Allegorical Figures and Iconography

A collection of engravings and etchings depicting allegorical figures like Justice and Faith, detailed religious compositions, and symbolic attributes set in muted tones.

Allegorical show on the grave of Willem V, Prince of Oranje -Nassau, Reinier Vinkeles (I), 1806 - 1808 print Father Time reveals a monument with the bust of Willem V, Prince of Oranje-Nassau. The bust is worn by an allegorical female figure with a freedom hat on a stick and a female figure with a Bible. In the foreground, the female personification of the truth, the historiography with laurel wreath and book, points to the image of Willem V. Amsterdam paper etching / engraving Father Time, man with wings and scythe. Truth; 'Verità' (Ripa) (+ abstract concept represented by female figure). 'Historia'; 'Historia' (Ripa). monument, statue

Moritz von Schwind's 1848 copper engraving and etching depicts Justitia, the allegorical figure of justice, on an ocher plate with symbolic attributes such as scales and sword.

Etching by Lucas Kilian, 16th-17th century, depicting Mary Magdalene with traditional iconographic attributes and detailed figure composition.

Allegorical performance with two personifications and five reading putti, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching / engraving Fides (faith) as Roman personification. cupids: 'amores', 'amoretti', 'putti'. harp. book. reading

Title page for "Poems by H. Tollens CZ., Part 1," 1808. Title page with a harply woman.

Copper engraving by Jacob Matham, 1601-1605, showing Moses with the tablets and surrounding figures in a biblical scene.

Kidnapping of prosepina (sculpture of Gianlorenzo Bernini from 1621 22; currently in Galleria Borghese, Rome). Unknown, Bernini, Giovanni Lorenzo (1598 1680)

Allegorische voorstelling op het graf van Willem V, prins van Oranje-Nassau.Father time reveals a monument with the bust of Willem V, Prince of Oranje-Nassau. The bust is worn by an allegorical female figure with a freedom hat on stick and a female figure with a Bible. In the foreground the female personification of truth, the historiography with laurel wreath and book, on the statue of Willem V.

Allegorical show on the grave of Willem V, Prince of Oranje -Nassau, Reinier Vinkeles (I), 1806 - 1808 print Father Time reveals a monument with the bust of Willem V, Prince of Oranje-Nassau. The bust is worn by an allegorical female figure with a freedom hat on a stick and a female figure with a Bible. In the foreground, the female personification of the truth, the historiography with laurel wreath and book, points to the image of Willem V. Amsterdam paper etching / engraving Father Time, man with wings and scythe. Truth; 'Verità' (Ripa) (+ abstract concept represented by female figure). 'Historia'; 'Historia' (Ripa). monument, statue

Etching by Marie Jeanne Renard Dubos from 1726-1735 depicting Esté, showing figure, attire, and seasonal elements.

Woman is stopped if his water tries to plunge, Daniel Nikolaus Chodowiecki, 1794 print Berlin paper etching forest, wood. lake. suicide out of despair

Twee Profen, Richard de Saint-Non, After Jean Honoré Fragonard, After Ludovico Carracci, 1772 print paper etching groups of prophets, usually holding books or scrolls (Isaiah, Jeremiah, Ezekiel, Daniel, Hosea, Joel, Amos, Obadiah, Jonah, Micah, Nahum, Habakkuk, Zephaniah, Haggai, Zechariah, Malachi)

Memorial for Lukas Willem Baron van Essen te Barneveld, R. WiSsenis, After Johannes Zitsenis, After Anthony Witsenis, 1795 print Memorial for Lukas Willem Baron van Essen in the old church of Barneveld. Victoria, the goddess of victory holds a laurel wreath in his hand and leans with her other arm on the portrait of Baron van Essen. At her feet are a cross, anchor and a burning heart, the symbols for faith, hope and love, and a Bible. In the middle of Baron van Essen's coat of arms. Netherlands paper etching other memorial structures. Victoria as Roman personification. the Three Theological Virtues

Allegory of Faith 1620-49 Hans Friedrich Schorer German. Allegory of Faith 365049

A Spanish -minded Hopman brought for Orange, 1577, Theodoor Koning, After Jacobus Buys, 1785 print A Spanish-minded Hopman is fascinated for the Prince of Orange, 1577. This print is part of a series of 24 prints with scenes from the life of Prince William I, 1568-1584 and is an illustration of the eighteenth singing. Amsterdam paper engraving

Friedrich August I, King of Saxony.

Grave monument with portrait of Johann Kaspar Lavater, Johann Heinrich Lips, 1801 - 1817 print paper engraving historical persons. grave-building, monumental tomb. portrait of a writer

Standing figure with turban with feathers, Simon François Ravenet (Le Vieux), After Carle van Loo, 1732 - 1740 print Standing figure with turban with feathers, long cloak and swords in the hand. Nummered at the top right: 11. Part of a series of twelve prints with figures in dramatized poses, often dressed in "Eastern" fantasy costumes, after drawings by Carle van Loo, made during his stay in Rome (1728-1732). paper etching actor (on the stage). characters (human types). passions, emotions, affections. Asiatic races and peoples (+ costume). head-gear: turban

Evening, Louis Desplaces, After Martin Desjardins, After Nicolas Bertin, 1692 - 1739 print print maker: Parispublisher: ParisFrance paper engraving / etching piece of sculpture, reproduction of a piece of sculpture. personification of the evening, 'Vesper'

Letterhead for Patent, Barthélémy Joseph Fulcran Roger, After Pierre Prud'Hon, 1804 - 1815 print France crowns a genius that holds a sign with the words "Inventions Nouvelles". paper etching / engraving letter, envelope. invention, discovery ~ science and technology. personifications of countries, nations, states, districts, etc.. genius

Poëzie, Raphael Morghen, after Bernardino Nocchi, after Rafaël, 1768 - 1833 print Personification of poetry (Poesia) on a throne, with book, Lier and two putti on clouds. Title in the end margin. print maker: Romeafter drawing by: Vaticaanstadafter painting by: VaticaanstadRomeRome paper engraving / etching symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa). cupids: 'amores', 'amoretti', 'putti'

Philoctetes tells Telemachus his adventures, Jean-Baptiste Tilliard, After Charles Monnet, 1785 print Philoctetes, seated on a block with a lion sheet in a tent, tells Telemachus to his adventures to his left. The whole is framed by a decorative frame with olive branches and a bow at the bottom. Numbered at the top right: No. I. print maker: Franceafter design by: Francepublisher: Parispublisher: Parispublisher: Parispublisher: Parispublisher: Paris paper etching / engraving (FENELON, Telemachus) specific works of literature (with AUTHOR, Title). (story of) Telemachus. (military) camp with tents. ornament ~ festoon, garland

Portrait of General George Elliott with naval battle at Gibraltar, Christian von Mechel, after George Frederic Koehler, 1784 print Basel paper etching battle (+ naval force). commander-in-chief, general, marshal Gibraltar

Nymph of immortality; The Nymph or Immortality; Shakespariana. Immortality Nymph crown an image of William Shakespeare. Next to her are three putti. A fourth putti sleeps next to the image. A waterfall in the background.

Telemachus comforted by Nestor and Philocects. Telemachus, crying on a bed, is comforted by Nestor and Philocectetes in a tent. The whole is chattered by a decorative frame with olive branches and at the bottom of a bow. Numbered at the top right: No. II.

Standing warrior with commandostaf, Johann Elias Ridinger, 1728 print paper etching the soldier; the soldier's life. baton of general

Painting of Theseus abandoning Ariadne on the island of Naxos, without the original colours, from the house of Lucius Caecilius Iucundus. Illustration drawn by Discanno and lithographed by Victor Steeger from Emil Presuhn's "Pompeji. Die Neuesten Ausgrabungen von 1874-1881," Weigel, Leipzig, 1882. German archeologist Presuhn (1844-1881) lived in Italy for eight years and, with Mr. Discanno and Miss Amy Butts, made exact copies of many wall paintings that are now lost.

Gave van Wicht, Raphaël Sadeler (I), After Maerten de Vos, 1598 - 1604 print In a niche the female personification of the gift of mind, one of the seven gifts of the Holy Spirit. She is wearing a winged crown and in her right hand she has a lightning bolt. A radiant sun around her head. Venice paper engraving 'Intellectus', 'Intelligentia', Understanding ~ one of the seven gifts of the Holy Ghost

Copper engraving by Willem Outgersz Akersloot, created between 1620 and 1630, depicting St. Katharina and mythological figures Ceres and Stellio in detailed compositions.

Nachtegaal and De Koekoek, Noah van der Meer (II), After Jacobus Buys, 1778 - 1785 print A tree is singing in a tree and a cuckoo. The boys in the background cheer for the singing of the cuckoo. The Minnekozend pair in the foreground is moved to tears by the singing of the nightingale. Amsterdam paper etching song-birds: nightingale. other birds: cuckoo. couple of lovers. trees

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Petite fontaine, enfant qui joue sur des masques , Fountains, Children, Alphonse Legros (1837-1911)

Print made by Luigi Schiavonetti, 1765-1810, Italian, Death's Door, 1808, published 1813. Etching on moderately thick, slightly textured, cream wove paper.

Copper engraving and etching by Gilles Rousselet from 1620-1686 depicting a Sibyl, showing the prophetic figure with classical garments and symbolic features.

Prophet Zacharia; Zecharius; Paintings in the Sixtin Chapel. The prophet Zechariah sitting with a book in the hands. Two small figures behind the prophet. One of the prophets of Michelangelo's ceiling painting. Title in undermarge and numbered at the bottom right: 27. The print is part of an album.

Charles X., King of France.

Racknitz, Joseph Friedrich Freiherr von Draftsman: Schuricht, Christian Friedrichstecher: Schmidt, Johann Gottfried

Photo production of a detail of the fresco by Michelangelo in the Sixtine Chapel in Rome, representing the Prophet Jeremiah, c. 1875 - c. 1900 photograph Sixtine Chapel (Vatican) cardboard. photographic support albumen print painting (including book-illumination, miniature-painting) (+ plaster ~ arts). the book of Jeremiah Sixtine Chapel (Vatican)

. Allegory on the new Psalm garming of 1773. Three Allegorical women's figures History, religion and science standing at a gate decorated with the seven province weapons with the names of the members of the Commission to improve the riding pups. The first of two plates, numbered at the top: PL. 1.

Vestigia delle Terme di Tito. Ganimedes. Quadro from wall decoration in room 15. Carlone, Marco (1742-1796), graphic artist, Smuglewicz, Franciszek (1745-1807), draughtsman, cartoonist, Manna, Pietro (17..-18..), publisher

Allegorical representation with history and woman with wings at the head, Anonymous, 1748 print A woman with wings at the head presents the book by Emanuel van Meteren to the sitting history with writing spring in hand. A putto with Bazuin and Lauwerkrans flies above the book. Books are in the foreground. paper etching 'History'; 'History' (Ripa). Book

Copper engraving and etching by Pieter Tanjé depicting the stained glass windows of Sint Janskerk in Gouda, created between 1726 and 1761.

Print, A Boy as Judge; Designed by Hubert-François Gravelot (French, active England, 1699 - 1773); Print Maker: Louis-Simon Lempereur (French, 1728 - 1808); France; etching on paper; 1919-10-38

Germania sacrifices flowers to a statue of Flora, Daniel Nikolaus Chodowiecki, 1790 print Berlin paper etching Literature. personifications of countries, nations, states, districts, etc.. (story of) Flora. sacrifice ~ non-Christian religions. armorial bearing, heraldry

Medallions with portraits of Solon, Publius Valerius Publicola and themitocles. Medallions with portraits of the philosopher Solon, the Roman consul Publius Valerius Publicola, and from the Athenian statesman Themistocles, against stone pedestals at a tree. There are another medallion, a winch and a fascity.

Nicolavs Copernicvs Mikołaj Kopernik unknown

Portrait of Louis XIII, King of France and Navarre. Falck, Jeremias (ca 1609-1677), graphic artist, Egmont, Justus van (1601-1674), publisher

Sitting naked; Paintings in the Sixtin Chapel. Seated naked man, turned to the right, with a cloth over his head and a garland of fucks. One of the 'Ignudi' (naked men) from Michelangelo's ceiling painting. Numbered at the bottom right: 18. The print is part of an album.

Lithography by Eugène Delacroix from 1843 showing Hamlet attempting to kill the king in Act III, Scene III of Shakespeare's play, printed on paper.

Personificatie Van Kalmte (tranquility), Anonymous, After Giovanni Lanfranco, 1645 - 1709 print France (possibly) paper engraving Confidence, Security, Tranquility; 'Confidence', 'Safety and tranquility', 'Sicurtà', 'Safe or Security', 'Tranquility' (Ripa)

Vox. 1501 - 1583. Hornick, Erasmus, -1583. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Saints Peter and Paul over the Vatican, Minardi Tommaso, Italian, 1787 - 1871, Graphite, pen and ink, brush and wash on paper, Saints Peter and Paul standing on clouds over an arch, under which the Vatican with Saint Peters Basilica is shown. Framing pencil line., Italy, 1800-1850, figures, Drawing, Drawing

Isaak and Rebekka spy on Abimelech, Nicolas Chaperon, After Rafael, 1649 print print maker: Franceafter painting by: Vaticaanstadpublisher: Paris paper etching King Abimelech, looking down from his window, sees Isaac and Rebekah making love

Luis Carlos Legrand (Lithographer) (After Ribera, Jusepe de, lo Spagnoletto); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'The Trinity'. 1832 - 1837. Lithographic aquatint, Crayon lithography, Pen lithography, Scraper on ivory paper. Museum: Museo del Prado, Madrid, España.

Pencil drawing by Gilles Demarteau between 1742 and 1776 depicting a woman with two children.

Mother of God, Queen of Heaven; Unknown, Briułow, Aleksander Pawłowicz (1798-1877), F.A. Brockhaus (Amsterdam, Leipzig, Wiesbaden; Publisher; 1808-1953), Henkel, W. E. (St. Petersburg; Publisher; Ca 1860-1870); 1850-1870 (1850-00-00-1870-00-00);

Louis XVI King of France and Navarre Mr.R.savart. Louis XVI King of France and Navarre. Water and chisel.

Apotheosis of Jean Racine, Leroux, After Pierre Prud'Hon, 1820 print Paris paper engraving Historical Persons. 'Genio' (ripe). Melpomene (One of the Muses); 'Melpomene' (ripe). Immortality, Imperishableness; 'immortalità' (ripe)

Justice surrounded by four putti, Charles Louis Simonneau, After Rafaël, 1655 - 1728 print paper engraving / etching Justice, 'Justitia'; 'Divine Giustitia' (Ripa) ~ One of the Four Cardinal Virtues. Cupids: 'Amores', 'Amoretti', 'Putti'

Group portrait of Elisabeth Christina, Empress of Austria and her family, Andreas Nunzer, 1700 - 1749 print Nuremberg paper engraving / etching historical persons - BB - woman. historical person (with NAME) - BB - woman - historical person (with NAME) portrayed in a group, in a group-portrait

Bas-relief with Ceres; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Roman's Bas-relief from Ceres, the goddess of agriculture, with corners in hand. A putto balances on her other hand. In the middle of Vincenzo Giustiniani coat of arms. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Bliżej Kultury Ferdinand Schenk Verlag for Art and Crafts, Vienna, Leu, Hans (1490 1531)

Marriage of Maximilian and Maria of Burgundy; Entry of Ferdinand in Antwerp in 1635 (no. 13), 1639 - 1641 print The central performance with the marriage between Maximilian and Maria of Burgundy in 1477. In the front of the triumphal arch of Philip on the corner of the Hintevetterstraat and the Meir. Marked at the top right: p. 26. With the caption of 2 lines Latin. Page no. 13 In a whole of 43 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper etching / engraving triumphal arch Antwerp

Barbarigo, Giovanni Francesco, Rome, Audenaerd, Robert van, Numismata virorum illustrium ex Barbadica gente, Personification of Repentance, verso - stamped, A console with a man repenting his sins. With it the symbol of the pelican that remains in its nest for three days after the death of its young. The print is part of an album., print, prent, albumblad, prints, height 182 mm, width 181 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, engraving, engraving (printing process), Italian, 1658-04-29 - 1730-01-27, patron

Ethan Allen.. Irving, Washington (1783-1859). Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Allen, Ethan, 1738-1789

Beauty (Bellezza) advised by caution (Prudentia), rejects the temptations of foolishness (Pazzia), Jean-Marie Delattre, after Angelica Kauffmann, 1783 print London paper etching Beauty; 'Beauty' (Ripa). Prudence, 'Prudentia'; 'Prudence' (Ripa) ~ One of the Four Cardinal Virtues. Folly, Foolishness; 'Pazzia', 'nonsense', 'Staltitia' (Ripa)

Etching by Gerard van der Gucht from 1751-1768 depicting a still life of dead fish on a table, showing table setting, fish species, and compositional arrangement.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

The apotheosis of Ariadne, as she is led to the heavens by the hand of Bacchus with thyrsus. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790.

Copper engraving by Raffaello Santi showing a karyatid representing Religion, produced between 1655 and 1703.

Medaillons met Portretten van Tullius Sulpicius Galba en Marcus Salvius Otho, Reinier Vinkeles (1), 1789 - 1809 print Amsterdam paper etching

Etching by Christian von Mechel from 1764 depicting an allegorical scene titled 'Love Threatening' with figures illustrating romantic tension.

Memorial Johan Diederich Deiman, Marten Houtman, 1783.

Copper engraving and etching by Hendrick Goltzius from 1615 depicting Diligence as a personification, showing figures, gestures, and symbolic elements.

Hercules fights with Diomedes, Jean Pesne, After Nicolas Poussin, 1678 print France paper etching / engraving (story of) Hercules (Heracles). Diomedes - aggressive, unfriendly activities and relationships

The three gratients. The three gratients side by side in a walled court. The grace left holding a bird in her hands, the middle, on the back, loves branches in her hand, the grace right with fruits in her robe.

Leaning forward woman with a child, c. 1585 Figures from Michelangelo's ceiling painting. Numbered below: 57. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Figures from Michelangelo's ceiling painting. Numbered below: 57. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Ornament with two standing female figures, Anonymous, 1700 - 1800 drawing paper. deck paint. chalk

Rear view of woman's chignon with curls and feathers called the Qu'es-aco. Chignon en Qu'es-aco. Handcoloured lithograph by de Laubadere from Octave Uzanne's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Coiffures de Style, la Parure Excentrique, Rouveyre, Paris, 1895.

Personification of Civil Eendracht, Robert van Audenaerd, 1673 - 1743 print A console with the personification of civilian Eendracht, displayed as a woman with an olive branch in her right hand curls with a mirtekrans. She has a fish in her other hand. A sign with two coats of arms. On the right the weapon of the Barbarigo family with a dogehoed above it. On the left the papal weapon of Alexander VI. The print is part of an album. paper engraving Agreement, Unity; 'Concordia', 'Concordia insuperabile', 'Concordia militare', 'Concordia di Pace', 'Unione civile' (Ripa). fishes. coat of arms (as symbol of the state, etc.)

Amsterdam, Picart, Bernard, Man behind a lectern calls a clergyman to order, verso - stamped, A man behind a lectern points to a clergyman who is fleeing from him. The image is set in an ornamental frame., print, prints, height 62 mm, width 72 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1720 - 1720, first quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process)

Figures around a statue of Janus, Jacob Ernst Marcus, after Jacob Smies, 1807 print Figures from different historical periods and different cultures and continents dance and move around an image of the Olditalic Deity Janus. On the one hand, this image has a head of an old man and on the other the head of a young man. The company contains a naked dancing man with basins, an Egyptian figure and Eastern figures. Amsterdam paper etching Janus' head, two-faced head. conceptions and ideas visualized ~ Egyptian religion. group dancing

Minerva; 9 Muzes, Juno, Pallas and Venus to F. Primaticcio. Minerva leaning on a bow. In addition to her a harness, arrows, a book and a helmet. Her name in the Greek and a reference in Latin are on the bow.

Photograph of print: Marcantonio Raimondi (c. 1470 or 1482 - 1527 or 1534) according to Raphael (1483-1520), La Justice; sheet from: Notice sur la vie de Marc Antoine Raimondi Graveur Bolonais accompagnée de reproductions photographiques de quelques unes . Blanquart-Évrard, Louis-Désiré (1802-1872), printing house, Delessert, Benjamin (1817-1868), photographer, Goupil & Cie (Paryż ; firma wydawniczo-fotograficzna ; 1850-1884), publisher, Colnaghi, D. & Co. (Londyn ; galeria sztuki ; 1760- ), publisher

Etching by Simon Thomassin depicting Diana and Endymion, created between 1674 and 1733.

Copper engraving by Cornelis Cort, created in 1570, depicting the tomb of Giuliano de' Medici with sculptural and architectural details.

Bas-relief of a man with a bowl, Reinier van Persijn, after Joos de Pape, 1640 print Roman bass relief of a man, on a litter, with a bowl in hand. A ram is led to him. In the middle of the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints to the sculptures in the collection in the Galleria Giustiniani in Rome. Rome paper engraving piece of sculpture, reproduction of a piece of sculpture. sacrifice ~ non-Christian religions

Woman with a lantern speaks with an old man in a bell tower, Willem Linnig (II), 1887 print paper etching / drypoint church bell. lantern. monument, statue

Religieuze Allegory, Gustav Seidel, After Wilhelm von Kaulbach, 1829 - 1901 print Germany paper etching / engraving Allegorical representation ~ Religion; 'Religion' 'religion of SS. Maurice e Lazarus '' Religion True Christian "(Ripa)

Voyage en Italie en 1822, 1833. Jean-Baptiste Isabey (French, 1767-1855). Lithograph;

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. Madeira. Fifty-second number of a suite of 52 pieces. (A. de Vesme 559; Dutuit 117) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Two men meet in the garden for a house, Reinier Vinkeles (I), 1800 print Amsterdam paper etching / engraving meeting. conversation, dialogue; conversation piece

Decorative plate. William Chaffers (English, 1811 - 1892)

Portraits of Izaak Schmidt, Jurriaan Andriessen and Reinier Vinkeles, Reinier Vinkeles (I), after Jurriaan Andriessen, 1765 print Two putti at the empty paintings and the empty sheet of paper, on which, in a later state, the portraits of Izaak Schmidt, Jurriaan Andriessen and Reinier Vinkeles will appear. paper etching / engraving Palette. Cupids: 'Amores', 'Amoretti', 'Putti'

Hotel de Ville de Paris, Gallery des feedes: sananuric media

The Virgin and Child enthroned with Worshippers in Classical Interior. Pen and ink, brush and wash on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.

Image of the kidnapping of Proserpina by Pluto, in the garden of the Palace of Versailles, Comte, After Sellier, After François Girardon, 1876 print paper statues, sculptures in garden. the rape of Proserpina (by Pluto in his chariot); possibly with Diana and Minerva trying to rescue her Castle of Versailles

Napoleon looking at the sea from the rocks of St. Hélène

Ceres and Proserpina; Jam Fastidita Quereu Iam Glande Remota Percipe Frugifere Munera Garta Dee. Ceres, goddess of agriculture, as an embodiment of the abundance of the earth. She has been adorned with a crown of corners and has a sickle in her arm and in her hand. In addition to her, her daughter is Proserpina. Two dragons and agricultural products are shown in the corners of the frame.

Etching by Moritz von Schwind, 1845, depicting a group of Saengerknaben during the inauguration of Freiburg Münster, showing musical boys and cathedral interior.

Medaillons met Portretten Van Sulpicius Galba en Marcus Salviua Otto ..

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