Allegorical Engravings of History

A collection of detailed engravings featuring allegorical themes, historical events, and ornate frames, showcasing figures and symbolic motifs.

Blazon of the Chamber of Rhetoric The Pellicaen Haarlem, with the crucifixion in allegorical frame, print maker: Jacob Matham, Hendrick Goltzius, 1597

. A sitting woman with a medallion points to the candlestine with her right hand. The title is located in the medallion.

A man and woman offering a platter of coins to a king seated on a throne, set within an elaborate frame ca. 1540-80 Battista Angolo del Moro Italian. A man and woman offering a platter of coins to a king seated on a throne, set within an elaborate frame 669108

Writing woman flanked by the truth, Gerard de Lairesse, 1688 print A writing female figure looks up from her notebook to a mirror that holds her the personal truth. The birth of Venus can be seen in the mirror. In the background, the fertility image of Diana is on an elevation. The moon goddess Luna has appeared in the air, on the right Apollo is pulled on its car by horses. Amsterdam paper etching Truth; 'Verití' (Ripa). birth of Venus; Venus Anadyomene: after Uranus' castration Venus rises from the sea wringing the water from her hair; usually she is awaited by the Hours. 'Natura' (allegorical figure or scene; or as Diana of Ephesus, with many breasts); 'Natura' (Ripa) (+ variant). Diana as moon-goddess, i.e. Luna (Selene). Apollo in the chariot of the sun, drawn by four horses, usually preceded by Aurora holding a torch; 'Carro del Sole' (Ripa)

Allegorical figure with Jewish man, Romeyn de Hooghe, 1686 print A pedestal or stone table has a Jewish man surrounded by three men, with a scroll on which Hebrew texts are located. In the background an allegorical figure (possibly truth) surrounded by the four evangelist symbols. paper etching Jewish religion and culture. studying the Torah, the Talmud, etc. ~ personal duties in Jewish life. Truth; 'Verití' (Ripa)

Image of the Madonna Surrounded byAngels. Artist, attributed to: Cornelius Schut, Flemish, 1597-1655

Amsterdam, Damme, Andries van, Leiden, Dalen, Daniel van den, Northern Netherlands, Title page for the Europische Mercurius for the year 1709, Title page for the Europische Mercurius, vol. XX, first part of 1709. In the foreground victims of the war, behind them Vrede's carriage drives away. In the background Mercury in the sky above Paris., print, engraving, title page, prints, engravings, Frederik Muller Historieplaten, height 161 mm, width 133 mm, print maker, printmaker, 1709 - 1709, paper, papier, etching, etchings, Publication (Event), Publicatie, Nederlands, publisher

The Prophet Isaiah, from the series Sibyls and Prophets from the Sistine ChapelVaults. Engraver: Cherubino Alberti, Italian, 1553-1615 Artist, copy after: Michelangelo Buonarroti, Italian, Florence, 1475-1564

, Templum SS, Trinit, Cum Colleg, Prsbyt, et alumn, Monstrantia, Ciborium, Calix e Gemis et Puro auro, Templum Universitatis, Templ, Portrait by Johann Ernst von Thun, Archbishop of Salzburg, plus allegorical representations and buildings from Salzburg and the surrounding area, Unknown

Lazio Roma Velletri Museo Civico di Velletri73. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

A muse with lyre and putti carry a portrait of surgeon and poet Govard (Govert) Bidloo. Various attributes refer to the transience of life such as a scythe and a snake biting its own tail. A tomb is visible in the background. Muse and putti carry portrait of surgeon and poet Govard Bidloo G. Bidloo's poetics Title page for: Govard Bidloo, Mengel pozy, 1719, print maker: François van Bleyswijck, (mentioned on object), Frans van Mieris, (mentioned on object), publisher: Johan Arnold Langerak, Leiden, 1719, paper, engraving, etching, h 185 mm × w 139 mm

The Triumph of Austria; Leopold I at center, mounted on a reared horse, atop a military trophy; surrounded by equestrian portraits of the Holy Roman Emperors; set design from 'Il Pomo D'Oro'. Artist: Mathäus Küsel (German, 1621-1682); after Ludovico Ottaviano Burnacini (Italian, Mantua 1636-1707 Vienna (active Austria)). Dimensions: Sheet (Trimmed): 10 9/16 × 17 3/8 in. (26.8 × 44.2 cm). Date: 1668.The first of the twenty-three stage sets designed by Lodovico Burnacini for 'Il Pomo D'Oro, Festa Teatrale Rappresentata in Vienna Per L'Augustissime Nozze Delle Sacre Cesaree E Reali Maestà Di Leopoldo E Margherita', an opera celebrating the wedding of Emperor Leopold I and Margarita Teresa of Spain in 1666. Composed by Antonio Cesti with a libretto by Francesco Sbarra, it was first performed in July 1668 at the Theater auf der Cortina--also designed by Burnacini. Museum: Metropolitan Museum of Art, New York, USA.

Title page for: J. Le Clerc, histories of the United Netherlands, DL. III. Winged personification of history with ring of eternity, mirror of truth and writing pen on a pedestal, with two angels.

Vase with flowers with a medallion.

Muze, Bernard Picart (workshop of), after Bernard Picart, 1715 print One of the muses with a writing spring, accompanied by two putti with trumpet and Lier. In the background Pegasus. Amsterdam paper etching / engraving (story of the) Muses; 'Muse' (Ripa). lyre, cithara, psaltery

Copper engraving by Nicoletto da Modena depicting Venus with Cupid, showing classical figures, gestures, and symbolic attributes, created in the first quarter of the 16th century.

Amsterdam, Koning, Theodoor, Grave monument for Henrik Danielsz. Hooft, verso - stamped, Memorial for Henrik Danielsz. Hooft, mayor of Amsterdam. The monument features a bust of Hooft, flanked by the personifications of Faith and Peace. Above the bust flies a putto holding a snake biting its tail - the symbol for eternity. In front of the memorial two children sit, one holding a burning heart and the other a pair of keys., print, prent, prints, height 310 mm, width 218 mm, 1748-02-03 - 1829-01-31, print maker, printmaker, 1794 - 1794, paper, papier, engraving, engraving (printing process)

. On the right in the foreground Mary is on a platform. For her on a table an open book. In a leaving a four-poster bed. Links two turtle doves. Top left in the clouds God the father with globe, the angel Gabriel send down.

Title Post for a series with the passion of Christ, Crispijn van de Passe (I), 1600

Ornamental Panel ca. 1514-36 Agostino Veneziano (Agostino dei Musi) Italian. Ornamental Panel. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). ca. 1514-36. Engraving. Prints

Amor controls De Passer, Justus van den Nijpoort, 1635 - 1692 print The hand of God comes from a cloud and holds a passer, with which he draws a circle on a heart. Amor, with a burning torch in one hand,, however, also holds the passer and pulls the passer the other way, which does not make the circle around. Imagination of the struggle between divine and earthly love. unknown paper etching / engraving (story of) Cupid, Amor (Eros). hand, 'Dextera Dei' ~ symbol of God the Father. compasses. heart symbolism. heavenly love versus earthly love

Francesco Bonsi. Line engraving.

Study for a Cartouche. Artist: Gilles-Marie Oppenord (French, Paris 1672-1742 Paris). Dimensions: 5 x 4 3/16 in. (12.7 x 10.7 cm). Museum: Metropolitan Museum of Art, New York, USA.

Speculum Romanae Magnificentiae: The Sacrifice of a Ram 16th century Marco Dente Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Inste

Frame with an elongated cartouche with round sides in the middle, Theodor de Bry, 1593 print Rectangular cartouche in the middle. At the top left and top right is a winged monkey. Emblemata with number 15. belongs to a series of 18 magazines in which, in the middle of separate plates, twenty -five emblemata and forty -five coats of arms are printed. The Emblemata are partly numbered A-D, 1-7 and 9-21. Three magazines have no number. The coats of arms, which are partly printed double, are unnumbered. Netherlands (possibly) paper engraving

Barbarigo, Giovanni Francesco, Audenaerd, Robert van, Rome, Numismata virorum illustrium ex Barbadica gente, Portrait of Girolamus Barbarigo and the personifications Fame and Prosperity, verso - stamped, Pedestal in the form of a cartouche. On it a medallion with on the front a portrait of Girolamo Barbarigo, orator at the time of Pope Paul II. On the reverse the pope on his throne. He is receiving a Venetian delegation. The pedestal is flanked by two female personifications. On the left is Fame or Honour with an armillary sphere and a statue of a woman with a laurel wreath and a palm branch. On the right is Prosperity with an oak branch and a horn of plenty filled with coins. The print is part of an album., print, prent, albumblad, prints, prenten, height 220 mm, width 239 mm, 1663 - 1743, print maker, prentmaker, 1673 - 1743, paper, papier, engraving, engraving (printing process), Work conception, after own design by, Italian, 1658-04-29 - 1730-01-27, client

Vignette with a blindfolded child led by the truth, Jan Matthias Cok, 1765 print A blindfolded putti is led by the clouds by the personification of truth. Right behind a round temple. On a banderole the motto: the truth led my. Amsterdam paper etching / letterpress printing Truth; 'Verití' (Ripa)

Franck-Franckenau, Georg of Eraser: Kraus, Johann Ulrich

Woodcut depicting the rear section of Emperor Karl V's triumphal car by Hans Schäufelin, created between 1551 and 1556, showing detailed craftsmanship and design of the ceremonial vehicle.

Design for a title page with Pax and Justitia, draughtsman: Giovanni Battista Tiepolo, 1706 - before 1732, paper, pen, brush, h 335 mm × w 214 mm

Antwerp, Jode, Pieter de (I), Italy, Tempesta, Antonio, Ovid's Metamorphoses, Metamorphoseon sive transformationum, Iphigenia Agamemnoni immolanda, à Diana (cerva eius in locum substituta) surripitur, Agamemnon sacrifices Iphigenia, verso - stamped, Agamemnon sacrifices his daughter Iphigenia to reconcile with the goddess Diana. At the last minute, Diana replaces Iphigenia with a deer. Title in Latin in bottom margin., print, prints, height 104 mm, width 117 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1606 - 1606, paper, papier, etching, etchings, Publication (Event), Publication, South Netherlands, 1570 - 1634-08-09, publisher

Monument to Hendrik Hooft Danielsz., 1794. Allegorical grave monument for Hendrik Hooft Danielsz., Former mayor of Amsterdam, died on August 31, 1794. For the monument, religion, Amsterdam and freedom. Behind the front trees from the Paix Temple temple. With four-line verse.

Design for a title page with Pax and Justitia, Giovanni Battista Tiepolo, 1706 - Before 1732 paper. chalk. ink pen / brush Symbols, Allegories of Peace, 'Pax'; 'Pace' (Ripa). Justice; 'Strength to the justice subject', 'justice', 'Recto justice', 'rigorous justice', 'pity and violence subject to justice' (Ripa). Justice, 'Justitia'; 'Divine justice' (Ripa) ~ One of the Four Cardinal Virtues

Bartensleben, Marie of.

Four designs for altars; Nouveau Livre d'Autel.

Wszyscy Święci w MNK

French Republic and Chained Kings; Title page for: François Eudes de Mezera and G. van Broekhuizen, Chronyk of Vrankryk, 1685. The personification of the French Republic with shield, scepter and rooster is sitting on a throne with chained French kings to her feet. Around are books, weapons and crowns. Right father time with zeis and an allegorical woman's figure with mirror and a book on clouds.

Ecce Homo. Beham, Sebald (1500-1550), graphic artist

Feste de FAUNE, Dieu desForesta. Artist: Claude Gillot, French, 1673-1722

Announcement angel, on clouds, in a Renaissance interior, Announcement angel, on clouds stepping, draughtsman: Giovanni Mauro della Rovere, 1585 - 1640, paper, pen, brush, h 540 mm × w 255 mm

Rome, Rossi, Giovanni Giacomo de', Rouhier, Louis, Magesyn of Italian buildings, Nova racolta degl'obelicchi et colonne antiche, dellalma Citta di Roma con le sve dichiaratione, Roman monuments, mainly obelisks, Title print with personifications of the Tiber and the Nile, female figures with fish tails, obelisks and columns, print, title print, album page, prints, height 212 mm, width 147 mm, French, print maker, printmaker, 1651 - 1651, paper, papier, etching, etchings, Publication (Event), Publication, Italian, 1627 - 1691, publisher

Vase; Modern vases and gift jugs. The vase has handles in the form of tritons, under the spout is a putto.

Design for a decorative painting with a fountain, Dionys van Nijmegen, 1715 - 1798

Master at "S.". "The passion of Christ: the crucifixion. Fourteenth number of a series of 21 pieces. (Passavant 122)". Chisel. 1500. Museum of Fine Arts of the City of Paris, Petit Palais. 123105-29 Chisel, 15th xve XV 15th 15th 15 CENTURY

For a crowned base, with a Mercury staff on it, two putti with both have a coat of arms with a monogram. The coat of arms are surrounded by symbols of love; Incense vessels, pigeons and a burning heart with an arrow.

Barbarigo, Giovanni Francesco, Audenaerd, Robert van, Rome, Numismata virorum illustrium ex Barbadica gente, Portrait of Marco Barbarigo and the personifications of Geometry, Splendor and Arithmetic, verso - stamped, Pedestal in the form of a cartouche. On it a medallion with on the front a portrait of Marco Barbarigo with a doge's hat. On the back the facade of a palace with the text: Ducarium Extructum. The pedestal is surrounded by three female personifications placed in front of a palace. On the left is the personification of Geometry with a plumb line and compass. Next to it sits Splendor: a woman with a crown and in her hand an oval on which a design of a beautiful palace is depicted. On the right is Arithmetic. On the hem of her dress is written: Par & Impar (even and odd). She points to a table full of numbers. The print is part of an album., print, album sheet, prints, height 220 mm, width 237 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, engraving, engraving (

Title page: vases and gift jug; Vases and gift jugs. A vase on a pedestal with a landscape in the background. The publisher's address is at the bottom of a cartouche. From series of 6 sheets.

Allegorian portrait of Francis van Bossuit. Portrait of the sculptor Francis van Bossuit. He is raised by two putti. Putti with attributes from a sculptor fly in the air. The name and birth and death date of the person portrayed on the Piothing. In the middle of numbered: iii.

L'heureuse fécondité. Dated: 1777. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Nicolas Delaunay after Jean-Honoré Fragonard.

Dans van Putti with the robbery of Proserpina, Pieter Tanjé, after Francesco Albani, 1716 - 1761 print Around a statue that has been awarded three putti, one of which is with a bow and arch, put Putti hand in hand. On the right, Proserpina is kidnapped in his car by Pluto, the god of the underworld. The girlfriends of Proserpina remain left in the background. On the left on a cloud, Venus and Amor are with the torch of love. On the right three music -making putti on a cloud. At the bottom of the margin the coat of arms of the Elector of Saxony, who had the original painting in the royal collection in Dresden. Amsterdam paper etching / engraving the rape of Proserpina (by Pluto in his chariot); possibly with Diana and Minerva trying to rescue her. Venus and Cupid (Cupid not being mere attribute). cupids: 'amores', 'amoretti', 'putti'

The personification of the city of Venice trolve on a cloud cover between the two columns of a balcony and is crowned by an angel. It is surrounded by personnifications of honor, peace and abundance and the Allegorical figures Hercules, Mercury and Juno. Being interested in and under the balcony. The print is part of a 53-part series of prints to paintings by Titian and Veronese.

Portrait of Philipp Club and writing woman; Title page for: Philipp Clüver, Introductionis in Universam Geographiam, S.A .. Portrait of Philipp Clover, the founder of historical geography, in oval on a pedestal with title of the book. Putti with bazuin and binoculars and a crowned young man with scepter, key and globe with animals flank. Before that, a writing allegoric female figure, at her feet a globe, a passer, a scroll, an oil lamp and books.

Gloves with naked man and dragon; Portraicians de Diverses Vases. The can have a double handle at the top. From series of 6 blades with possible Dutch copies.

Second day of creation: God separates the water masses in heaven and sea, 1581 - 1656 print Second day of creation: God separates the water masses in heaven and sea. In medallion with a Bible text in Latin from Genesis 1 within a square frame in Latin. Netherlands paper engraving creation of the firmament and division of the waters above and below it

Design for a Panel with a Depiction of Boreas Abducting Oreithyia. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 3-3/4 x 9-1/2 in. (9.5 x 24.1 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Frontispiece mid to late 18th century Jacques Gabriel Huquier French. Frontispiece 394578

Antwerp, Moretus, Balthasar (I), Rubens, Peter Paul, Southern Netherlands, Galle, Cornelis (I), Title page for: S. Simonini, Silvae Urbanianae, 1637, Apollo and Erato at the source of Hippocrene, verso - stamped, Apollo the god of the arts and the muse Erato next to the source of poetic inspiration, the Hippocrene. Erato points to the coat of arms of Pope Urbanus VIII with three bees. In the cradle before her lies the ancient poet Pindar as a child. Bees feed him with honey., print, title page, prints, height 190 mm, width 132 mm, 1576 - 1650-03-29, print maker, printmaker, 1637 - 1637, paper, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, Flemish, 1574-07-23 - 1641-07-08, publisher

Three putti with fruit basket on the clouds. .

Prophet Joel; Paintings in the Lunetten above the windows in the Sistine Chapel. A lunet with the prophet Joël with a text stream and bare figures.

Buste van Aristophanes and putto with mask, in Cartouche, Abraham Delfos, 1759 print Bust van Aristophanes and putto with mask in garden of castle, in cartouche with musical instruments. paper etching Portrait of a writer. Cupids: 'Amores', 'Amoretti', 'Putti'

The Arts and Powers Pay Homage to Emperor Charles VI. Dated: 1732. Dimensions: sheet: 56.1 x 45 cm (22 1/16 x 17 11/16 in.). Medium: pen and brown ink with gray wash, heightened with white and blue-gray oil paint on brown laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Evangelist Holzer.

The Tree ofJesse. Artist: Rafael Sadeler I, Flemish, 1560-1628

Leopold I., Roman-German Kaiser.

Twee zingende engelen; Concert van de engelen.Two singing angels. One angel embraces the other angel. A text in Latin in the undermarge.

Title page for the Europisch Mercury of 1749. Title page for the Dutch Communication Book of Europisch Mercury, over the year 1749. Mercury is at the foot of the throne of Dutch freedom, in the clouds peace with a horn of abundance. Putti with a print of the theater in The Hague for the fireworks at the celebration of the Peace of Aachen.

Plate for The Fish and the Fireworks, Fable Sixteen, in Fables Nouvelles, Dediées au Roy 1719 Lamotte-Houdar Although he was not trained as a professional printmaker, Gillot found a robust market for his whimsical small-scale designs for book illustrations, which he often etched himself with remarkable fluidity. Here, he illustrates the opening lines of a fable by Antoine Houdar de La Motte in which fireworks set off from a large structure illuminate the night sky. The etching was included in La Motte's Fables nouvelles, dediées au roy, published by Gregoire Dupuis in 1719.. Plate for The Fish and the Fireworks, Fable Sixteen, in Fables Nouvelles, Dediées au Roy 698047

Massé, Jean Baptiste, Le Brun, Charles, Wille, Johann Georg, France, Liotard, Jean Michel, The ceiling paintings in the Grande Galerie at Versailles, after Charles Le Brun: no. 45, print, prints, height mm, width mm, Swiss, 1702-12-22 - 1796-05-15, print maker, printmaker, paper, papier, etching, etchings, engraving, engraving (printing process), German, 1715-11-05 - 1808-04-05, French, 1619-02-24 - 1690-02-12, after, after painting by, 1687-12-29 - 1767-09-26, intermediary draughtsman

Allegoric vignette with raised putto. Allegoric vignette with raised and winch playing putto in the foreground. Two scenes are depicted on the left and right. The left scene shows an appearance of a saint to a believer man. The right scene shows a man who is deepened in writings. The text above these scenes is: God's praise is the very highest tone.

Egid Quirin Asam (German, 1692-1750), The Life of Ignatius Loyola, 1748-1749, brush and gray wash with watercolor over graphite, heightened with white, on laid paper

The personification of the Face. She is accompanied by a man pointing to the mirror holding up Amor. In the foreground a cat following a mouse. In the margin a four-line caption, in two columns, in Latin. Face Visvs The five senses , print maker: Willem van de Passe, (mentioned on object), Crispijn van de Passe (I), (mentioned on object), publisher: Crispijn van de Passe (I), (mentioned on object), unknown, 1607 - 1637, paper, engraving, h 220 mm × w 158 mm

Allegorical subject of the marriage of Monseigneur Le Duc de Bourgogne with Marie Adelaide de Savoye. (IT)

Netherlands, Monument to the Peace between the French & Batavian Republics, with the Emperor and the German Empire, Allegory of the Peace of Lunéville, 1801, verso - stamped, Monument for the Peace of Lunéville concluded on 9 February 1801 between France and Germany. Monument with the Peace with horn of plenty and palm branch at an altar. A French dragoon and the German emperor lay their weapons on the altar., print, engraving, prints, engravings, Frederik Muller Historieplaten, height 143 mm, width 127 mm, print maker, printmaker, 1801 - 1801, paper, papier, etching, etsen

Large and small cartouche; B Neu Inventirte Schilde Other Theil / Second Livre the cartouches. A big cartouche with ornamented edge and the serene title. Before that, two half-dressed men with pensions are next to a smaller crowned Rocaille cartouche. On the left in the background, figures build buildings with columns and trappartij. On the right in the background a garden with fountains.

Assumption of the Virgin; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giuseppe Passeri ca. 1729-40 Nicolas Le Sueur. Assumption of the Virgin; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giuseppe Passeri. Nicolas Le Sueur (French, 1691-1764). ca. 1729-40. Aquatint imitating a chiaroscuro woodcut printed in green and brown over etching. Prints

Cornelis Galle I, Frontispiece for Legends of the Saints from Ribadeneyra and Rosweydus, 1619, engraving on paper.

Design for a grave monument for an abbot or bishop. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 195 mm × w 128 mm. Museum: Rijksmuseum, Amsterdam.

Triomf der Kuisheid, Matthäus Greuter, 1596 print With caption in Latin. paper engraving 'Trionfo della castitã ', 'Triumphus pudicitiae'; 'Carro della Castitã ' (ripe). Adultery. In the pillory, in the stocks. Prisoner with hands bounds. Attibotes of Cupid: Blindfold

. Round performance. Alexander the Great on his deathbed surrounded by his soldiers who mourn his death. The print is to a lost bass relief by Gerard de Lairesse and is part of a series with biblical, mythological and allegorical performances.

La perspective de l'englise Nostre Dame de Paris. Dated: probably 1665. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: François Le Febvre.

Drawing, Wall painting; Mauro Gandolfi (Italian, 1764-1834); Italy; pen and brown ink, brush and watercolor on white laid paper, squared in graphite and lined, laid down; 16.3 x 25 cm (6 7/16 x 9 13/16 in.) Mat: 40.6 x 55.9 cm (16 x 22 in.)

Philipp Otto Runge, Design for Calendar Design for Calendar

Barbarigo, Giovanni Francesco, Audenaerd, Robert van, Rome, Numismata virorum illustrium ex Barbadica gente, Portrait of Pietro Barbarigo with mermaids, verso - stamped, Pedestal in the form of a cartouche. On it a medallion with the portrait of Pietro Barbarigo on the front. On the back a seascape with ships. The pedestal is flanked by two sailors with batons and admirals' hats. In addition, various ship attributes, such as an anchor, ship's lantern and various banners. The print is part of an album., print, image, album sheet, prints, images, height 218 mm, width 234 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, engraving, engraving (printing process), Work conception, after own design by, Italian, 1658-04-29 - 1730-01-27, client

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