Allegorical and Narrative Prints

Engravings depicting historic allegories and narratives, illustrating important events and characters from classical and biblical stories.

Allegory on the elevation of William IV, 1747, 1747 print Allegorie on the elevation of William IV to Stadholder of the Republic, May 1747. The Dutch Virgin hands over the regime about the Republic to the Stadholder. On the left, a portrait of the stadholder is kept high by Mercury and Engelen, in front of history and time. In the air different emblems and the weapons of the Republic and of William IV. Central a personification of sea shipping with a standard with the banners of the VOC and WIC. In the caption a verse in two columns. Northern Netherlands paper engraving personifications of countries, nations, states, districts, etc. Netherlands

Allegory on the elevation of William IV, 1747, 1747 print Allegorie on the elevation of William IV to Stadholder of the Republic, May 1747. The Dutch Virgin hands over the regime about the Republic to the Stadholder. On the left, a portrait of the stadholder is kept high by Mercury and Engelen, in front of history and time. In the air different emblems and the weapons of the Republic and of William IV. Central a personification of sea shipping with a standard with the banners of the VOC and WIC. In the caption a verse in two columns. Northern Netherlands paper engraving personifications of countries, nations, states, districts, etc. Netherlands

Jonadab advises Amnon, 1579 print Amnon the eldest son of David is in love with his half -sister Tamar. His cousin Jonadab advises in the foreground Amnon to lie down in bed sick and to ask Tamar's presence. Right behind King David comes his son Amnon who is visiting the bed sick. Amnon asks if Tamar can come and eat him. Under the show a reference in Latin to the Bible text in 2 SAM. 13. Print is part of an album. paper engraving Jonadab gives counsel to Amnon. on Jonadab's advice Amnon pretends to be sick; David comes to his sick-bed

Title print with tiber personifications and the Nile, women's figures with fish tails, obelisks and columns; Roman monuments, mainly obelisks; Nova Racollta Degl'obelischi et Colonne Antiche, Dellalma Citta di Roma Con Le Sve Dichiaratione; MAGESYN DER ITALIAN BUILDINGS. .

Of the scratch paper Waerelds fire in the wrong (TI)

Leaf with different encyclopedic representations, Johann Georg Penzel, after Johann Rudolph Schellenberg, 1784 print Various performances contained in frameworks, with Central Daniël in the Leeuwenkuil, surrounded by other images including Lions, an amphitheater, Belisarius and the boy and pieces of meat. Numbered in the middle: 32. paper engraving / etching Daniel's punishment and liberation: Daniel in the lion's den ~ King Darius. beasts of prey, predatory animals: lion. amphitheatre. meat; still life of meat. Belisarius

De Toverlantaarn (dl. 3), ca. 1720, 1720 print The magic lantern. Presentation in two parts. Above an interior in which a performance with the magic lantern is given. Among three men on the way each with a magic lantern on the back, they are referred to in the accompanying verse with a consultation as: Duydser, Curjeus and Waaltje. A head now stands out of the curtain on which the verses are. Third print in a series of three consecutive plates about the magic lantern. Belongs to the group of additional prints added to the scene of foolishness series with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching

Pacific overtures - or - a flight from St Cloud's 'Over the Water to Charley.' A new dramatic peace now rehearsing , Rulers, Politicians, Nobility, Authors, Military officers, Government officials, Clergy, Judges, Theatrical productions, Audiences, Orchestras, Sheridan, Richard Brinsley, 1751-1816, Burdett, Francis, 1770-1844, Fox, Charles James, 1749-1806, Grattan, Henry, 1746-1820, Grey, Charles Grey, Earl, 1764-1845, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Napoleon I, Emperor of the French, 1769-1821, Pitt, William, 1759-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, Spencer, George John Spencer, Earl, 1758-1834, Tierney, George, 1761-1830, Windham, William, 1750-1810, Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838, George III, King of Great Britain, 1738-1820, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Ellenborough, Edward Law, Baron, 1750-1818, Fitzherbert, Maria Anne, 1756-1837, Grenville, William Wyndham Grenvill

Plate 12: Illustration to Canto XII, from Torquato Tasso's 'Gerusalemme liberata III' ca. 1590-1630 Antonio Tempesta Italian. Plate 12: Illustration to Canto XII, from Torquato Tasso's 'Gerusalemme liberata III'. Antonio Tempesta (Italian, Florence 1555-1630 Rome). ca. 1590-1630. Etching. Prints

Don Juan receives the Duke of Parma, 1578; Series 8: Dutch events, 1577-1583. Don Juan receives Alexander Farnese, the Duke of Parma, January 20, 1578, surroundings of Namur. On the right in the background The arrival of Parma on horseback, left for the reception by Don Juan and left in the background by the window a small representation of the Battle of Gembloers. With caption of 16 lines in German. Left below numbered: 142. The print is part of an album.

Illustration at Canto XV of TASSO's 'Gerusalemme Liberata'; Jerusalem relieves (part 3); Gerusalemme Liberata (part 3). Ornamental decorative frame with a plane with eight Italian fresh rules at the top. At the bottom of a show at Canto XV of TASSO's 'Gerusalemme Liberata'. In the background right the knights are Ubaldo and Carlo for a cave with a magician that provides them a shield, a sword and a map. In the foreground the knights arrive on the island of Armida, where they fight wildlife and monstrous beings.

Second title sheet; Neüw Grottessken Buch (...); Das Neuw Grottesken Buch Nürnberg 1610; Second title sheet of the "Neuw Grottesken Buch". Cartouche in a picture frame of curly with grotesken. The cartouche hangs above a landscape. On the left is a stall in which fantastic animal figures are displayed. Leaf from a series of flat decorations with grotesken, cartouches, ovals, mascarons, putti and fantastic beings. The series consists of three title sheets, two text sheets with the assignment and the preface and 60 sheets, spread over three books.

Title print with assignment to and coat of arms of Cosimo II De 'Medici and performances of justice, caution, fame and generosity; Oudtestament fighting scenes. .

Emblem with angel who shows spiritual that the devil comes to get the soul after the death of a sinner, Anonymous, After Boëtius Adamsz. Bolswert, 1623 print An angel shows a spiritual a dead man in his bed. Death and the devil come to get his soul while his friends and family abandon him and leave with his riches. With a life in virtue, on the other hand, the man can look forward to death with confidence. Antwerp paper engraving the life of man

Triumph from Isaac, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1638 print In the foreground Isaac, driving on a dromedary. In his right hand a cross with a banner. On the banner two buoys as a sign of his voluntary passibility. He draws a cart with attributes of his patience: the ram that was sacrificed in his place, the sword of Abraham and the sacrificial pile. In the background the sacrifice of Isaac. The print has a Latin text of six lines on a separate piece of paper and is part of an eight -part series about the triumph of the passion'sness. print maker: Haarlemafter design by: Haarlempublisher: Antwerp paper engraving / etching triumphs (allegorical and symbolic). male persons from the Old Testament (with NAME) (not in biblical context). the sacrifice of Isaac (Genesis 22). hoofed animals: dromedary

Passion show in list of birds, chickens and ducks; Passion shows in lists with animals.

Title print for part 1 of 'Spiegel van Staat' by Romeyn de Hooghe, Romeyn de Hooghe, 1706 print Personification of faith with a book on your lap. In addition, Minerva (fought freedom) that beats discord. In the background personifications of strength and justice. Print Maker: Haarlem Publisher: Amsterdam paper etching / engraving Faith, 'fides'; 'Fede', 'Catholica Faith', 'Christian faith', 'Christian faith Catholica' (Ripa) ~ one of the Three Theological Virtues. Strength, power; 'Fortezza', 'Fortress of mind and body', 'Fortress of the joint body with the genericity of the soul', 'Fortress & value of the joint body with prudence & virtue of the soul', 'Force' (Ripa). Justice; 'Strength to the justice subject', 'justice', 'Recto justice', 'rigorous justice', 'pity and violence subject to justice' (Ripa) Dutch Republic

The gunpowder, 1605, 1606 - 1608 print Upstairs: the eight together sweaters of the gunpowder recommend in consultation. At the bottom of three scenes: transport to the scaffold, execution and mutilation, the heads on, 30-31 January 1606. With two cartouches with texts in German, caption with 4 lines in Latin and 4 rules in French. Nummered in the bottom left: 358. The print is part of an album. Cologne paper engraving (revolutionary) plot, conspiracy. violent death, being killed; being mishandled and maltreated; seeking death England

Departure of the angel Rafael; History of Tobias; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. The angel Rafaël is familiar with Tobit, Anna, Tobias and Sara. They kneel on the ground. Tobit has returned home and is received on the left by his parents Tobit and Anna. Still further in the background the receipt of Tobias' woman Sara. On the right in the house the healing of Tobit. At the bottom of the margin an explanatory text in Latin. To Tobit 11-12. This print is part of an album.

The return of Jakob in Canaan, Cornelis Cort, After Frans Floris (I), After 1563 - Before c. 1601 print Ornament for dish edge. Jakob and his family driving on donkeys, recurring to Canaan. With text in Latin in Cartouche under the performance. print maker: unknownpublisher: Antwerp paper engraving Jacob's journey. ornament ~ cartouche

Allegory on the poor condition; Country of which a child is the king; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. In a large room there is a boy on a throne, a wind vane in the hands. A group of people uses the meal to his feet. Walkers walk around, musicians make music. The windows of the room can be seen that outside of a siege takes place: fought, looted and murdering. In the undermaster the text of preacher 10:16 in Latin. The print is part of an album.

Education of children, Hendrick Goltzius, 1578 print Series of twelve allegories of the Christian faith. Each of the allegories consists of a central performance surrounded by a frame in which quotes from the Bible are combined with the imagination of certain events from the Bible. In the margin at the bottom two lines of Latin. print maker: Haarlempublisher: Antwerp paper engraving education

Rachab allows the spies to escape the window; The history of Joshua; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. The Prostitute Rachab is in its doorway and sends the soldiers who are sent to find Joshua's spying in the wrong direction. On the right you can see how Rachab escapes the two spies with a rope from her window. Under the show a reference in Latin to the Bible text in JOZ. 2. This print is part of an album.

Frederik Hendrik grants Mercy to the naked Actionists, 1720, Anonymous, 1720 print A railed Frederik Hendrik grants Mercy to the naked and berealed actionists by offering them a hiding place at the Wonderboom. This is an imagination of an old saying: covering with the cloak of Frederik Hendrik, which means: being free from persecution in the financial field. In the middle, wind traders drown in a ditch, on the right a merry -go -round. With caption in two columns. Print 60 in the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. paper etching / engraving financial panic. merry-go-round, roundabout; chair o'plane

A. Uno de'Fianchi dell'urna, in cui sembra rappresentasi il consiglio di vendetta, tenuto tra i Sabini e gli altri Popoli, dopo il ratto delle loro zitelle, satto da Romani, deliberando di portarsi coll'armi contro d'essi per distruggerli , Sarcophagi, Vases, Archaeological sites, Tombs & sepulchral monuments, Severus Alexander, Emperor of Rome, 208-235, Julia Mamaea, -235. The Antonio Cardinal Tosti Collection

Three young people in the burning oven, 1613 Nebuchadnezzar had the three youngsters throw Shadrach, Mesach and Abednego in a burning oven after they refused to worship a golden image. An angel controlled by God keeps the young people unharmed. Because the fire in the oven was exceptionally hot, the men who brought the three to the oven were killed by the blazing flames (then. 5: 1). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam 9: paper letterpress printing / etching Nebuchadnezzar had the three youngsters throw Shadrach, Mesach and Abednego in a burning oven after they refused to worship a golden image. An angel controlled by God keeps the young people unharmed. Because the fire in the oven was exceptionally hot, the men who brought the three to the oven were killed by the blazing flames (then. 5: 1). With a motto in Latin above the performance and a four -line cap

Netherlands, Amsterdam, Ratelband and J. Bouwer, The heirs of the widow J., What man has received from life, Must once stand before the last judgment, verso - stamped, Sheet with 2 representations. Above: the Last Judgment. Below: pious figures. The whole set in a decorative frame of floral tendrils. Numbered top right: 105., print, prent, volksprent, prints, prenten, volksprenten, height 407 mm, width 302 mm, Publication (Event), Publicatie, Nederlands, publisher, uitgever, 1782 - 1793, paper, papier, houtsnede, letterpress printing, boekdruk, print maker, prentmaker

Two representations on a plate. Above: the Jewish people celebrate the Feast of Tabernacles after the dedication of the Temple. In the streets of Jerusalem, huts are built. In the foreground, people apply foliage and drink and play music. Below: the Queen of Seba sits on a throne next to King Solomon., Feast of Tabernacles and Solomon and the Queen of Seba I Kings VIII vs. 65: The Feast of Tabernacles / I Kings X vs. 1: The Queen of Sheba comes to see Solomon , print maker: Jan Luyken, print maker: Hendrik Elandt, (mentioned on object), Ottmar Elliger (II), (mentioned on object), Amsterdam, 1700, paper, etching, h 367 mm × w 244 mm

Murder of Hendrik IV, 1610, 1610 - 1612 print Murder of the French king Henry IV. The king sitting in a carriage is murdered by the monk François Ravaillac, 14 May 1610. With caption of 16 lines in German. Nummered at the bottom left: 371. The print is part of an album. Cologne paper etching attack ~ siege Geneva

Allegory with triumphal of Alexander the Great; Title page for: Quintus Curtius Rufus, the rebus Gestis Alexandri Magni, Regis Macedonum, Libri superstites, Delft & Leiden 1724; The Rebus Gestis Alexandri Magni. Allegory with glorification of Alexander the Great. The emperor tront as a general on a throne and partying people and soldiers pass by to him while they make music and carry victory signs. Two boys ride on Indian elephants. In a dark corner, Medusa watches her head full of snakes.

Discovering, towing and recharging the body parts of Slatius, coorenwinder and gerrits, 1623; Waerachtich Verhael / How Hendric Slatius naer that he was stolen / to voorschyn has been gathered at Onser Memorye Fyguerelijck. Discovering, draging and rechiting the body parts of Henricus Slatius, David Coorenwinder and Cornelis Gerrits, convicted conspirators against Maurits, executed in February, March and May 1623 in The Hague. Centrally the scenes numbered I-VI of the find on 16 May 1623 by a plowing farmer of the buried body parts, opening the coffin, taking the bodies to the gallows and hang it back to the wheel. On either side of the central - sliced in two - plate two columns are printed. With the inscription: Slatius comes to the graffle / and vaert.

Five Biblical scenes on a magazine, Theodoor Koning, After Jacobus van Meurs, 1794 print At the top left a medallion with Cain who kills Abel (Genesis 4: 8). At the top of a medallion with Abraham and Lot that distributes the country (Genesis 13: 1-12). In the middle an image of Josef, King of Egypt, with his entourage (Genesis 46:29). At the bottom left, Moses, lying in the basket, is found and donated to the daughter of the Pharaoh (Exodus 2). At the bottom right, David shows a piece of his cloak to Saul (1 Samuel 24:12). This print is an illustration from 'sucked Biblit stories, to a reading book for the youth'. Amsterdam paper etching the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon. Abraham gives Lot the choice of the surrounding country. Joseph goes to Goshen to meet his father. Moses is either presented to Pharaoh's daughter or surrounded by women fondling him. Saul and David in the same cave; Saul relie

Atlas Actieux de Papier à la Mode. 1720. Civilier, S., active approximately 1720. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Punishment of the man without wedding clothing; Van D'inrydingh Iesu, and some histories as a matter of the scope; Parable of the Royal Wedding Party; Den Grooten Figuer Bibel (...). The guests of the king are at the wedding lash at the table. A man without wedding clothes want to join the wedding party but is stopped by the king. In the background the man is punished by throwing him into the hell fire. Under the show a reference in Latin to the Bible text in mat. 22. This print is part of an album.

Title print with assignment to and coat of arms of Cosimo II De 'Medici and performances of justice, caution, fame and generosity; Oudtestament fighting scenes. .

Fontein der jeugd, johann theodor de bry, after haans sebald beham, 1588 - 1623 print A bathhouse with bathing men and women and, on the "roof terrace", loving and musician people. On the right the fountain of youth, in which old and defective are immersed. They appear rejuvenated. Rear right is a rejuvenated woman in a fire in which crutches and sticks burn. Three naked men around it. A dar, on the terrace, mocks the whole. Germany paper engraving fountain of youth, 'Fontaine de Jouvence'. public baths - AA - in the open air. court jester, court fool

Allard, Carel, Northern Netherlands, Nader Jok and Ernst on the Sleeping Farmer of Stolwyk, (Named Dirk de Bakker, Thatcher) touching on the confused disputes of the Medicins, The sleeping farmer of Stolwijk, 1707, The sleeping farmer of Stolwijk (Dirk Klaasz de Bakker) used in a caricature on the French in the year 1707. Central the bed with the sleeping man around whom doctors and spectators are gathered. This representation surrounded by eight smaller scenes with cityscapes and emblems. With inscriptions in the plate in Dutch. Glued under the plate a sheet with two satirical verses., print, picture, cartoon, prints, pictures, Frederik Muller History plates, height 393 mm, width 305 mm, Dutch, 1648-01-19 - 1709-02-01, print maker, printmaker, 1707 - 1707, paper, papier, etching, etchings, letterpress printing, Publication (Event), Publication, publisher

Batseba receives the letter from David, Adriaen Collaert (attributed to), after Jan Snellinck (i), 1646 print Batseba, accompanied by servants, sits on the edge of a water basin at a fountain. A servant reaches her a letter from King David. David is on the balcony of the palace on the left in the background. Under the show a reference in Latin to the Bible text in 2 SAM. 11: 4. This print is part of an album. paper engraving Bathsheba receives a letter from David. garden fountain

. Cain builds a city and calls this Enoch, to his son. In the margin a two-person caption in Dutch.

Satirical sheet for the conflict of Joseph II with the southern Netherlands, Farewell to the Brabantic Arito theocrats, Unknown

Verhaal met voorstellingen van moord en doodstraf (F. 55.).Story in eight scenes with some performances of murder and death penalty. Among others of a man who is about to kill a woman in bed with a sword, some fighting people, a man at a gallows, a gathered woman and two people on a stake. Top left: F. 55.

A copper engraving by Adriaen Collaert depicting Daniel before King Nebuchadnezzar and Samson destroying Philistine fields, created between 1580 and 1605, illustrating Old Testament narratives.

Perpetual calendar, / love spends time / time passing seasons (IT)

Brinno named the leader of the cannon defects, 69-70; Bruno revealed the superior of canninefaters. Brinno standing on a shield is named leader of the cannon defects. Above coins with images of Bruno, Claudius Civilis and others.

ZondvLoed van Deucalion, Virgil, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing Deucalion's flood; Jupiter sends a great flood to destroy mankind; Deucalion and Pyrrha afloat. scrollwork, strapwork ~ ornament

Portrait of Marcantonio Barbarigo and God's favor statulation; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. On top a medallion with the portrait of Marcantonio Barbarigo with miter and pallium on the front. He is shown as a Archbishop from Corfu. On the rear, the bishop blesses some Venetian ships. The female personification of God's favor knives on the pedestal. She is naked, has a ray wreath and is made with divine light. She covered her nudity with a horn of plenty filled with symbols of the worldly and spiritual power: a cardinal hat, bishop's mushroom and crown. To the left of the pedestal is a Venetian warrior with the winged lion of Saint Marcus on his flag. On the right a Turkish man turns away. The print is part of an album.

Three large and six small fountains; Liure de Fontaines. Down Apollo on a dolphin. Sheet from series of 6 sheets.

Father on the back of the donkey, the son on foot, Karel van Mallery, after Ambrosius Francken (I), 1570 - 1612 print A man on the back of a donkey, with next to the donkey, on foot, his son. Two bystanders on the left, who make speaking gestures. Imagination of the aisopic fable about the father, the son and the donkey. Second scene of the fable, in which it is told how the father and the son exchange place; The boy next to the donkey and the father on the back of the animal. Again they are criticized by other travelers: that the father lets the boy walk while he is sitting on the back of the donkey. Third print from a series of six with performances from the Aesopus fable about the father, the son and the donkey. Antwerp paper engraving fable of the Father, Son and Ass. ass, donkey

Apotheosis of Michał Korybut Wiśniowiecki. unknown, graphic artist, Hoffmann, Johann (1629-1698), publisher

Westerlo Castle conquered by Mansfeld, 1583, 1583 - 1585 print The Westerlo castle near Breda shot at the Army of the Count of Mansfeld, 5 June 1583. With caption of 12 lines in German and 6 lines in French. Numbered: 58. Cologne paper engraving Victory, position was Westerlo

Susanna and the elders; Easter prys. Susanna and the elders. Susanna, nude and bathed at a fountain in a garden. The two elders come to her. The garden is surrounded by a wall. Under the show a verse in four columns. Numbered upper left: No. 7.

Relief with soldiers who have taken woman caught; Roode pastry tile, at the long distance of 5 1/2 and at four duymen under the archows of the Huys found in Britte. Relief with soldiers who have taken woman caught found under ruin of Borch in Breeting at Katwijk.

Court of courtroom with Jacob Gerritsz. Coren, Andries Jacobsz. Stock, After Adriaen Pietersz van de Venne, 1633 print Interior of a courtroom with Jacob Gerritsz. Coren as the lawyer and counselor in the middle under a canopy. The Hague paper engraving / letterpress printing court-room

Bacchus Honoreert de Wens van Koning Midas, Virgil, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament

Verhaal met voorstellingen van moord en doodstraf (F. 568.).Story in eight scenes with some performances of murder and death penalty. Among other things from a woman being stabbed. At the bottom right a man is hung on a gallows. Top left: F. 568.

The smiling law, the mourning actonist and the begging Mercury, 1720, 1720 Theater with the smiling law, the grieving actonist and the begging Mercury. On the left, a smiling John Law fills his money box, a desperate wind trader in the middle, on the right Mercury begs the gods for recovery of merchants. In the background references to the projects in the South Sea and in Vianen. In the foreground devils, action letters, etc. with caption in three columns. Print in the bound first edition (304 B 11) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching Vianen Theater with the smiling law, the grieving actonist and the begging Mercury. On the left, a smiling John Law fills his money box, a desperate wind trader in the middle, on the right Mercury begs the gods for recovery of merchants. In the background references to the projects in the South Sea and in Vianen. In the foreground devils, action letters, etc. with c

Antwerp, Cock, Hieronymus, Floris, Frans (I), unknown, Cort, Cornelis, The history of Jacob, Jacob receives the paternal blessing from Isaac and The marriage of Jacob and Leah, in cartouche top center - engraved, Ornament for plate rim. Top half: Isaac lies on the bed and gives his blessing to his son Jacob who kneels before the bed. On the right Rebekah looks on. On the left in the doorway Esau. Bottom half: On the right the meal for the marriage of Jacob and Leah. On the left a view into a bedroom with the birth of Leah's child. Both halves with Latin caption in cartouche., print, engraving, ornament print, prints, engravings, FF. invent, upper half: lower left - engraved, 1563, Jacob matris consilio benedeictionem fratri qui, patri venabatur, praeripit., upper half: lower center in cartouche - engraved, H. Cock, lower half: lower right - engraved, Videns Deus jacob habere odio uxorem suam, Lea, reddidit eam foecundam, et Rahel sterilem., height 268 mm, width 220 mm, Northern Netherl

Abbildung des Teuffelischen tobens und Wutens.... 1594. Anonymous. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Fountain of Youth. Theodor de Bry (Flemish, 1528-1598). Etching;

Cartoon on the flight from Jacobus II to Franrkijk, 1689, Romeyn de Hooghe (attributed to), after Romeyn de Hooghe, 1689 print Cartoon on the flight from Jacobus II to France, and his arrival there on Epiphany (January 6) 1689. King Louis XIV embraces Maria van Modena who has arrived with the poor child. Before right King Jacobus II in clothing decorated with Jacobsschelpen. In the middle the Jesuit Father Peters (Edward Petre) with a papal crown under his cloak. In the background, the Dauphin falls from a sled pulled by horses. Under the show a verse in 3 columns with a statement of the figures 1-11 in Dutch. Netherlands paper etching / letterpress printing Twelfth Night, usually falling on the eve of January 6 Hotel invalid

Bliżej Kultury Great, Carlo (fl. 1729 1767)

Nimf van Fontainebleau, Pierre Milan (attributed to), after Rosso Fiorentino, 1554 print paper engraving nymphs (in general); 'Ninfe in commune' (Ripa) Fontainebleau

Physical aid - or - Britannia recoverd from a trance - also, the patriotic courage of Sherry Andrew & a peep thro ye fog , Emperors, Politicians, Nobility, Authors, Troop movements, Campaigns & battles, Britannia Symbolic character, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Napoleon I, Emperor of the French, 1769-1821, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844. James Gillray (1756-1815). Prints and Drawings

Atlas (her)

The caption for this engraving reads: Scenes of the attack and torture of Ravaillac, with portraits of Henri IV, Marie de Medicis, Louis XIII, Ravaillac; after an etching by an anonymous engraver. Francois Ravaillac murdered the French king Henry IV in 1610. He was a Catholic zealot and sought to persuade Henry IV to convert the Huguenots to Catholicism. Ravaillac was arrested after the assassination and tortured to divulge his accomplices, but he maintained he had none. He was condemned to death. Henry IV was succeeded by his son Louis XIII. Marie de Medicis was the wife of Henry IV.

Claude Vignon, The Martyrdom of Saint Lawrence, 1593 1670 The Martyrdom of Saint Lawrence

Consultationi de Medici, in the Graue Malatia del Gran Sultano , SpottBild Auf Sultan Mohamed IV , Unknown

Statio III, by Giovanni Domenico Tiepolo, created between 1723 and 1797. The etching measures 5 5/16 x 3 5/8 inches (13.5 x 9.2 cm) with a plate mark of the same dimensions, printed on cream laid paper

Title print of the action window or the front court of Quinquenpoix, 1720, 1720 print Title print of the action window or the Voorhof of Quinquenpoix. In the central performance, a man with a love declaration for a woman who rejects him (according to the text: John Law and SCHOOD), in the Cupidos and Arrow Thokers frame. With two lines in the caption. This plate is printed in the middle of a larger plate with a wreath made up of all kinds of objects that have to do with the wind trade. At the bottom are Mercury and Neptune. In the plate a caption with two verses. Prent 49 In the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. print maker: Amsterdamprint maker: Northern Netherlands paper etching / engraving being refused, the proposal rejected

Forging the placard; Brabant Review, 1787-1790. Cartoon in which three men with large wigs and thrown heads forge a placard on an anvil. There are more documents on the floor. With caption of 3 rules in French. Part of a large group of prints related to the events of the Brabant Review and the period 1787-1790.

Power of the king; Of Zorobabel and the sijn Raetel; Powers that reign across the world; Scenes from the Apocryphal Bible book 3 esdras; Den Grooten Figuer Bibel (...). Different people take their treasures to the king who is on his throne. Two men wear large vases with coins, another man brings a bale of expensive fabrics. A new palace is being built in the background and an army travels. Bottom left a reference to the text in 3 sdras 3-4. Under the show verses in Latin. This print is part of an album.

Wedding Van Turenne and the intake of Stenay, 1591, 1591 - 1593 print Wedding of Henri, Vicomte De Turenne with Charlotte de la Marck in Sedan and the intake of Stenay, October 27, 1591. Face within the palace with the wedding festivities, the troops on the top left go to Astenay. With caption of 12 lines in German. Bottom numbered: 280. The print is part of an album. Cologne paper etching wedding feast, wedding meal Since. Stenay

Graviury na frantsuzskuiu revoliutsiiu Satirical engraving concerning the French Revolution. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Face in a courtroom; Title page for: Bernard van Zutphen, Nederlanche Practycque van Verschyden Daghelijcksche Soo Civile as criminal Questien, 1636. View in a courtroom with the back in the middle of the right, sitting at a table. For the judge a table to which a writer and other gentlemen. The banks, in a carrier, are filled with talking gentlemen. Some standing figures in the foreground.

Story with representations of murder and death penalty (F. 568.), Abraham Dircksz. Santvoort, 1667 print Story in eight scenes with some performances of murder and death penalty. Among other things of a woman who is stabbed. At the bottom right a man is hung on a gallows. At the top left: F. 568. print maker: Netherlandspublisher: Amsterdam paper etching death penalty, execution. murder. fighting

Erysichthon Kapt de Boom Van Ceres, Virgil, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Erysichthon fells an oak consecrated to Ceres

Display of De Roose (Leuven), 1561, 1561 - 1562 Scene from the play of De Roose, Rederijkerskamer in Leuven. Janus standing in the midst of sleeping soldiers, behind him the closed temple. For the land jewel of Antwerp in 1561. Antwerp paper Antwerp Scene from the play of De Roose, Rederijkerskamer in Leuven. Janus standing in the midst of sleeping soldiers, behind him the closed temple. For the land jewel of Antwerp in 1561. Antwerp paper Antwerp

Paul Werner has thrown Major von Tellheim a fair for his feet, Daniel Nikolaus Chodowiecki, 1769 print Fifth deed, eleventh scene from the play Minna von Barnhelm. In the background Franziska, Minna von Tellheim and Just. Numbered in the bottom right: 10. paper etching literary characters and objects. purse, money-bag

The Eunuch from Terenti cum directorio, Plate 29 from Woodcuts from Books of the 15th Century. Unknown Artist (Strasbourg, late 15th century); printed and published by Johann Reinhard Grüninger (German, c. 1455-1532); original text by Terence (Publius Terentius Afer) (North African, 195/185-c. 159 B.C.); portfolio text by Wilhelm Ludwig Schreiber (German, 1855-1932). Date: 1496. Dimensions: 88 x 156 mm (image); 304 x 213 mm (sheet). Woodcut in black from five block, and letterpress in black (recto and verso), on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Authority (potestas), prestige (nobilitas) and benevolence (liberalitas), anonymous, Johann Sadeler (i), after Jan van der Straet, 1597 - 1646 print Title print with the female personifications of three important characteristics of a prince: authority (potestas), prestige (nobilitas) and benevolence (liberalitas). Potestas is wearing a palm branch and a scepter. Nobilitas is sitting on a throne with the coats of arms of the Duke of Savoy and the Habsburgs. Liberalitas holds a globe and empties a exhibition with money. This print is part of an album. paper engraving power, 'Potestas' ~ one of the seven gifts of the soul. Nobility; 'Nobiltí' (Ripa). Generosity, Liberality; 'Generosití', 'Liberalití' (Ripa). armorial bearing, heraldry

Karel de Dikke is dropped off, Daniel Nikolaus Chodowiecki, 1792 print Numbered at the top right: 9. With caption in German and French. Berlin paper etching History. abdication (of a ruler). double-headed eagle. crown (symbol of sovereignty)

St. Mederic, Abbot; Beheading of John the Baptist; St. Fiacre; Festival of the Virgin. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

TITELPRENT VOOR 'Plans and profiles of the main cities and considerable places of the Duchy of Gueldre' van Sébastien Beaulieu de Pontault; The plans and profiles of the main cities and places of the Duchy of Gueldre with the general map and the individuals of each guidance .. Miscellaneous Mythologische in Allegorische Figuren Zitten in Staan Round Een Sokkel Met Een Franstalige Tekst, Waarop Het Wapen van Gelre Prijkt.

Conquest of Yperen by the French on March 26, 1678, 1683 - 1694 print Conquest of Yperen by the French army on March 26, 1678. The print is part of a French series of 28 prints with the conquests of the French king Louis XIV between 1672 and 1678 entitled: Grandes Conquêtes du Roi. In an ornamental frame with a map of the reinforcements of the city at the top. At the bottom of a cartouche with an inscription of 10 lines in French with prisoners fascinated on either side. France paper etching / engraving capture of city (after the siege) Ypereren

Card No. 18. Bock (n.n.), Chodowiecki, Gottfried (1728 1781)

Copy of tapestry featuring the camp of Prince Janusz Radziwił at Loyev in 1649 (Wounded Michał Krzyczewski brought before Janusz Radziwiłł after the Battle of Loyev on 1 August 1649).. unknown, graphic artist, Marszewski, Józef (1825-1883), draughtsman, cartoonist, Westerfeldt, Abraham van (ca 1620-1692), painter

Departure of Karel V, 1555, 1568 - 1572 print Charles V renes the throne, October 25, 1555. In the throne room, Philip II takes a seat on the throne and leaves Charles V the room. The stamps of Charles V are broken and replaced by those of Philip II. In front of the entire meeting of the States General. The walls decorated with tapestries with hunting scenes. With caption of 12 lines in German. Under Numbered 11. The print is part of an album. Cologne paper etching Palace on the Koudenberg

Men with a fool's cap on the head, Bernard Picart, 1720 print Meeting of men, all of whom wear a fool's cap on their heads. Amsterdam paper etching / engraving fool's cap

Peace at Orléans between Huguenots and Catholics, 1563, 1567 - c. 1571 print Peace at Orléans between Huguenoten and Catholics, March 13, 1563. The parties make peace on an island outside the city. With caption of 8 lines in German. Nummered at the bottom left: 36. The print is part of an album. Cologne paper etching signing of peace treaty, concluding the peace Orléans

De Tolpoort in Vianen for the Actionists, 1720, 1720 print Cartoon on the wind trade in Vianen. John Law is on the left as the sovereign director of the Windhandel in Vianen on his throne surrounded by Devils, on the right the toll gate, so that only people with money can enter. The caption with a verse printed in three columns of a separate plate. Print 32 in the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. print maker: Northern Netherlandsprint maker: Amsterdam paper etching / engraving Vianen

Triumph of a Roman Emperor (left side) 1603 Antonio Tempesta Italian. Triumph of a Roman Emperor (left side). Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1603. Etching. Gasparo Alberti (Rome. Active ca 1575-1600). Prints

Jobs prosperity restored; History of Job; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. After all the misery that Job has happened to double his possessions. Job receives his friends and remaining family members at the gate of his house. His children and his cattle are in the foreground. A party is given in the garden in the background. Under the show a reference in Latin to the Bible text in Job 42. This print is part of an album.

Cosagnes game / Kozakken-Spel, 1817 print. gameboard Board game with a spiral with compartments numbered from 1 to 63, which expresses the shock and the surprise with which the Parisians looked at the arrival on the French bottom of the soldiers of the Allied Army (Cossacks). In the corners of faces on Moscow: the Kremlin, the red square, the main gate and the house of Mr. Paschkoff (the later Lenin library). Different compartments show Cossacks and Weapons. In midfield a performance of the Cossack Camp on the Champs Elysée, March 31, 1814, and the rules in Dutch and in French. The Hague paper etching board-games. board-games of chance. the soldier; the soldier's life Moskou. Théâtre des Folies-Marigny. Champs-Elysées. Rode full. Kremlin

Kiezrekker, Gillis van Scheyndel (I), 1603 - 1653 print A Kiezrekker treats a man on a market. Several spectators around them. paper etching (barber as) dentist. market. stall, booth (~ market)

The Sint Niklaasvreugd, there the child's / so very to haaken, around the sweet (...), 1806 - 1830 print Leaf with a large performance of children for a store where sweets and toys are sold for the Sinterklaas party. Under the image a verse in three columns. Numbered at the top right: no 150. Print Maker: Amsterdampublisher: Zaltbommel paper letterpress printing the bishop Nicholas of Myra (or Bari); possible attributes: anchor, boat, three golden balls (on a book), three purses, three children in a tub, three maidens. sugar-candy. child. (playing with) toys

Hagar gives Ismaël to drink, Willem Thibaut, 1580 print Hagar gives her son Ishmael to drink at a fountain, who was pointed out by an angel. In the background Ishmael as a hunter. To the Bible text in Gen. 21: 19-20. Bottom left a two -line explanation in Latin. Haarlem paper etching / engraving an angel appears and reveals a well of water to Hagar. Ishmael, growing up in the wilderness, becomes a skilful hunter

Title print with two hunters, Anonymous, After Willem Pietersz Buytewech, 1649 print Title print with two hunters, including a falconer, in a landscape. The title in the Cartouche, which they hold out. paper engraving birds. predatory birds: falcon. trousers, breeches, etc. (BREECHES) (+ men's clothes). bird hunting (+ hunting with falcon, hawk; falconry). bird hunting (+ hunting weapons, equipment, outfit)

Considering, ô Youth! Deez 'print; Laugh free at this plate, but carefully also read it not 'under it, 1814 - c. 1820 print Leaf with a large performance by Kwakzalver Jurgen at the fair. On a stage in front of the public, the quack and his henchmen, the Harlequin Hansworst, his wife and a monkey with a cloud spray, praise his medicines. In the middle of the seal of society for use of general. Under the show a verse in two columns. Numbered at the top right: O. print maker: Netherlandsprint maker: Netherlandspublisher: Amsterdam paper letterpress printing quack, charlatan, mountebank, 'saltimbanco'

De prins van Oranje moet buigen voor Johan de Witt.Prince Willem III must ask Johan de Witt and the States permission for his appointment. Scene from the life of Johan and Cornelis de Witt; Part of a group of illustrations accompanied by a (loose) verse of 8 lines. Numbered: II. Printed on the back with text in Dutch.

Fat cuisine and the lean kitchen, Anonymous, After Pieter van der Heyden, After Pieter Bruegel (I), 1595 - 1633 print Two performances on a leaf. Upstairs: Kitchen interior in which a group of fat people is doing well for all kinds of food and drinks. On the left is cooked and roasted in the fireplace. In the foreground on the right two children playing with food and in the middle a drinking woman who gives a child the chest. In the background, a shabby lean man with bagpipe is hunted out. Under the show a two -way verse in French and in Dutch. Below: kitchen interior with meager people eat mussels at a table. A man stirs in a kettle on the fire and in the front gives a woman to drink a child from a drinking horn. Upstairs a fat man tries to flee the lean kitchen, while two lean people try to get him. Under the show a two -way fresh in French and in Dutch. Antwerp paper engraving kitchen-interior. poor kitchen. thin (human type). fat (human type). nursing-chair (Dutch: 'bakermat'). beg

Sol in his triumphal wagon, including his planet children, Anonymous, Hans Sebald Beham, 1510 - 1550 print paper Sol and his children ('Planetenkinder')

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