Allegorical and Mythological Scenes

Artistic prints depicting mythological themes and allegorical representations, featuring intricate narratives and dramatic compositions from classical stories.

Amsterdam, Schenk, Leonard, Lairesse, Gerard de, unknown, Glauber, Johannes, Biblical, mythological and allegorical representations, Eendracht heeft wrath geketend: an allegory of eendracht, verso middle bottom - stamped, In the clouds Eendracht, with the cornucopia and with a bunch of arrows in her hand. Around her putti. She has the personification Wrath chained. In the foreground the personification of the river Ij. The print is after a ceiling painting by Gerard de Lairesse and is part of a series with biblical, mythological and allegorical representations., print, prent, prints, height 300 mm, width 198 mm, 1646 - 1726, print maker, printmaker, 1672 - 1726, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1641 - 1711, after a design by, after, after a painting by, Publication (Event), Publication, 1696-02-26 - 1767-06-11, publisher

The city of Lyon goes towards the Queen. .

Aeneas. Aeneas escapes overnight from the burning troy and carries his father Anchises. His son Ascanius runs behind him. In the undermaster twice a four-line German and Latin text. Publisher number 41.

Love; Mythological and allegorical performances. A man and a woman in an amorous hug in a landscape. They each hold a burning torch.

Father time slides aside a drapery and reveals the scene. History writes in a book. She is accompanied by putti with different attributes in the hands. The personal truth, a radiant sun above the head, points her in the background. There are two exotic exhausted people (Persians) With a dromedary and a black woman with an elephant. Flying in the air that blows the bazing garden with a laurel wreath in hand.

Allegory on the triumph of justice and truth, Georg Andreas Wolfgang, after Hans von Aachen, 1641 - 1716 print With caption in Latin. paper engraving Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. Truth; 'Verití' (Ripa). Cheat, Deceit; 'Fraude', 'Inganno' (Ripa). beasts of prey, predatory animals: lion. mask

Amsterdam, Schenk, Leonard, Lairesse, Gerard de, unknown, Glauber, Johannes, Biblical, mythological and allegorical representations, Eendracht heeft wrath geketend: an allegory of eendracht, verso middle bottom - stamped, In the clouds Eendracht, with the cornucopia and with a bunch of arrows in her hand. Around her putti. She has the personification Wrath chained. In the foreground the personification of the river Ij. The print is after a ceiling painting by Gerard de Lairesse and is part of a series with biblical, mythological and allegorical representations., print, prent, prints, height 300 mm, width 198 mm, 1646 - 1726, print maker, printmaker, 1672 - 1726, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1641 - 1711, after a design by, after, after a painting by, Publication (Event), Publication, 1696-02-26 - 1767-06-11, publisher

Allegorical performance with wind dealer, reason and caution; Mirror of the reason for the desiratory actionists; The great scene of foolishness. A wind dealer who is about to stick to the chest with a dagger is kept a mirror by the personification of the reason. In the background the caution with a shield labeled y (= the IJ in Amsterdam) stops the wind trade.

The Damned. Dated: 1798/1800. Dimensions: sheet: 41.1 x 32.3 cm (16 3/16 x 12 11/16 in.) (trimmed within plate mark). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Carl Wilhelm Kolbe.

Martyrdom of St. Sebastian ca. 1600 Jan Muller Netherlandish. Martyrdom of St. Sebastian 374038

The Assumption of the Virgin 1751 Francesco de Mura Italian The Neapolitan late-Baroque master Francesco de Mura executed three major ceiling paintings representing the Assumption of the Virgin, all of them strongly influenced by the example of his great master Francesco Solimena (1656-1747). The first of these was an Assumption painted about 1727 on the vault of the sacristy of the Annunziata in Airola, near Benevento for which an oil sketch is in the Pio Monte della Misericordia, Naples. In 1737 De Mura signed and dated a ceiling painting on canvas destined for a church in Gallipoli and now in the episcopal palace of that city. Domenica Pasculli Ferrara cites three oil sketches for the Gallipoli Assumption. In 1986 Lawrence Turčic identified a pen and wash drawing by De Mura in the Louvre as a study for the Gallipoli picture; the Louvre drawing had been classified as a work of the studio of Francesco Solimena (Inv. 9787-1, see Monbeig Goguel and Vitzthum 1967, no. 83).The most ambiti

Jupiter, Neptune and Pluto offer their crown to the arms of Cardinal Scipione Borghese; Le Quos ego. Jupiter is sitting on a car drawn by the air by two eagles. Pluto stands on a burning car that is pulled over the country by two fire-breathing horses. Neptunus stands on a large shell that is pulled by the sea by two hippocamps. The three gods offer their crowns to the putti in the air around the arms of Cardinal Scipione Borghese. At the bottom right of an empty coat of arms.

Hendrick Goltzius copper engraving depicting Peneus with surrounding deities, created in 1589, representing mythological figures.

Apollo en de Muzen op de Parnassus; Titelpagina voor: Giovanni Delfino, Parnaso del' Em mo Cardinal Delfino, 1730.Apollo with his winch amid the muses on the parnassus. One of the muses is on the beach and receives a book from the mouth of a dolphin. In the background the winged horse Pegasus. Flying in the air. Title page for the book Parnaso (Parnassus) of the writer and Cardinal Giovanni Delfino, whose surname Dolfijn means.

Simpson, Edward.

Amsterdam, Wolfgang, Abraham, Nederland, Santvoort, Abraham Dircksz., Winged creatures above soldiers, Netherlands, verso middle right - stamped, Soldiers stand at a broken, laid table. They point their weapons upwards where three winged, female creatures are flying. One of them drinks from a jug., print, engraving, book illustration, prints, engravings, height 111 mm, width 64 mm, Noord-Nederlands, 1634 - 1669, print maker, printmaker, 1668 - 1668, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher

. King Henry IV of France and Navarre attracts to Paris, on horseback. On the clouds, faith shows a cross and blows the fame on her trumpet. Top left: Chant 10th. At the top right: Page 85.

Putti playing on a globe, Pieter Tanjé, After Louis Fabritius Dubourg, 1716 - 1761 print Play Putti and fight on a globe. In the foreground, a putto goes off with a crown and scepter. Amsterdam paper etching / engraving cupids: 'amores', 'amoretti', 'putti' (+ aggressive, unfriendly activities and relationships). crown (symbol of sovereignty). sceptre, staff (symbol of sovereignty)

Neptunus controls the flood, Philip van Gunst, After Abraham Bloemaert, After Jacob de Wit, after Godfried Maes, 1685 - 1732 print Neptunus and his entourage pop up from the sea. Neptunus is seated on a shell that is drawn by seahorses. A few putti fly in the air. Neptunus puts an end to the flood that ravaged the world. Amsterdam paper etching / engraving offspring, companion(s), train etc. of Neptune

Venus visits the meeting of the Gods; Adventures of Telemachus. In the meeting of gods, Venus asks Jupiter to destroy Telemachus. Jupiter trests together with his wife Juno on a cloud and hears Venus. Left Views Hercules surrounded by allegorical figures. Illustration manufactured at book 9 from "Adventures of Telemachus", written by François de Fénélon.

The winged archangel Saint Michael holding a sword and standing on the head of the devil, who descends into hell, an oval composition, after Reni 1600-1640 Anonymous, 17th century After a painting by Reni. The winged archangel Saint Michael holding a sword and standing on the head of the devil, who descends into hell, an oval composition, after Reni 397018

Art of pharmacy; Arte Dello Spetial. An allegorical performance with a woman sitting on an island. A sun appears on her chest. The woman packs jewelry from a shell that is provided by a nereïde. On the left a Sater and an older woman. In the background a palm tree and two putti with banderoles in the air. At the bottom of the title and pharmaceutical objects.

Howard, Earl of Arundel and Surrey, Thomas Eraser: Hollar, Wenzelenter: Schut, Cornelis (1) Publisher: Born, Hendrik van der (the younger)

Fire ca. 1748 Jean Daullé French. Fire 394374

Noord-Nederland, Wandelaar, Jan, Last Judgement, verso lower left - stamped, Christ enthroned in heaven. In the foreground people rise from their graves. Two angels with trumpets separate the blessed and the damned. Top right: pag: 369., print, book illustration, prints, height 148 mm, width 87 mm, Noord-Nederlands, 1690-04-14 - 1759-03-26, print maker, printmaker, 1725 - 1725, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Personification of the arts at her writing table, Simon Fokke, 1722 - 1784 print The personification of the arts is at a writing table and is crowned by a trumpet -blazing putto with the eternity symbol: a snake that bite into its own tail. A rooster runs at her foot. In front of the writing table is a woman with spear and two wings on her head. On a banderole above the show the text: L. Smitthii Messis Aurea, et Theographia. Amsterdam paper etching Fame ~ writer, 'poeta laureatus'. serpent Ouroboros. writing-table, writing-desk

The Giants Climbing the Heavens. Hendrik Goltzius (after) (Holland, Mülbracht, 1558-1617)Hendrik Goltzius (Netherlands, Mülbracht now Bracht-am-Niederrhein, 1558-1617). Holland, published 1589. Prints; engravings. Engraving

Title page of Prosper Marchand, Histoire de l'origine de l'imprimerie, 1740, Title page of 'Histoire de l'origine de l'imprimerie' by Prosper Marchand, 1740. On a cloud is a personification of the printing press with a printing press. It is flanked by Minerva and Mercury. Among them are personifications from Germany, Holland, England, Italy and France. They carry portraits of people who have been important for the printing press., Printing press, Minerva as patroness, (story of) Mercury (Hermes), Johannes Gutenberg, Aldus Manutius, Laurens Janszoon Coster, Jacob van der Schley (mentioned on object), paper, engraving, h 219 mm × w 162 mm

Jupiter agrees to IO; Ovidius' metamorphoses. Jupiter agrees to IO. On the left in the background, Io has changed in a cow by Jupiter. Juno approaches the couple in a weapon pulled by peacocks, and intersects her husband over the animal. Under the show twice two lines of Latin text. This print is part of a series of 52 prints that depicting stories from Ovidius' metamorphoses. This series varies in three numbered series: two of 20 prints and one of 12 prints. This print belongs to the first series.

Antwerp, Schut, Cornelis (I), Eynhoudts, Remoldus, Martyrdom of St. George, below, outside the plate edge - handwritten, Saint George, on a scaffold, surrounded by soldiers, men with instruments of torture and spectators. In the foreground lies his clothing and above him, in the air, an angel, surrounded by putti, holds a laurel wreath and a palm branch. Below the representation a handwritten Dutch inscription., print, engraving, prints, engravings, verso - stamped, Ici la piece dont la peinture principale et originale faict par le Sr. Cornille Schut dressed and estably sur l'autel du chtr St. Georges en l'eglise ed nre Dame en la Ville d'Anvers, Contre la quelle le Sr. Willeboorts peintre decurant auditt Anvers S'auort () Venti affair ... piece de plus d'extime et remarque Lesquel on est Jugers, et aimy condemm lediet Sr. Willeborts non fondee contre celle cy dessus, Dont par Instanats et Supplications enfaits ledit Sr. Schut at consinty que laditt piece faict par ledit Sr. Willeboort

Gabriel Jacques de Saint Aubin, Allegorie des mariages faits par la ville de Paris a la naissance du Duc de Bourgogne, 1751 Allegorie des mariages faits par la ville de Paris a la naissance du Duc de Bourgogne

The raven Corvus catches Coronis, Apollo's lover, being unfaithful. When he wants to report this to the god, he is warned of his plan by the crow Cornix. Beneath the depiction are two lines of Latin text. This print is part of a series of 52 prints depicting stories from Ovid's Metamorphoses. This series is divided into three numbered sets: two of 20 prints and one of 12 prints. This print belongs to the second series., Corvus catches the girl Coronis Ovid's Metamorphoses (series title), print maker: Hendrick Goltzius, (workshop of), Hendrick Goltzius, Franco Estius, Haarlem, 1590, paper, engraving, h 176 mm × w 255 mm

Peace Driven by War, Simon Fokke, 1780 - 1782 print The personification of peace flees with her palm branch when the war pursues her, with the help of diabolical figures, with shield and sword. Mercury flies away in the air. Amsterdam paper etching symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). symbols, allegories of war; 'Guerra' (Ripa). devil(s) and demons. attributes of Mercury

Four boys and a putto in a landscape, Lorenzo Penni, After Ercole Seti, c. 1560 - c. 1580 print Four boys with a book and a putto in a landscape. Centrally at the bottom of a cartouche with eight -line fresh in Italian. paper engraving children's games and plays. cupids: 'amores', 'amoretti', 'putti'. child

Allegorical show with Hercules that trampled Amor; Title Present For: Jean de la Bruyère, Les Caracteres de Theoph reset, 1731. Personification of moderation is sitting with her horse steam next to Minerva on a cloud. Together they try to raise the figures on the ground. To the left of the cloud is a man who wants to go to body and minerva with a sword. In the foreground Hercules is at the pride: a naked woman with a peacock in the poor. Hercules kicks Amor against the ground. In the foreground is a card game and a winged devil figure is on a bag of money. In the margin a seven-line verse in French.

Aeneas rescues his father Designs for paintings with episodes from The Aeneas (series title), draughtsman: Mattheus Terwesten, 1600 - 1604, paper, pen, brush, h 185 mm × w 149 mm

Amsterdamse stedenmaagd omringd door putti.At an increase, the Amsterdam townsmad is located with the coat of arms of Amsterdam. She has stretched out her arm to the cornucopia that is held by a putto with winged helmet. To the right of her a putto flies with a crown in his hands, a putto kneel with a book on a pillow. Upstairs in the air is blown through a putto that holds a medallion with the depicting of a sailing ship.

Minerva and the arts for a throne figure; Title page for: Hubert Kornelisz Poot, the Groot Nature and Zedekundigh World Theater, 1743.Minerva and Personifations of the Arts Stand for a Woman with a Passer in Her Hand That Goes Up on a Pedestal with the Title of the Book. In Heaven The God's On A Cloud With Prominent In The Middle Apollo Playing On The Lier.

Corvus caught the girl Coronis, Hendrick Goltzius (workshop of), After Hendrick Goltzius, 1590 print The Raaf Corvus catches Coronis, beloved of Apollo, on unfaithfulness. If he wants to report this to the God, he is warned before his plan by the crow Cornix. Two times two lines of Latin text under the performance. This print is part of a series of 52 prints that represent stories from Ovid's metamorphoses. This series falls into three numbered series: two of 20 prints and one of 12 prints. This print belongs to the second series. Haarlem paper engraving a white crow sees Coronis' infidelity and tells Apollo about it

Amsterdam, Luyken, Caspar, The angel shows Hagar a well in the desert, verso - manuscript in brown ink, print, prints, verso - stamped, 24, height 113 mm, width 148 mm, Noord-Nederlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings

Children's murder in Betlehem, top left, Anonymous, After Paulus Pontius, after Peter Paul Rubens, 1668 - 1693 print Fragment of the children's murder in Bethlehem. A big slaughter takes place near Herod's palace. Soldiers pull children out of the arms of desperate mothers to kill them with swords. Three angels watch from the air. after print by: Antwerppublisher: Amsterdam paper engraving the massacre of the innocents

Odysseus sacrifices the gods, Theodoor van Thulden, After Francesco Primaticcio, 1632 - 1633 print Odysseus and other Greeks sacrifice to the gods as a thank you for the fall of Troy. Ships are ready for departure. Paris paper etching / engraving the Greeks divide the spoils and sacrifice to their gods

Allegory on the Death of the Earl of Arundel ca. 1646 Wenceslaus Hollar Bohemian. Allegory on the Death of the Earl of Arundel 361584

Sacrifice of Isaac, Willem van Haecht (II), 1603 - 1637

The world; That does / mundus. Allegory of the world surrounded by Rocaille frame. Diogenes crawls from a globe with a book and a lantern. Above him, a personification of time, a winged man with a passer, a scream and a cloth overlooked by four people from various descent. In the undermaster twice a four-line German and Latin text. Publisher number 28.

Female personification of Geography on chariot and continents America, Africa, Asia and Europe, Cornelis van Dalen II, 1648-1664.

Kidnapping on a unicorn, by Albrecht Dürer, around 1500, Germany, historical, digitally restored reproduction of a template from the 19th century, Record date not stated 1f-4913392

Naissance de Bacchus (Birth of Bacchus) 18th century Pierre Alexandre Aveline French. Naissance de Bacchus (Birth of Bacchus) 414311

Perseus and Andromeda; Mythological performances in landscapes. Sitting on Pegasus brings forward to the sea monster under him with his sword. Putti stands around the Andromeda killed on a rock, while Amor releases her fascinations. Her desperate parents are looking at the beach. A city in the background with a pyramid. Under the image an explanatory text in French. Scene from Ovid 'Metamorphoses (with. IV, 665-739) and Philostratus' Images (Im. I 29).

Hammerschmid, Johann Florian .

Title page for the Europische Mercurius of 1733, 1733 print Title page for the Europische Mercurius, for the year 1733. Mercury and soldiers at a travel car, in the clouds of angels with a crown, in the distance Warsaw. Refers to the coronation of August III to King of Poland in 1733. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving Warsaw

Carracci, Annibale, Paris, Picart, Bernard, Triumph of Galatea, The sea nymph Galatea stands on a shell and is pulled along by a seahorse. She is surrounded by tritons and nereids. Two putti are flying in the air., print, engraving, prints, engravings, height 233 mm, width 290 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1683 - 1733, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, Italian, 1560-11-03 - 1609-07-15

Soil; Terra; The four elements. In a landscape, five putti carry a garland from leaves and fruits. Putti also fly with a garland in the air. Print from a series of the four elements.

Depicts the title page of the libretto 'Il Corradino' by Antonio Caraccio, created as an etching by Robert van Audenaerde, showing decorative elements and text layout.

The Roof of Europe, Remoldus Eynhoudts, After Cornelis Schut (I), 1626 - 1680 print Jupiter, in the form of a bull, kidnaps Europe on its back through the sea. In the water and on the beach in the background Europe's desperate service. Under the show a inscription in Latin. Antwerp paper etching Jupiter, usually in the shape of a white bull, abducts Europa and carries her across the water

Apotheosis of the Arts 1597 Jan Muller Netherlandish In 1597, while the army of Rudolf II, the Holy Roman Emperor, was engaged in a drawn- out war with the Ottoman empire, Jan Muller engraved this astonishing, monumental allegory of Architecture, Painting and Sculpture. The three sister arts are shown as impossibly long-limbed, elegant female nudes, lifted up by the figure of Fame, and carried along a twisting ladder of clouds to reach the court of Zeus on Mount Olympus. In the lower, terrestrial portion of the composition is a troop of soldiers from the Rudolfs imperial army, whose banners are visible above the billowing clouds. They are the defender of the Arts against the Ottoman troops, seen in the lower right corner. To further reinforce idea of a civilized and cultured European society, noble men and women and Christian church figures are pictured together at the lower left observing artists from the three fields at work. The Apotheosis of the Arts is after a design by Bartholom

Regne, dit-il, triomphe, et sois en tout mon fils. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Jean Charles Levasseur after Hubert François Gravelot.

'Perseus Delivering Andromeda', 1775. Artist: W Walker

Martyrdom of St. Lawrence. Cort, Cornelis (1533-ante 1578), graphic artist, Tiziano Vecellio (ca 1488-1576), draughtsman, cartoonist

François Verdier drawing of Neptune leaving Amymone, created with black chalk, gray wash, and white heightening, supplemented multiple times.

Bacchus lifts a cloth from a sleeping woman. Bacchus lifts a cloth from a sleeping naked woman; Next to her are two putti.

Triumphal of Willem van Oranje, Plate D; Currus Triumphalis Illustris / Triumphal of Willem van Oranje. Sodcomber representation of the virtues of Prince Willem van Oranje. Same trailer in which the prince and the Dutch lion sit. Above the Prince, the eternal memory drives the envy. In addition to the car, other personifications of virtues. Many princes of orange on horseback ride behind the car. Explanation in Latin above figures, Dutch translation at the bottom.

unknown, Soutman, Pieter Claesz., Rubens, Peter Paul, Royaal Bijbel, Sanherib, King of the Assyrians, verso lower left - stamped, King Sanherib flees the Assyrian army camp with a small company on horseback, where an angel sent by God kills his troops in order to help King Hezekiah and the inhabitants of Jerusalem. In the margin below the image the Bible verse 2 Kings 19., print, engraving, prints, engravings, 106, recto lower right - handwritten in brown ink, f. 5, verso lower right - handwritten in pencil, height 376 mm, width 467 mm, Noord-Nederlands, 1601 - 1657-08-16, print maker, printmaker, 1616 - 1657, paper, papier, etching, etchingsen, engraving (printing process), Zuid-Nederlands, 1577-06-28 - 1640-05-30, after, after painting by, Work conception, after design by, Publication (Event), Publicatie, publisher, uitgever van, granter van privilege

Healing of Naäman, Caspar Luyken, 1708 print Amsterdam paper etching Naaman comes to the Jordan, dips himself seven times and is cured

. Mercury coast and embraces the Nymph Lara. On the ground is his staff, the caduceus. Sandwich in Latin.

Sending Épouvantagni Rubens (Dutuit 25, p. 33) Pieter Claesz Soutman. Sennacherib terrified, according to Rubens (Dutuit 25, p.33). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.

Antwerpen, Merlen, Theodor van (II), Leeuwenjacht, Antwerp, verso - stamped, print, prent, prints, prenten, height 88 mm, width 123 mm, 1609-10-14 - 1672-08-07, print maker, prentmaker, 1619 - 1672, paper, papier, engraving, engraving (printing process)

The Last Judgment, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 13. Artist: Willem van Swanenburg (Netherlandish, ca. 1581/82-1612); After Joachim Wtewael (Netherlandish, Utrecht 1566-1638 Utrecht). Dimensions: Sheet: 12 3/16 × 15 1/16 in. (30.9 × 38.3 cm). Publisher: Christoffel van Sichem I (Netherlandish, 1546-1624). Series/Portfolio: Thronus Justitiae, tredecim pulcherrimus tabulis.... Date: 1606.This print is from a set of 13 plates depicting "pictures of justice", with scenes from the Bible, history, and legend. The prints are executed by Willem Swaneburg after designs by Joachim Wtewael. The prints were first published by Christoffel van Sichem in 1606. Museum: Metropolitan Museum of Art, New York, USA. Author: Willem van Swanenburg. After Joachim Wtewael.

The silver century; Metamorphoses from Ovid. Imagination of life during the silver century: scarcely dressed men teams, sowing and build cabins. In the clouds the God Jupiter. On the right the Goddess Ceres with a cornucopia. In the undermarge a four-line explanation, in two columns, in Latin.

Minerva kidnaps a young man, Lambert Visscher, after Pietro da Cortona, 1643 - 1691 print Minerva removes a young man from the arms of the personification of the naked truth. A putto tries to withdraw him. Other allegorical figures watch the scene. paper engraving (story of) Minerva (Pallas, Athena). abducting. Truth; 'Verità' (Ripa) (+ abstract concept represented by female figure)

Three Roman Emperors. Herman Jansz. Muller (Holland, Amsterdam, circa 1540-1617). Holland, 1567. Prints; engravings. Engraving

Amsterdam City Peacard Surrounded by Putti, Simon Fokke, 1725 - 1766 print On an elevation is the Amsterdam city virgin with the Wapen van Amsterdam. She has stretched her arm to the horn of abundance that is held by a putto with winged helmet. To the right of her, a putto with a crown flies in his hands, a putto with a book on a pillow kneels in front of her. At the top of the air the trumpet is blown by a putto that holds a medallion with the image of a sailing ship. paper etching personification of a city, town-patron(ess). cupids: 'amores', 'amoretti', 'putti' Amsterdam

Johann Tribus created a ceiling painting of the Triumph of St. Benedict in the prelature of Melk Abbey, using lead handle, spring, and brush with laved technique, depicting the saint and religious figures.

Georg Andreas Wolfgang, the Elder, Jove and the Gods, 1665 Jove and the Gods

Title page for the leaflet: the dispute between the Fransche Haan, and Lomard Hens, goes through Jupiter, 1701; The dispute between the Fransche Haan, and Lomard Hens, goes through Jupiter; Esopus in Europe. At the request of the Hens (Lombardy), Jupiter sends an eagle to attack the rooster (France). Title is on separate text sheet.

Vos, Maerten de, Netherlands, Bruyn, Nicolaes de, From creation to expulsion from paradise, Expulsion of Adam and Eve from paradise, Expulsion from Paradise, verso center - stamped, Adam and Eve are expelled from paradise by an angel with a flaming sword. In a medallion with an inscription of a Bible text in Latin from Genesis 3, within a rectangular frame., print, prints, height 131 mm, width 124 mm, South Netherlands, 1571 - 1656-10, print maker, printmaker, 1581 - 1656, paper, papier, engraving, engraving (printing process), stipple engraving, Work conception, 1532 - 1603-12-04

Sadeler, Raphaël (I), Johann (I), Vos, Maerten de, München, Sylvae Sacrae Monumenta, Male Hermits and Recluses, Saint Amatus of Remiremont as a Hermit, verso lower left - stamped, Saint Amatus of Remiremont, a French hermit from the sixth century AD, at a hut in a mountainous landscape. He is on his knees and praying to God. On the left a bird steals his water jar and knocks it over. In the air a devil throws a stone down. In the background on the right the hermit is fetching water from a pump., print, prent, prints, width 196 mm, height, 162 mm, Zuid-Nederlands, 1560, print maker, printmaker, 1594 - 1594, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, 1550 - 1600-08, publisher

BERONICIUS on the Parnassus crowned by Apollo; The chimney sweep and scarcelyper triumphs in Beronicus, Dien Phoebus laurlers here; Title page for: Petrus Johannes Beronicius, P.J. BERONICII Georchchontomachia (...), 1766.The Poet, Chimney Sweep and Scissors Sharpener Petrus Johannes BERONICIUS On the Parnassus Crowned by Apollo. Down books and attributes of the chimney sweep and scissors.

Table of the Temple des Muses, Perseus (Dutuit 36, White 129) Cornelis II Bloemaert, said the young person (1603-1692). Table of the Muses Temple, Perseus (Dutuit 36, White 129). Burin, 1655. Museum of Fine Arts in the city of Paris, small palace.

The Resurrection. Galle, Philips (1537-1612), graphic artist, Bruegel, Pieter, I (ca 1525-1569), draughtsman, cartoonist, Cock, Hieronymus (ca 1510-1570), publisher

Table of Museum Temple: Prometheus (Dutuit 36, White 96) Cornelis II Bloemaert, said the young person (1603-1692). Table of the Museum Temple: Prometheus (Dutuit 36, White 96). Burin, 1655. Museum of Fine Arts in the city of Paris, small palace.

Fifth day of creation: God creates fish and birds, Nicolaes de Bruyn, after Maerten de Vos, 1581 - 1656 print Fifth day of creation: God creates fish and birds so that the water is teeming with the living things and birds fly along the heavenly vault. In medallion with a Bible text in Latin from Genesis 1, within rectangular frame. Netherlands paper engraving creation of birds and fishes

Sadeler, Johann (I), Munich, Antwerp, Vos, Maerten de, Creation of the world, Creation of light and darkness, verso left - stamped, God the Father hovers on a cloud: above him is light, below him darkness. On the first day of creation God created light and darkness. The print has a Latin caption., print, prints, height 195 mm, width 252 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1588 - 1600, paper, papier, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, publisher, uitgever, schrijver

MANIUS CURIUS DENTATUS Roman general and consul, in action against the foe - maybe the Samnites, maybe the Sabini, maybe the Senones, or even Pyrrhus and the Lucani. Date: circa 290 BCE

Vatican City, Raphael, Italy, Borgianni, Orazio, Paintings in the Loggia of Raphael, God warns Isaac not to go to Egypt, verso - stamped, Isaac is kneeling in a landscape. God appears before him, warning him not to go to Egypt. On the left a woman under a tree., print, prent, prints, prenten, height 159 mm, width 186 mm, 1578 - 1616-01-11, print maker, prentmaker, 1615 - 1615, paper, papier, etching, etchings, 1483-04-07 - 1520-04-07, after a painting by

Amsterdam, Picart, Bernard, Title page for: HA Chatelain, Atlas historique, ou Nouvelle introduction, 1719, Allegorical representation with the personifications of Asia, Africa and America; Mercury floats in the air, verso lower left - stamped, Landscape with the personifications of Asia, Africa and America, three of the four continents, with their attributes. A woman (Hope) accompanies them. Mercury flies in the air. In the margin a fourteen-line caption, in three columns, in French., print, engraving, title page, prints, engravings, The personifications of the three continents Asia, Africa and America gather around a woman with an incense burner in her hands. In the air Mercury, patron saint of travellers and trade. On the right in the background the ships with which the world's oceans are sailed. The print is part of an album., height 409 mm, width 253 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1719 - 1719, first quarter 18th century, paper, papier,

Zebulun, from the series The Twelve Patriarchs 1550 After Maarten van Heemskerck Netherlandish. Zebulun, from the series The Twelve Patriarchs 405303

Decius mouse stuurt de lictoren weg, Gustav Adolph Müller, after Peter Paul Rubens, after Domenico Mainardi, 1759 print paper engraving / etching (story of) Decius Mus. horse

Etching and copper engraving by Laurent Cars between 1719 and 1771 depicting an allegory featuring Louis XV.

Allegory with history that writes history, Bernard Picart, 1726 print Allegorical performance, unveiled by father Time, with history surrounded by a crowd of characters that symbolize the different continents. She is accompanied by geneology, which shows her a pedigree, chronology, with tablet in her hand, geography, who draws the world map with her passer and Mnemosyne, the goddess of memory, who points to Diogenes. In the foreground the personifications of the arts with their attributes. Left in the background Adam and Eva, Mohammed, Moses and Aaron. On the right in the background monuments including the colossus of Rhodes, the tower of Babel, Golgota, Pyramids and the Temple of Solomon. In the clouds a meeting of the Olympic gods. In the margin a nine -based caption in French. Amsterdam paper etching / engraving Father Time, man with wings and scythe. 'Historia'; 'Historia' (Ripa). continents represented allegorically. Mnemosyne. family lineage, pedigree, genealogical tree or table.

Panorama Van de Stad Rome, Giuseppe Vasi, 1765 print Part of a panorama of the city of Rome, seen from the Janiculum Heuvel. Explanatory list of numbers in STUDMARGE. Rome paper etching panorama, cyclorama. city-view in general; 'veduta' Rome

Landscape with Apollo haunting the fleeing Daphne. Her raised arms get already branches and leaves and her feet shoot root. Above them in the clouds Amor with his arrow and bow.

Giovanni Domenico Tiepolo, The Stoning of Saint Stephen The Stoning of Saint Stephen

De Smidse van de Cyclopen, Cornelis Cort, After Titian, 1572 print The Cyclopes are forging in the blacksmith's weapon. Four Cyclopes hit the anvil with hammers. Another takes iron from the fire. A lion looks at the working cyclopen. paper engraving (story of) Cyclopes as fellow blacksmiths of Vulcan, in the god's forge

Allegory at birth of Willem III, Prince of Orange-Nassau in 1650. Allegory at birth of Prince Willem III, Prince of Oranje-Nassau in 1650. In a crib, the prince is surrounded by, among others, Minerva and Venus and Amor. In the air, fame blows on a praise stuff and wear small angels symbols of the future power of the newborn. In the landscape in the background a face on the Vijverberg with the Binnenhof in The Hague. Verse in four lines in cover.

The angell. Prints. 1635. Rare Book Division. Angels

The Triumph of Fame from The Triumphs of Petrarch ca. 1548-49 Attributed to Dirck Volckertsz Coornhert Netherlandish. The Triumph of Fame from The Triumphs of Petrarch 408285

Table of virtues and vices of antiquity: giants (Dutuit 36, white 92) Cornelis II Bloemaert, said the young person (1603-1692). Table of virtues and vices of antiquity: giants (Dutuit 36, white 92). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.

KinderMoord you Bethlehem, Giles Sadeler (2), after Jacopo Tintoretto, 1580 - 1629 print In the streets of Bethlehem, mothers try to protect their children against the soldiers of Herod. The soldiers have been instructed to kill all boys of two years and younger. The print has a Latin caption with an explanation. unknown paper engraving the massacre of the innocents

Italy, Tempesta, Antonio, The Conversion of Paul, verso - stamped, Paul (Saul) falls from his horse when God, surrounded by a group of angels, appears in the sky and blinds him with a bright light. His soldiers are also frightened and take flight., print, prints, height 365 mm, width 477 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etchings, Work conception, after own design by

of 3