Allegorical Engravings and Narratives

Engravings featuring dramatic biblical and allegorical themes, illustrating figures and narratives with intricate details and historical context.

Amsterdam, Picart, Bernard, Title page for: Leon Battista Alberti, Della architettura di Leon Battista Alberti, 1726, Allegorical title page with the portrait of Leon Battista Alberti, verso lower left - stamped, Minerva points the personifications of Architecture and Painting to the portrait medallion of Leon Battista Alberti, which is held by a crowned woman. In the air a putto with a banderole with an inscription in Latin., print, engraving, title page, prints, height 365 mm, width 245 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1726 - 1726, second quarter 18th century, paper, papier, etching, etchings, engraving (printing process)

Copper engraving by François Ragot from 1630-1670 depicting Judith and Holofernes, showing figures, action, and biblical narrative.

Amsterdam, Picart, Bernard, Title page for: Leon Battista Alberti, Della architettura di Leon Battista Alberti, 1726, Allegorical title page with the portrait of Leon Battista Alberti, verso lower left - stamped, Minerva points the personifications of Architecture and Painting to the portrait medallion of Leon Battista Alberti, which is held by a crowned woman. In the air a putto with a banderole with an inscription in Latin., print, engraving, title page, prints, height 365 mm, width 245 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1726 - 1726, second quarter 18th century, paper, papier, etching, etchings, engraving (printing process)

Allegorische figuren rond een sfinx; Algemene geschiedenissen des bekenden aard-kloots; Titelpagina voor: Geerlof Suikers, Algemene kerkelyke en wereldlyke geschiedenissen des bekenden aard-kloots, 1721.Crowd Allegorical figures around a sphinx on a base. Left history and a writing female personification crowned with a tower. Father time unrotles a paper, in the air the fame. On the right the truth: a naked woman with a book and the sun on her head. Behind her Minerva, who with her lance a diabolical figure pushes into the earth.

. A woman with a palm branch in her hands (truth) Points to an image of Diana from Ephese. Her index finger exudes light. In the foreground are some drafters that match the image. The print is part of a series with mythological and allegorical representations.

. Deucalion and Pyrrha survive the flood that Jupiter destroyed humanity. The gods deposit the water from the Parnassus over the world. In the margin the title in French, English, German and Dutch. The show is decorated with an ornamental edge.

Saint Jadwiga kneeling before the Crucified Christ; preparatory drawing for an altarpiece at the church of San Stanislao dei Polacchi, Rome, Szymon Czechowicz, Polish, 1689 - 1775, Brush and gray wash, heightened with white, over black chalk, on beige laid paper; squared for transfer in black chalk, Figure of Saint Jadwiga adoring Jesus on the Crucifix. Angels and other figures at the base of the Crucifix, drapery and column at upper left, a crown at lower center. Paper arched at the top, lined, with elaborate mount., Italy, 1724-1725, figures, Drawing, Drawing

Shakespeares Characters,

Allegorical title page with the portrait of writer Edward Simson, Jan Wandelaar, 1752 print Minerva sits next to history and looks over her shoulder to the book in which she writes. History is looking up to three allegorical female figures (truth, poetry and a third figure). Behind them father Time, fame and a two -headed figure who hits an inscription in a pyramid with a chisel. Four putti fly in the air, with eternity symbols in the hands, who carry the portrait of writer Edward Simson. Print Maker: Northern Netherlands Publisher: Leiden paper etching / engraving Father Time, Man with wings and scythe. Eternity, 'Aetertas'; 'eternitã ','Eternitã o perpetuitã ' (ripe). Fame; 'Fama', 'Fama Buona', 'Fama Chiara' (rippa). (Story of) Minerva (Pallas, Athena). 'History'; 'History' (ripe). Symbolic representatives, allegories and emblems ~ poetry; 'poesia' (ripe). Truth; 'Veritã ' (ripe). Pyramid (Historical Grave Form)

Fountain with putti and dolphins, 1713 - 1760 print Three putti are on a fountain with two dolphins. On the left is a man with a shell from which water flows, under the fountain is a second man. Publishing number 36. paper etching ornamental fountain. cupids: 'amores', 'amoretti', 'putti'. dolphin ~ ornament. sitting figure

Fame, Eternity and Writing Arts, Pieter van Gunst, 1731

The Seven Deadly Sins, Chained to the Devil. Draughtsman: anonymous. Dating: c. 1700. Place: Southern Netherlands. Measurements: h 176 mm × w 165 mm. Museum: Rijksmuseum, Amsterdam.

Allegories relating to the advent of Louis XVIII. (TF)

The Miracle of the Five Loaves Artist's working dates 1585-1629 Netherlands. Jacob de Gheyn IIís oval engraving of Christís miracle of the loaves and fishes elegantly references this event in which the masses, who had come to hear Christís sermon, were fed by his multiplying the few crusts of bread and pieces of fish the disciples had procured. Once again, the miracle of replication appears at the heart of the Christian tradition, making print an optimal medium for depicting its holy stories and cult objects. That the engraving plate is an oval platter offers an additional reference to the miracle it depicts; it is as if the resulting loaves might be piled on it for distribution.. Engraving in black on ivory laid paper . Jacob de Gheyn, II

Holy Pascal Baylon Kneelt For Engel with Monstrans, Giovanni Domenico Tiepolo, After Giovanni Battista Tiepolo, 1768 - 1772 print Venice paper etching / engraving saints. angels

The overthrown king Haakon Jarl is slain by his bondman Kark who has heard Olaf Tryggvessen offer rewards for his death. But Olaf beheads the faithless bondsman.

Etching by Franz Ignaz Oefele from 1780 depicting an altar leaf for the parish church of Mariae Himmelfahrt in Mattighofen.

Antike fragments, Gottlieb Friedrich Riedel, 1734 - 1784 print Augsburg paper etching classical antiquity (historical epoch)

Allegorical grave monument for Hendrik Hooft Danielsz., 1794; He lives!. Allegorically columnar grave monument for Hendrik Hooft Danielsz., Former mayor of Amsterdam, died on August 31, 1794. The body of Hooft supported by an allegorical women's figure. At the foot of the column loking citizens and two children with a portrait of the deceased. On the column a burial in six rules.

. Minerva points out the personnifications of architecture and painting on the portrait medallion of Leon Battista Alberti, held by a crowned woman. A putto with a banderole in the air.

Allegorical representation of a raised woman who wateres a balebase; Figures set up a mountain in the background; Title page for: Giovanni Baptista Ferrari, Fasti Senenses, AB Academia Intonatorum Editi, 1661..

Lot and his daughters, Jan Gillisz. van Vliet, after Rembrandt van Rijn, 1640 - 1670 print Amsterdam paper etching / engraving Lot's daughters make their father drunk

Project of a rostral column, dedicated to virtuous and useful citizens. (IT)

The Lost Son receives his inheritance, Anonymous, Peter Paul Rubens (Rejected Attribution), After Theodoor van Thulden, After Peter Paul Rubens, 1694 - 1737 print The lost son receives his part of the inheritance from his father. Bystanders in the departure watch. Amsterdam paper etching the prodigal son asks for his inheritance; his father gives him (a bag of) money

Allegory at the birth of a prince of Orange, 1687, 1687 print Allegory at the birth of a Prince of Orange, 1687. A child struggling like Hercules with snakes. On the left the father -radiant father standing by a branch on the Oranjeboom, on the right the mother kneels at a shield with the weapon of the Republic. The child's dress is decorated with roses and orange apples. Behind the child Pallas with an orange apple, march and standing figures with two standards with the weapon of William III and the monogram W. Rights Fleeing figures with a torch, incense barrel and French lily. Left kneels hope. In the foreground Double and envy, both with snake hair. Possibly an allegory at the birth of Johan Willem Friso on August 14, 1687. Northern Netherlands paper etching Hercules strangles two serpents in his cradle. confinement, birth

Bunkers Hill, or the Blessed Effects of Family Quarrels ca. 1775 Anonymous, British, 18th century British This small satirical print was likely appeared in a periodical and comments on Boston hostilities that preceded America's Declaration of Independence in 1776. News of the Battle of Bunker Hill reached London on July 25, 1775 and this print must have been produced soon after. Figures representing America and Britannia fight one another as France stabs America from behind and Spain pierces Britannia's shield. British politicians John Stuart, Earl of Bute, Frederick North, Earl of Guilford, and David Murray, Earl of Mansfield, look down on the scene, accompanied by a demons.. Bunkers Hill, or the Blessed Effects of Family Quarrels. Anonymous, British, 18th century. ca. 1775. Engraving. Prints

Poetry in conversation with allegorical figures; Title page for: Arnold Hoogvliet, Zydebalen, Dofdicht, 1740. Poetry that falls from a cloud in a garden, in conversation with the Allegorical woman characters Hospitality, friendship and courtesy. In the foreground three putti that symbolizes buying care (with caduceus), mechanics (with shopping hook) and country. In the air two putti fly with a cloth on which the title in Dutch.

Gods meet about the Trojan War, Bernard Picart (workshop or), After Bernard Picart, 1710 print Jupiter calls on all gods to meet about the Trojan War. Minerva is given permission to fight on the side of the Trojans. In the margin a caption in French. Amsterdam paper etching / engraving the battle turns against the Greeks (Iliad XI-XV). assemblies of the gods in the air, possibly on the clouds

Andromeda is destined to be eaten by a sea-monster sent by Poseidon, on behalf of the Nereids who are jealous of her beauty ; but Perseus kills it and marries her

Allegory on the appointment of Marcantonio Franciotti to Bishop of Lucca. Allegorical show in honor of the appointment of Cardinal Marcantonio Franciotti to Bishop of Lucca. A stone monument surrounded by allegorical figures, gods and putti. On the right a griffin and left a panther. The city of Lucca is located right in the background.

Copper engraving by François Ragot depicting Mary in the sky, produced between 1630-1670.

Fame, eternity and writing, Pieter van Gunst, 1731 print In the middle three winged personifications: Faam is in the foreground and draws a map. She looks at a medal chain with portraits of princes; Eternity in one hand a medailla chain with portraits and in the other hand the sign of infinity, the Ring Ouroboros. On the left is writing. She writes everything down in a large book, on which the title of the book. Around them important figures from history, such as popes and kings. In the background the winged time with a scythe. Amsterdam paper engraving / etching Serpent Ouroboros. Hunger; 'Report' '' Fame buona '' 'Fame of Chiara' (Ripa). Eternity, 'eternity'; 'Eternitã' 'Eternité o perpetuití' (Ripa). Father Time Man with Wings and Scythe. 'Letter', Symbolic Representations, Allegories and emblems ~ Literature; "Letters' (Ripa)

Pendentief met Fortitudo, Louis de Châtillon (attributed to), after Domenichino, 1649 - 1734 print Rome paper etching Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues. cupids: 'amores', 'amoretti', 'putti'. architectural detail. beasts of prey, predatory animals: lion

Pencil on parchment drawing by Charles Eisen illustrating a scene from 'Orlando Furioso' by Ariost.

Copper engraving by Louis Simon Lempereur around 1767 depicting a personification by Calais crowning the portrait of Buirette de Belloy, showing figures and composition.

Amor's wings are cut off, Antoine de Marcenay de Ghuy, after Charles Le Brun, 1763 print Numbered below: No. 18. paper etching / engraving punishment of Cupid

Fina, Saint.

Rubens, Peter Paul, Nattier, Jean-Marc, Photo reproduction of an engraving of The Birth of Mary de'Medici by Jean-Marc Nattier, after the painting by Peter Paul Rubens, photograph, photo, reproduction, page, photos, photographically illustrated books, height 202 mm, width 151 mm, photographer, 1859 - 1864, photographic paper, photo paper, albumen print, albumine print, Work conception, French, 1685-03-17 - 1766-11-07, after a print by, South Netherlandish, 1577-06-28 - 1640-05-30

Marius withdraws to Praeneste, Ludwig Gottlieb Portman, after Jacobus Buys, 1798 print Marius de Jonge is drawn by the inhabitants of Praeneste with a rope on the city wall. The city gates are closed to keep the armies of Sulla out. Amsterdam paper etching male persons from classical history (MARIUS)

Bliżej Kultury Trotskiewicz, Teofil (Fl. 1751/1800)

Titelpagina voor: Gregory a St. Vincent, the problem of Austrian Plvs Vltra Qvadratvra Circvli, Antwerpen: 1647, Cornelis Galle (2), after Abraham van Diepenbeeck, 1647 print Title page for a mathematical book about measuring the surface of a circle. Between two columns, a lion skin is tense with space for the title of the book. A man draws a circle and a triangle in the sand with a stick. Two men look at it. On the right two putti showing medals, behind three putti that draw a circle with a passer. Antwerp paper engraving quadrature of the circle. compasses. river-gods

Charles Eisen, Jupiter and Callisto, 1765 Jupiter and Callisto

Copper engraving by Jan Harmensz. Muller depicting a man in pain. Created around 1610, showing human expression and posture.

Rubens, Peter Paul, Southern Netherlands, Galle, Cornelis (I), Jesus Sirach and the personification of God's wisdom, verso - stamped, The personification of God's wisdom (Dei Sapientia) is enthroned in the clouds and gives a book to Jesus Sirach. Jesus Sirach kneels on the ground next to a building with Corinthian columns. Next to him is a hole in the ground and the underworld is visible., print, engraving, title page, prints, engravings, height 325 mm, width 200 mm, 1576 - 1650-03-29, print maker, printmaker, 1634 - 1634, paper, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30

Allegory of Science (), draughtsman: Monogrammist WDW, Noord-Nederland, 1700 - 1749, paper, pen, brush, h 105 mm × w 62 mm

SaintFlorian. Etcher: Unknown After: Franz Anton Maulpertsch, Austrian, 1724-1796

. In the foreground, on a stone staircase of an antique palace, is a sleeping young man. His head rests on a cap. Above him an antique ornamental vase on a base. Fortuna floats above the young man, the wheel of fortune in her left hand, and throws him gold pieces. On the right side of the second plan, science floats, which has a man, which is deepened in the study, brings books and a laurel wreath. Right rear a fountain. Latin fresh in four lines.

Putti garlanding oval portraits of artists with laurels. In the foreground, putti write on scrolls and books with quill pens. Frontispiece copperplate engraving by Jean Jacques Flipart after Francois Boucher from Antoine-Joseph Dezallier dArgenvilles Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure lAine, Paris, 1762.

Copper engraving by Aloysio Cunego depicting Jacobs dream, created around 1790, showing a biblical narrative scene with angels and a ladder.

Allegorical Table / Restoration of French Freedom

Allegory on the 100-year jubilee of Dutch Freedom, 1648-1748. Draughtsman: Simon Fokke (signed by artist). Dating: 1748. Place: Northern Netherlands. Measurements: h 201 mm × w 158 mm. Museum: Rijksmuseum, Amsterdam.

. Andromeda, the daughter of an Ethiopian king, is chained to a rock by the sea, as a sacrifice to a sea monster. Perseus fell in love with her and kills the monster. Amor relieves her of the chains. In the margin the title in French, English, German and Dutch. The show is decorated with an ornamental edge.

Print, Three Saints, the Virgin and Child in the Clouds, ca. 1760-1770; Print Maker: Francesco Bartolozzi (Italian, 1727-1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 - 1666); Italy; engraving in brown ink on white paper; 34.4 × 25.8 cm (13 9/16 × 10 3/16 in.); Bequest of George Campbell Cooper; 1896-3-285

The martyrdom of Saint Apollonia. Engraving by Marinus van der Goes, 163-, after Jacob Jordaens, 1628.

A copper engraving by Cornelis Galle the Elder depicting a man experiencing pain, created between 1596 and 1650, illustrating human emotion and physical suffering.

Violence tramples the conquered, Jan Luyken, 1706 print Amsterdam paper etching the defeated before the victor. heart symbolism

Etching 'The Martyrdom of St. John Evangelist' by Josef Ferdinand Fromiller, depicting the apostle Johns martyrdom with detailed composition and figures.

After: Hendrick Goltzius, Dutch, 1558-1617, After: Lucas van Leyden, Netherlandish, 1494-1533, The Resurrection, #12 from the series of 12 - The Passion ofChrist, after1596, Engraving, platemark: 20 × 13.4 cm (7 7/8 × 5 1/4 in.), Made in The Netherlands, Netherlandish, 16thcentury, Works on Paper -Prints

Captain James Cook (1728-1779), explorer. An allegory, showing Neptune raising him up to Immortality, a Genius crowning him with a Wreath of Oak, and Fame introducing him to History. In the foreground are the Four Quarters of the World presenting to Britannia their various Stores.

Fall of Phaethon. Jean Mignon (France, active Fontainebleau, 1535-1555). France, circa 1542-1547. Prints; etchings. Etching

Geschiedenis schrijft de historie.Allegorical performance in which the personification of history writes sitting in a book, behind her freedom, in the air a putti with a trumpet. Two more putti for the writing table.

Aantrekkingskracht van het wereldlijke.Two men cannot resist the attractiveness of the secular wealth. One of the men turns valuable stuff together, while the other drives a putto with the gospel. At the globe death with an arrow and a putto that blows calling.

Cayetano Rodríguez (Lithographer) (After Giordano, Luca); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'Jacobs Dream'. 1829 - 1932. Lithographic aquatint, Crayon lithography, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

Allegorical show with history and woman with wings at the head; Emanuel from Meteren Dutch History; Title page for: Emanuel van Meteren, History of the wars and histories of the Dutch, and Der Zelver Buren (...), 1748.A Woman with Wings at the Head Presents The Book of Emanuel from Meteren to the Sitting History with Writing Jump hand. A Putto With a Bazuin and Laurel Wreath Flies Above the book. There are books in the Foreground.

Title print for the second part of Guerres de Flandres, 1670 - 1699 Allegorical title print for the second part of Guerres de Flandres. The general Alexander Farnese, the Duke of Parma, is wearing a sword of a personification of the papacy or Catholic Church on a shield. In the foreground, the conquered enemy and raging stays with snakes hair that refer to rebellion and discord. In the clouds the weapon of Farnese. Netherlands paper etching Allegorical title print for the second part of Guerres de Flandres. The general Alexander Farnese, the Duke of Parma, is wearing a sword of a personification of the papacy or Catholic Church on a shield. In the foreground, the conquered enemy and raging stays with snakes hair that refer to rebellion and discord. In the clouds the weapon of Farnese. Netherlands paper etching

Prophet with two angels; Dome decorations by Correggio in the S. Giovanni Evangelista in Parma. A prophet standing in front of a balustrade, looking over his shoulder. There are two young naked figures on the balustrade (angels).

A black chalk drawing by an anonymous artist depicting the crossing of the Red Sea, executed with gray lavation and deck white highlights on blue paper with minor corner defects.

Etching by Jacopo Amigoni depicting Zephyrus and Flora, created between 1710 and 1750, showing mythological figures in a natural landscape with flowing garments and allegorical composition.

Allegory on the bravery of the Prince of Orange, 1815, Noah van der Meer (II), After Adrianus Gerardus van Schoone, 1817 print Allegory on the bravery of the Prince of Orange during the Battle of Waterloo on June 18, 1815. Freedom crowns a bust of the prince with a laurel wreath, on the left history records the event. The freedom tramples a dragon with her foot. In the air the fame blows on her trumpet on which a canvas hangs with the date '16 June 1815 '. A four -line verse in the caption. See also the drawing and the pendant. print maker: Netherlandspublisher: Amsterdam paper etching / engraving Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa). Freedom, Liberty; 'Libertè (Ripa) (+ abstract concept reprified by female figures). 'Historia'; 'Historia' (Ripa) Waterloo

Hunt for wild boar, Pieter Claesz. Soutman, after Peter Paul Rubens, 1644 - 1650 print Haarlem paper etching / engraving boar-hunting (+ hunting with dogs). hoofed animals: boar. hunting dogs. hunting, chase

Resurrection n.d. Claude Gillot French. Resurrection 369521

Lazio Rome Palazzo Mattei di Giove1. Hutzel, Max 1960-1990 Post-medieval: Painting, fresco painting, stucco, architecture. Antiquities: Roman sculptural and architectural fragments. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A Group of Vultures Waiting for the Storm to "Blow Over"-"Let Us Prey" (from "Harper's Weekly") September 23, 1871 After Thomas Nast American, born Germany Widely considered to be one of the most important American satirists of the nineteenth century, Thomas Nast was the leading cartoonist at Harpers Weekly from 1859 through 1886. An outspoken defender of principled politicians, Nast targeted leaders whom he deemed unethical through his biting illustrations. These works harnessed popular references that could be easily understood by a partially illiterate audience. The prototype of power broker William M. "Boss" Tweed as a corrupt fraudster became fixed in the American political imagination thanks to Nasts series of illustrations published in Harpers Weekly in the months leading up to the New York state election in 1871, which is credited with helping to sway the public to vote the Democrats out of power. Here, "Boss Tweed" and his associates are depicted as vultures feeding off the

A pen and brush drawing by an anonymous artist from 1730 showing the spring season, with figures, trees, and landscape elements.

Lorenz Froelich (1820-1908), Illustration Til "The Dominical Pray", (1863)

Mars embracing Venus; behind them, two amorini, one holding the parazonium on his shoulders, Herculaneum, Campania, Italy, engraving by Pietro Campana from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume V, plate 6, 1757-1787, Naples.

Toorn, Christiaan Lodewijk van Kesteren, After Hendrick Goltzius, 1842 - 1887 print Personification of Toorn (IRA) in a niche that attracts her sword. She is flanked by a weapon with a lion and a weapon with a bear. paper. etching / engraving Anger; 'Ira' (Ripa) ~ personification of one of the Seven Deadly Sins

Sterfbed van Anna, Jakob Frey (I), after Andrea Sacchi, 1726 print Rome paper etching / engraving death of Anna, usually Mary and Christ present

Father Time takes away life, Bernard Picart, After Carlo Maratta, 1693 - 1696 print Father Time and the personifications of the four seasons row a sleeping man to an island. Death opens a grave there. In the margin a two -way caption in French. Paris paper etching / engraving the lifespan. Human Life; 'Vita humana', 'Vita inquieta', 'Vita e l'animo' (Ripa). ships (in general). Father Time, man with wings and scythe. seasons of the year (esp. personifications); 'Stagione', 'Le quattro stagione dell'anno' (Ripa). Death as skeleton - FF - Death as female

Allegory on the winter, Pieter van den Berge (attributed to), after Charles le Brun, c. 1694 - in Or Before 1737 print Father Time is on a cloud, next to him a shield with a representation of a young woman who plays with two torches. He is accompanied by a personification of the arts. The woman leans on a vase and lifts the glass on father time. A scanty winter landscape in the background. Under the cloud are fishing nets, dead birds, a gun and different vegetables on the ground. Amsterdam paper etching / engraving winter half-year ~ landscapes (year divided into two seasons). Father Time, man with wings and scythe. young versus old age; young and old

'The Continence of Scipio'. Italy, Second half of the 1730s. Dimensions: 46,2x32,7 cm. Museum: State Hermitage, St. Petersburg. Author: FRANCESCO FONTEBASSO.

Artist: Jacques Bellange, French, active 1595-1616, Three Maries at theTomb, ca.1615, Etching, sheet: 43.5 × 28.5 cm (17 1/8 × 11 1/4in.), Made in France, French, 17thcentury, Works on Paper -Prints

Diploma of the Freemasons of Bordeaux, after François Boucher 1766 Pierre Philippe Choffard French. Diploma of the Freemasons of Bordeaux, after François Boucher 336479

Lazio Roma Rome Gesu45. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Saint. Apollo Student of St. John the Baptist S. Apollo, from the album Images of saints, Ryte on Copper by Rentz and Montalegre

Cassandra mourns the destruction of Troje, Jan Swart van Groningen, 1550 - 1555 drawing Cassandra is in the foreground, her head used to the viewer. She mourns the destruction of the city of Troy that goes up in the background in flames. At the bottom right a broken column. prepared paper. paint (coating). ink pen / brush non-aggressive, friendly or neutral activities and relationships of Cassandra

Wszyscy Święci w MNK Lanfranco, Giovanni (1581 1647), Bloemaert, Cornelis (CA 1603 1692)

Annunciation to the Shepherds. Dimensions: Overall: 36.4 x 26.3 cm (14 5/16 x 10 3/8 in.) support: 39 x 28.9 cm (15 3/8 x 11 3/8 in.). Medium: pen and brown ink with brown wash, heightened with white. Museum: National Gallery of Art, Washington DC. Author: Gerrit Pietersz Sweelinck.

Bliżej Kultury unknown

Woodcut by Albrecht Dürer, circa 1503, depicting the birth of Mary, showing figures, architectural details, and religious symbolism typical of early 16th-century art.

In Queen (IFF 421) (title registered) | Portrait of Queen Marie Antoinette in a medallion, surrounded by allegorical figures. (dummy title)

The boar hunting, according to Rubens (Dutuit 7 page 246) The boar hunting, according to Rubens (Dutuit 7 page 246). Burin, 1st half of the seventeenth century. Museum of Fine Arts of the city of Paris, small palace.

Design for the title page of W. van der Hoeven, Westermeer, 1721, Jan Wandelaar, 1721, draughtsman: Jan Wandelaar, (mentioned on object), 1721, paper, pen, brush, h 200 mm × w 156 mm

Man on horse with naked man, Gabriel Huquier, Jean -Baptiste Oudry, 1705 - 1772 print publisher: ParisFrance paper etching / engraving (SCARRON, ROMAN COMIQUE) specific works of literature (with AUTHOR, Title). emotional illness, derangement, madness

Jupiter a phabone, Michel of Dorigny, After Simon Vouet, 1651 print France paper engraving / etching story of Phaethon and the chariot of the sun

The Holy Family with the Beggar and hisSon. Artist: Giovanni Domenico Tiepolo, Italian, Venice, 1727-1804

Bliżej Kultury Sadeler, Raphael I (1560/1561 1628/1632), Spranger, Bartholomeus (1546 1611)

Axively. (IF 93) The Innontel Encit)

View of a city on the water. A cityscape can be seen on the water through a portal. All kinds of good, such as barrels, packages and crates in the foreground. On the right is Neptune and the peace on the left. In heaven, on a cloud standing, Mercury for a house. On the portal six coats of arms.

A cette lueur soudaine... (In the sudden gleam of light...). Dated: 1878. Dimensions: plate: 17.6 x 11.5 cm (6 15/16 x 4 1/2 in.) sheet: 22.1 x 14.8 cm (8 11/16 x 5 13/16 in.). Medium: etching, drypoint, and softground etching (for the grainy texture in the sky) in black on Japanese paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

Ludwig XV., King of France.

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