Allegorical Art and Studies

Illustrative artworks combining allegory and mythology, with artistic studies featuring celestial beings and symbolic representations.

Martin Schongauer (German, c. 1450-1491), Saint Michael Slaying the Dragon, c. 1480-1490, engraving

Allegorical performance with putti. A putto reaches a woman who rises to heaven a wreath. Also a study of a putto that bears the head from a floating man in a loincloth. Page 46 From a sketchbook with 72 pages.

Artist: Albrecht Dürer, German, 1471-1528, Nemesis, ca.1501-2, Engraving, 33.2 × 23 cm (13 1/16 × 9 1/16in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Father Time, Johannes Glaber, After Gerard de Lairesse, 1680 - 1726 print Father time with scyth in hand and hourglass on his head. Among him all kinds of animals: among others. A lion and a boar. To a lost painting by Gerard de Lairesse. The print is part of a series with biblical, mythological and allegorical representations. print maker: unknownafter drawing by: Amsterdamafter painting by: Amsterdampublisher: Amsterdam paper etching Father Time, man with wings and scythe. beasts of prey, predatory animals: lion. hoofed animals: boar

Drawing, Study for Christ, Chancel of St. Bartholomew, New York; Francis Augustus Lathrop (American, 1849 - 1909); USA; brush and purple watercolor, white gouache, graphite on paper; 20.9 × 14 cm (8 1/4 × 5 1/2 in.); 1914-38-35

Martin Schongauer (German, c. 1450-1491), Saint Michael Slaying the Dragon, c. 1480-1490, engraving

Ceres in a Korenveld, Abraham Blotling, 1676 print London paper engraving (story of) Ceres (Demeter)

Allegory on the Peace of Amiens, 1802, Ludwig Gottlieb Portman, after Jacques Kuyper, 1802 print Allegory on the Peace of Amiens, on March 27, 1802, which put an end to the war between Great Britain and the French Republic, Spain and the Batavian Republic. Central floats through the clouds with an olive branch in hand. At the bottom left, the tattled army returns within the fortress. Netherlands paper engraving symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). conqueror triumphing, triumphal entry of victor

Allegory on the Peace of Amiens, 1802, Ludwig Gottlieb Portman, after Jacques Kuyper, 1802 print Allegory on the Peace of Amiens, on March 27, 1802, which put an end to the war between Great Britain and the French Republic, Spain and the Batavian Republic. Central floats through the clouds with an olive branch in hand. At the bottom left, the tattled army returns within the fortress. The print includes a statement. See also the Pendant. print maker: Netherlandspublisher: Amsterdam paper engraving symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). conqueror triumphing, triumphal entry of victor

Leda and the Swan.

Titz Erich, sketchbook: Demon (without date): View. Pencil watercolored on paper, 21.4 x 13.1 cm (including scan edges) Titz Erich : Skizzenbuch: Dämon

Time cuts the wings of Cupido, James Mcardell, After Anthony Van Dyck, c. 1745 - 1765 print London paper punishment of Cupid. Father Time, man with wings and scythe

Vatican City, Clement XI, Italy, Albani, Francesco, Pietri, Pietro Antonio de, Rome, Frezza, Giovanni Girolamo, Paintings by Francesco Albani, The Night (Nox), verso - stamped, A winged woman (Nox) with two sleeping children in her arms, on a cloud in the starry sky. Decoration of a pendentive., print, prints, height 412 mm, width 312 mm, Italian, 1659 - 1748, print maker, printmaker, 1704 - 1704, paper, engraving, engraving (printing process), 1663-02-20 - 1716-12-20, intermediary draughtsman, after a drawing by, 1578 - 1660-10-04, after, after a painting by, Work conception, after a design by, 1649-07-22 - 1721-03-19, granter of privilege

The Days of Creation: The Fifth Day. From the portfolio: The Work of E. Burne-Jones., 1876, Great Britain, by Edward Burne-Jones, The Berlin Photographic Company.

Christoph Nathes 1798 drawing depicts Ecce Homo, including an angel looking at the moon and a donkey eating thistles, executed in black and brown pen and brushes over pencil with black-gray edging lines.

Allegory of Renown, an angel with a trumpet, statue by Mercie to crown the Trocadero palace, Paris, France, illustration by Vallette from L'Illustration, Journal Universel, No 1832, Volume LXXI, April 6, 1878.

Dancers by William Blake, Black chalk, watercolor on paper, between 1816 and 1820, 1757-1827, Usa, New York, The Morgan Library & Museum,

Lazio Roma Riofreddo Oratorio dell'Annunziata0. Hutzel, Max 1960-1990 Two exterior views of romanesque church, and three interior views of nave and altar. Remaining views of frescoes. General Notes: There are three color prints and matching negatives assigned H-numbers 34, 35, 36. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sketch for the staircase of the holidays of the City Hall. The Bacheic song Fran�ois Schommer (1850-1935). Sketch for the staircase of the holidays of the City Hall. The bachic song. Oil on canvas, 1889.

Lazio Roma Rome S. Ignazio di Loyola26. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

William Bond after Henry Corbould after John Flaxman, Thy Kingdom Come (Monument to Sir Thomas Barting), published 1810 Thy Kingdom Come (Monument to Sir Thomas Barting)

Angel in London by Helen J. Vaughn, lithograph, 1998, 20th century, collection of artist

Selene & Endymion 1831 Moritz von Schwind (1804-1871 Austrian) Oil on canvas Folkwang Museum, Essen, Germany

Merry Joseph Blondel, Hope with Her Anchor Hope with Her Anchor

Teyler, Johan, Netherlands, Putto with laurel wreath and trumpet, Putto, with laurel wreath and trumpet in his hands. Possibly a personification of fame. This print is part of an album., print, prent, albumblad, prints, prenten, height 512 mm, width 353 mm, print maker, prentmaker, 1688 - 1698, paper, papier, engraving, engraving (printing process), drypoint, dry needle, roulette, à la poupée, colour printing, Northern Netherlands, 1648 - 1712, supervision

Print made by William Blake, 1757-1827, British, The First Book of Urizen, Plate 4 (Bentley 24), 1794. Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper.

José de Madrazo y Agudo / 'Allegory of Noon'. 1819. Oil on canvas. Museum: Museo del Prado, Madrid, España.

The Harpist 1897 John La Farge (1835-1910/American) Watercolor, Pencil and Gouache Christie's Images, New York, USA

The Rape of Ganymede, divine hero in Greek mythology, by Zeus's eagle. Engraving by Richard BrendÕamour (1831-1915).

unknown, Dyck, Anthony van, Sompel, Pieter van, Jupiter and Antiope, verso bottom center - stamped, Jupiter, in the guise of a satyr, bends over the sleeping Antiope. Next to Jupiter his eagle. With an explanatory caption in Latin., print, engraving, prints, engravings, ll in the margin: Ant. van Dyck Pinxit Cum Privil:, Below the representation: IUPPITER Deorum Pater, ut Anthopae potiatur amoribus in Satijrum se Transformat, N. 167., recto lower left - handwritten in brown ink, verso lower left - stamped, verso lower middle - stamped, height 250 mm, width 345 mm, South Netherlands, 1600 - 1643, print maker, printmaker, 1615 - 1643, paper, papier, etching, etchings, engraving (printing process), stippelwerk, Flemish, Dutch, 1599-03-22 - 1641-12-09, after, after a painting by, granter of privilege

Frontispiece Design for the New Testament. Draughtsman: Philip Tidemann. Dating: c. 1700. Measurements: h 357 mm × w 245 mm. Museum: Rijksmuseum, Amsterdam.

fine arts, Fuseli, Henry, (1741 - 1825), painting, ""Achilles reaching for the shadow of Patroclus"", circa 1810, 70 cm x 90 cm, hall of arts, Z™rich, Europe, 19th century, ancient world, Greek mythology, Homer, iliad, hero, heroes, nightmare, dream, Zuerich, Zurich,

Museo di Napoli - Amore con delfino (fontana in bronzo di Pompei) , Sculpture, Antiquities, Gods, Dolphins, Eros Greek deity. Nicholas Catsimpoolas Collection

Angel of the Revelation (Book of Revelation, chapter 10). Artist: William Blake (British, London 1757-1827 London). Dimensions: Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm). Date: ca. 1803-5.This work comes from a series of eighty biblical watercolors that Blake made for Thomas Butts, an important patron. He found the subject in chapter 10 of the book of Revelation and describes both the author and his vision. A diminutive Saint John, pen in hand, on the island of Patmos, gazes at a "mighty angel . clothed with a cloud . a rainbow was upon his head, and his face was as it were the sun, and his feet as pillars of fire." The artist based the angel's water-spanning stance on prints of the ancient Colossus of Rhodes and envisioned the seven thunders described in the text as horsemen riding through clouds. Museum: Metropolitan Museum of Art, New York, USA.

Putto with laurel wreath and praise, anonymous, 1688 - 1698 print Putto, with laurel wreath and praise in the hands. Perhaps a personification of the fame. This print is part of an album. Netherlands paper engraving / drypoint Cupids: 'Amores', 'Amoretti', 'Putti'. Crowning with Laurel. Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa)

Flying fame. The winged fame, blowing on her trumpet, flourish wreaths.

Liberty, c. 1865-1875. Gustave Doré (French, 1832-1883). Brown wash and gray and white gouache with graphite; sheet: 46.5 x 32.9 cm (18 5/16 x 12 15/16 in.).

Jules Chéret, Farandole, c. 1885-1895, lithograph in sanguine and white on beige paper.

Fire Personified by the God Jupiter, Johann Sadeler (I), After Dirck Barendsz., 1587 print The element fire, personalized by the naked Jupiter. He is surrounded by flames and holds a lightning beam in both hands. Jupiter flies on an eagle. The print has a Latin caption and is part of a four -part series about the four elements. paper engraving fire (one of the four elements). (story of) Jupiter (Zeus)

La folie. Dated: 1777. Medium: color aquatint and etching with roulette work. Museum: National Gallery of Art, Washington DC. Author: Jean-François Janinet after Jean-Honoré Fragonard.

Study forLuna. Artist: Elihu Vedder, American, 1836-1923

Model for the wedding holidays at City Hall: Poetry

Etienne Delaune (aka Étienne Delaune) (French, ca. 1519 - 1583). Victory (La Victorie). Engraving. First state.

Brühl, Augustusburg Castle/Oratory at the castle church, mural painting

Lady MacBeth walking in her sleep, full-length view, carrying candle; a man and a woman observe from a bench on the right in the background, circa 1784

Drawing by Antonio Viviani showing a cello-playing angel turned to the left in a circular tondo, executed with feather and lavation, cut out in a pointed circular segment.

Illustration depicting a naked lady holding an angel child with wings. By Georges Lepape (1887-1971), French poster artist, illustrator and fashion designer.

From The Flower Book- Love in a Mist, 1905. Sir Edward Burne-Jones .

Figure Anio with Laurel and LIR - from the organ prospectus in the Great Hall of the Warsaw Philharmonic; around 1901; before 31.08.1901 (1901-00-00-1901-00-00);National Philharmonic (Warsaw), music (allegory), Rajchman, Aleksander (1855-1915) - collection, allegories, angels, music, organs (music), sculpture (artist), Polish sculpture

Satan Spying on Adam and Eve and Raphael's Descent into Paradise 1807 William Blake (1757-1827/British) Pen & watercolor

Jupiter and Ganymede 1626 Joseph Heintz the Younger German. Jupiter and Ganymede 344181

Artist: Jacopo del Sellaio, Italian, Florence, ca. 1441-1498, Virgin and Child with Angels Seated onClouds, ca.1485-90, Tempera on panel, 107.8 × 67.3 cm (42 7/16 × 26 1/2in.), Made in Florence, Italy, Italian,Florence, 15thcentury, Paintings

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo85. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Frontispiece for New Testament in Greek 1642 Claude Mellan French. Frontispiece for New Testament in Greek 393731

Poster for the magazine 'Le Petit Sou', Théophile Alexandre Steinlen, 1900 print. poster With workers in the foreground, including a man with a pickaxe and a woman with broken chains in his hand. The Sacre Coeur in Paris can be seen in the background. The image was also intended for the cover of the magazine. Paris paper revolution, revolt Sacred Heart

Fantasy Christmas illustration by Dudley Hardy showing an ethereal fairy-like figure appearing in a snowy landscape watched by two small rabbits. Date: Christmas Number 1901

Jean-Honoré Fragonard, Love as Folly, French, 1732-1806, c. 1773-1776, oil on canvas

Witch Sailing in a Sieve to Aleppo, after a painting by John James Halls, ca 1820, Historic, digitally restored reproduction from an 18th or 19th century original.

Autumn', c1887- 1924. Artist: Girodet de Roucy-Trioson. Girodet de Roucy-Trioson (1767-1824) was a French painter and pupil of Jacques-Louis David, who participated in the early Romantic movement.

Psyche's Entrance into Cupid's Palace left fragment, from The Story of Psyche Made 1756-1763 Beauvais. Once the left and right parts of a larger hanging from a Story of Psyche series, these two tapestries portray the musicians and serving maids who welcomed the mortal Psyche, a beautiful young virgin, upon her chance arrival at the palace of the god Cupid. According to the version of the ancient Roman fable recorded in Lucius Apuleiusís second-century book The Golden Ass, Cupid and Psyche fell in love. The god visited her only at night so she would not learn his divine identity. One night Psyche was unable to restrain her curiosity and glimpsed Cupidís face. She was banished for her disobedience but eventually recovered Cupidís trust and love. Psycheís storyówith its characteristically human themes of loneliness, loss, despair, hope, and loveówas already a popular subject when the cartoons for this series were commissioned on behalf of Louis XV (r. 1715ñ74) from the royal tapestry ma

Babylon Hath Been a Golden Cup, 1859 Artist: Simeon Solomon, Pre-Raphaelite

'Amur The Winner'. Italy. Dimensions: 112x93 cm. Museum: State Hermitage, St. Petersburg. Author: ELISABETTA SIRANI.

Samson and Delilah Andrea Mantegna (1431-1506 Italian)

The Days of Creation: The Sixth Day. From the portfolio: The Work of E. Burne-Jones., 1876, Great Britain, by Edward Burne-Jones, The Berlin Photographic Company.

The Divine Comedy (1307-1321). Italian narrative poem by the Italian poet Dante Alighieri (1265-1321). Inferno (Hell). "High on his shoulders, sharp and tall, he carried an upright sinner...". Illustration by Yann Dargent (1824-1899). Engraving by Navellier & L. Marie. Published in Paris, 1888. Author: Jean-Edouard Dargent. known as Yann Dargent (1824-1899). French artist.

Creation of Light. Crispijn van den Broeck (Flemish, 1524 - about 1591)

A WEEPING CUPID Date: 1880s

The Sower (Le semeur) James Tissot (French, 1836-1902). The Sower (Le semeur), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 9 3/4 x 5 3/8 in. (24.8 x 13.7 cm). In this chapter of Matthew, Jesus teaches frequently with parables, or fablesa strategy that frustrates his disciples, who ask him why he uses this challenging method of preaching. To explain his pedagogy, Jesus invokes yet another parable, the fable of the sower. The sower scatters his seeds on inhospitable terrainrocky, thorny, and dryseemingly to no effect. But many of the seeds do find fertile ground, producing a plentiful harvest. For Jesus, his words are like the seeds of the sower: accepted by those who are willing and ready to listen. European Art 1886-1894

Lazio Viterbo Caprarola Palazzo Farnese52. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

High relief of Nike (Victory) , Antiquities, Sculpture, Goddesses, Nike Greek deity. Nicholas Catsimpoolas Collection

Faust: Tragédie de M. de Goethe, translated into French by Albert Stapfer.: Illustrations for Faust: Méphistophélés in the air, 1828. Eugène Delacroix (French, 1798-1863), Chez Ch. Motte, Éditeur, distributed by Chez Sautelet, Libraire. Lithograph;

Allegorical figure with a sphere, Giorgio Ghisi, After Giulio Romano, 1530 - 1582 print A standing winged female figure with a sphere under her arm. print maker: Italyafter design by: Mantua paper engraving sphere, globe ~ stereometry. fabulous beings with wings - AA - female human figure

High relief of Nike (Victory) , Antiquities, Sculpture, Goddesses, Nike Greek deity. Nicholas Catsimpoolas Collection

Moonbeams dipping into the Sea (1919), by Evelyn De Morgan (30 August 1855 ñ 2 May 1919); English Pre-Raphaelite painter.

Overdoor (France); block-printed on handmade paper

Bliżej Kultury Thurwanger, Frères (Fl. 1848 1852), Lemercier, Wilczyński, Jan Kazimierz (1806 1885)

Allegorical illustration of Flora dispensing her Favours on the Earth. Painted by Cosway, engraved by Burke. Handcoloured stipple copperplate engraving from Dr. Robert Thornton's "Temple of Flora," Lottery edition, London, 1812. The illustrations were a mix of aquatint, mezzotint and stipple engravings finished by hand.

Love as Folly. Dated: c. 1773/1776. Dimensions: overall (oval): 56.2 x 47.3 cm (22 1/8 x 18 5/8 in.) framed: 78.7 x 62.2 x 8.3 cm (31 x 24 1/2 x 3 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: JEAN-HONORE FRAGONARD.

Color print from 1898 by Karel Vítezslav Mašek depicting an exhibition of architecture and mental health facilities in Prague, illustrating late 19th-century exhibition practices.

Study for the figure of The Genius of Pennsylvania in The Apotheosis of Pennsylvania,” mural in the House Chamber, Pennsylvania State Capitol at Harrisburg. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

'Diana (sketch)'. Italy, Late 1560s. Dimensions: 28x16 cm. Museum: State Hermitage, St. Petersburg. Author: PAOLO VERONESE.

Venus riding a marine centaur, mural painting in the House of Ariadne or of the Colored capitals, Pompeian house, 2nd century BC, Pompeii, Campania, Italy, chromolithograph by K Grob from a drawing by Abbate, from Le case ed i monumenti di Pompei (The houses and the monuments of Pompeii), by Fausto and Felice Niccolini, volume I, plate 4, 1854, Naples.

Lons, Dirk Eversen, unknown, Sadeler, Aegidius, Theatrum Passionis Christi, Instruments of the Passion, Angel with the ladder, hammer, nails and ointment jar, verso center bottom - stamped, Angel with the ladder of the crucifixion in his hands. On the ground in front of the angel hammer, nails and the ointment jar. The print has a Latin caption, print, prent, prints, prenten, Japan (collection), height 155 mm, width 109 mm, Zuid-Nederlands, 1570 - 1629, print maker, printmaker, 1580 - 1629, paper, engraving, engraving (printing process), Publication (Event), Publication, 1600 - 1686, publisher

Alexandre de Riquer (1856 - 1920) Spanish artist: Composition with winged nymph at sunrise 1887. Tempera on canvas

Vicance, Italie Fresques de la Villa Valmarana , 1918 - Italy - Fernand Cuville - (March -August) (French - Vicence , Italie Fresques de la Villa Valmarana). Inner view, painted decor, legend , myth, furniture, villa, literature, Habitat , Architecture , Art, Italie, Vicence, fresh from Villa Valmarana

This painting by Rossetti, titled Astarte Syriaca (and also Venus Astarte), measured 74 inches by 43 inches.

Tile with Legs, from a set of moulded tiles, 6 1/16 x 6 1/16 x 3/4 in. (15.4 x 15.4 x 1.91 cm) (tile only), Glazed ceramic

Pierre Puvis de Chavannes (French, 1824-1898), Study of a Woman (Abundance), 1895, lithograph in brown on laid paper

Pegasus Departing. Oil on canvas mounted on fiberboard. Date: by 1901. Museum: Smithsonian American Art Museum.

According to Kingsley, fairies make the world go round in French, to the tune of: "C'est l'amour, l'amour, l'amour / Qui fait le monde a la ronde". Date: First published: 1863

Jean Honoré Fragonard, Love as Folly, c 1773 1776 Love as Folly

The Rule of Bacchus left panel. Dated: c. 1535. Dimensions: left panel: 39 x 15.9 cm (15 3/8 x 6 1/4 in.). Medium: oil on hardboard transferred from panel. Museum: National Gallery of Art, Washington DC. Author: Workshop of Albrecht Altdorfer.

Kieschke Paul (1851-1905), Museum in Palermo (03.1880): Wall painting. Pencil, ink colored, watercolor on cardboard, 41.2 x 32.5 cm (including scan edges) Kieschke Paul (1851-1905): Museum, Palermo

At her trial, Jeanne d'Arc was accused of consorting with fiends rather than angels, and this is how Shakespeare portrays her in 'King Henry VI'

PINTURA MURAL EN UNA VALLA. Location: EXTERIOR. Verona. ITALIA.

An illustration from an 1893 version of A Wonder-Book for Girls and Boys by Nathaniel Hawthorne, which recounted the tale of King Midas. In Greek mythology, Midas was given ability to turn everything he touched into gold by the god Bacchus. However, he soon discovered that he was unable to even eat. Bacchus told him to wash in the river Pactolus, and the power flowed in the river, which was supposedly the reason for why the river was so rich in gold in later years. In Hawthorne's version, Midas' touch even turned his daughter to gold.

Lazio Rieti Rieti S. Giovenale7. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, ceiling frescoes, painting. S. Giovenale was originally constructed in the 15th century under a different dedication. In the 18th century it was restructured and renamed. The church possesses a marble tomb dedicated to Isabella Alfani, the wife of Angelo Maria Ricci, which is decorated with a bas-relief by the Danish artist Bertel Thorwaldsen (1829). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Germany: Female figure with solar disk. From the alchemical manuscript Clavis Artis, 1738

Bloemaert, Abraham, Amsterdam, Ploos van Amstel, Cornelis, The Virgin Mary and the Child Jesus, Mary with the Christ Child, verso - stamped, Mary with folded hands by the Christ Child in a round frame decorated with roses., print, prints, height 175 mm, width 169 mm, Northern Netherlands, 1726-01-04 - 1798-12-20, print maker, printmaker, 1769 - 1769, paper, print drawing, mezzotint, color print, 1566-12-25 - 1651-01-27, intermediary draughtsman

Peri, Veli Can (active ca 1580-1595)

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