Allegorical Art Prints

Collection of 18th-century prints depicting allegorical themes, featuring figures like Truth and Time, illustrating moral narratives with rich symbolism and classical elements.

Hooghe, Romeyn de, Netherlands, Allegory of the death of Michiel de Ruyter, 1676, Allegory of the death of admiral Michiel de Ruyter, April 29, 1676. Mausoleum with the body of the deceased naval hero mourned by the Dutch Maiden, the Amsterdam city maiden and a woman with his family crest. Behind this Mercury, Fortune, Strength and other allegorical figures. On either side two columns with images of De Ruyter's victories. At the bottom an inscription on the pedestal of a column in Latin., print, prent, nieuwsprent, prints, prenten, height 530 mm, width 423 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1676 - 1677, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etchings, Work conception, after own design by

Allegory on the arts. Female allegory on poetry (poesia) with trumpet and harp, sits on a cloud. For her, with an obelisk, a putto floats and on the ground four putti music are making, painting and sculpting.

Title page for: 'Contemporary history of the Ryk des Grooten Mogol, part 4', 1770, Reinier Vinkeles (I), 1770 print Title page with five men with tulip tires at a tent. Next to the tent a tower of blocks on which performances. print maker: Amsterdampublisher: Leidenpublisher: Amsterdampublisher: Amsterdam paper etching / engraving head-gear: turban. tent. book

A woman in labor imploring the aid of Lucina set within a decorative cartouche, from the 'Loves, Rages and Jealousies of Juno'. Artist: Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576). Dimensions: sheet: 5 3/16 x 4 in. (13.1 x 10.2 cm). Series/Portfolio: Amori sdegni et gielosie di Giunone (Loves, Rages and Jealousies of Juno). Date: 1531-76. Museum: Metropolitan Museum of Art, New York, USA.

Title print for 'de jure civitatis, libri tres' by Ulricus Huber; Ulrici Huberi de Jure Civitatis Libri Tres. A woman with a heart on the chest, a scepter in one hand and a book in the other hand (truth) is sitting on a throne. Opposite her is a blindfolded woman with a scales in hand (justice). On the ground some figures symbolize evil matters.

Minerva protects painting. Minerva protects the personalized painting (mask and painting palette) against envy (hoses) and frenzy (burning torch). Above Minerva flies the bazing blowing fame. In the foreground a young and old Sater hold a piece of paper together.

Three putti at a bust of Apollo on a piastal in a niche. In the foreground one of the three putti his lier studies. Another wears a burning torch. Print from a series of 41 symbols.

Holy Sebastiaan tied to a tree, Aegidius Sadeler (II), After Jacopo Palma, 1580 - 1629 print The Holy Sebastiaan is tied to a tree by soldiers. In the background, archers are getting ready to shoot at him. A putto in the air with a palm branch and a crown. The print has a Latin caption. unknown paper engraving St. Sebastian pierced by arrows, the archers visible (+ angel(s))

Allegory on history; Title page for: Chevreau, Histoire du Monde; Histoire du Monde. Allegory on history with female personification of history and winged time.

Neptunusfontein Te Florence, Johann Sadeler (I), After Monogrammist flb, After Jan van der Straet, After Bartolomeo Ammanati, 1601 - 1618 print A Neptunus fountain, probably that fountain founded in Florence in honor of the entry of Johanna of Austria in 1565. Neptunus drives on a shell in the central fountain in the fountain. Water nymphs around him. In the foreground two putti on swans. A woman walks towards the fountain to get water. Antwerp paper engraving Florence

Allegorical title print for the third part of the Spanish language version of Guerres de Flandres. The general Alexander Farnese, Duke of Parma, as Hercules with club and lion skin standing on a hill. In the clouds figures with attributes of the triumphant duke and a portrait of a young king. In the foreground, Minerva with Spanish flag shows an equestrian portrait of the Duke of Parma framed with laurel wreath, to the terror of the enemy. Title print for the third volume of the Spanish-language version of Guerres de Flandres Version of Guerres de Flandres Tercera Decada de lo que hizo Alexandro Farnese in Francia Guerres de Flandres , print maker: Romeyn de Hooghe, (attributed to), Don Juan de Ledesma, (mentioned on object), Netherlands, 1670 - 1699, paper, etching, engraving, h 257 mm × w 157 mm

Apollo unmasks Marsyas, Gilliam van der Gouwen, After Bernard Picart, 1712 print The God Apollo unmasks the Sater Marsyas. All kinds of animals around them: a peacock, a dog, a goat a pig and a cat. In the air a putto with a scale and a lightning beam. The print has a French text in a cartouche as a caption. Amsterdam paper engraving (story of) Marsyas. (story of) Apollo (Phoebus). mask. cupids: 'amores', 'amoretti', 'putti'. dog. ornamental birds: peacock. cat. pig. goat

Giovanni Battista Lenardi drawing depicting an allegorical scene with a young man in ancient armor, Mars and Mercury, a kite, additional allegorical figures, and portrait medallions, executed in feather and gray wash.

Amsterdam, Picart, Bernard, Diogenes searches for a human being, verso - stamped, The philosopher Diogenes searches in broad daylight with a lantern for an honest human being. He finds people who take off their masks in fright., print, prints, height 67 mm, width 75 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1720 - 1720, first quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process)

D'Amboinsche Rariteitkamer, T'Amsterdam, Gedrukt by Francois Halma, 1705, crustacea, Indonesia, Maluku, mineralogy, mollusks, MuseumsVictoria, D'Amboinsche Rariteitkamer, Georgius Everhardus Rumphius, 1705, Rumphius, Ambonese, curiosity cabinet, Rumpf, marine, The scene depicts a grand architectural interior, intricately adorned with classical columns and elaborate arches. At the center, a group of artisans and workers are engaged in various activities related to the craft of architecture. One figure is seen measuring with a compass, while another kneels, perhaps preparing materials or assembling parts. To the right, a muscular figure, reminiscent of classical sculptures, stands in a pose that suggests contemplation or command. In the background, ornate decorations and motifs enhance the sense of grandeur, with an inscription above that honors G.E. Rumphius, suggesting a tribute to the art of architecture and its practitioners. Various tools and architectural elements are scattered thr

Muse and putti bearing portrait of surgeon and poet Govard (Govert) Bidloo. Various attributes refer to the transience of life such as a scythe and a snake biting its own tail. A grave monument is just visible in the background, Muse and putti carry portrait of surgeon and poet Govard Bidloo Title page for: Govard Bidloo, Mengel pozy, 1719 , print maker: François van Bleyswijck, (mentioned on object), intermediary draughtsman: Frans van Mieris, (mentioned on object), Leiden, 1681 - 1746, paper, etching, engraving, h 185 mm × w 139 mm

Cludius, Andreas, Spranger, Bartholomeus, Amsterdam, Muller, Jan Harmensz., Mercurius leads young artists to Minerva, verso - stamped, Mercurius presents a young artist to Minerva, who crowns him with a laurel wreath. Above the throne Fame blows the trumpet. Behind the throne sit the tied up Envy, Sloth and Vice. At the bottom in the margin a six-line verse in Latin about the representation., print, prent, prints, prenten, height 253 mm, width 176 mm, Noord-Nederlands, 1571 - 1628, print maker, printmaker, 1628 - 1628, paper, papier, engraving, engraving (printing process), Work conception, Zuid-Nederlands, 1546-03-21 - 1611-08, after a design by, 1555-11-07 - 1624-09-11, writer

Achilles and the daughters of Lycomedes. The daughters of Lycomedes are bent over a coffin with jewelry while Achilles, disguised as a woman, pulls his sword. Achilles is grabbed by his arm by two men.

Alcove with four-poster bed; Alkoven. The dying germanician is on the bed. From series of 6 sheets.

Anonymous after Hendrick Goltzius (Dutch, 1558 - 1617). Apollo Entrusting Chiron with the Education of Aesculapius, ca. 1590. From Metamorphoses. Engraving on wove paper. Plate: 176 mm x 254 mm (6.93 in. x 10 in.). Undescribed first state.

Jupiter lets the shield of Thoseus forge by the Cyclopen, Jean Louis Roullet, After Pietro Locatelli, After Ciro Ferri, 1655 - 1699 print Lower half of a promotion print. Promotional print dedicated to Keizer Leopold I paper engraving / snipping Andromeda chained to the rock. the Cyclopes forging

Saint Peter. Etching.

Alexander temt Bucephalus, Léon Davent, after Francesco Primaticcio, 1540 - 1556 print paper etching Alexander tames Bucephalus

This late 1530s woodcut by Jörg Breu the Younger depicts the Resurrection of Christ, showing figures in a religious scene with expressive and detailed composition.

Italian 16th Century after Francesco Salviati, The Resurrection, 1546 1550 The Resurrection

Return of Tobias, Anonymous, After Maarten van Heemskerck, 1556 print Tobias embraces his mother Anna when returning home. Behind her, a boy leads the blind tobit outside. The Archangel Rafaël points in the direction of Sara and the animals packed with gifts. At the bottom of the margin a single -line caption in Latin from Tobit 11. paper engraving the meeting of parents and son ~ Tobias' return

Hercules gekroond door Victoria; C.D. Bruyns reysen; Titelpagina voor: Cornelis de Bruyn, Reizen, 1698.Hercules, with a knots in his hand, is crowned by the winged Victoria. The persons settlements of sculpture, painting and architecture meet on the ground. Putti play with the measuring instruments of architecture. In the background a pyramid, classic buildings and a palm tree.

Title page for: Continued on Flavius Josephus: Or General History of Jewish Naatsie. 1727, Andries van Buysen (Sr.), After Louis Fabritius Dubourg, 1727 print The personification of the historiography, a winged woman writing in a book, is surrounded by putti and other figures. Downstairs on the stairs, father plays time with a group of putti. A young man with a burning torch of a wall falls in the background. The buildings behind the wall are on fire. print maker: Amsterdampublisher: Amsterdampublisher: Delft paper etching / engraving Father Time, man with wings and scythe. 'Historia'; 'Historia' (Ripa)

A female figure with wings and a globe; representing astronomy. Engraving by A. Vallée after M. de Vos.

Pygmalion that falls in love with his image; Metamorphoses from Ovid. The Pygmalion sculptor embraces the image he has made. In the background he loves her after Venus woke the picture to life. In the margin a four-line caption, in two columns, in Latin.

Laster Van Apelles, Cornelis Cort, after Federico Zuccaro, 1602 print On the left on a throne is a king whose stupidity is shown by his donkey ears. His advisers are defamation, deception, envy and anger. Behind the throne is Minerva to stop him. On the right an artist who would be convicted by the king under false pretenses. He is accompanied by the naked truth and the God Mercury. Rome paper engraving Calumny of Apelles: bad judge with ass's ears on throne, with Deceit, Envy, Ignorance, Suspicion and Treachery, confronted with innocent accused; Remorse and Truth present

Jupiter on his Throne 1547 Léon Davent French. Jupiter on his Throne 337468

Vestalse Tuccia proves its virginity by carrying water in a sieve, monogrammist FG (Possible), Giacomo Riccio (Possible), After Parmigianino, 1531 - 1576 print Fontainebleau paper engraving Vestal virgin(s). the Vestal virgin Tuccia, accused of fornication, carries water in a sieve to prove her chastity

The Resurrection 1512 Albrecht Altdorfer German. The Resurrection 435348

Jacques Callot (1592-1635). "Frontispiece du Sacra Cosmologia or the title to astrologers" (Lieure 666, Meaume 203). Etching. 1630. Museum of Fine Arts of the City of Paris, Petit Palais. 99594-16 Etching, engraving

Keizer refuses to look at his daughter Julia, who is gracefully dressed, Jan Luyken, 1699 print The emperor of Rome is in a chair. He turns his face off his daughter Julia, who stands behind him in graceful clothing. Amsterdam paper etching emperor. father and daughter(s) (family group)

Antigone"". Tragedy in five acts in verse, written by French playwright and poet Jean de Rotrou (1609-1650) in 1636 or 1637. It was first performed at the Hotel de Bourgogne in Paris in 1637, although it was not published until 1639. Antigone is arrested by Creon's soldiers for seeking to give her brothers an honourable burial. Illustration for the frontispiece of the play, drawn and engraved by Claude Vignon (1593-1670) and Michel Lasne (1595-1667). Paris, chez Antoine de Sommaville et Toussaint Quinet, 1640 (as it appears on the frontispiece). XVIIme siecle: lettres, sciences et arts, France 1590-1700 (17th century: letters, sciences and arts), by Paul Lacroix. Published in Paris by Librairie de Firmin-Didot et Cie, 1882.

Table of the Museum Temple: Oenea, Dutuit p. 36, WHITE 110 Cornelis II Bloemaert, said the young person (1603-1692). Table of the Museum Temple: Oenea, Dutuit p. 36, the white 110. Burin, 1655. Museum of Fine Arts of the city of Paris, small palace.

Sculpture of the Archangel Michaël above the entrance of the Arsenal in Augsburg, Lucas Kilian, after Hans Reichle, after Johann Mathias Kager, 1607 print Augsburg paper engraving the Archangel Michael fighting the dragon (devil, Satan). armour. sculpture Augsburg

Fargue van Nieuwland, Isaac Lodewijk la, Northern Netherlands, Allegory of the marriage of William V and Wilhelmina of Prussia in 1767 and the birth of Prince William Frederik in 1772, verso - stamped, Allegory of the marriage of William V and Wilhelmina of Prussia in 1767 and the birth of Prince William Frederik on 24 August 1772. Two representations: at the top an allegory in which the princess, standing on a pedestal, is presented with the sealed book of marital happiness by Wisdom (Minerva). Here also Virtue and the city virgin of The Hague. The princess is crowned by Piety. In a smaller representation at the bottom seven half-naked women (provincial virgins) dance for Prince William V on the occasion of the birth of Prince William Frederick. On the sheet below the plate the dedication to the magistrate of The Hague in a verse of fourteen lines. The print comes with a text sheet., print, prints, Frederik Muller Historieplaten, height 722 mm, width 515 mm, Noord-Nederlands, 1726-10-

Allegory on ambition and laziness. Face in two tents, separated by a Herm. The ambition (ambitioniosi) is depicted. Men companies various sciences, single handling geometric instruments. Owls fly around. On the right the laziness (desidiosi) is depicted. Sin (peccatum), death and a devil are considering sleeping figures. In the margin a four-line caption, in two columns, in Latin.

Franse kroon, Parijs, Mariette, Pierre (II), Lepautre, Jean, Alcoves a la Romaine, Alcove with Joseph and Potiphar's wife, Paris, Alcove with Joseph fleeing from Potiphar's wife. On the right are soldiers with shields and lances. Numbered 4 at the bottom right., print, ornamental print, prints, ornamental prints, height 147 mm, width 213 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1657 - 1716, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher, granter of privilege

Allegory in honor of Isabella Clara Eugenia after shooting the parrot in 1615, Unknown, 1615 print Allegory in honor of Hertogin Isabella Clara Eugenia after shooting the parrot in Brussels on May 15, 1615. Isabella sitting on throne, left Apollo, on the right Diana. In the foreground, kneeling three women (Panthasilia, Tomiris and Camilla) offer the Vorstin arrows and arches. Behind the throne and on the ground a rug decorated with stripped flowers. With caption of 8 lines in Latin and 8 lines in French. Southern Netherlands paper etching (story of) Tomyris. (story of) Camilla. shooting-the-bird (on a high pole). specific aspects, allegorical aspects of Apollo; Apollo as patron. specific aspects, allegorical aspects of Diana; Diana as patroness Onze-Lieve-Vrouw-ter-Zavelerkerk

Diogenes and Alexander the Great. The philosopher Diogenes is in front of his tons. He knows to go to Alexander the big and his consequence to go aside so that he is no longer in their shadow.

Willem Hondius engraved a copper print in 1649 showing an allegory with John II Kasimir, depicting symbolic figures, gestures, and composition for historical and allegorical representation.

Allegorical performance with the urban army of Amsterdam and the IJ; The Yflow. Allegorical performance with the city's city memorial and leaning on her leg a river god as a personification of the IJ. Behind them Mercury with winged hat and staff. In the background a throne with columns in the form of personnifications of the four continents. On the top of the throne The title and coat of arms of Amsterdam. At the top right in the sky the Sun God Apollo.

Allegory at the death of the De Witt brothers, 1672. Sinneeprent at the death of the De Witt brothers. The show shows father time pensive at a table on which an hourglass stands and a skull with a laurel wreath, the portraits of Johan and Cornelis de Witt and some opened books. The books are Vondels Palamedes or murdered onnoboyryt and the life of spelled Griecken Romeynen from Plutarch. Under the right foot of time lies the torn Eewig Edict, in addition to two extinguished torches and a snake. In the background above a gate The image of Johan van Oldenbarnevelt.

The Judgement of Solomon. Aldegrever, Heinrich (1502-1555/1561), graphic artist

Saint Anthony the Great in front of a crucifix in a ruin. He reads in a Bible and is plagued by devils and a beautiful woman with a mirror., Antony the Great as Hermit Male Hermits (series title) Solitudo Sive Vitae Patrum Eremicolarum (series title), print maker: Johann Sadeler (I), print maker: Raphaël Sadeler (I), intermediary draughtsman: Maerten de Vos, Antwerp, (possibly), 1583 - 1588, paper, engraving, h 174 mm × w 214 mm

A woman giving birth, calling out to the Roman goddess Lucina. Engraving by G. Bonasone, 15--.

Manius Curius Dentatus Weigert de Geschenken van de Samnieten, Francois Fortebat, after Simon Vouet, 1664 print print maker: Parisafter painting by: Francepublisher: ParisFrance paper etching / engraving Manius Curius Dentatus, while cooking a simple meal at his hearth, refuses the gifts of the Samnites

The Golden Age. Theodor de Bry (Flemish, 1528-1598). Engraving;

Ruy Velazquez asks Gonzalo Gustos to deliver a letter to King Almanzor of Cordoba, Antonio Tempesta, After Otto van Veen, 1612 print Explanatory numbers in the show. Caption in Spanish and Latin. paper etching tales and fairy tales. letter, envelope. messenger

. An allegory on Spain. In the middle under a tree the Gods Juno (fertility) and Mars (war). Juno holds a scepter and a pomegranate in the hands. The Spanish crown shot on her. Mars has a flag in his hand. Around them lying on the floor, a globe with a globe, a treasure chest with money, a compass and an anchor as a symbol for the naval power. In the background on the right two playmen and a gambling table, in the background left an army. There are ships in a bay. The print is part of a four-part series with allegorical representations from European countries.

Leopold Wilhelm, Archduke of Austria.

Allegory of the death of the artist Giambattista Maderna. Draughtsman: Matthias Joseph de Noël (mentioned on object). Dating: 1792 - 1849. Measurements: h 174 mm × w 110 mm. Museum: Rijksmuseum, Amsterdam.

Fable man and his two women; Illustrations for fabber stories from Phaedrus. A seated man is flanked by a young and old woman who both pick up his hair. This illustration is made at the aesopic fables of the Latin poet phaedrus.

Trophy of weapons, a women's figure and angels; Tropoea Marmorea Ut Aliqui Existiman (...); Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

Psyche, Thinking to Appear More Beautiful..., Opens the Fateful Box. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1541. Dimensions: 200 x 235 mm (plate); 270 x 370 mm (sheet). Engraving in warm brown ink on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA. Author: Master of the Die.

Title Vignette for the Publication of Klamera Schmidt New Poetic Letters, Posted in: New poetic letters by Klamer Eberhard Karl Schmidt, Berlin, 1790, Bey Friedrich Viewem the Elder Chodowiecki, Daniel Nikolaus (1726 1801)

Evangelist Matthew, Anonymous, After Johann Sadeler (I), After Dirck Barendsz., 1590 - 1640 print The evangelist Matthew is sitting on a wooden sofa for a drapery. Under his arm he has a book and with his right hand he browses through the book that lies on a desk for him. Behind him, a figure who looks like an angel whispers something. On the right in the distance a few figures walk on a mountain path. Under the show a two -line, Latin text. print maker: Low Countriespublisher: Rome paper engraving the apostle and evangelist Matthew (Mattheus); possible attributes: angel, axe, book, halberd, pen and inkhorn, purse, scroll, square, sword

Portrait of Emperor Matthias 1614 Flanders. This portrait was made only a few years after Matthias forced his brother Rudolf II to relinquish control of the Holy Roman Empire. Surrounding the sculpted bust of Matthias is a wreath with medallion portraits of earlier Habsburg emperors (including Rudolf II). The placement of the Roman god Mercury and goddess Minerva on either side signify Matthiasís eloquence and wisdom, respectively. The subjects of his realm, shown at the bottom wearing western and Turkish clothing, look up at him with awe and reverence. Above, the Three Graces rain down jewels, flowers, and fruitósigns of prosperity and abundance.. Engraving in black on ivory laid paper . Aegidius Sadeler, II

Adam and Eve after the fall; Dance dance. Second print from a series of death expressions; With a picture frame with father time and eternity.

The infant Hercules killing the snakes, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno' 1531-76 Giulio Bonasone Italian. The infant Hercules killing the snakes, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno' 392804

Three muses. Engraving by G. Ghisi after F. Primaticcio.

Allegory on the Peace of Nijmegen (1678): Hercules beats the harpijen for the temple of Janus, Abraham Blotling, after Gerard de Lairesse, 1678 print Allegory on the Peace of Nijmegen closed on 10 August 1678 between the Republic and France. Two allegorical female figures (peace and prosperity) Close the door of the temple of Janus, Hercules beats the harpes with a club. Amsterdam paper engraving (story of) Hercules (Heracles). temple, shrine ~ Roman religion

Phaëton in het paleis van Helios, Hendrick Goltzius (workshop of), after Hendrick Goltzius, 1590 print In the Palace of the Zonnegod Helios, Phaëton asks proof that the sun god is his father. Phaëton kneels in front of his father, sitting on a throne under a canopy. To prove his paternity, Phaëton can ask what he wants. The boy then asks for the solar car. Two times two lines of Latin text under the performance. This print is part of a series of 52 prints that represent stories from Ovid's metamorphoses. This series falls into three numbered series: two of 20 prints and one of 12 prints. This print belongs to the second series. Haarlem paper engraving Phaethon asks Apollo (Sol) for the chariot of the sun

Alcove; Alcofen a la romaine. Alcove with a group standing in front of a bed flanked by two terms and two doors with more medallions with imperial portraits. Possibly the story of Titus and Berenice. At the bottom right numbered.

The Flagellation, from The Large Passion Made 1496-1497 Germany. Woodcut in black on cream laid paper . Albrecht Dürer

Achitofel and Chusai at Absalom, Johannes Wierix, After Maerten de Vos, 1585 print Achitofel and the Arkiet Chusai advise Absalom about the martial plan against King David. In the background, Jonatan and Achimaäs - who would convey the news about the plan to King David - hide in a well in the yard of the house of a man from Bachurim. His wife lays a hatch over the opening of the well, so that nothing can be seen. Under the show a reference in Latin to the Bible text in 2 SAM. 17. Antwerp paper engraving Absalom takes counsel with Ahitophel. Hushai called for counsel. pursued by Absalom's soldiers Ahimaaz and Jonathan hide in a pit in a house at Baharim; a woman spreads a cover with corn over the pit

Jacques Callot after Antonio Tempesta, Francesco, 1619 Francesco

Salomé with the head of John the Baptist, Anonymous, After Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1709 print Salomé presents scale with the head of Johannes de Boper to Herod and Herodias and their guests. In margin under verse of four lines in four languages and fragment of Bible text Marcus 6, verse 27. paper engraving Salome is given the head of John the Baptist by the executioner

Scenes from the life of Saint Boniface, plates XI and XII, approx. 672-754; Scenes from the life of Saint Boniface. Scenes from the life of the Saint Boniface, plates XI and XII. Boniface as a bishop. Seventh print in a series of prints about the life of Saint Boniface, consisting of a large image of the sainty followed by 8 plates with two smaller numbered performances among each other.

Phaeton Asking for the Chariot. Hendrik Goltzius (after) (Holland, Mülbracht, 1558-1617)Hendrik Goltzius (Netherlands, Mülbracht now Bracht-am-Niederrhein, 1558-1617). Holland, published 1590. Prints; engravings. Engraving

Allegory in painting, Pieter Perret, After Hans Speckaert, 1582 print Allegory of painting: Apelles paints the portrait of Alexander the Great. Rome paper engraving Apelles painting Alexander holding a thunderbolt. 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa)

Offer Aan Aesculapius, Bernard Picart, After Elisabeth Sophie Chéron, 1711 print A company brings a sacrifice to the Escula monkey, the symbol of the God of Health and Medicine Aesculapius. In the foreground is a naked young man on a pedestal. Paris paper etching / engraving Aesculapian sign. Sacrifice

Allegorical performance about the coronation of Jozef I to King of Hungary; Memorabilia Comitiorum Posoniensium Sun Quumba Haereditario Jure Coronatus (...). Allegorical performance on the coronation of Jozef I, German emperor, to king of Hungary in 1687. On a basement, three men who stop a medallion with the portrait of Leopold I, Emperor of Germany and the father of Joseph I. Leopold I likes A scepter and a migger in his hands and is crowned by Victoria with a laurel wreath. On the other basement, Putti carry the medallion with the portrait of Jozef I. He also holds the scepter and rich apple and is crowned by eternity. In the middle a putto carries the coat of arms of Hungary. On the left is Cybele with the wall crown on her head and one of her lions beside him, while she points the townmant of Budapest on Leopold I. Right Mercury points to the caduceus on the portrait of Jozef I.On the background a landscape with an army and The city of Budapest.

Paris, Gravelot, Hubert François, unknown, Boubers, N. de, Les Mariages Samnites, Marriage practices among the Samnites, verso - stamped, Illustration for the story 'Les Mariages Samnites' from JF Marmontel's collection of stories 'Contes moreaux'. Once a year, among the Samnites, an Italian tribe, all the young men and women gathered in a large square. Here their marriage partners were then chosen. Two young Samnite soldiers embrace each other., print, book illustration, prints, height 150 mm, width 85 mm, print maker, printmaker, 1765 - 1780, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, French, 1699-03-26 - 1773-04-19

Lazio Roma Rome Stimmate di San Francesco5. Hutzel, Max 1960-1990 Baroque church built over an early Roman church; crypt of church still in existence. Views of sculpture, stucco, painting, fresco, gilding. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two figures laugh at a young man, Gerard de Lairesse, 1668 print A young man sits on a square on the floor and lifts a dish with one hand while he covers his ear with the other. He is laughed at by two figures behind him and carry the torso of an antique image and a sword. In the margin there is a caption in Latin and Dutch. This illustration was made at the first company of the comedian "Julfus" (1668), written by Andries Pels. The print is part of a three -part series with scenes from this comedy. paper etching laughing (+ having pleasure in the misfortune of others). hand(s) towards the ear(s)

Jacob Matham after Hendrik Goltzius, Eros and Anteros, probably 1588 Eros and Anteros

Hohenembs, Jakob Graf.

Man feeds love with wine and bread. Man feeds love, here imagined by the female personification Venus, with wine and bread. Bacchus stands behind the couple with grape fees and a wine barrel, Ceres wears a cornucopia with fruit and grains. Amor floats over the couple with arrow and bow. From a small sentence at the bottom right, Ohn Wein und Broch does not lead to Venus, it appears that the love must be fed to stand in stand. A fresh in Latin in the margin explains the show.

State art (politeia) overcomes envy (livor); Politeia; The virtues overcome the vices. The State Art Personal (Politeia), with measuring status and writing tablet, is on a throne. She tramples the personalification of envy (livor), a naked woman who holds her riches in her arms. All kinds of measuring instruments with the name Disorder (Indigesta Moles) in the background.

Amsterdam, Tirion, Isaak, Philips, Jan Caspar, Title page for: Hedendaagsche historie, of Tegenwoordige staat van alle volken, 1730, Volken van deze continenten, verso lower right - stamped, Landscape with an architectural niche in which delegates of the peoples of different continents have gathered. In the foreground History writing in her book. She is accompanied by a woman, in her hand the Hand of Justice, who points to the monument on which the title in French. On the monument a putto on a globe., print, engraving, title page, prints, height 179 mm, width 106 mm, Northern Netherlands, 1700 - 1775-04-24, print maker, printmaker, 1730 - 1730, paper, etching, etchings, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1705 - 1765, publisher

. Portrait of Philip II, Duke of Orléans. On the left is the sad personification of France, with an empty horn, bonds and debt letters at the feet. Behind the portrait a winged woman with an hourglass, surrounded by clouds, who refers to the wind trade and the time that will break. Mercury points France to the portrait of the Duke, who gave the Scottish economist John Law in 1716 permission to set up a bank to stimulate the French economy. Minerva points to a horn with money. In addition, an Indian with a map of Louisiana, where Law found a company founded that the State Bank exploited. On the right in the background, soldiers defend the French Banque Royale, which is stormed by the people because of the unrest as a result of the 1820 wind trade.

Keulen, Marteau, Pierre, Harrewijn, François, Nederlanden, Jacobus, Title page for: Les epitres d'Ovide, 1702, Mythological figures, verso - stamped, Various mythological figures; at the top the falling Icarus, on the left Atlas with the vault of heaven on his shoulders and the one-eyed Poliphemus and in the background Dido on the pyre. All depicted to represent different characteristics of love. On the right on a cloud the personification of love with two burning hearts in her hands and in front of her Cupid with bow and arrow. Also on the right the personification of envy: a woman with snakes and chewing on a heart. Below the image a four-line text in French., print, title page, prints, height 135 mm, width 82 mm, South Netherlands, 1660 - 1740, print maker, printmaker, 1702 - 1702, paper, papier, etching, etchings, engraving, engraving (printing process), 1700-06-26, Publication (Event), Publication, publisher

Frontispiece for Les Oeuvres de Scarron 1649 Etched by Stefano della Bella Italian. Frontispiece for Les Oeuvres de Scarron 377476

Cornelis Galle I, Frontispiece for Frederick de Marselaer, Legatus, Antwerp, 1666, engraving on paper.

Mi closer to the cycle: virtues and disadvantages; Aldegrever, Heinrich (Ca 1502-1555 cars 1561); 1552 (1st edition) (1552-00-00-1561-00-00);

Master at "S.". "The passion of Christ: the deposition. Fifteenth number of a series of 21 pieces. (Passavant 123)". Chisel. 1500. Museum of Fine Arts of the City of Paris, Petit Palais. 123106-5 Chisel, 15th xve XV 15th 15th 15 CENTURY

Droom, Nicolas Beatrizet, After Michelangelo, 1525 - 1565 print A naked young man sits on a stone cube and leans on a globe. There are masks in the cube. In the background, the sinful dreams of the young man are depicted. In some scenes, head sins such as lust and stinginess are depicted. From heaven, an angel blows into his ear with a trumpet and calls him to order. print maker: Italyafter drawing by: Italypublisher: Rome paper etching / engraving dream

Lairesse, Gerard de, Illustrations for the comedy 'Julfus', Two figures laugh at a young man, verso - stamped, A young man sits on the ground in a square and lifts a dish with one hand while covering his ear with the other. He is laughed at by two figures standing behind him, carrying the torso of an antique statue and a sword. There is a caption in Latin and Dutch in the margin. This illustration was made for the first act of the comedy 'Julfus' (1668), written by Andries Pels. The print is part of a three-part series with scenes from this comedy., print, prints, height 185 mm, width 135 mm, Northern Netherlands, 1641 - 1711, print maker, printmaker, 1668 - 1668, paper, etching, etchings, Work conception, after own design by

Keizer Augustus brings a sacrifice for the temple of Janus, Jakob Frey (I), after Carlo Maratta, 1738 print print maker: Romeafter drawing by: Romeafter painting by: Palazzo Colonna paper etching / engraving Augustus closes the gates of the temple of Janus; he may be seen sacrificing in front of the temple

Italy, Schiaminossi, Raffaello, Attributes of the Soul, Reward and Honesty, verso - stamped, Two representations of female personifications. Left: Reward (Praemium) with a crown and branch in her hand. Right: Honesty (Sinceritas) with her heart in her hand. Both representations with two Italian lines of verse in the lower margin., print, prints, height 155 mm, width 223 mm, Italian, 1572 - 1622, print maker, printmaker, 1605 - 1605, paper, etching, etchings, plate tone, Work conception, after own design by

Cambyses kills the son of Prexaspis / Hendrik de IJzeren, Duke of Holstein, between the Leeuwen, Jan Luyken, 1687 print Print at the top right marked: fol: 332. Bottom mark marked: fol: 334. Amsterdam paper etching Cambyses shoots Prexaspes' son with an arrow. lion's den

Allegory of the Treaty of Westminster. This depiction is in the form of a stage setting. De Lairesse was familiar with the world of the theatre: he designed various décors for the Amsterdam Theatre. Depicted in the middle is the signing of the Treaty of Westminster, above which are the portraits of King Charles II of England and Stadholder William III. This peace treaty signalled the end of the Third Anglo-Dutch War (1672-1674).

Stedenmaagd van Amsterdam; Dl. Willinks Amsteldamsche tempe. Eerste Boek.The city mandatory of Amsterdam sitting with a lance, is viewed by a group of fishermen right. At her feet a money pouch. Links gives Mercury, personry from trade, its caduceus. In the background a garden with avenue.

Fokke, Simon, Northern Netherlands, Odijk distributes money to the farmers, Subjection of the farmers to the authorities, 1672, Sheet with two representations. Above: Odijk, representative of the first Noble of Zeeland, distributes money in vain to the rebellious farmers. Below: the submission of the rebellious peasants to the authorities, 1672. Illustrations no. VI and VII to a poem by Petrus Johannes Beronicius about the rebellious Zeeland peasants and the commotion in Middelburg around mayor Filips van den Brande on 21 July 1672., print, prent, prints, enten, Frederik Muller Historieplaten, height 173 mm, width 105 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1764 - 1766, third quarter 18th century, paper, etching, etchings, Work conception, after own design by

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