Allegorical Art Prints

Collection of 18th-century prints depicting allegorical themes, featuring figures like Truth and Time, illustrating moral narratives with rich symbolism and classical elements.

Hooghe, Romeyn de, Netherlands, Allegory of the death of Michiel de Ruyter, 1676, Allegory of the death of admiral Michiel de Ruyter, April 29, 1676. Mausoleum with the body of the deceased naval hero mourned by the Dutch Maiden, the Amsterdam city maiden and a woman with his family crest. Behind this Mercury, Fortune, Strength and other allegorical figures. On either side two columns with images of De Ruyter's victories. At the bottom an inscription on the pedestal of a column in Latin., print, prent, nieuwsprent, prints, prenten, height 530 mm, width 423 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1676 - 1677, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etchings, Work conception, after own design by

Title page for the Europische Mercurius, fifteenth piece, first part, 1704, 1704 print Title page for the Europische Mercurius, fifteenth piece, first part, in the first six months of the year 1704. Mercury standing on a pedestal, extends sheets of paper with the names of Bavaria and Brabant to an allegorical female figure (freedom), The magazine with Flanders still in the air. print maker: Northern Netherlandspublisher: Leidenpublisher: Amsterdam paper etching specific aspects, allegorical aspects of Mercury; Mercury as patron

Man and a woman to a waterfront playing bagpipe. Bubbels rise from a pond, while a man playing bagpipe on the waterfront. In addition to him, a woman with a mirror in her hand points to the water surface. A herd of sheep in the background.

The Rape of Europa. Artist: Léon Davent (French, active 1540-56); After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris). Dimensions: Sheet (trimmed): 9 3/16 × 8 1/4 in. (23.3 × 21 cm). Date: ca. 1542-45. Museum: Metropolitan Museum of Art, New York, USA.

. Left under a tree is a poet with a book in one and a pen in the other hand. He looks at a drawing, showing him by the muse of the stage. At his feet lie a palette, brushes and a paint stick on the ground. In the background right Pegasus on the helicon.

. An allegory on France. In the middle under a tree the gods Minerva (domestic skills) and Mercury (trade). Minerva holds a spin skirt and a shield. The French crown shot on her. Mercury has his caduceus and a sword in the hands. Next to him a rooster. Around them lie weave, weave and musical instruments. A loom behind them. In the background right a banquet and scenic arrangement, on the left a battlefield. The print is part of a four-part series with allegorical representations from European countries.

Chastisement instruct the Toorn of God, Johannes Wierix (Possible), After Gerard van Groeningen, 1574 print Castitive (Castigatio) is about to hit the bride (Sponsa) with her scourge. The bride keeps her arms protective around her body. Godlit (Timor dei) watches. On the left in the background, justice is approaching (Justitia). In the margin a four -line caption, in two columns, in Latin. Antwerp paper engraving / letterpress printing bride (in wedding-dress). Piety, 'Pietas', 'Timor Dei' ~ the Three Theological Virtues. castigation, flagellation ~ ascetic life (+ variant). Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues

Allegorical title page with the descended envy, Adriaen Lommelin, after Justus van Egmont, 1669 print An angel stands with a flaming sword on a globe with the title of the book. On the left a crowned lion attacks the envy, on the right, ecclesia looks. Under this scene, a man -sized man on three crowned female personifications with scepters and different coats of arms points. On the left is the Dutch Lion with a bundle of arrows within the fence of the Dutch garden, behind this there is a fourth female personification with the weapon of the Republic in her hands. Antwerp paper engraving Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly Sins. the Church personified, 'Ecclesia', usually with chalice and banner. angels fighting against other evil powers. personifications of countries, nations, states, districts, etc.. coat of arms (as symbol of the state, etc.) (+ city; municipal)

Man portrait in medallion surrounded by allegorical figures, draughtsman: Gottfried Eichler (II), draughtsman: Bernard Picart, (rejected attribution), 1725 - 1770, paper, pen, brush, h 131 mm × w 165 mm

Allegorical representation with Hope, Faith and Love, Pieter Serwouters, 1622 print Allegorical representation with hope, faith and love proposed by women in a room decorated with sculpture and paintings. A man kneeling at a table is kept by the hope, but backs for the skull on the table and the light that shines him through a cloud. Venus and Amor leave the departure through a door. A four -line verse in the margin. Amsterdam paper engraving / etching the Three Theological Virtues. (story of) Venus (Aphrodite). (story of) Cupid, Amor (Eros). work of applied art. book. skull as symbol of 'Vanitas'

Anna and her father are robbed by bandits. Numa comes to help them with drawn sword. With a French caption.

Umbria Perugia Gubbio S. Pietro0. Hutzel, Max 1960-1990 Immured in the 13th-century facade of this gothic church are some remnants of 11th-century architectural sculpture. In contrast to the stark exterior, the interior views reveal a rich baroque remodelling. Shallow niched altars line the nave. Organs stand above the entrance and the main altar. The seventeenth-century altar paintings include the following subjects: S. Ubaldo, the Archangel Michael, the Martyrdom of S. Bartolomeo, S. Bernardo Tolomei, S. Chiara, S. Mauro, S. Nicola, S. Placide, S. Sebastiano, the Nativity and the Visitation. Interior views also include the fresco by Raffaellino del Colle (16th century) and painted stucco decoration (17th century). Object Notes: Hutzel photo campaign date: November 17, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentati

Mercury recommends Aeneas to leave; Designs for paintings with episodes from the Aeneas.

Procne frees Philomela; Metamorphoses from Ovid. During the Bacchus festival, Procne Philomela detected in the stable. She frees her sister and sinks on revenge. On the right in the background Philomela shows the cut head of Itys to Terereus, who has just eaten the body of his son. In the margin a four-line caption, in two columns, in Latin.

A copper engraving by Marcantonio Raimondi from circa 1516-1518 titled 'Whom I am', showing a detailed human figure in early 16th-century Italian engraving techniques.

. In the middle test Atlas the world on his shoulders. On the right is Neptune with the trident on a globe. The left is the father's time. For him, Cybele, ruleres about nature, is on her head and a key and scepter in her hand. She looks over the shoulder of a woman who signs and holds a passer in her hand. Two putti maps show on the foreground. Title page of a book about maps.

State Baptism of a Child of Noble Blood ca. 1612 Anonymous, Italian, Florentine, second half of the 16th century Italian. State Baptism of a Child of Noble Blood 372162

Pandora and Epimetheus, print maker: Pieter Serwouters, 1601 - 1657

Judgment of Paris, Anonymous, After Simon Vouet, 1670 print Paris, sitting against a tree with the golden apple in his right hand. With Him are the three goddesses Venus with amor, minerva with shield and owl and juno with peacock. In the background a view of a city. The show is closed with draperies at the top. Leiden paper engraving the Judgement of Paris (without Mercury)

Alcyone prays for the safe return of Ceyx, Crispijn van de Passe (I), 1602 - 1607 print Alcyone prays for the safe return of her beloved Ceyx, kneeling for an altar of Juno. In the background Iris who goes to the palace of sleep like an arc in the sky. He must ensure that Alcyone dreams of the newly deceased Ceyx and so learns what happened. In the margin a four -line caption, in two columns, in Latin. Cologne paper engraving Alcyone prays to Juno for the safe return of Ceyx. Iris visits Hypnos on Alcyone's behalf

Nuremberg, Dürer, Albrecht, Life of Mary, Annunciation, verso lower left - stamped, The angel Gabriel appears to Mary, while she is sitting reading at a lectern in a high room. In the background God in heaven; above Mary's head the Holy Spirit in the form of a dove. Latin text printed on the verso. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Mary., print, prints, height 297 mm, width 208 mm, German, 1471-05-24 - 1528-04-05, print maker, printmaker, 1499 - 1509, first quarter 16th century, paper, woodcut, letterpress printing, letterpress

Allegory on Cosimo III in monumental frame (part bottom right), François Spierre, After Ciro Ferri, 1649 - 1681 print Rome paper engraving / etching historical persons. 'Cornucopia', Horn of Plenty. (story of) Minerva (Pallas, Athena)

Man is crushed by a collapsing wall, Jan Luyken, 1693 print Amsterdam paper etching / letterpress printing collapsing building. fisherman

Caracalla kills his brother Geta, Balthasar Bernards, after Jan Goeree, 1713 print Emperor Caracalla kills his brother Geta with his sword. Two women rush towards him to stop him. Amsterdam paper engraving / etching Caracalla has his own brother Geta murdered

Trunk Apollo with muses. Trunk Apollo on the parnassus with laurel wreaths in the hands. He is flanked by Melpomene, Muze van heteren game, and Thalia, Muze van de Blijspel. Under the representation of the motto: per gradus ad scientiam.

La Majeste Royale. Dated: probably 1548. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jean Duvet.

Rome, Rossi, Giovanni Giacomo de', Vatican City, Raphael, Italy, Bartoli, Pietro Sante, Reliefs in the Loggia of Raphael, Jupiter, Mars and Minerva, Mars and Minerva in a row., print, prints, height 131 mm, width 179 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, etching, engraving, engraving (printing process), intermediary draftsman, after a drawing by, Work conception, 1483-04-07 - 1520-04-07, after design by, Publication (Event), Publication, 1627 - 1691, publisher

Duyfken arouses and urges Willemynken to go on pilgrimage, Boëtius Adamsz. Bolswert, 1638 print Duyfken is already ready, dressed in her pilgrim clothing with cloak, hat and staff, to start with her pilgrimage, but her sister Willemynken is still in bed and is not in a hurry. A second scene from the Devotion booklet shows the two sisters en route while they follow the course of the river to the Heavenly Jerusalem. The two women kneel by the bank to wash and purify their sins. paper engraving pilgrim(s). pilgrimage, pilgrim(s) under way. washing one's hands. waking up

Allegorical portrait of Francisco de Castel Rodrigo at his departure as Governor, 1668. Allegorical portrait of Francisco de Castel Rodrigo (Franciscus de Moura) at his departure as a governor of the Spanish Netherlands, October 9, 1668. The Marquis standing in armor is crowned by Mercury And Pallas. Upper portraits of family members Christophorus and Emanuel de Moura. Down Rivergoden from the Danube, Rhine, Scheldt and inscription in Latin in 3 columns.

Allegorical portrait of Francisco de Castel Rodrigo on his departure as Governor, 1668, Hubert Quellinus, After Erasmus Quellinus (II), 1668 print Allegorical portrait of Francisco de Castel Rodrigo (Franciscus de Moura) on his departure as governor of the Spanish Netherlands, October 9, 1668. The Marquis standing in armor is crowned by Mercury and Pallas. At the top portraits of the family members Christophorus and Emanuel de Moura. At the bottom of rivers of the Danube, Rijn, Scheldt and inscription in Latin in 3 columns. print maker: Southern Netherlandspublisher: Antwerp paper etching / engraving Southern Netherlands

Drawing (Italy)

Raffaello Vanni feather and gray ink drawing depicting the Madonna with a child in clouds between angels, two kneeling monks below, child holding a book, and a mountain settlement in the background.

Fountain with assignment and coat of arms of Giovanni Francesco Negroni; Fontane delle ville di Frascati; Fountains of Frascati. In the middle a fountain with a job and the weapon of Cardinal Giovanni Francesco Negroni. Left in the foreground Two figures that with hammer and chisel a shield with a weapon. The print is part of an album.

The meeting of Jakob and Rachel at De Waterput, Crispijn van de Passe (I), 1700 - 1750 print Rachel brings her father's sheep to the well. Jakob sees her and walks to the well and lifts the stone of the opening so that the sheep can drink. In the margin a two -way caption in Dutch. print maker: Utrechtpublisher: Amsterdam paper engraving Jacob moves the stone which covers the opening of the well and waters Rachel's sheep

Alcove with Judith who less the head of Holofernes; Alkoven. The wall consists of coupled pilasters and two detached ionic columns. From series of 6 sheets.

Italy, Raphael, Aquila, Francesco Faraone, Plague, People and animals suffering from the plague. On the right a sick man in bed and a pile of dead sheep. On the left sick people in the open air. In the bottom margin a text in Italian and a coat of arms., print, prent, prints, prenten, height 231 mm, width 260 mm, Italian, 1676 - 1740, print maker, printmaker, 1686 - 1740, paper, papier, engraving, engraving (printing process), Work conception, 1483-04-07 - 1520-04-07

Soldier in a burning altar, Agostino Veneziano, After Rafaël, c. 1531 - c. 1536 print A soldier with bare upper body and a helmet on his head, turned to the left with his hand in the side. Weapons, armor and an amphora lie around him. On the left a burning fire on an altar. Print Maker: ItalyaFter Painting by: Vatican City paper engraving / etching altar. the soldier; the soldier's life. armour. weapons

Spiegel of Community, Theodoor Galle, 1610 print A young man and an old man look together in a large mirror and see their mirror image. In the background on the left, Pythagoras shows two young people a mirror. To the right in the background, Socrates shows his students a mirror. The print has a Latin caption: 'Naturam Iuvat Artis Opus; Specvloque Magistro, Praecipit Arcans Emaculare Notas'. At the bottom of a legend of the scenes that are numberically numbered in the image. The print is part of a twelve -part series (I from XII prints) with the subject of twelve mirrors with which man tries to see God. Print Maker: Antwerpkortrijk Publisher: Antwerp Publisher: Antwerp paper engraving mirror. (story of) Socrates. reflection (in a mirror). Pythagoras, the philosopher

Devil and a man at a statue; Allegories on the abuse of earthy possession. On a bag with money is a statue of a woman with an anchor as a symbol of hope. The image is held by the devil and a man. For them are some valuables on the ground. The performance is a two-person, Latin text and a two-person, Dutch poem in which the performance and its meaning are explained.

Plate 18: Mercury Falling in love with Herse (Mercurius Herses amore accenditur), from Ovid's 'Metamorphoses' 1606 Antonio Tempesta Italian. Plate 18: Mercury Falling in love with Herse (Mercurius Herses amore accenditur), from Ovid's 'Metamorphoses'. Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1606. Etching. Prints

Cupid Dancing with Two Allegorical Women. Paulus Moreelse. 1612. Prints; woodcuts. Chiaroscuro woodcut from two blocks

Illustration for Boccaccio decamerone. Boccaccio decamerone, lxxi history. Gasparino's wife and her lover Gulsar are at the bed. On the table are the coins that Gulsar has paid.

The Young Cosimo III de Medici signs the Medici vase, Stefano della Bella, 1656 print View in the garden of the Villa Medici in Rome. The young Cosimo III de Medici is to draw the Medici vase (a large decorated marble crater from ancient times). An obelisk in the background. Italy paper etching garden. garden vase. draughtsman studying classical remains - CC - out of doors Rome. Villa Medici

The lost son wastes his legacy. The lost son wastes his legacy with the ladies of light morals. He can be entertained in a Lusthof with music and benevolent ladies. In the foreground he dances with a woman on the music that plays two musicians with a veter and a gamba. On the ground there are playing cards and right a woman keeps the notch. In the background the lost son, after the money is up, the inn is carried out.

Allegory with a horse that coakes gold pieces, ca. 1650, Cornelis van Dalen (I), After Adriaen Pietersz van de Venne, 1640 - 1660 print Allegory with a horse that pays gold pieces. On the back of the horse is a man in Eastern clothing (a Turk) Who lifts the horse's tail. Around the horse, men and women displace the coins. The horse fruit is lined on the left. In the air a banderole with the title. In the caption a verse in 5 columns. paper engraving coin

Judgment of Solomon; Prints to compositions by Rafael. .

Allegorical Homage to the Duc du Maine, Grand Maître de l'Artillerie n.d. Antoine Dieu French. Allegorical Homage to the Duc du Maine, Grand Maître de l'Artillerie 336871

Cybele in her Chariot. Master of the Die (Italian, active c. 1530-1560); after Giulio Pippi, called Giulio Romano (Italian, c. 1499-1546). Date: 1532. Dimensions: 246 x 182 mm. Engraving on paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Construction of Noah's Ark, print maker: Jan Luyken, publisher: Jan Rieuwertsz. (II), publisher: Barent Visscher, Amsterdam, 1706, paper, etching, letterpress printing, h 90 mm × w 82 mm

Dordrecht, Braam, Johannes van, Amsterdam, Linden, Gerard onder de, Goeree, Jan, Emblem: cedar tree, Some putti embalm a mummy in a sarcophagus with cedar oil. Behind them a pyramid with a cedar tree. On the right in the background a cow is sacrificed on a pyre of cedar wood. On the left in the background an eagle carrying a cedar branch to Babylon., print, book illustration, prints, width 168 mm, height, 122 mm, 1670-10-20 - 1731-01-04, print maker, printmaker, 1722 - 1722, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher, Noord-Nederlands, 1677-11-01 - 1751-03-01

Diana and actaeon. Diana takes her bath in a cave surrounded by her nymphs. The young hunter Actaeon appears with his dogs in the middle behind. The nymphs try Diana as well as it goes to protect the looks of actaeon. Presentation in circle, with various Latin texts around it.

Punt, Jan, Amsterdam, Prologue de Psiché, Couple looking up at goddess, verso left - stamped, A man and a woman stand on a path in the woods, surrounded by spectators. They look up at the sky, where a goddess (presumably Venus) appears on a cloud, accompanied by swans. Scene from the play Psyché, by Molière., print, book illustration, prints, height 153 mm, width 93 mm, Northern Netherlands, 1711-04-02 - 1779-12-18, print maker, printmaker, 1740 - 1740, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman

Flagellation, from The Engraved Passion Made 1512 Germany. Engraving in black on ivory laid paper . Albrecht Dürer

Vintage scene. Artist: Giovanni Girolamo Frezza (Italian, 1659-1741); After Carlo Maratti (Italian, Camerano 1625-1713 Rome). Dimensions: plate: 9 3/4 x 16 1/8 in. (24.7 x 41 cm). Date: 1704. Museum: Metropolitan Museum of Art, New York, USA.

Peoples of different continents, Jan Caspar Philips, 1729 print Landscape with an architectural niche in which representatives of the peoples of different continents have gathered. In the foreground history that writes in her book. She is accompanied by a woman, in the hand of justice, who points to the monument on which the title in Dutch. On the monument a putto on a globe. Amsterdam paper etching / engraving 'Historia'; 'Historia' (Ripa). globe. human races; peoples; nationalities. hand, arm of justice (symbol of sovereignty)

Sadeler, Raphael (I), Vos, Maerten de, Frankfurt, Cologne, Three virtuous women, Lucretia, verso lower left - stamped, The naked Lucretia sits in her room and thrusts a dagger into her chest., print, prints, width 110 mm, height, 134 mm, South Netherlandish, 1560, print maker, printmaker, 1590 - 1590, paper, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, publisher

A man writing in a book supported by Time, while Mercury is assisted by winged figures in displaying the portraits of French kings; representing French history. Engraving.

Dictates Tertius the letter to the Romans, Jan Luyken, Frederik Haaring, Leonardus Strick

Antigonus, son of Hyrkanus, killed in a vault by the bodyguard of his brother Aristobulus.

Corneille, Pierre.

Christ descends in pre -burgled, Andrea Mantegna (School of), After Andrea Mantegna, 1475 - 1480 print Italy paper engraving Christ enters hell

Statue of Jupiter, Jan Luyken, 1686

. Amphion plays on his winch. The stones relocate themselves from our own movement and form the city walls of Thebes. In the margin the title in French, English, German and Dutch. The show is decorated with an ornamental edge.

Haller of Hallerstein, Jacob Wilibald.

Mercury handles Scheepvaart a rolled up map, Jan Luyken, 1698 print Mercury is on an elevation and hands over the personification of Scheepvaart a rolled -up map. On the left is the personalized earth with a globe on her lap. At the top of the show two medallions with scenes of a merchant on horseback (left) and merchants in a port at the full loading of a ship (right). Amsterdam paper etching (story of) Mercury (Hermes). 'Navigatione' (Ripa). trade, commerce and finance

. The female personification of the feeling is sitting on the ground, on the shore of a river. On her left is a falcon that tips her. A turtle on the ground. In the tree behind her a spider web. A rowing boat is moored in the water. The print has a Latin caption and is part of a five-part series about the senses.

Sixth bas-relief of a 12th century sarcophagus. A knight presenting a stag's head to a princess in a castle after a hunt. Handcoloured copperplate engraving by Verico after A. Monticelli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Telemachus and Narbal saying goodbye on the waterfront with a boat in front of them. The scene is framed by an ornamental frame with olive branches and a bow at the bottom. Numbered top right: No. I. Telemachus leaves Egypt, print maker: Jean-Baptiste Tilliard, (mentioned on object), intermediary draughtsman: Charles Monnet, (mentioned on object), publisher: Pierre Didot, print maker: France, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, 1785, paper, etching, engraving, h 317 mm × w 250 mm

Quellinus, Erasmus (I), Antwerp, Jode, Pieter de (II), Title page with portrait of Augustine of Hippo, recto top left - stamped, Bust portrait of Augustine of Hippo, in monk's habit. Below that a frame with text in Latin. He is lauded by the personification of Faith, provided with the papal attributes (left) and the personification of Truth, with triangle (right). Above that two angels with crosier and mitre, an eagle and an angel, blowing on a trumpet. A cloth with the burning heart hangs from the trumpet. In the foreground dead figures and snakes. In the margin a three-line caption in Latin., print, engraving, title page, prints, etching, verso bottom left - stamped, 46, height 312 mm, width 219 mm, South Netherlands, 1606-11-22 - 1674, print maker, printmaker, 1628 - 1670, paper, papier, engraving (printing process), 1584 - 1640

Jupiter, seated above two eagles and embracing Cupid, a round composition from a series of mythological scenes after Polidoro da Caravaggio. Artist: Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome); After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499-ca. 1543 Messina). Dimensions: sheet: 7 3/4 x 5 7/8 in. (19.7 x 15 cm). Series/Portfolio: Mythological scenes after Polidoro da Caravaggio. Date: ca. 1590. Museum: Metropolitan Museum of Art, New York, USA.

"Les Grandes Frises" (4 of 12). Artist: Pierre Brebiette (French, Mantes-sur-Seine ca. 1598-1642 Paris). Dimensions: plate: 2 15/16 x 10 3/16 in. (7.5 x 25.8 cm). Date: Before 1626. Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam, Oosterwyk, Johannes van, Ottens, Frederik, Folkema, Jacob, Title page for: Cornelis Gijsbertsz Zorgdrager, Bloeijende Opkomst der Aloude en Hedendaagsche Groenlandsche Visschery, 1720, Allegorical representation with woman, Father Time and putti, verso - stamped, In the middle a seated woman with a wreath of stars around her head, she personifies the earth, the water and the air. Next to her putti with harpoon, rope, map and globe. On the right Father Time with scythe and hourglass holds up a drapery, revealing the Greenland fishery in the background. On the left in the background men attack a bear who is jumping on a fourth man. At the top Faam flies with a laurel wreath and blowing on a trumpet. On the right in the foreground a merman blowing on a shell., print, engraving, title page, prints, engravings, height 180 mm, width 138 mm, Netherlands, 1692 - 1767, print maker, printmaker, 1720 - 1720, paper, engraving (printing process), Work conception, Northern Netherlands, af

Suspension to Kruis, Antonio Tempesta, 1565 - 1630 print Numbered in the middle: 19. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching torture. violent death ~ maltreatment, torture

Requesting Filippo Neri, 1630 - 1641 print Requirement of Filippo Neri by three devils (1537). Print no. 2 in a series of 44 prints with scenes from the life of the Holy Filippo Neri. paper engraving the founder of the Congregation of the Oratory (Oratorians) Philip Neri; possible attributes: lily, rosary

Nebuchadnezzar of Babylonia condemned by God. unknown c. 1625-1650 Tapestry Dimensions: H 9'9" x W 8' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. received from Martin Huberth Jr., 10/14/1940; returned, 1/15/1946. On roof of his Babylonian palace, Nebuchadnezzar receiving condemnation of God with fleeing female figure nearby, while 2 other female figures look on; cityscape of Babylon in background (BRD) stylized scrolling vines with flowers; (L & R BRD) herms, vases of flowers & other decorative elements; (UPR & LWR BRD) central cartouche with monogram surmounted by crown (=cypher of duke) French & Co. stock sheet missing from archive, 20081 French & Co. stock sheet in archive, 19866 Related Works: Panels in set: GCPA 0237263-0237265

Youth under the influence of Venus, Adriaen Collaert, After Maerten de Vos, 1581 print The planet goddess Venus floats in the air. She is accompanied by Cupido. In the foreground the personification of Diligentia, Vlijt. Vlijt is a lace worker who works in the Sprangtechniek. Around her other girls who deal with music and lace bobbins. Next to her is a young man with a falcon. A dancing couple in the background. The print has a Latin caption and is part of a seven -part series about the power of the seven planets about the seven ages of man. paper engraving Venus and her children ('Planetenkinder'). Carefulness, Diligence; 'Diligenza' (Ripa). adolescent, young woman, maiden. one pair dancing; man and woman dancing as a couple. more than one musician with instrument. gamekeeper (+ hunting with falcon, hawk; falconry). lace-making

Italy, Florimi, Matteo, Schiaminossi, Raffaello, Life of Saint Francis of Assisi, verso - stamped, In the center Saint Francis receiving the stigmata. Around this representation 29 smaller representations, including portraits of other saints and scenes from the life of Francis. In the center below a cartouche with a Latin text in two columns., print, prints, height 492 mm, width 371 mm, Italian, 1572 - 1622, print maker, printmaker, 1580 - 1607, paper, engraving, engraving (printing process), etching, Publication (Event), Publication, publisher

Hunger visits Erysichthon, Crispijn van de Passe (I), 1602 - 1607 print Hunger visits Eysichthon in his bedroom. She puts her arms around him and blows her breath through his mouth and throat into his lungs. In the margin a four -line caption, in two columns, in Latin. Cologne paper engraving suffering, misfortune of Erysichthon - death

Marriage for Pleasure. Jan Pietersz. Saenredam (Holland, Zaandam, circa 1565-1607). Holland, circa 1594. Prints; engravings. Engraving

Venus and Adonis (). Draughtsman: Aert Schouman. Dating: 1720 - 1792. Measurements: h 177 mm × w 125 mm. Museum: Rijksmuseum, Amsterdam.

Augsburg, Stapf, Johann Ulrich, France, Lepautre, Jean, Fountains or gargoyles in Italian style, Fountain with two river gods, print, prent, ornamentprent, prints, prenten, ornamentprenten, height 215 mm, width 148 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1661 - 1706, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, papier, etching, etchings, Publication (Event), Publication, 1642 - 1706-06-01, publisher

Astrologia, a winged woman with a constellation around her head, measures the distance between the constellations with a compass on a celestial globe. Her gaze is visionary towards the sky. An old man with a beard standing next to her looks the same way. On the ground are books and astrological instruments. Behind Astrologia is a peacock and to her right is an eagle, Astrologia (Astronomy) The Seven Free Arts (series title)., print maker: Cornelis Cort, Frans Floris (I), (mentioned on object), Antwerp, after 1565 - c. 1600, paper, engraving, h 252 mm × w 282 mm

Hoorn, Timotheus ten, Amsterdam, Luyken, Jan, Title page for: D. van Hoogstraten, England's changes of state, shown in the life of James II, 1690, Portrait of King James II, studied by Father Time and History, verso - stamped, print, title page, prints, height 180 mm, width 138 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1690 - 1690, paper, papier, etching, etchings, Publication (Event), Publication, publisher

Giorgio Ghisi after Michelangelo, The Delphic Sibyl, early 1570s The Delphic Sibyl

Amsterdam, Leth, Hendrik de, Title page for: Jean Rousset de Missy, Nouvel atlas geographique & historique, Nieuwe geographische en historische atlas, 1749, Allegorical representation with Neptune and a virgin of the city, verso - stamped, Neptune on a dolphin and an allegorical female figure with a mural crown (possibly a city virgin) sit on either side of the atlas title. On the left, with Neptune, a mermaid with a horn of plenty and in the background Atlas carrying the world. On the right, with the woman, four putti and animals as symbols of the four continents. In the air, Fama blowing on two trumpets and the four cardinal directions., print, title page, prints, height 162 mm, width 210 mm, print maker, printmaker, 1749 - 1749, paper, papier, etching, engraving, engraving (printing process), Publication (Event), Publicatie, Noord-Nederlands, 1703-05-31 - 1766-06-17, publisher

Maximilian II Emanuel, Elector of Bavaria Stecher: Sperling, Hieronymustragner: Sperling, HieronymusDation: 1710 / 1777Factable place of origin: Augsburg

Triomf van de twee Romeinse keizers.A group of people fled with their possessions. Behind it a group of Roman soldiers on horseback with spears. On a plaque under the show text in Latin. Numbered bottom left: 4 (mirror image).

The Virgin Seated on an Altar Made 1520-1540 France. Here the Virgin and Childósitting atop a classical altar turned into a Christian throneópreside over an audience of awed shepherds. A luxuriously patterned cloth of honor with tassels softens the rigid architecture, spilling forward down the steps to the rapt audience.. Engraving in black on ivory laid paper . Jean de Gourmont

Allegory to the wedding of Archduchess Maria Anna of Austria and Charles Alexander of Lorraine, 1744. Draughtsman: anonymous. Dating: 1744. Place: Brussels. Measurements: h 797 mm × w 468 mm. Museum: Rijksmuseum, Amsterdam.

. Twelve winds, as male figures sitting on the clouds, blowing on the globe in their midst. In the foreground on either side of the title two female personifications; Links with a globe and right with measuring instruments. At the top left the sun and on the right the moon, and a swan in the middle with a banderole in the mouth. The globe is worn to a chain by a hand sticking out of the clouds.

Erichthonius left out of his basket, Antonio Tempesta, 1606 print The three daughters of Cecrops open the basket in which Erichthonius, the son of Vulcanus and Mother Earth, is locked up. Erichthonius, with a snake tail, is next to the basket. Title in Latin in STUDMARGE. print maker: Italypublisher: Antwerp paper etching .

Grafmonument voor koning Willem III; Titelpagina voor: Histoire de Guillaume III. roi d'Angleterre (...) prince d'Orange dl. 3, 1703.Grave monument for King Willem III, died on March 19, 1702. The King lies in armor on his coffin. Left and right of the obelisk watch chained prisoners. In the foreground a woman and a young child left and right of a depicted equestrian fight.

Portrait of Childebert I, King of Austrasia; Portraits of members of the Austrian home; Austriacae Gentis Imaginum. .

Sadeler, Johann (I), Venice, Raphael (I), Florence, Straet, Jan van der, Schema, seu speculum principum, Main activities of a prince, Nvptiae, Nuptiae as personification of marriage, verso lower left - stamped, In the foreground the personification of marriage with a torch in his hand. He is surrounded by all kinds of wedding gifts and attributes of marriage (such as the wedding bed and the wedding table). In the background left the wedding church service. In the background right a tournament in honor of a wedding. On the right the wedding banquet. The print has a Latin caption explaining the importance of marriage for a prince. The fourth print of a five-part series on the subject of the main activities of a prince., print, prints, height 222 mm, width 281 mm, Work conception, Southern Netherlands, 1560, after a design by, 1597 - 1597, paper, engraving, engraving (printing process), etching, 1523 - 1605-11-02, intermediary draughtsman, after a drawing by, Publication (Event), Publicat

Bliżej Kultury unknown

Drawing by Ludwig Büsinck showing two allegorical male figures executed in ink and bister, lavated.

Landscape with Judit. In one hand the sword, in the other the head of Holofernes. In the margin a two-line Bible quotation from Jud. 13 in Latin and in Dutch, Judit Heroes and heroines of the Bible and Classical Antiquity , print maker: Hieronymus Wierix, (attributed to), Monogrammist BI of IB, (mentioned on object), Willem van Haecht (I), (mentioned on object), Antwerp, 1578, paper, engraving, h 134 mm × w 100 mm

On a rectangular pedestal stands the personification of the Roman Catholic Church. She bears the symbols of papal authority: the papal robe, the papal tiara and in her left hand the coat of arms of the Vatican. In her left hand she holds the triple cross staff with which she defeats the six-headed monster of heresy. Behind the pedestal, St. Peter's Basilica and St. Peter's Square. A putto stands with his back to the viewer and points to the title of the print written on the pedestal, Catholicism Overcomes Heresy Rise, Progress and Fall of the Heresies of the Ages. (title on object), print maker: Gaspar Bouttats, (mentioned on object), intermediary draughtsman: Hendrik Verbrugghen, (mentioned on object), publisher: Hieronymus Verdussen, (mentioned on object), Antwerp, 1690, paper, etching, engraving, h 299 mm × w 178 mm

Lebey de Batilly, Denis, Frankfurt am Main, Bry, Theodor de, Boissard, Jean Jacques, Denis Lebey de Batilly, Emblemata, 1596, HERCVLES. MVSAGETES, Hercules as leader of the muses, verso - stamped, Hercules as protector and leader of the muses. He can be recognized by his club and the lion's skin. As patron of the muses he carries a lyre in his hand., print, book illustration, emblem, prints, height 75 mm, width 85 mm, South Netherlands, 1528 - 1598-03-27, print maker, printmaker, 1596 - 1596, fourth quarter 16th century, paper, engraving, engraving (printing process), 1528 - 1598, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, writer

Europe and De Bier, Abraham BLOTELING, After Nicolaes Pietersz Berchem, 1655 - 1690 print Europe drives on the beach on the bull. Her maids are busy decorating the bull with flowerguirlandes. paper etching / engraving Europa and her maidens play with the bull, and/or adorn it with flowers

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