Allegorical and Mythological Scenes

Engravings illustrating battles and allegories of victory, combining mythological and historical themes in dramatic compositions.

Italy, Raphael, Bonasone, Giulio, Battle of the Milvian Bridge, verso - stamped, Battle scene in a landscape: Battle of the Milvian Bridge. Constantine's soldiers fighting Maxentius' soldiers. Dead bodies and horses lie on the ground. Two figures with swords float in the air., print, prent, prints, height 374 mm, width 457 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, papier, etching, engraving, engraving (printing process), Work conception, 1483-04-07 - 1520-04-07

Victories with the arrival of Willem III, 1674 print Victories with the arrival of Willem III. The unity of the Union is being restored, the people flows into the temple. On the right William III preceded by personifications of his office as Stadholder and Captain General. On the left the heroes who fought the Dutch victories on the enemy: De Ruyter, Tromp and Van Nes. The victory is allegorically depicted centrally. Allegory of the political situation in the Republic in the year 1674. Numbered at the top right: 5. Amsterdam paper etching / engraving Netherlands

Melancholie, Hieronymus Leaders, After Maerten de Vos, After Raphaël Saddleer (I), 1600 - 1615 print paper engraving melancholic temperament

The Battle with the Cutlass. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Agostino dei Musi after Raphael.

Bacchus helps the gods in their battle against the Titans. Book illustration for: praise of bacchus, 1616.

Martyrdom of Saint Catharina, Claude Vignon, 1603 - 1670 print France paper etching the virgin martyr Catherine of Alexandria; possible attributes: book, crown, emperor Maxentius, palm-branch, ring, sword, wheel

Triumph of the king; Triumphs. A king is worn in Triumph by wisdom and justice. In front of the procession, theft, war, booty and poverty. The landscape fought and houses are on fire. Peace, trade and agriculture are walking behind the king. Built in the background and the land is edited. Under the show a four-line verse in Latin.

A 1607 etching by Sisto Badalocchio showing the biblical scene of the crossing of the Red Sea, with Moses leading and waters parted.

Allegorical representation of peace. A man with a scepter in hand is crowned by abundantia with a flower wreath, while Caritas sprays him with her milk. Invidia or poverty crawls away under their feet. Dismormity is fascinated by a putto. A dog looks. Above them FAMA is flying next to her, sitting on a cloud, Justitia. Putti stand and play on the ground and in the air. In the background a representation of a garden with fountain, galleries and bercea.

Jupiter and Juno being received in the heavens by Ganymede and Hebe, from the 'Division of the Universe' 1531-76 Giulio Bonasone Italian. Jupiter and Juno being received in the heavens by Ganymede and Hebe, from the 'Division of the Universe' 392627

Italy, Raphael, Bonasone, Giulio, Battle of the Milvian Bridge, verso - stamped, Battle scene in a landscape: Battle of the Milvian Bridge. Constantine's soldiers fighting Maxentius' soldiers. Dead bodies and horses lie on the ground. Two figures with swords float in the air., print, prent, prints, height 374 mm, width 457 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, papier, etching, engraving, engraving (printing process), Work conception, 1483-04-07 - 1520-04-07

France, Lafage, Raymond de, Paris, Ertinger, Franz, Moses Strikes Water from the Rock, verso - stamped, Moses strikes water from a rock with his staff, so that the Israelites can drink. Num. 20:1-13., print, prent, prints, prenten, height 435 mm, width 305 mm, 1640, print maker, prentmaker, 1652 - 1707, paper, papier, etching, etsen, Frans, 1656-10-01 - 1690-11-04, intermediary draughtsman

Bacchus helps the gods in their battle against the Titans. Book illustration for: praise of bacchus, 1616.

Clair-obscur woodcut in four plates by Ugo da Carpi depicting the Bethlehemitic child murder, showing figures, action, and narrative composition.

Flora gives a wreath. Flora gives a wreath to a woman who knew before her in a vineyard. They are surrounded by different figures, including Amor. On the right a man and a boy at a tree. There is a Nymph in the foreground.

Thetis and Chiron in conversation, Georg Pencz, 1543 print Thetis and the Centaur Chiron in conversation for a cave. Near them is Hercules with a lion skin and Achilles with bow and arch. paper engraving (story of) Chiron

Mars; Gods that sit on the seven planets. Mars with his arms equipment. In the air a lobster and on the ground a ram, they depict the two constellations.

Mars and Rhea Silvia: in the centre Mars holds a shield and sword, Rhea Silvia sleeping, Apollo in his chariot upper left ca 1531-76 Giulio Bonasone Italian. Mars and Rhea Silvia: in the centre Mars holds a shield and sword, Rhea Silvia sleeping, Apollo in his chariot upper left 392924

Hooghe, Romeyn de, Netherlands, Esopus in Europa, De Spaansche Carravaan, Title page for the pamphlet: De Spaansche Carravaan, 1702, A muleteer with large spectacles is startled at the sight of a Spanish nobleman on horseback, in the foreground a tortoise and a snail. Cartoon about the sending away of the French court retinue that accompanied Philip V on his journey to Spain. Title is on separate text sheet., print, title page, prints, height 100 mm, width 136 mm, height 44 mm, width 128 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1702 - 1702, first quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

The triumph of the arts through the patronage of Francesco Maria Febei. Etching by P. Aquila, 167-.

Victoria Surrounded by Prisoners andTrophies. Artist: Frans Floris the elder, Flemish, ca. 1519-1570

Aeneas fleeing Troy, with a group of six figures leaving the city at left, Aeneas carrying his father Anchises on his back, followed by his wife Creusa and his son Ascanius, two servants at far left 1728 Anton Joseph von Prenner. Aeneas fleeing Troy, with a group of six figures leaving the city at left, Aeneas carrying his father Anchises on his back, followed by his wife Creusa and his son Ascanius, two servants at far left. Anton Joseph von Prenner (Austrian, Wallerstein 1683-1761 Vienna). 1728. Etching. Prints

Horse battle with chariot; Joshua fights against the Canaanites and Philistines. Men with swords compete on horseback. A Roman chariot in the distance. The performance is used, among other things, as an image of the conquests of Joshua (Josh 11) and the barrack campaign against Jabins army leader Sisera (ri. 4). The print is part of an album.

A drawing by François Verdier illustrating the myth of Apollo and Daphne, rendered in brown ink with wash, chalk, white highlights, and reddish traces.

The mutilated corpses of the De Witt brothers on the scaffold, 1672, Anonymous, After Romeyn de Hooghe, 1672 - 1699 print The mutilated corpses of the De Witt brothers on the scaffold, 1672 Netherlands paper violent death, being killed; being mishandled and maltreated; seeking death (+ death by lynching) The Hague

The Triumph of Painting on Parnassus. Dated: 1644/1648. Dimensions: image: 47.94 × 72.87 cm (18 7/8 × 28 11/16 in.) sheet: 53.34 × 77.15 cm (21 × 30 3/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Pietro Testa.

The Combat of Reason andLove. Engraver: Nicolas Beatrizet, French, 1507/15-ca. 1565 After: Baccio Bandinelli, Italian, 1488-1560

Fontainebleau, Fiorentino, Rosso, Italy, Fantuzzi, Antonio, The Muses at the Foot of Parnassus, verso - stamped, The Muses with their various attributes in a landscape. Top right Pegasus, the head of Medusa and Perseus., print, prints, height 246 mm, width 385 mm, Italian, print maker, printmaker, 1542 - 1543, second quarter 16th century, paper, papier, etching, etchings, Work conception, 1494-03-08 - 1541-11-14, after a design by

Le Halte des Bohémiens: Les Apprêts du Festin (The Gypsy Stopover: The Preparations for the Feast) , from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptians, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops) early 17th century Jacques Callot French. Le Halte des Bohémiens: Les Apprêts du Festin (The Gypsy Stopover: The Preparations for the Feast) , from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptians, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops). Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes. Jacques Callot (French, Nancy 1592-1635 Nancy). early 17th century. Etching and engraving; second state of two (Lieure). P

The abduction of Helen; battle scene on a shore with two men pulling Helen into a boat at center and another man pulling on her drapery in the opposite direction. Artist: Marco Dente (Italian, Ravenna, active by 1515-died 1527 Rome). Dimensions: Sheet: 11 9/16 x 16 7/16 in. (29.4 x 41.7 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome); Pietro de' Nobili (Italian, active Rome, 1584-85). Date: ca 1520-27. Museum: Metropolitan Museum of Art, New York, USA.

The sacrifice of Elijah ca. 1653 Luca Giordano. The sacrifice of Elijah. Luca Giordano (Italian, Naples 1634-1705 Naples). ca. 1653. Etching. Prints

Vatican City, Papal Court, Italy, Tempesta, Antonio, Villamena, Francesco, Battle of Gaugamela, verso - stamped, Battle of Gaugamela with on the left the Macedonians led by Alexander the Great and on the right the Persians led by King Darius III., print, prints, height 365 mm, width 488 mm, Italian, 1566 - 1624-07-07, print maker, printmaker, 1576 - 1624, paper, papier, engraving, engraving (printing process), Work conception, 1555 - 1630-08-05, after a design by, granter of privilege

Neptunus fuels a storm, Theodoor van Thulden, After Francesco Primaticcio, 1632 - 1633 print Neptunus fuels a storm. He hunts his horses by stabbing them with his trident. At the top right, a wind god blows the wind. Jupiter falls from the sky with lightning bolt and Minerva with helmet on the head. On the left, Odysseus watches frightens. The ships have a hard time. Paris paper etching / engraving Neptune raises a storm and destroys Ulysses' raft

Saint Rochus hands out alms, Baldassare Aloisi Galanini, After Annibale Carracci, 1614 print Saint Rochus standing on an elevation on the right. He distributes tanking to a crowd of poor and sick people on the stairs for him. Three arches and a cityscape in the background. Bologna paper etching St. Roch distributes his riches to the poor, and leaves on a pilgrimage

Fortune teller, Cornelis de Wael, 1630 - 1648 print In the midst of farmers, a fortune teller reads the hand of a richly clad woman. The fortune teller looks at a farmer's wife who breastfeeds her child. On the right by a wall, a woman stirs in a cooking pot. Italy paper etching / engraving fortune-teller ~ pleasure fair and circus. contrast between rich and poor. nursing, suckling. kitchen-utensils: pot

Judgment of Paris, Raphaël Sadeler (I), After Hans von Aachen, 1589 print The Shepherd Paris in the foreground. He must judge the three most beautiful goddesses of Olympus on their beauty: Juno (right, with the peacock), Minerva (left, with shield, helmet and lance) and Venus (accompanied by Amor). He gives the golden apple to Venus. Mercury is next to Paris. A few river gods in the background. Two putti in the air. Cologne paper engraving the Judgement of Paris (Mercury present). cupids: 'amores', 'amoretti', 'putti'

Mercury and Argus, Anonymous, After Jacques Jordaens, 1652 - 1702 print Mercury is about to cut Argus, who is sleeping on a rock under a tree, heading the head. On the left the cow io. paper etching / engraving Mercury beheads Argus

Rome, Salamanca, Antonio, Italy, Raphael, The Wedding of Psyche (left part), Feast of the Gods, verso - stamped, The gods of Olympus feasting on the clouds, on the occasion of the marriage of Cupid and Psyche., print, prints, height 350 mm, width 442 mm, 1483-04-07 - 1520-04-07, after, after painting by, 1545 - 1545, paper, papier, engraving, engraving (printing process), print maker, printmaker, Italian, 1478 - 1562

Haven with merchants and camel, Johannes Gronsveld, after Johannes Lingelbach, 1679 - 1728 print Haven with foreign merchants who pack a camel. On the left in the foreground two men and on the right two merchants with a load. In the background foreign merchants and sailing ships. Seventh print from a series of twelve with Italian ports. Amsterdam etching / engraving harbour (+ four persons or more ~ traffic and transport)

The Abduction of Helen; battle scene on shore with two men pulling Helen into a boat at center ca. 1515-27, published by Rossi in 1649 After Marco Dente Italian. The Abduction of Helen; battle scene on shore with two men pulling Helen into a boat at center 341461

The Martyrdom of St. Catherine ca. 1627 Claude Vignon French. The Martyrdom of St. Catherine 390922

Noah thanks God for the rescue of the Ark, Cornelis Cort, after Maarten van Heemskerck, 1600 - 1652 print Noah and his family kneel on the ground, looking up to the symbol for God (a lighting circle with the Hebrew letters for Jahweh) above them in a cloud. At the rear left the Ark, from which the animals cross a walkway. print maker: unknownpublisher: Amsterdam paper engraving Noah's sacrifice; various animals are offered, possibly a lamb, a dove and a ram (often combined with the rainbow of the covenant). tetragram (in Roman or Hebrew script) ~ symbol of God the Father

Flood, Jan Luyken, 1706 print Amsterdam paper etching / letterpress printing the Flood and destruction of mankind ~ story of Noah (Genesis 7:10 - 8:17)

The Israelites Finding Achior Tied to a Tree, plate two from The Story of Judith and Holofernes 1564 Netherlands. Engraving in black on ivory laid paper . Philip Galle

Netherlands, Hooghe, Romeyn de, Murder of the De Witt brothers, 1672, The mutilated corpses of the De Witt brothers on the scaffold, print, prent, nieuwsprent, prints, prenten, height 156 mm, width 197 mm, print maker, prentmaker, third quarter 17th century, paper, papier, Work conception, Noord-Nederlands, 1645-09-10 - 1708-06-15

Allegorical composition with six Olympian gods gathered around a figure in armor 1615-35 Oliviero Gatti. Allegorical composition with six Olympian gods gathered around a figure in armor. Oliviero Gatti (Italian, active Bologna 1610-30). 1615-35. Engraving. Prints

Antwerp, Galle, Theodoor, Heemskerck, Maarten van, Haarlem, Philips, History of Samson, Samson defeats the Philistines with the jawbone of a donkey, verso - stamped, Samson was taunted by the Philistines. In anger about this, he kills a large group of men with the jawbone of a donkey. On the right, Samson can be seen drinking water from the jawbone of a donkey to quench his thirst. (The correct reading is that God caused the earth to burst open in the hollow of the valley near Lechi. Water came out and Samson drank from it, so that he regained his strength.) In the background, the reason for the battle is depicted: Samson sets the Philistines' cornfields ablaze with the help of foxes that walk through the fields with burning torches. In the background Samson carrying the gates of Gaza., print, prints, diameter 265 mm, South Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1596 - 1633, paper, engraving, engraving (printing process), North Netherlands, 1498 - 1574, intermediary d

Cloelia on horseback crossing the Tiber. Artist: Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576); After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499-ca. 1543 Messina). Date: ca. 1540-60. Museum: Metropolitan Museum of Art, New York, USA. Author: after Polidoro da Caravaggio. Giulio Bonasone.

Print, Massacre of the Innocents (without the Fir Tree), 1513-1515; Print Maker: Marc Antonio Raimondi (Italian, 1483 - 1527); After Raphael (Italian, 1483 - 1520); Italy; engraving on off-white laid paper; 27.6 × 42.1 cm (10 7/8 × 16 9/16 in.); Bequest of George Campbell Cooper; 1896-3-50

Marriage of Peleus and Thetis, Frans van den Wijngaerde, after Peter Paul Rubens, 1636 - 1679 print Peleus and Thetis sit at the table with the gods of the Olympus during their wedding meal. Two baskets with fruit are on the table. Mercury has just brought the apple for the most beautiful goddess. Antwerp paper etching / engraving marriage of Peleus and Thetis

Silenus Carried 1543 Antonio Fantuzzi Italian. Silenus Carried 336747

The Battle of the Amazons. Enea Vico; Italian, 1523-1567. Date: 1543. Dimensions: 209 x 280 mm. Engraving in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, FLORENCIA, USA.

Johann Wilhelm Baur, Capricci di varie battaglie, 1635 Capricci di varie battaglie

Antiochus Epifanes army kills Israelites; History of the Maccabeans; Thesaurus Sacrarum historiarum Veteris Testamenti (...). Israelites that the commandment of Antiochus Epifanes was ignored to Sabbath attacked and slaughtered - men, women and children - by the army of the king. Under the show a reference in Latin to the Bible text in 1 MAKK. 2.

Hunters beat wild oxen in the ropes, Antonio Tempesta, 1602 print Landscape with hunters on horseback who wanted to catch wild oxen with the help of spears and ropes. Text in Latin in STUDMARGE. print maker: Italypublisher: RomeItaly paper etching hunter. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt'). ox

Workshop of Hendrick Goltzius, after Hendrick Goltzius, Deucalion and Pyrra Repeopling the Earth, 1589 Deucalion and Pyrra Repeopling the Earth

A brown ink drawing by Jacob Jordaens showing a bacchic procession with a drunken Silen, executed with brown ink with brownish spots and traces of vertical folding.

Amsterdam, Hooghe, Romeyn de, Victories with the arrival of William III, Victories with the arrival of William III. The unity of the Union is restored, the people stream into the temple. On the right William III preceded by personifications of his office as stadtholder and captain-general. On the left the heroes who fought the Dutch victories over the enemy: De Ruyter, Tromp and Van Nes. In the center the victory is depicted allegorically. Allegory of the political situation in the Republic in the year 1674. Numbered top right: 5., print, prent, propaganda print, prints, Frederik Muller Historieplaten, height 233 mm, width 352 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, prentmaker, 1674 - 1674, third quarter 17th century, derde kwart 17e century, paper, etching, etchings, engraving, engraving (printing process), Work conception, Northern Netherlands, after own design by, Publication (Event), Publication, publisher

Putti Carrying a Stag (Putto Bacchanal), Michelangelo Buonarroti, Historical, digitally restored reproduction from a 19th century original

Apollo and Diana kill the children of Niobe. Apollo and Diana fires from a cloud arrows at the children of Niobe to avenge her. The sons and daughters of Niobe are dead on the ground. Others still try to escape their destiny.

The Battle of Constantine, Pietro Aquila, Italian, d. 1692, Domenico Rossi, Raphael, (Italian, 1483-1520), Engraving on paper, One of four vertical plates, together making a horizontal composition. Raphael's Battle of Constantine, in the Vatican, conceived as a tapestry., Rome, Italy, ca. 1680-1700, Print, Print

A brown ink drawing by Marten de Vos from 1578 depicting the vision of Ezekiel from the Totetal, showing figures, angels, and landscape, highlighted with white, lavated for tonal depth.

Autumn allegory; Four Seasons. Allegorical view of the autumn season. A landscape with Bacchus and his followers in a procession. Above views of constellations in the air.

Italy, Campagnola, Domenico, Adoration of the Magi, verso - handwritten in brown ink, Mary, Joseph and the Christ Child are seated on the left in front of a barn. On the right the three kings from the East offering gifts., print, prent, prints, verso - stamped, 4, 1 - 104., height 494 mm, width 660 mm, print maker, printmaker, 1517 - 1517, paper, woodcut, Work conception, Italian, 1500 - 1564, after print by

Creation of the copper hose.

Triumph of Love, Philips Galle, Hadrianus Junius, c. 1565

Aeneas and his companions fight with the harpies, 1663 print Aeneas and his companions are disturbed during a meal by harpijen. A fight arises between the soldiers and the harpijen. Numbered: X. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching stay of Aeneas on the Strophades Islands: fight with the Harpies that befoul the crew's food

Lamech and his two women, Johann Sadeler (I), After Maerten de Vos, 1583 print Lamech and his two women, on the left in the foreground, sitting in front of their house. In the foreground on the right the children Tubal-Cain and Ada. In the foreground on the left the children Jabal and Naama. Lamech swears that he will never be killed. Two corpses are found in the background. The print has a Latin caption. Antwerp paper engraving Lamech confesses to his wives, Adah and Zillah, that he has killed an old man and a young man (Cain and Tubalcain)

Kniaz' Men'shikov, graviura A. Zubova Prince Aleksandr Danilovich Menshikov, 1673-1729, engraved by Aleksei Fedorovich Zubov, 1682-1751. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Their king with his wives surrounded by servants and cattle, driving a landscape, Rodolphe Bresdin, 1859 drawing France tracing paper. ink pen riding a horse, ass, or mule; rider, horseman. extinct, 'historical' peoples (with NAME)

Gluttony; Gula; The seven deadly sins. The female personification of gluttony (gula) is sitting on a pig and drinks from a jug at a table. There are drunk women around the table. All kinds of fantastic scenes and chips with which this principal sin is depicted. With caption of a rule in Latin and a rule in Dutch.

Antwerp, Jode, Gerard de, Vos, Maerten de, Wierix, Antonie (II), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Samson, Samson defeats the Philistines with a donkey's jawbone, Samson kills the Philistines with the jawbone of a donkey. Below the representation a reference to the Bible text in Latin. This print is part of an album., print, album page, prints, height 206 mm, width 284 mm, South Netherlands, 1559 - 1604-03, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, Northern Dutch, 1509 - 1591-02-05, publisher

Feather drawing depicting the discovery of Moses, including two victory splashes at the lower part, by Gasparo Diziani.

Jupiter suckled by the goat Amalthea 1531-76 Giulio Bonasone Italian. Jupiter suckled by the goat Amalthea 372895

Illustration at Canto XVI of TASSO's 'Gerusalemme Liberata'; Jerusalem is relieved (part 2); Gerusalemme Liberata (part 2). The Ridders Carlo and Ubaldo leave with Rinaldo in a rowing boat the island of Armida. Armida is on the left on the ground. Italian rules by tasso in two columns in undermarge.

Allegory on De Tijd, Anonymous, 1700 - 1749 print Allegory of time: putti with a colossal antique image that is in pieces for them. In the background three times the figure of father's time with a scythe on the shoulder. paper etching Father Time, man with wings and scythe. cupids: 'amores', 'amoretti', 'putti'

Antwerpen, Jode, Gerard de, Vos, Maerten de, Thesaurus sacrarum historiarum veteris testamenti, Geschiedenis van Tobias, Tobias, Sara en the angel saying goodbye to Raguel and Edna, Antwerp, verso - stamped, Raquel embraces Tobias, who is already on a camel. Edna embraces her daughter Sara. In the background the angel sits on a camel. On the right the procession leaves. At the bottom in the margin an explanatory text in Latin. Tobit 10:11-12., print, prints, height 205 mm, width 295 mm, Work conception, Southern Netherlands, 1532 - 1603-12-04, after design by, 1585 - 1585, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Agrippina with the ashes of Germanicus, 1774 print With reference to Tacitus Annales III. paper etching .

The Last Judgment, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 13 1606 Willem van Swanenburg Netherlandish This print is from a set of 13 plates depicting "pictures of justice", with scenes from the Bible, history, and legend. The prints are executed by Willem Swaneburg after designs by Joachim Wtewael. The prints were first published by Christoffel van Sichem in 1606.. The Last Judgment, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 13 650766

Pietro Testa (Italian, 1611/1612 - 1650) after Jacomo de Rossi (Italian, active 1648). The Triumph of Painting on Parnassus, ca. 1648. Etching on heavy white laid paper. Plate: 469 mm x 709 mm (18.46 in. x 27.91 in.). Second state

Lions hunting after the ancient (Bartsch 422) Marc Antoine Raimondi (1480-vers1534). Lions hunt according to the ancient (Bartsch 422). Fight, chisel. 16th century.

Apollo and his consequence; Apollo and the muses. Apollo is in a garden to play on his winch, in the middle of his consequence. The nine muses sing along with the music, along with some putti. On the back of the background, some men listen to a few men. On the left people dance a round dance. Angels fly with laurel circles in the air.

Women dislodge a Sater; Hunting scenes; VENATIONES FERARUM, AUIUMENT, PISCIUM PVGNAE BESTIARIORUM. A sleeping Sater is found in a cave by villagers. The women hunt for the forest with arms. The print has a Latin caption and is part of a series about yacht scenes.

God punishes the Israelites, who complain because of poor food, with a plague of poisonous snakes Moses makes a copper snake The bitten Israelites who look at it are healed and remain alive In the margin a four-line Bible quotation from Num 21 in Latin, The Copper Serpent, print maker: Crispijn van de Passe (I), (mentioned on object), Crispijn van de Passe (I), (mentioned on object), publisher: Crispijn van de Passe (I), (mentioned on object), unknown, 1574 - 1637, paper, engraving, h 222 mm × w 175 mm

Bacchus as a child given by Mercury to the care of the Nymphs Andrea Procaccini Italian. Bacchus as a child given by Mercury to the care of the Nymphs 400532

Romeyn de Hooghe, Uytrecht Herstelt (The Recapture of Utrecht, 1673), 1674 Uytrecht Herstelt (The Recapture of Utrecht, 1673)

The last judgment, leaf C. a detail from the fresco 'The Last Judgment' by Michelangelo in the Sistine Chapel. Marked bottom left: C.

Water; Naiade with water gun and tritons; The four elements. A Naiade, a daughter of a river god, sits with a water cold in front of a tree. In the background, tritons are swimming in the sea. The show represents the element of water.

A bear is attacked by hunters and dogs and tries to break one of the hunting spears with its mouth., Bear Hunting, print maker: Justus Sadeler, (possibly), publisher: Justus Sadeler, (mentioned on object), Venice, (possibly), 1600 - 1620 and/or 1700 - 1800, paper, etching, w 233 mm × h 148 mm

The Rape of Europa, after Guido Reni ca. 1636 Simone Cantarini. The Rape of Europa, after Guido Reni. Simone Cantarini (Italian, Pesaro 1612-1648 Verona). ca. 1636. Etching. Prints

The Roof of Europe, Cornelis Schut (I), 1618 - 1655 print Europe is sitting on the bull Jupiter with her maid around her. A few putti in the air. In the background Neptunus on his car. Antwerp paper etching / engraving Europa and her maidens play with the bull, and/or adorn it with flowers

Priestes Pythia in the Temple of Delphi. Priestes Pythia in the Temple of Delphi

Pass through the Red Sea. The pharaoh and his soldiers drown in the Red Sea. Moses and the Israelites are safe as a shore.

Herregouts, Jan Baptist, Bruges, St. Cecilia with organ in hand, verso lower left - stamped, Saint Cecilia sitting under a tree with an organ in her hand, surrounded by angels with various musical instruments., print, prints, verso middle - stamped, height 344 mm, width 257 mm, 1640 - 1721-11-25, print maker, printmaker, 1682 - 1721, paper, papier, etching, etchings, Work conception, after own design by

The Thames as a gateway to foreign trade routes. Etching by J. Barry, 1791.

The shipwreck of Paulus, Bartholomeus Willemsz. Dolendo, After Aertgen Claesz van Leyden, 1589 - 1626 print On the way to Italy, the ship on which Paul is transported as a prisoner shipwreck. Paul speaks to the soldiers and other people on board and gives their instructions what to do. Paul and the centurion of the soldiers stand on the ship with one leg and step into the water with the other leg. Some soldiers are already ashore. paper engraving shipwreck. the shipwreck on the coast of Malta (Melita) ~ story of Paul

Martyrdom of Saints Peter and Paul. after Francesco Mazzola, called Parmigianino; Italian, 1503-1540. Date: 1580-1599. Dimensions: 295 x 457 mm. Pen and black ink with brush and gray wash, on tan laid paper, laid down on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Allegory of Love. Dated: c. 1540. Dimensions: sheet: 38.9 × 47.2 cm (15 5/16 × 18 9/16 in.) mount: 49.2 × 57.2 cm (19 3/8 × 22 1/2 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Baccio Bandinelli School of Marcantonio Raimondi ( ).

Jupiter, Neptunus and Pluto offer their crown on the coat of arms of Cardinal Scipione Borghese, Simone Cantarini, 1622 - 1648 print Jupiter is sitting on a car that is pulled by two eagles. Pluto stands on a burning car that is pulled over the land by two fire -breathing horses. Neptunus stands on a large shell that is pulled through the sea by two hippocampuses. The three gods offer their crowns on the putti in the air around the coat of arms of Cardinal Scipione Borghese. At the bottom right an empty coat of arms. Italy paper etching (story of) Neptune (Poseidon). (story of) Pluto (Hades), Dis Pater, Orcus. (story of) Jupiter (Zeus). cupids: 'amores', 'amoretti', 'putti'. coat of arms (as symbol of the state, etc.)

Saint George and the Dragon 1542 Italy. Engraving in black on buff laid paper . Enea Vico

Etching by Nicolas Chaperon from 1649 depicting the fall of Jericho, showing city walls collapsing, figures, and surrounding landscape.

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