Allegorical and Mythological Art

Prints highlighting mythological themes and allegories, illustrating interactions between deities and mortals with detailed narratives.

Venice, Sadeler, Marcus, Aegidius, unknown, Hercules and Cerberus, verso lower right - written, Hercules in the underworld. He leads Cerberus along on a chain. The print has a Latin caption., print, prints, verso lower left - stamped, 1964, height 234 mm, width 161 mm, South Netherlands, 1570 - 1629, print maker, printmaker, 1580 - 1629, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, German, 1614-04-11 - 1650, publisher

Allegory with expulsion of envy and Divine, Jan Wandelaar, 1700 - 1759 drawing In the foreground, envy and discords are driven out by a satap; In the background an old man with beard, flanked by wisdom and caution, with a sieve in which the globe. On the left in the background three allegorical figures. Design for a print. paper. ink pen / brush Disagreement, discord; 'Discordia' (Ripa). Jealousy; 'Jealousy', 'Rammarico del Ben'altrui' (Ripa). Roman Personifications of Abstract Concepts

Socrates mocked by his wife, 1655 - 1700 print The half -naked Xanthippe is sitting on the back of her crawling man Socrates. She has a whip in one hand and a bit in the other. In the background a bookcase and a table with a book and a globe. paper Xanthippe pours water over Socrates' head. globe. book. whip. dominating wife

Venus prevents adonis from hunting. Venus and Amor try to prevent Adonis to go hunting. However, Adonis is going to hunt; He wears a lance and two hunting dogs are for him.

Ticket for the Benefit of Mr. Giardini, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Giovanni Battista Cipriani RA, 1727-1785, Italian, active in Britain (1755-85), 1778, Line engraving

Venus stopping Adonis before going to hunt; Vaillant, Wallarant (1623-1677), Lairesse, Gerard de (1641-1711); 1650 (1650-00-00-1650-00-00);Adonis (Mitol.), Ovid, Metamorphoses, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Venus, Aphrodite, Venera, figure, mythology, amorek, mythology, mythology, hunting (iconogr.), Rydany

Frisian with the punishment of Niobe (plate 3). The goddess Latona complains to her two children, Apollo and Diana who then avenued her honor by killing the fourteen children of Niobe with arrows. The print has a Latin caption. Linke rocket of a print with a frieze from eight plates

Venice, Sadeler, Marcus, Aegidius, unknown, Hercules and Cerberus, verso lower right - written, Hercules in the underworld. He leads Cerberus along on a chain. The print has a Latin caption., print, prints, verso lower left - stamped, 1964, height 234 mm, width 161 mm, South Netherlands, 1570 - 1629, print maker, printmaker, 1580 - 1629, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, German, 1614-04-11 - 1650, publisher

Ariadne comforted by Bacchus. Bachus comes to get Ariadne from the island of Naxos. Ariadne, with a crown in the hair, looks up at Bacchus, which is behind her. A ship at sea in the background. At the bottom of the margin a two-legged text in Latin.

Jozef and the wife of Potifar, Nicolaus van Aelst, after Marcantonio Raimondi, After Rafaël, 1536 - 1613 print paper engraving Potiphar's wife catches Joseph by his robe, usually while lying in bed; Joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)

Father Time is attacked by the personifications of Love, Hope and Beauty, John Smith (Print Maker/ Publisher) (Attributed to), After Simon Vouet, 1662 - 1742 print Text in English in the lower margin. paper Father time, man with wings and scythe. (Personifications and Symbolic Representations of) Love; 'Love (according to Seneca)' (Ripa). Hope; 'Hope', 'Hope of the efforts' (Ripa). Beauty; 'Beauty' (Ripa). Attack. (Personifications of) 'Vanitas', The Vanity of Human Life; Humana fragility, fleeting of sizes & of world glory, meditation of death, vain work, vain pleasure, vain glory, vanita (Ripa)

Bacchanaal, anonymous, after Nicolas Poussin, 1630 - 1647 print print maker: Francepublisher: ParisFrance paper engraving the drunken Bacchus

Rudolf II of Habsburg (German Emperor), Matham, Jacob, Titian, Haarlem, Sine Cerere et Baccho friget Venus, Without bread and wine love freezes, Ceres Bacchus and Venus, verso lower left - stamped, Venus and Amor accompanied by Ceres and Bacchus. Bacchus picks grapes and Ceres' servant carries a bowl of pomegranates. Venus holding a smoking pot., print, prints, height 297 mm, width 388 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1599 - 1603, paper, engraving, engraving (printing process), Italian, 1488 - 1576-08-27, after, after painting by, Publication (Event), Publication, publisher, 1552-07-18 - 1612-01-20, granter of privilege

Allegorical drawing of liberty. Drawings, Illustrations. 1900. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Lucretia Romana, Print made by William Faithorne, (), 1656-ca. 1701, British, Published by Edward Cooper, active 1682 -died 1725, British, between 1678 and 1717, Mezzotint on moderately thick, slightly textured, beige laid paper, Sheet: 11 15/16 x 8 3/8 inches (30.4 x 21.2 cm), Plate: 11 1/2 x 7 15/16 inches (29.2 x 20.1 cm), and Image: 10 13/16 x 7 3/4 inches (27.5 x 19.7 cm), bed, dagger, death, death of Lucretia: she commits suicide by stabbing herself, drapery, gaze, honor, jewelry, mythology, rape, religious and mythological subject, ring, Roman, shoe, suffering, misfortune of Lucretia, suicide, woman

Minerva, Hercules, Mercury, Jupiter, and Hera, with a Youth with a Cup on a Plate, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Giovanni Battista Cipriani RA, 1727-1785, Italian, active in Britain (1755-85), 1788, Engraving

Penelope doubts the identity of Odysseus, Theodoor van Thulden, After Francesco Primaticcio, 1632 - 1633 print After Odysseus Penelope has told about his adventures, he fell asleep. Penelope is still awake and wonders if the man next to her is really Odysseus. Paris paper etching / engraving Penelope and Ulysses reunited (Homer, Odyssey XXIII)

Simson and Delila; Samson. Pass Les Philistins, Chez Dalila. Simson is captured by a group of Philistines. Delila with bare upper body, is on her bed, with the scissors and a pluck hair in her right hand.

Venus toilet. Venus dies after a bath. On the left is amor.

Design for a print or book illustration, Susanna and the Elders, draughtsman: Ottmar Elliger (II), 1676 - 1700, paper, pen, brush, h 140 mm × w 209 mm

HERCULES. PERSONAJE MITOLOGICO. HERCULES RESTITUYE A ALCESTES A SU MARIDO ADMETO. GRABADO SOBRE UNA PINTURA DE LUCAS JORDAN. CALCOGRAFIA NACIONAL. MADRID.

This photogravure of the painting of Paris and Helen by Jacques Louis David shows Helen and Paris. In Greek legend, Paris was a Trojan prince, the son of Priam and Hecuba. When Eris, the Greek goddess of discord, was not invited to the marriage of the Greek leader Achilles, she threw a golden apple into the festivities, with the words "for the fairest" written on it. The goddesses Hera, Aphrodite, and Athena each claimed the apple, and Zeus, the king of the gods, had Paris choose which one should get it. Hermes, the messenger god, acts as a guide, arranging the meeting between the goddesses an

Ludwig XVI., King of France.

Dido blames Aeneas that he leaves her; Designs for paintings with episodes from the Aeneas.

Hercules en Iole, Anonymous, After Annibale Carracci, 1570 - 1659 print Hercules and Iole are on a rock. Hercules plays on a tambourine. Amor is in the background with his bow. print maker: Italyafter painting by: Rome paper etching Hercules wooing Iole. (story of) Cupid, Amor (Eros)

Etching and copper engraving by Johann Georg Preißler from 1787, depicting Daedalus and Icarus in a mythological scene.

The suicide of Seneca and his wife. Draughtsman: Reinier Vinkeles (I). Dating: 1804. Measurements: h 135 mm × w 85 mm. Museum: Rijksmuseum, Amsterdam.

Scene at a Fair: A Peep Show 18th century Anonymous, French, 18th century French. Scene at a Fair: A Peep Show. Anonymous, French, 18th century. 18th century. Pen and brown ink, brush and brown wash. Drawings

Fulvia sticks with a needle in the tongue of the chopped head of Cicero; Fulvia Trafora La Lingua del Capo Reciso di Cicerone; History of the Roman Empire; Frontespizio della Iistantia Romana. Fulvia (the third woman of Marcus Antonius) sticks into the tongue of the chopped head of Cicero with a needle. A soldier and a woman watch.

Perserse with two putti and hercules, seen on the back. Perserse with two putti and hercules, seen on the back. Right half of a cut.

Nymphs Helping Psyche with Her Toilette. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1540. Dimensions: 200 x 235 mm (plate); 270 x 370 mm (sheet). Engraving in warm brown ink on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Susannah and theElders. After: Giovanni Battista Molinari, Italian, 1638-1682

illustration from 'The anatomy of humane bodies' by William Cowper, (Oxford, 1698)

Copper engraving by Marcantonio Raimondi depicting the Holy Family in a vaulted setting, created around 1510-1515.

Line Drawing. Aglauro E Mercurio. Ovid's Metamorphoses where the god Mercury visits Aglauros.

Brown pen and brush drawing with white highlights by Kauffmann depicting Tancred baptizing Clorinda, 1770s.

Paris, Regnaudin, Thomas, Girardon, François, Monier, Pierre, Edelinck, Jan, Apollo and six muses, verso - stamped, Apollo with laurel wreath and his lyre next to him on the ground, is attended to by six muses. Below the representation four lines in the French and four in Latin, in which reference is made, among other things, to the various sculptors., print, prints, height 422 mm, width 570 mm, 1643 - 1680-05-14, print maker, printmaker, 1678 - 1678, paper, papier, engraving, engraving (printing process), 1641-03-17 - 1703-12-29, intermediary draughtsman, after a drawing by, 1628-03-17 - 1715-01-09, after an image by, French, 1622 - 1706-07-03

Title page for: Samuel Pitiscus, Lexicon Latino-Belgicum novum, sa, Allegorical representation with personifications of the Netherlands and the Roman Empire and portrait of Minerva, verso - stamped, The personification of the Netherlands with a bundle of arrows and a lion and the personification of the Roman Empire with an eagle, a globe and the image of the she-wolf with Romulus and Remus, hold up a portrait of Minerva in a laurel wreath. A merman falls down at their feet. On the wall behind them portraits in medallions of figures from antiquity and contemporary times., print, engraving, title page, prints, height 185 mm, width 142 mm, print maker, printmaker, 1725 - 1754, second quarter 18th century, tweede kwart 18e eeuw, third quarter 18th century, paper, papier, engraving (printing process)

Title print with Personification of Painting, Francesco Bartolozzi, After Giovanni Battista Cipriani, 1798 print A Muse or the personification of painting is for a tablet with the title. Standing around the tablet and three putti float. after design by: Italypublisher: London paper etching drawing. art. single Muses. cupids: 'amores', 'amoretti', 'putti'

Sadeler, Johann (I), Vos, Maerten de, Antwerp, Virtues overcome vices, Fidvcia, Trust (Fiducia) overcomes Secret Deceit (Tecti doli), verso lower left - stamped, The personification Trust (Fiducia) with a writing tablet in her left hand on which the word 'revera' (respect) is written. In her other hand a banner with the symbol for friendship (two hearts shaking hands). In her lap a little dog. Trust tramples the personification of Secret Deceit (Tecti doli), a woman with devil's paws holding a heart. Around Secret Deception All Kinds of Masks., print, prints, height 142 mm, width 87 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1579 - 1579, paper, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, publisher

Lazio Roma Carpineto Romano S. Pietro8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lot and his daughters, Claes Moeyaert, 1612 - 1655 print Lot is in a cave and is cited by one of his daughters. Next to him is a jug of wine. The other daughter takes on a bowl of fruits. In the background the fire of the cities of Sodom and Gomorra and the wife of Lot as a salt pillar. Amsterdam paper etching Lot and his daughters (Genesis 19:30-38)

Joseph and the woman of Potifar. Potifars wife is lying in bed and trapped Joseph at his cloak. Joseph tries to escape. In the undermaster a latin verse that warns the spectator for the lovely face of potifars woman.

Etching by Nicolas Chaperon from 1649 showing the biblical story of Joseph and Potiphar's wife, depicting interior, figures, gestures, clothing, and narrative tension.

Lucretia Romana, Print made by unknown artist, seventeenth century-eighteenth century, after Simon Vouet, 1590-1649, French, after Claude Mellan, 1598-1688, French, active in Rome (1624-36) and in Paris, Published by Edward Cooper, active 1682 -died 1725, British, undated, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 9 1/2 × 7 13/16 inches (24.2 × 19.9 cm) and Image: 9 x 7 3/4 inches (22.9 x 19.7 cm), bed (furniture), blankets (coverings), carpet, cloth, couch, dagger (weapon), death of Lucretia: she commits suicide by stabbing herself, legend, long hair, mythology, nude, religious and mythological subject, Roman, rug, suicide, woman

Psammeticus in love with rhodope; The King Psammetichus or Egypt in Love With Rhodope. King Psammeticus of Egypt takes the hand of rhodope.

Copper engraving by Samuel Amsler depicting the body of Siegfried, printed in 1817.

Personification of the soul shows the throne world her heart, Jan Luyken, 1714 print Amsterdam paper etching the soul. Christ and the human heart. 'Frau Welt'

Apollo, Neptune, Pluto and Minerva; Oval ceiling paintings in the d'ulysse gallery in Fontainebleau. Apollo, Neptune, Pluto and Minerva on clouds.

Nibelung's ring. Twilight of the gods according to Carl Emil Doepler. A clip from a German magazine. Brend'amour, Franz Robert Richard (1831 1915), Doepler, Carl Emil (1824 1905)

Claude Mellan after Simon Vouet, Allegory of Intellect, Memory, and Will, 1625 Allegory of Intellect, Memory, and Will

A young man, seen from behind and ascending a step towards the left, a cloak draped over his right shoulder and his left arm outstretched, a ram skull at bottom left 1766 Benigno Bossi Italian. A young man, seen from behind and ascending a step towards the left, a cloak draped over his right shoulder and his left arm outstretched, a ram skull at bottom left 397344

Tarquin and Lucretia bedreigt.

A 1649 etching by Nicolas Chaperon depicting the Muse Clio crowned by a bust of Raphael, illustrating 17th-century European allegorical and artistic subjects.

Umbria Perugia Terni Palazzo Posta e Telegrafo4. Hutzel, Max 1960-1990 Post-medieval: Frescos (19th/20th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ferdinand of Austria, Governor of the Southern Netherlands, Brussels, Rubens, Peter Paul, Antwerp, Pontius, Paulus, Christi Fvnvs, Entombment of Christ, verso lower left - stamped, Christ lies in his grave. Behind him are Mary, Francis of Assisi and John the Baptist. At his feet kneels Mary Magdalene. On the right two angels, one of whom points to the wound of Christ., print, prent, prints, height 495 mm, width 383 mm, South Netherlands, 1603 - 1658-01-16, print maker, printmaker, 1628 - 1628, paper, papier, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, 1609-05-16 - 1641-11-09, granter of privilege

Niobe punished for her overconfidence. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 330 mm × w 213 mm. Museum: Rijksmuseum, Amsterdam.

Fortune Does Not Favour Those Who Fall Asleep; Patience as the Victor of Fortune. Only upright moral conduct and prudence can protect a man from the vagaries of Fortune. The final sheet of the series shows the personification of Fortune lying exhausted on the ground, having been defeated by Patience.

Joseph and the woman of Putiphar Marc-Antoine Raimondi (1480-V.1534). Joseph and the woman of Putiphar.

A brown and gray ink drawing attributed to Gerard de Lairesse showing a composition titled 'Parisurte' with figures and compositional elements.

Samson and Dalila (according to Peter Paul Rubens) Rubens, Peter Paul (1577 1640), Merkel, Conrad Friedrich (1826 1880)

Michelangelo Buonarroti .

Meleager and Atalanta. Meleager gives the head of the boar loved by him to Atalanta. Earlier Atalanta was injured by this boar.

Allegorical show Felix Meritis, Philippus Velijn, After Louis Moritz, 1827 print Allegorical representation on the 50th anniversary of Felix Meritis. A female figure is on a seat with a relief next to her with a Bijenkorf and the year 1777. In addition to her, an allegorical men's figure with wings that makes an image on an oval medallion. Behind them a round building with columns. At the bottom a Frisian with symbols of science and arts, such as books, caduceus, palette and brushes, winches, measuring instruments and globe. Netherlands paper etching / engraving symbolic representations, allegories and emblems ~ art; 'Arte' (Ripa). the liberal arts represented otherwise, e.g. by emblems, symbols. bee-hive (+ variant) Amsterdam

Ghent, Voet, Alexander (II), Antwerp, Rubens, Peter Paul, Cimon and Pero (Caritas Romana), verso lower left - stamped, Pero suckles her father Cimon during his captivity., print, prints, height 270 mm, width 318 mm, South Netherlandish, 1635 - 1695, print maker, printmaker, 1662 - 1695, paper, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher

Jupiter and Europe; Ceiling paintings of the Loggia di Galatea in the villa Farnesina in Rome. On a cloud party, Europe is decorating the corner of the bull with flowers. Jupiter, left depicted with his lightning bolts, was in love with Europe and visited her in the form of a bull to mislead her. In the background the Ram (Aries) sign from the zodiac. In the undermaster a two-legged fresh in Italian.

Freedom supported by reason protects innocence and crowns virtue Bernier and Louis-Simon Boizot. "Freedom supported by reason protects the innocence and crown virtue". Print.

Salomon Gessner, Figurine Seller with Two Girls, 1770 Figurine Seller with Two Girls

Lazio Rome Palazzo Mattei di Giove8. Hutzel, Max 1960-1990 Post-medieval: Painting, fresco painting, stucco, architecture. Antiquities: Roman sculptural and architectural fragments. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tamar and Absalom Cabanel, Alexandre, 1823-1889. still image. Reproductive prints. 1878. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Interiors, Distress, Revenge, Absalom, son of David, Tamar, daughter of David

unknown, Dyck, Anthony van, Antwerp, Pontius, Paulus, Vision of St. Hermann Joseph (version a), verso lower left - stamped, The Virgin Mary appears to St. Hermann Joseph of Steinfeld. She is flanked by two angels. In the foreground the saint's biretta and his attribute the rose. In the margin a five-line caption in Latin., print, prints, height 331 mm, width 262 mm, South Netherlands, 1603 - 1658-01-16, print maker, printmaker, 1616 - 1657, paper, papier, engraving, engraving (printing process), Flemish, Netherlands, 1599-03-22 - 1641-12-09, after, after painting by, granter of privilege

Figurine Seller with Two Girls. Dated: 1770. Dimensions: plate: 15.9 x 19.5 cm (6 1/4 x 7 11/16 in.) sheet: 27.9 x 38.4 cm (11 x 15 1/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Salomon Gessner.

Lucretia, Anonymous

Campania Caserta Caserta Palazzo Reale82. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Saint Mark writing his Gospel, a winged lion at the right 1531-76 Giulio Bonasone Italian. Saint Mark writing his Gospel, a winged lion at the right 385148

Laenas pulls a circle in the sand around Antiochus IV Epiphanes, Jurriaan Andriessen, 1752 - 1819 drawing paper. ink. graphite (mineral) pen / brush the consul C. Popilius Laenas, commissioned by the Roman senate to order Antiochus IV Epiphanes to abstain from war, with his staff draws a circle around the monarch and asks him not to go beyond it before answering

Portrait of Frederik Hendrik, Prince of Orange. Portrait of Frederik Hendrik. He is in a room with a weapon with a crown on the wall. There are three allegorical figures all around. An angel blows on a trumpet and a figure holds a laurel wreath above his head. In the middle under 'No. 47 '. At the bottom right 'pl. XIV '.

Drawing by an anonymous artist on brown paper with feather and white highlights depicting the biblical story of Joseph and the woman of Potiphar, showing figures in dramatic interaction.

Bacchanaal; Erotic scänes. .

Picart, Bernard, Amsterdam, Faith, Love and Hope on the clouds, verso - stamped, The three theological virtues Faith, Love and Hope are sitting on the clouds., print, prints, height 64 mm, width 86 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1717 - 1717, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process), intermediary draughtsman

PYRAMUS en Thisbe, Louis Desplaces, after Charles-Antoine COOPEL, 1697 - 1739 print Paris paper etching / engraving (story of) Pyramus and Thisbe - death

French crown, France, Heince, Zacharie, Bignon, François, Mythological figures at the water, St. Catherine with nereids, satyrs and fantastic animals in the water, verso - stamped, print, prints, height 130 mm, width 371 mm, 1620, print maker, printmaker, 1630 - 1720, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1611 - 1669-06-22, after design by, after, after painting by, granter of privilege

H. Maria Magdalena Gelegen in a grot, Claude between, 1629 - 1630 print paper engraving the penitent St. Mary Magdalene (often before a cave, possibly at La Sainte-Baume hill): her long hair covers her (naked) body, she reads, meditates or raises her tear-filled eyes towards heaven

Aristoteles en Phyllis, Pieter de Jode (I) (attributed to), after G. Congiet, 1588 - 1592 print Phyllis, stripped of her clothing, rides Aristotle who crawls around in a study migration. On the right a table, on which an earth and a sky, books, ink cooker, and a candlestick. Left in the background in the background Aristotle as a scholar. Antwerp (possibly) paper engraving Aristotle and Phyllis

Etching and copper engraving by Johann Georg Preißler from 1787, presenting the mythological story of Daedalus and Icarus.

Jupiter en Europa, Stefano Mulinari, After Baldassare Peruzzi, After Pietro da Cortona, After Rafaël, c. 1751 - c. 1790 print On a cloud party is Europe that decorates the horns of the bull with flowers. Jupiter, depicted on the left with his lightning bolts, was in love with Europe and visited her in the form of a bull to mislead her. In the background the sign ram (aries) of the zodiac. In the lower margin a two -way verse in Italian. print maker: Italyafter painting by: Romeafter drawing by: Italyafter painting by: Italy paper etching Europa and her maidens play with the bull, and/or adorn it with flowers. (story of) Jupiter (Zeus). attributes of Jupiter: thunderbolt. Aries (zodical sign of March)

Sketchbook Folio, The Holy Family with Saint Catherine; St. John the Baptist, after Guercino; St. George and the Dragon, After Alessandro Tiarini; Two Putti; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper; 30.7 x 23.3 cm (12 1/16 x 9 3/16 in.)

Madonna mit Kind und den Heiligen Hieronymus und Maria Magdalena, Holzschnitt nach einem Ölgemälde des italienischen Renaissancekünstlers Correggio aus der Zeit um 1528, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated 1f-4903295

Countryfolk from Ancient Greece Date: circa 500 BC

Kneeld man kisses the hand of a woman, Reinier Vinkeles (I), 1797 - 1802 print Amsterdam paper etching / engraving kneeling figure. kissing the hand (lovers). clock

Three figures grieve the death of a young man. Etching.

Old 18th century engraving from the book the adventures of Telemachus son of Ulysses by Francois de Salygnac 1767

Mier Queen Eleonora of Castilian; Bartolozzi, Francesco (1727-1815), Martin, William (1753-Ca 1831); 1764-1815 (1747-00-00-1815-00-00);England (Great Britain), Dembiński, Stefan (1887-1972), Dembiński, Stefan (1887-1972)-collection, Eleonora Castyliska (Queen of England-1241-1290), Dar (provenance), queen, historical scenes, death

Lot and his daughters, Jakob Frey (I) (Attributed to), After Domenichino, After William Kent, 1718 - 1719 print In the background a woman runs away from the burning cities of Sodom and Gomorra. With caption in Latin. paper engraving Lot and his daughters (Genesis 19:30-38). Lot's daughters make their father drunk. the destruction of Sodom and Gomorrah: Lot and his family flee to Zoar, carrying their belongings; an angel may be showing the way (Genesis 19:24-29). armorial bearing, heraldry

Joseph's Coat 1864-81 After Ford Madox Brown British, born France. Joseph's Coat 641667

Tomb of Louis XVI (TF)

Northern Netherlands, Lairesse, Gerard de, Netherlands, Resurrection of Christ, verso lower left - stamped, Christ floats out of the tomb with a palm branch in his hand. In the foreground two soldiers lie on the ground. On the right a soldier raises his sword and shield., print, prent, prints, engravings, height 187 mm, width 115 mm, print maker, prentmaker, 1655 - 1731, paper, papier, engraving, engraving (printing process), Work conception, 1641 - 1711

Hamlet and the Ghost of his Father. Artist: Adam Vogler (Austrian, Vienna 1822-1856 Rome). Dimensions: sheet: 16 3/8 x 21 1/4 in. (41.6 x 54 cm). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: mid-19th century.This dramatic nighttime subject, drawn from Hamlet (act 1, scene 4), shows the prince encountering his father's ghost outside Elsinore, the Danish royal castle. Restrained by his friend Horatio, Hamlet struggles to follow the spirit, who will later reveal that he was murdered and demand revenge. Vogler's composition responds to a painting that the Swiss artist Henry Fuseli created in 1789 for John Boydell's Shakespeare Gallery, which the younger artist would have known through prints (see 42.119.545). This finely drawn variation emphasizes the mysterious moonlit atmosphere and adds accurately detailed Renaissance costumes, a strategy in keeping with the historical Romanticism that Vogler learned at the Viennese Academy from the Na

Pierre Lélu drawing depicting three drunken bacchants, executed in graphite and ink with feather and Bister wash, mid-18th century.

Lycurgus en Numa Pompilius Geven de Romeinen de Wetten, Giovanni Battista Galestruzzi, After Polidoro da Caravaggio, 1625 - 1689 print The Spartan leader Lycurgus and of the Roman King Numa Pompilius hand out the laws to a crowd of Romans. print maker: Italyafter painting by: Rome paper etching (story of) Lycurgus, the Spartan. (story of) Numa Pompilius

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