Allegorical Figures and Emotions

Prints and etchings illustrating personifications of concepts like envy, with detailed human expressions and scenarios.

Rijn, Rembrandt van, Vivares, François, De kwakzalver, The quacksalver, verso set-up sheet - stamped, print, prints, height 80 mm, width 52 mm, French, English, 1709-07-11 - 1780-11-26, print maker, printmaker, 1719 - 1780, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

Enious (Invidia), Lucas Vorsterman (I), After Adriaen Brouwer, 1619 - 1675 print A poor man, with a snake around his hat, sits on a barrel and squeezes out a Big who poops. A knife was put in the table top for him. Antwerp paper engraving Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly Sins. piglet, suckling pig. tools, aids, implements ~ crafts and industries: knife

Envy (Invidia); Invidia; The seven deadly sins. A poor man, with a snake around his hat, is on a ton and squeeze a big out, which poops. A knife is inserted into the table top for him.

Portrait of Jacques Charles Ordry (1779-1853), theater actor between 1802 and 1841. Anonymous. Portrait of Jacques Charles Odry (1779-1853), actor of theater between 1802 and 1841. Business card (front). Draw on albuminum paper. 1860-1890.

17th century Dutch peasant man seated, holding a glass, tobacco pipe and ashtray on table. Copperplate engraving by David Deuchar after an original by Adriaen van Ostade from A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, Edinburgh, 1803.

Plate 3: Bertoldo holding a hare in his hand, from "Bertoldo, Bertoldino, and Cacasenno" 1705-15 Giuseppe Maria Crespi. Plate 3: Bertoldo holding a hare in his hand, from "Bertoldo, Bertoldino, and Cacasenno". Giuseppe Maria Crespi (Italian, Bologna 1665-1747 Bologna). 1705-15. Etching. Prints

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Jaroczyński, Marian Jakub Ignacy (1819 1901), Żupański, Jan Konstanty (1804 1883)

Dwerg met fluit (flageolet); Varie figure gobbi di Jacopo Callot; Diverse groteske figuren; Dwergen en gebochelden.Dwarf, seen on the left, with a humpback back, a certain flute (flageolet) closed, a hat with a twig on the head. This print is part of a series of 21 prints with grotesque figures; Virtually all those figures are dwarfs, many have been hatched.

Rijn, Rembrandt van, Vivares, François, De kwakzalver, The quacksalver, verso set-up sheet - stamped, print, prints, height 80 mm, width 52 mm, French, English, 1709-07-11 - 1780-11-26, print maker, printmaker, 1719 - 1780, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

A man looking through a magnifying glass at a picture of a monkey, whose flatulence extinguishes the flame of a candle; representing the pleasures of the sense of sight. Engraving, 17--.

Frontispiece to the 2nd Edition of Lord Stanhope's Observations on Mr. Pitt's Plan of Finance. Artist: James Sayers (British, 1748-1823). Author: Related author Charles Stanhope, 3rd Earl Stanhope (British, 1753-1816). Dimensions: sheet: 9 15/16 x 6 in. (25.3 x 15.3 cm). Publisher: Thomas Cornell (London). Date: May 29, 1786. Museum: Metropolitan Museum of Art, New York, USA.

Seconde Suite des Figures, Philippe-Jacques de Loutherbourg, 1740-1812, French, active in Britain (from 1771), undated, Etching

Henry Welby, a recluse, in his room. Etching.

Antwerp, Aertssens, Hendrik, Netherlands, Bolswert, Boëtius Adamsz., Bloemaert, Abraham, Amsterdam, Sacra eremvs ascetarvm, Hermits, Sanctus Arsenius, Saint Arsenius the Great as a hermit, verso bottom center - stamped, print, book illustration, prints, height 144 mm, width 90 mm, Southern Netherlands, 1580 - 1633-03-25, print maker, printmaker, 1590 - 1612, fourth quarter 16th century, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1566-12-25 - 1651-01-27, after a design by, Publication (Event), Publication, South Netherlands, publisher, 1622 - 1663

First pair, anonymous, after Christoph Murer, 1590 print paper letterpress printing bagpipe, musette

Bagpipe player, Jan van de Velde (II), 1633 print A poor bagpipe player. Sixteenth print from a series of eighteen. Amsterdam paper etching / engraving bagpipe, musette. the poor

unknown, Amsterdam, King, Wilhelmus, Engelbrecht, Martin, Fillisch, Johann Christoph, Northern Netherlands, Buysen jr., Pieter van, Sassen, Joost van, Bombario Actionist and the Spirit of Aesop, Le Marquis Chapelier large, with three artificial moustaches, Hans Breed-hoed van Plughaarheim or Droom Vorst van Krul-knevelskamp, Der Ehrnveste u. Hochweisse Herr Crispin Skarnitz Erbherr auff Pfeffermuhl, Ritter vom Braitten Huth, The dwarf Hans Breed-hoed van Plughaarheim, 1720, The dwarf Hans Breed-hoed van Plughaarheim with broad hat. In the caption verses in German, French and Dutch. Numbered right center: 26. Print within a decorative frame printed from a separate plate with flowers and leaves. Part of part II in the second Dutch bound edition of 1720 (and related to the Windhandel in that year) of a series of caricatures with dwarfs, known as Het Dwergentooneel, partly copied after an older German example., print, caricature, books, Frederik Muller Historieplaten, height 169 mm, width

Taste; The five senses. A man smokes a pipe in an inn. He sits on a reverse basket with the legs beaten about each other. Four figures in the background. Under the show a two-legged fresh in Dutch. The print is part of a series of five prints with the five senses.

Bust of a man with a pipe on his hat.

Georg Friedrich Schmidt, Samson Meancing His Father-in-Law, 1756, etching on wove paper.

James Gillray, 1757-1815, British, Brisk Cathartic, 1804. Etching.

Guido of Lusignan, King of Jerusalem.

Drinking man in a ton, Nicolaes van Haeften, 1673 - 1715 print A man with a pipe in his hand sits on a barrel and drinks from a jug. Antwerp paper engraving pipe ~ tobacco. jar, jug (used as drinking-vessel)

Jacques Callot (1592-1635). "The Little Child Jesus" (Lieure 291, Meaume 3). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99589-1 Etching, engraving

Standing woman with a fire test, Pieter de Mare, after Christina Chalon, 1777 - 1779 print An old woman with a test that contains some coal. Leiden paper etching the (nude) human figure; 'Corpo humano' (Ripa) (+ old female (human being)). warming-pan (for bed)

After Jacques Callot, Noble Man with Folded Hands Noble Man with Folded Hands

Moncornet, Balthazar, Both, Andries, Lijnhoven, Nicolaes van, Peasants and peasant wives in obscene postures, Seated peasant with a jug, verso - stamped, A peasant sits in a landscape on a small pillar and holds a jug in front of his crotch. Below the oval representation a two-line French verse., print, prent, prints, prenten, height 212 mm, width 149 mm, - 1702, print maker, prentmaker, 1622 - 1668, paper, papier, engraving, engraving (printing process), Work conception, 1612 - 1642-03-24, after a design by, Publication (Event), Publication, French, 1600 - 1668-08-11, publisher

'A Mountebank of Old London', (1928). Creator: Unknown.

Girl from Edam, from Before, Gillis van Scheyndel (I), After Willem Pietersz Buytewech, 1620 - 1624 print In a flat landscape with canals is a young woman from Edam, dressed in traditional costumes. Next to her are a yoke and a bucket. A farmhouse in the background. The print is part of a series of eight young women in North Holland traditional costumes. Haarlem paper etching folk costume, regional costume

Smid, Gillis van Scheyndel (I), 1638 print In a forge, a blacksmith with a hammer processes a piece of iron on an anvil. A fireplace next to him. The print is part of a series of 32 prints with genreta scenes. paper etching smith, blacksmith

A rioter in the Gordon Riots has a cudgel in his hand and Newgate Prison is on fire in the background. Etching attributed to J. Gillray.

Bertrand HARDUIN, 1600-48 French actor called St Jacques or Guillot-Gorgu

William Hogarth, 1697-1764, British, Simon Lord Lovat, 1746. Etching.

Earth, Anonymous, After Crispijn van de Passe (II), 1613 - 1720 print An old woman looks at a coin from a pot of money at candlelight. According to the four -line, Dutch -language caption, she thinks about a place where she would hide the money. Above the Dutch text two lines in French and two in German. paper engraving earth (one of the four elements). old woman

Rat Poison Seller with Dog, 1781, Jean-Pierre Norblin de la Gourdaine, Polish, (born France), 1745-1830, 4 3/16 x 2 3/16 in. (10.7 x 5.6 cm) (image)4 13/16 x 2 11/16 in. (12.3 x 6.8 cm) (sheet), Etching and drypoint on woven Japan, Poland, 18th century, Jean-Pierre Norblin de la Gourdaine was a French painter and printmaker active in Poland in the late 18th century. Norblin's charming miniature etchings, representing mostly male heads, street sellers, and vagabonds, reflect both in subject and technique the profound influence of Rembrandt's prints. Norblin was also drawn to Polish subjects, capturing the unfamiliar, exotic world around him in his depictions of men with colossal fur hats and curled moustaches, Cossacks, and Polish historical figures.

Mei, anonymous, 1600 - 1699 drawing paper brush (military) standard-bearer. May and its 'labours'

De Okuk, Salomon Savery, After Pieter Jansz Quast, 1638 - 1665 print A man wipes the buttocks of a child with a cloth. A second child watches. On the left, a dog smells of the child's excrement. The print is part of a six -part series of prints with performances of the five senses (unnumbered title print). Amsterdam paper engraving smell, smelling (one of the five senses). hygienic care of children. defecation. dog

Jan Uytenbogaert, 1639. Rembrandt van Rijn (Dutch, 1606-1669). Etching with drypoint; sheet: 25.7 x 20.9 cm (10 1/8 x 8 1/4 in.); platemark: 25.1 x 20.4 cm (9 7/8 x 8 1/16 in.).

Portrait of William I, Prince of Orange, Christoffel van Sichem (I), After Hendrick Goltzius, c. 1600 print Portrait of William I. He is behind a table with a rug and holds a command stove in his hand. His helmet and gloves of his armor are lying on the table. His coat of arms is on the ground. A battle in the background. His name in the lower margin. Amsterdam paper engraving / etching

Richard Dickinson, an eccentric who imagines himself a wealthy king, from Scarborough. Engraving by Clark after H. Hysing.

The cheerful patriot; Communia Gaudia; The general joy to the intake of names by Stadholder Willem III, king of England, September 1695. Dancing man with an empty grumbler and his hat in his hand. In the background the city names and the fortress. Under the show a Latin title and a Dutch verse of six rules. The print is part of a series of eight prints made in response to the conquest of names by the Allies on 5 September 1695.

At a table sit two men. The man with the feathered cap lights his pipe, Man lights his pipe, print maker: Jacob Hoolaart, (mentioned on object), David Teniers (II), (mentioned on object), Dordrecht, 1723 - 1789, paper, h 179 mm × w 141 mm

James Gillray, 1757-1815, British, Taking Physick, 1800. Etching.

Anesthem father aser; The tribal fathers of Israel; The twelve sons of Jacob. Half-graduate Aser, half, in architectural surroundings seated with the right leg, a threshold (), In the left arm a bundle grain in the right hand. The left arm rests on a basket with breads. A tower in the background. Under the show two lines text in Latin. This print is part of a series of twelve army fathers from Srael; Each print in this series consists of an infection of an ancestor, half as half, and a two-legged caption in Latin.

Admiration with Astonishment (Le Brun Travested, or Caricatures of the Passions) January 21, 1800 Thomas Rowlandson British. Admiration with Astonishment (Le Brun Travested, or Caricatures of the Passions) 376335

Ruben, from The Twleve Sons of Jacob” - set of 12 prints after van Mander. Engraver: Jacques de Gheyn II, Dutch, 1565-1629 After: Karel van Mander I, Dutch, 1548-1606

Haarlem, Enschede, Izaak, Ostade, Isaac van, Vinne, Isaac Vincentsz. van der, Early spoiled, Funny figure, in the caption in the overview print this figure bears the name: Early spoiled. Part of the booklet: XXXVI. nice figures, invented by Izaak van Ostade tot Haarlem 1731-1732., print, engraving, popular print, books, height 49 mm, width 42 mm, height 195 mm, width 155 mm, Northern Netherlands, 1665-10-24 - 1740-04-15, print maker, printmaker, 1731 - 1732, paper, papier, houtcut, Work conception, 1621-06-02 - 1649-10-16, after a design by, Publication (Event), Publication, publisher

Beetty Dick (1693-1778), town crier of Dalkeith, wearing a mutch (cap), gown and cloak, beating a wooden plate with a spoon. Copperplate engraving by John Kay from A Series of Original Portraits and Caricature Etchings, Hugh Paton, Edinburgh, 1842.

Cartoon at Louis Willem van Baden-Baden, 1705; Louis Dort / De Niewe Knight of the Goude Louisis; Royal Almanach from 1705 / 't Lusthof from MoMus. Cartoon at Louis Willem, Markgraaf van Baden-Baden, bribed to the French side by King Louis XIV. The Markgraaf sleeping at a table with gold pieces. Verses in Dutch. Part of a series of 7 cartoons on the French and allies from the year 1705.

Grayy on the window. An old man with a large beret and with fur seated cloak is sitting on a chair in front of a window. His arm rests on a stack of books on a table. With his other hand, he holds a book that lies on the armrest of the chair. Next to the chair is a globe on the table an hourglass and a skull.

Print (France)

The good without panties. (TF)

Portrait of Joseph Marinkelle, seated drawing, draughtsman: Reinier Vinkeles (I), 10-Dec-1768, paper, pen, h 189 mm × w 158 mm

trade street hawkers coppersmith coloured etching ""Les Cris de Paris"" by Pierre Brebiette 1640 - 1645 private collection craftsman trader vendor people profession dishes France 17th century historic historical,

A farmer sits on a chair with a glass in one hand and a jug in the other., Seated farmer with jug, print maker: Cornelis Ploos van Amstel, intermediary draughtsman: Adriaen van Ostade, (mentioned on object), Amsterdam, 1763 - 1768, paper, etching, h 102 mm × w 68 mm

Cornelis Dusart, Peasant Smoking, 1689 Peasant Smoking

Portrait of Johann von Lyskirchen, mayor of Cologne. In the margin a teenage way in Latin. At the bottom right a motto in Greek.

A Youth Seated at a Table (recto); Head of a Child with Curly Hair(verso). Artist: Jacques de Gheyn II, Dutch, 1565-1629

Ontsprongen rondom bedekte Blaaskaak The boaster, covered (in armor), who has escaped. Buysen, Andries van, active 1698-1747. 1720. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Filippo Giuliani, a 'water-drinker'. Line engraving, 1680.

Amsterdam, King, Wilhelmus, Northern Netherlands, Folkema, Fopje, Bombario Actionist and the Spirit of Esopus, L'Ainé des Tempetes Vice-Roi de Neptun et Eole, Puer Orcanius, Stédehouder van Neptune Mars and Eolus, Hansz Gorge Pryhann, gebohrner Donnerhundt von Scanderbeg ausz einer Hottendottin bastardirt, Rottmeister der waghalsz u. Eisenfresser, Catharina Kopffer und Bluth gupgln contra Champmerdant, The dwarf Puer Orcanius as a fierce officer, 1720, The dwarf Puer Orcanius as a fierce officer with raised sword. In the caption verses in German, French and Dutch. Numbered right center: 33. Part of part II in the second Dutch bound edition from 1720 (and related to the Windhandel in that year) of a series of caricatures with dwarfs, known as Het Dwergentooneel., print, prent, books, Frederik Muller Historieplaten, height 169 mm, width 105 mm, height 227 mm, width 170 mm, print maker, printmaker, 1718 - 1720, paper, papier, etching, etchings, Publication (Event), Publicatie, - 1732, pub

unknown, Amsterdam, King, Wilhelmus, Engelbrecht, Martin, Northern Netherlands, Folkema, Anna, Buysen jr., Pieter van, Il Callotto resuscitato oder Neu eingerichts Zwerchen Cabinet, L'Ainé des Tempetes Vice-Roi de Neptun et Eole, Puer Orcanius, Stedehouder of Neptune Mars and Eolus, Hansz Gorge Pryhann, gebohrner Donnerhundt von Scanderbeg ausz einer Hottendottin bastardirt, Rottmeister der waghalsz u. Eisenfresser, Catharina Kopffer und Bluth gupgln contra Champmerdant, The dwarf Puer Orcanius as a fierce officer, 1716, The dwarf Puer Orcanius as a fierce officer with raised sword. In the caption verses in German, French and Dutch. Print within a decorative frame printed from a separate plate with flowers. Numbered right centre: 33. Part of the Dutch bound edition of 1716 of a series of caricatures with dwarfs, known as Het Dwergentooneel (The Dwarf Theatre), copied from an older German example., print, caricature, books, Frederik Muller Historieplaten, height 160 mm, width 105 mm, he

After work, it is not always good to rest, Satire on Metternichs escape in March , Johann Höfelich -, publisher

Januarius; Aubry, Abraham (1653-1682), Sandrart, Joachim von (1606-1688); XVII century (1601-00-00-1700-00-00);

Contrarolleur van de Gelukkige en rampzalige Lapis-zoekers The controller of the fortunate and miserable (searchers of the Philosopher's Stone). Engelbrecht, Martin, 1684-1756. 1720. Sassen, Joost van, approximately 1684-1755. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Print made by Matthew Darly, active 1754-1778, Caricature of Matthew Darly, 1776. Etching on moderately thick, slightly textured, beige laid paper.

Art dealer Gaspare Gribolai from Padua; Gaspar Gribola locanteur à Padoue; Portraits diverse. The art dealer Gaspar Gribolai from Padua. Under his right arm a painting, drawing or print. In his left hand a reverse hat with prints. A fountain behind him. Title in undermarge.

Old woman holding a glass and jug, 17th century. She wears a veil on her head and a coat with fur shawl. Copperplate engraving by David Deuchar from A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, Edinburgh, 1803.

The Dwarf Potjerollia van Mestenburg, 1720, Joost van Sassen, 1718 - 1720 The dwarf Potjerollia of Mestenburg as a farmer's wife. In the caption verses in German, French and Dutch. Numbered right in the middle: 37. Part of part II in the second Dutch bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf tone. print maker: Northern Netherlandspublisher: Amsterdam paper etching The dwarf Potjerollia of Mestenburg as a farmer's wife. In the caption verses in German, French and Dutch. Numbered right in the middle: 37. Part of part II in the second Dutch bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf tone. print maker: Northern Netherlandspublisher: Amsterdam paper etching

The East India, 1695; The general joy to the intake of names through Stadholder Willem III, king of England, September 1695. Drunk sailor with a bottle and a hat in hand. The print is part of a series of eight prints made in response to the conquest of names by the Allies on 5 September 1695.

Louis Croutelle (Engraver) (After Velázquez, Diego Rodríguez de Silva y); José Camarón (Drafstman) / 'The Buffoon Calabacillas'. 1791 - 1800. Taille douce: etching and engraving on laid paper; 1791 - 1800. Taille douce: etching and engraving on laid paper. Museum: Museo del Prado, Madrid, España.

Callot, Jacques, Florence, Seven Deadly Sins, Avaritia, Avarice, verso lower left - stamped, An old woman holds a well-filled purse in one hand and a coin in the other. At her feet are a money chest and two money bags, behind her sits a toad, above her flies a devil. Below the image the Latin term for the sin that the woman represents. This print is part of a series of seven prints in which the deadly sins are depicted as allegorical figures., print, prints, height 76 mm, width 58 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1618 - 1625, first quarter 17th century, second quarter 17th century, paper, papier, etching, etchings, Work conception, after own design by

Dordrecht, Hoolaart, Jacob, Seated peasant woman seen from the back, print, prints, height 59 mm, width 46 mm, 1713-01-29 - 1789-04-02, print maker, printmaker, 1728 - 1789, paper, papier, etching, etchings

Liskirchen, Johann.

Standing man, pointing with left hand, Salomon Savery, After Pieter Jansz Quast, 1652 - 1654 print Cartoon on the English Admiral Henry Appleton, commander of the English fleet defeated during the sea battle at Livorno by a Staatse Fleet under the command of Jan van Galen, March 14, 1653. The Admiral stands ashore, pointing with his left hand. In the background the sea battle with the name of Jan van Galen. The print is part of a ten-part series with performances by beggars and farmers in which various unfortunate figures from the first English war are also included, ca. 1652-1654. Amsterdam paper engraving / etching beggar. battle (+ naval force). Battle of Leghorn

A man and woman sit near a table, he holding a glass, she holding a beer jug. According to the German verse in the margin below, they are drinking away their sorrows and this drinking leads to obesity. The verse is repeated in Latin, Drinking Man and Woman., print maker: Nicolaes de Bruyn, (mentioned on object), publisher: Claes Jansz. Visscher (II), (mentioned on object), publisher: Assuerus van Londerseel, (mentioned on object), print maker: Netherlands, publisher: Amsterdam, 1581 - 1656, paper, engraving, h 114 mm × w 146 mm

Vignet with portrait of Rembrandt. Vignet with portrait of Rembrandt in oval, surrounded by painting utensils and some of his etchings. To the right of the portrait a laurel wreath hangs on a stick.

September. De twaalf maanden van het jaar (series title). Draughtsman: anonymous. Dating: 1600 - 1699. Measurements: h 139 mm × w 95 mm. Museum: Rijksmuseum, Amsterdam.

Chalon, Christina, Leiden, Mare, Pieter de, Boy and girl with doll, verso bottom center - stamped, A girl holds up a doll in her right hand. The boy stands next to her., print, prints, width 56 mm, height, 71 mm, Noord-Nederlands, 1758-01-30 - 1796-06, print maker, printmaker, 1777 - 1779, paper, papier, etching, etchings, 1748 - 1808-12-13, intermediary draughtsman

A man smoking a pipe in an interior next to a barrel with a jug, Smoking man, print maker: Nicolaes van Haeften, (mentioned on object), Paris, 1694, paper, etching, h 144 mm × w 97 mm

Young man with a roemer, print maker: Abraham Bloteling, intermediary draughtsman: Jacob Toorenvliet, (mentioned on object), publisher: Abraham Bloteling, (mentioned on object), Amsterdam, 1652 - 1690, paper, engraving, h 196 mm × w 140 mm

Boer with a jug in his hands, Anonymous, After Adriaen Brouwer, 1622 - 1688 print The farmer wears a big hat and holds a large jug in his hands. print maker: Low Countriesafter design by: Southern Netherlands paper etching farmers. container of ceramics: jar, jug, pot, vase. head-gear: hat (+ men's clothes)

Rijn, Rembrandt van, Self-portrait with beret and scarf, the face in the shadow: bust, verso upper right - pencil, print, engraving, prints, Rembrandt f. 1633, lower center, verso lower left - stamped, Duhtel W, height 133 mm, width 104 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1633 - 1633, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Bust of a peasant., circa 1650-52, Netherlands, by Adriaen van Ostade. Gift of Bishop Monrad, 1869.

Thomas Bardwell, 1704-1767, British, Album Drawing, ca. 1730. Gray wash and watercolor with pen and brown ink over graphite on laid paper.

Drunk with knife in his hand; Spigel, or theater of the Ydelheyd and the unbound Heyd Onser century; Mirror of vanity. A drunk man with a hat in his one and a knife in his other hand. Tenth print from a series of eighteen.

Jean Robert, a charcoal-burner. Engraving by J. Le Blond.

Portrait of Fernand 1876 Félix Bracquemond French. Portrait of Fernand 384923

A farmer from Schagen shows the poultry he wants to sell. He is dressed in a long coat and wears a hat. Print from a series of 6 prints depicting villagers wearing traditional costumes, Boer uit Schagen Un Païsan de Schagen Dutch traditional costumes, second series (series title), print maker: Pieter van den Berge, (mentioned on object), intermediary draughtsman: Pieter van den Berge, (mentioned on object), publisher: Pieter van den Berge, Amsterdam, in or after 1694 - 1737, paper, etching, engraving, h 266 mm × w 160 mm

6s at 6s. The merchant sui ruins. / 47. (title registered (letter)) | Cree of Paris. (Title of all)

Smiling boy, and face. Draughtsman: Jean Bernard. Dating: 1775 - 1833. Measurements: h 208 mm × w 168 mm. Museum: Rijksmuseum, Amsterdam.

Here is the good bread of reims spices Michel Fish. "This is the good bread of R�ims". Engraving.

Charles Maurand after Honoré Daumier, L'Hotel des Commissaires priseurs Le Crieur public, 1864 L'Hotel des Commissaires-priseurs: Le Crieur public

An apothecary with pharmaceutical equipment seated in an arched window. Etching by B.A. Dunker after G. Metsu.

The East Indies, 1695, Cornelis Dusart, 1695 - 1704 print Drunk sailor with a bottle and a hat in hand. The print is part of a series of eight prints made in response to the conquest of names by the Allies on 5 September 1695. paper festivities on events of national importance. drunkard

Drawing by Isabella von Parma depicting a woman carrying water, executed in pencil.

Pencil cutter, J. van Taerlingh, 1730 - 1746

No title. (Man in fur hat holding glass.) prints, etchings, works on paper

James Gillray, 1757-1815, British, Charming Well Again, 1804. Etching.

Baker blowing a horn while standing in the doorway. Print from a series of eight prints after depictions by A. van Ostade, Baker blowing a horn Caprice, print maker: Abraham Bloteling, (possibly), Adriaen van Ostade, (mentioned on object), publisher: Abraham Bloteling, Amsterdam, 1655 - 1690, paper, etching, h 130 mm × w 106 mm

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