.The history suggested by a juvenile woman is pointed out by a genius on a monument on which one reads Washington Obiit MDCCXCIX. In the margin a four-line verse: "How to like it I only wanted" etc.

Heintz, Joseph (I), Praag, Sadeler, Aegidius, Maria Magdalena, verso below - stamped, praying with a skull in her left hand. On the left a putto and her ointment box. On the right a crucifix. The print has a Latin caption., print, prent, prints, prenten, height 236 mm, width 175 mm, Zuid-Nederlands, 1570 - 1629, print maker, prentmaker, 1610 - 1629, paper, papier, engraving, engraving (printing process), 1564-06-15 - 1609-10-15

Frederic Leighton, 1830-1896, British, Pastorale, 1867. Etching and drypoint on laid paper.

Dyck, Anthony van, London, Jode, Arnold de, Mary Magdalene with skull, verso lower left - stamped, The penitent Mary Magdalene, skull in hand. In the background her attributes. In the cartouche a two-line Bible quotation from Prov. 31:30 in Latin., print, prent, prints, prenten, height 300 mm, width 245 mm, 1638 - 1667, print maker, printmaker, 1666 - 1667, paper, papier, engraving, engraving (printing process), Flemish, Dutch, 1599-03-22 - 1641-12-09

Judith and Holofernes. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 6 15/16 × 4 7/16 in. (17.7 × 11.3 cm). Date: 1645. Museum: Metropolitan Museum of Art, New York, USA.

Libyan Sibille, 1546 - 1562 print The Libyan Sibille sitting with a book in her left hand and a sickle -shaped tool in her right hand. In the background a building with tower and column gallery in a landscape. This print is part of an album. paper engraving sibyls (with NAME)

Judit with the head of Holofernes, Wallerant Vaillant, After Guido Reni, 1658 - 1677 print Judit with the carved head of Holofernes in her hand. In the other hand the sword. paper Judith shows Holofernes' head to the people

Female personification of America as woman with headdress of feathers and bow and arrow sitting on caiman or crocodile. She is drying her tears and mourning thus the title, Female personification of America as woman with headdress of feathers and bow and arrow sitting on caiman America afflicta gemens (title on object) Four continents (series title), print maker: Cornelis van Dalen (II), publisher: Claes Jansz. Visscher (II), Amsterdam, 1648 - 1664, paper, etching, engraving, h 228 mm × w 168 mm

Vertumnus and Pomona. Vertumnus, the Italian god and protector of gardens and orchards, and pomona sitting in front of the stone gate of a garden on a sofa under a tree. Vertumnus, in the form of an old woman, pomona seduces.

Bacchus L'Automne , print maker: Johann Gottlieb Baerenstecher, (mentioned on object), Hendrick Goltzius, (mentioned on object), print maker: Stuttgart, Haarlem, 1788, paper, engraving, etching, h 426 mm × w 185 mm

Barbarigo, Giovanni Francesco, Rome, Audenaerd, Robert van, Numismata virorum illustrium ex Barbadica gente, Personification of Architecture, verso - stamped, A console with the personification of Architecture. In her left hand she holds a plumb line, set square and compass. In her right hand a drawing or design of a large building. The print is part of an album., print, album sheet, prints, images, height 183 mm, width 180 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, engraving, engraving (printing process), Italian, 1658-04-29 - 1730-01-27, client

Woman with scissors, Adamo Scultori, After Michelangelo, c. 1585 print Sitting woman with scissors in hand. Next to her a man and naked children. Figure group from Michelangelo's ceiling painting. Numbered below: 73. Print Maker: ItalyaFter Painting by: Vatican City paper engraving tools, aids, implements ~ crafts and industries: scissors. mother and child(ren), woman and child(ren) (family group)

Melancholia. Artist: Sebald Beham (German, Nuremberg 1500-1550 Frankfurt). Dimensions: Sheet: 3 1/8 x 2 1/16 in. (7.9 x 5.2 cm). Museum: Metropolitan Museum of Art, New York, USA. Author: Sebald Beham.

Italy, Perino del Vaga, Bonasone, Giulio, Man with dragon, verso - stamped, A man making a gesture of blessing and looking down at a dragon. Possibly Saint Paul overcoming the adder in the dungeons or Saint Philip and the dragon., print, prent, prints, height 234 mm, width 152 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, papier, engraving, engraving (printing process), Work conception, 1501 - 1547-10-19

Luna. Luna (Diana) standing on the moon, and pointing up with her left hand. At her feet a lobster, behind her a man who counts his money.

St. Jude Thaddeus, from Christ, the Apostles and St. Paul with the Creed ca. 1589 Hendrick Goltzius Netherlandish. St. Jude Thaddeus, from Christ, the Apostles and St. Paul with the Creed 398820

Ondervinding, Philips Galle, c. 1585 - c. 1590 print A woman of older age; In her left hand she has a shooting shelter, on the right she holds a stick in her hand. Under the show two lines of text in Latin. The print is part of an album. print maker: AntwerpSouthern Netherlands paper engraving Experience, Mastery; 'Esperienza' (Ripa)

Portrait of a woman like Diana, Salomon Savery (attributed to), 1645 - 1706 print Amsterdam paper etching / engraving (story of) Diana (Artemis)

Fortuna, Heinrich Aldegrever, 1548 - 1549, Design for a print., draughtsman: Heinrich Aldegrever, 1548 - 1549, paper, pen, brush, h 70 mm × w 50 mm

Steadfastness; Constantia; Prosopographia, Sive Virtutum, Animi, Corporis, Bonorum Externorum, Vitiorum, ET Affectuum Variorum Deineatio. A woman who includes a pillar with her right arm. With her left hand, she holds a sword above the flames of a komfoor, a reference to the steadfastness of Mucius Scaevola. Under the show two lines text in Latin. The print is part of an album.

Eurydice naked standing on a rock, her arms raised to the right. Artist: Marco Dente (Italian, Ravenna, active by 1515-died 1527 Rome); After () Giulio Romano (Italian, Rome 1499-1546 Mantua). Dimensions: Sheet (Trimmed): 4 3/16 × 2 9/16 in. (10.7 × 6.5 cm). Date: ca. 1515-27. Museum: Metropolitan Museum of Art, New York, USA.

Peace and trust; Pax / Fiducia; Virtues. Left in a niche The female personification of peace (Pax). Some pigeons are on her left hand. In her right hand a sword and a rod (war and tyranny) that she removes from the earth. Right next to her in a niche the female personification of trust (Fiducia). In her hands a heart (love) and a staff with an outstretched hand (friendship). This print is part of an album.

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