Allegorical Figures and Youthful Themes

A collection of engravings depicting allegorical scenes featuring figures from mythology and classical motifs, showcasing themes of youth, truth, and nature.

Young woman and husband sit on a border near a fountain, Joseph Franck (attributed to), 1835 - 1883 print paper etching / engraving garden fountain. adolescent, young woman, maiden. youth, adolescent

. A young woman (Hebe) With a scythe in hand, in the other they let a plumb line commute. She walks through a garden in which Putti plays with attributes that indicate the time and retaining youth. In the margin a loose text lane with a rule in French.

Allegorical performance with poetry and the Waal; Parnas on the Waal; Title page for: Jan van Hoogstraten, Parnas on the Waal or Gelderse Zangnimph Sweet at Mengelpozy, from Gifted Thassions, 1726. Poetry stands with a winch and a basket with flowers next to a river god as a personification of the Waal. Putti laurels the god. Two putti flowers picked up in the foreground.

Allegorical figures around a sphinx, Jan Wandelaar, 1721 print Crowd allegorical figures around a sphinx on a pedestal. Left history and a writing female personification crowned with a tower. Father Time unfolds a paper, in the air the fame. On the right the truth: a naked woman with a book and the sun on her head. Behind her Minerva, who pushes a diabolical figure into the earth with her lance. North Netherlands paper etching / engraving Fame; 'Fama', 'Fama Buona', 'Fama Chiara' (rippa). Father Time, Man with wings and scythe. Truth; 'Veritã ' (ripe). (Story of) Minerva (Pallas, Athena). 'History'; 'History' (ripe). Sphinx (Lions/Woman); 'Sfinge' (ripe)

Allegorical representation with truth, Bernard Picart (Possibly), After Bernard Picart, 1713 print The personification of truth, a woman with a flaming sword in her hand, holds a mirror with a number of players with masks in hand. In the air two putti with a banderol on which the portrait of Horace. In the margin a two -way caption in Latin. Amsterdam paper etching Truth; 'Verití' (Ripa). mask. reflection (in a mirror)

Les deux confidantes. Dated: 1761. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: Jean Ouvrier after François Boucher.

Allegorical performance on the occasion of the silver marriage of Willem Philip Kops and Johanna de Vos. Allegorical show produced on the occasion of the silver marriage of Willem Philip Kops and Johanna de Vos, on September 22, 1745. The love couple is surrounded by allegorical figures, for a temple. Two women handle the coats of arms with the initials of the realizers. God's fruit stands with her hands folded in prayer. Steadfastness holds its column, which is marked: XXV. Left in the foreground A river god with putti and on the right a putto with the attributes of Mercury at a spinning wheel. Flying in the air, she blows on the trumpet.

L'ete. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Joseph de Longueil after Charles Eisen.

Le roi d'Ethiopie. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Geraud Vidal after Charles Monnet.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Diana preparing for the Hunt, Apollo and a Woman watch, The Woman has a Snake around her arm which is Drinking from a Cup she Holds. Engraving.

Young woman and husband sit on a border near a fountain, Joseph Franck (attributed to), 1835 - 1883 print paper etching / engraving garden fountain. adolescent, young woman, maiden. youth, adolescent

Telemachus and Mentor arrive on the island of Calypso. Les Ecueils de la Volupté sont plus à craindre que le Naufrage (title on object). island of Calypso received by three nymphs. Their half sunken boat can be seen in the background. Print on the top right: Page 1, (story of) Telemachus, shipwreck, nymphs (in general), 'Ninfe in commune' (Ripa), Simon Fokke (mentioned on object), Amsterdam, 1775, paper, etching, h 147 mm × w 92 mm

Doornroosje, Simon Fokke, After G. Edelinck, 1754 - 1784 print Doornroosje is, surrounded by three women, to sleep in her bed. In the doorway is the prince who wakes her up kissing. This print is made by the story of Doornroosje from "Vertellingen by Mother de Gans - Contes du Tems Passé de Ma Mere lOye" by Charles Perrault. Amsterdam paper etching sleeping; unconsciousness. tales and fairy tales: Sleeping Beauty

Telemachus, standing in front of Mentor in a garden or park, tells Mentor, seated in front of a statue to his left, about his love for Antiope. The scene is framed by an ornamental frame with olive branches and a bow at the bottom. Numbered top right: No. III. Telemachus tells Mentor of his love for Antiope, print maker: Jean-Baptiste Tilliard, (mentioned on object), intermediary draughtsman: Charles Monnet, (mentioned on object), publisher: Pierre Didot, print maker: France, intermediary draughtsman: France, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, 1785, paper, etching, engraving, h 316 mm × w 242 mm

Idomeneus, seated at a table, reads a letter. Next to him stands Timocrates who convinces him of Philokles' treachery. The scene is framed by an ornamental frame with olive branches and a bow at the bottom. Numbered top right: No. I. Timocrates convinces Idomeneus of Philokles' treachery, print maker: Jean-Baptiste Tilliard, (mentioned on object), intermediary draughtsman: Charles Monnet, (mentioned on object), publisher: Pierre Didot, print maker: France, intermediary draughtsman: France, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, 1785, paper, etching, engraving, h 314 mm × w 239 mm

Allegorie op het schrijven van geschiedenis; Titelpagina voor: Jan Wagenaar, Vaderlandsche historie, 1749.History, Patriotic history signs in her book. She is talking to an allegorical figure, with wings on her head. In addition to her, in armor, and freedom with her lance in arms. Behind them soldiers. In the foreground a lion surrounded by three putti and various religious attributes. In the air, Father shifts a drapery aside time.

Loving soldier; L'amoureu huerrier / der libe solid. For a rocaille ornament in a landscape is a soldier with a glass in his hand. He looks in love with his loved one who lies on his lap. Links are two soldiers. Right above K numbered.

Aeneas flees with his family from Troje, Pieter Tanjé, after Gerard de Lairesse, after Nicolaas Verkolje, 1737 print Aeneas flees the burning Troy with his old father Anchises on his back. His crying son walks next to him. On the left the wife of Aeneas with her hands in front of her face. Presentation above the door of the council chamber of the Court of Justice of Holland, Zeeland and West-Friesland on the Binnenhof in The Hague. Amsterdam paper etching / engraving 'Pius Aeneas': Aeneas, leading Ascanius, escapes from burning Troy, carrying his father Anchises with the Penates; his wife Creusa, who sets out with them, is lost on the way. closed door

Allegorical female figure paints in the clouds a panel, Jan Luyken, 1683 print An allegorical female figure paints in the clouds a panel that is held by an angel. Below two angels guard the Ark of the Covenant. paper etching painting (including book-illumination, miniature-painting). angels. Ark of the Covenant ~ Jewish religion

Reproduction of a painting: Aleksander Lesser (1814-1884), Szarka i Stirad Szarka and Stirad; from: `Kłosy` 1881, no. 850, t. 23, p. 233. Gorazdowski, Edward (1843-1901), engraver, Lesser, Aleksander (1814-1884), painter

Amsterdam, Picart, Bernard, Allegory of transience, verso lower left - stamped, A young woman (Hebe) with a scythe in her hand, in the other she lets a plumb line swing. She walks through a garden in which putti play with attributes that indicate the passing of time and the preservation of youthfulness., print, prent, prints, prenten, height 128 mm, width 86 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, prentmaker, 1714 - 1714, first quarter 18th century, paper, papier, etching, etchings, engraving, graveren (drukprocedé), intermediary draughtsman

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Ticket for the Benefit of Mr. Giardini, 1778. Line engraving.

Fokke, Simon, Amsterdam, Minerva shows a painting of the Holy Family, verso - stamped, Minerva shows a man and child a painting of the Holy Family. The child holds the book that the man has in his hands. The man is lauded by a putto with a palm branch., print, prints, height 130 mm, width 79 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1741 - 1741, paper, papier, etching, etsen, Work conception, after own design by

Wisdom of Louis XVI

Wszyscy Święci w MNK Rentz, Michael Heinrich (1698 1758), Montalegre, Joseph de (fl. 1696 1729)

Mercury orders Calypso to let Odysseus leave, Anonymous, After Gerard de Lairesse, 1670 print Mercury has appeared in a cloud and orders Calypso to make Odysseus leave. Amor poses with the helmet and the sword of Odysseus on the right in the foreground. paper etching Mercury orders Calypso to release Ulysses (Homer, Odyssey V)

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Alcander and Nerina, 1784. Line engraving.

Memorial of the mild dispositions by the death / der Hoog Ed. Well -born Lady of Renswoude etc.

The arrival of Bacchus, Abraham Jacobsz. Hulk, 1766 - 1817

Allegorical scene with medallions and De Tijd, Charles Nicolas Cochin (I), After Charles -Antoine Coypel, 1704 - 1754 print France paper etching / engraving Father Time, man with wings and scythe. ornament ~ medallion. writing-table, writing-desk

Allegorical show with tomb, Simon Fokke, 1722 - 1784 print Allegorical representation with different personifications around a tomb. A skeleton tries to touch the man lying on the tomb with a spear. Devil's figures fly in the air. A putto is crying at the foot of the tomb. Amsterdam paper etching / engraving grave, tomb. Death as skeleton. devils in the form of (fabulous) animals

Truth shows a writer the birth of Venus, Gilliam van der Gouwen, after Gerard de Lairesse, 1688 print The personification of truth shows an oval medallion to a woman who writes in a book. In the medallion a representation of the birth of Venus. Behind them a piercing stable with the title of the book. On the pedestal the bust of Diana van Ephese. In the background, Diana drives through the air on her triumphal wagon. Amsterdam paper engraving / etching Truth; 'Verití' (Ripa). birth of Venus; Venus Anadyomene: after Uranus' castration Venus rises from the sea wringing the water from her hair; usually she is awaited by the Hours. (story of) Jupiter (Zeus). (story of) Diana (Artemis). 'Natura' (allegorical figure or scene; or as Diana of Ephesus, with many breasts); 'Natura' (Ripa)

A drawing by Reinier Vinkeles depicting an allegory of Faith with allegorical figures illustrating Bible scenes, executed in gray pen and brushes over black chalk.

Vignet with a woman with an unknown arm. A pedestal is a covered woman with an unknown family crest. A putto crown the weapon with a laurel wreath while a second putto comes up with a fasces.

Martyrdom of Erasmus, Pietro Testa, c. 1630 - c. 1631 print The holy Erasmus lying lying while Beulen pull the intestines out of his body with a Windas. In the background a watching crowd and two putti in the air with a wreath and a palm branch. Title in the end margin. Italy paper etching St. Erasmus lies naked on a block; his bowels are wound on to a windlass. angels crowning and/or bringing palm-branches

The Finding of Moses. Dated: c. 1745. Dimensions: sheet (trimmed to plate mark): 51.5 x 33.7 cm (20 1/4 x 13 1/4 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Joseph Wagner (publisher) after Jacopo Amigoni.

Three gratients. The three gratients accompanied by five putti, one with a floral basket and two with floral wreaths.

Poetry and Apollo on the Parnassus, Jan Wandelaar, 1702 - 1759 print Poetry writes on a tablet, Apollo is behind her, a winch and statue in his hands. Pegasus, symbol of poetic genius, runs behind them. The Castalia river flows at their feet, Amor is sitting on a rock along the bank. Various musician muses in the background. North Netherlands paper etching / engraving Parnassus, sacred to Apollo Musagetes. (story of) Apollo (Phoebus). symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa). Pegasus, the winged horse. (story of) Cupid, Amor (Eros)

Water, Louis Desplaces, after Nicolas Lancret, c. 1732 print Company on the banks of a river. A man holds a landing net in his hand. On the left a sitting woman with rod. paper etching / engraving fishing (sports). fishing net. water (one of the four elements)

David plays on his harp and dances for the Ark of the Covenant, Jakob Frey (I), After Domenichino, 1718 - 1719 print With caption in Latin. Rome paper engraving the ark is placed on a cart driven by the sons of Abinadab; David and the people dance and make music before the ark

Dordrecht, Houbraken, Arnold, Amsterdam, Quantum agnovisse paenitet, Erichthonius found by the three daughters of Cecrops, verso lower left - stamped, Erichthonius, born from the spilled seed of Vulcan on Mother Earth and locked up in a basket by Minerva, is found by the three daughters of Cecrops, the king of Attica. The child has a snake's tail instead of legs, which gives the three daughters a great fright. Below the representation a line in Latin., print, prints, height 367 mm, width 276 mm, 1660-03-28 - 1719-10-14, print maker, printmaker, 1670 - 1719, paper, papier, etching, etsen, Work conception, after own design of, Publication (Event), Publication, publisher, uitgever, Publicatie

Rebacca receives gifts from Eliezer, Pierre Imbert Drevet, After Antoine Coypel, 1707 - 1739 print paper engraving / etching Rebekah receives ear-rings and golden bracelets from Eliezer

Laocoön, Louis Marie Yves Queverdo, after Bourdon, 1798 - 1898 print paper etching / engraving Laocoon and his twin sons are strangled by two serpents during the preparations for a sacrifice

Allegory on the VOC; Title page for: J. de Marre, Batavia, 1740. Allegory in the United East India Company. Batavia holds a flag with the monogram of the VOC. Next to her lies the Dutch lion. African and Eastern men bow to her and offer her gifts with royal privileges. Links is Mercury, God of trade, freedom and a third allegorical figure. On the right, an angel looks at a precious fabric. In the background a view of the city of Batavia, the center of the possessions of the Dutch. The print illustrates the pride of the Dutch on their colonial areas.

Lot drunked through his daughters. Lot is between his two daughters for a cave. The left daughter is embraced by him. She holds a drinking bowl that is filled with wine by the other daughter. On the right in the distance burns sodom. The show is a four-line, Latin text in which the event shown is disapproving.

The Wonderful Spijning, 1595 print Oval representation of Christ, standing in the open air near a tree, amid a large group of people. At his feet a basket with loaves. On the left in the foreground two women with striking hairstyle and headgear. To the show a Latin edge. print maker: Netherlandspublisher: Amsterdam paper engraving multiplication of loaves and fishes for a multitude of four or five thousand people (Matthew 14:13-21, 15:32-39; Mark 6:32-44, 8:1-10; Luke 9:10-17; John 6:1-14)

Print made by Amedeo Gabrielli, 1749-1817, Griselda Returning to her Father, after 1785. Etching and stipple engraving on moderately thick, slightly textured, cream laid paper.

Antoine Louis Romanet after Sigmund Freudenberger, Le lever, 1774 Le lever

Woman on a throne, hugged by a man, Johann Wilhelm Baumann, after Henri Decaisne, 1834 - 1878 print print maker: Germanypublisher: Amsterdam paper steel engraving throne. (lovers) embracing each other, 'symplegma'. book

Ticket for the Benefit of Mr. Giardini, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Giovanni Battista Cipriani RA, 1727-1785, Italian, active in Britain (1755-85), 1770, Etching and line engraving on medium, slightly textured, cream laid paper, Sheet: 7 7/8 x 6 5/8 inches (20 x 16.8 cm) and Image: 5 x 5 1/4 inches (12.7 x 13.3 cm)

Europe, Etching on paper, mounted, A crowned woman sits on a chair with lion head and foot, with a cornucopia beside her. A man at left presents to her a model of a building. Another is at right, with a horse. In landscape. Symbols of authority, attributes of war, the sciences, and the arts in the foreground and in the ornamented border. Bottom center: 'EVROPA'., France, 1740-1770, Print, Print

Rebekka in Eliëzer Bij de Put, Bernard Picart (Possible), After Eustache Lesueur, 1683 - 1733 print Rebekka meets Eliezer, the servant of Abraham, at the well. His camels on the right in the background. In the foreground, a man pours water from a jug in a drinking bowl for the sheep. France paper etching Rebekah offers Eliezer a drink from her pitcher

Memorial for Johan Diederich Deiman, Two allegorical figures at a burial monument. Godliness is personified by an angel with a flame on his head, who points to a beam of light. The friendship is depicted by a weeping woman with a skull under her foot and a laurel wreath and some books on the floor next to her. She shows the silhouette portrait of J.D. Deiman, other memorial structures, Johan Diederich Deiman, Marten Houtman, Amsterdam, 1783, paper, pencil, engraving, h 228 mm × w 158 mm

Tastzin, Willem van de Passe, After Crispijn van de Passe (I), 1607 - 1637 print Depart with the personification of the sense of touch that a man embraces. In her chair is Amor who is bitten by a parrot. In the foreground a turtle. In the margin a four -line caption, in two columns, in Latin. unknown paper engraving taste, tasting (one of the five senses). fettered Cupid, 'Amor Cruciatus'

Woman sleeping with a ton of wine glass in her hand, Jean Daullé, After Le Nain, 1758 print Paris paper engraving / etching sleeping in chair. bottle of wine. drunkenness

Mercury orders Aeneas to leave, Mattheus Terwest, 1700 - 1704 drawing paper. ink. pencil pen / brush Mercury summons Aeneas, engaged in building activities, to leave Carthage. Mercury summons Aeneas, engaged in building activities, to leave Carthage

The Cottagers, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Sir Joshua Reynolds RA, 1723-1792, British, 1794, Stipple engraving, Plate: 20 3/4 x 16in. (52.7 x 40.6cm)

Indication; L'Optique; Le Cabinet des Beaux Arts, Ou Recueil Des Plus Belles Estampes, Gravées D'Aprés Les Tableaux Originaux (...). Ceiling piece with the Personification of Hen Zorpenkunde. She looks through a star viewer to heaven. In addition to her a putto that also looks through a star verger or telescope. Links two putti that study small objects. In the background the Observatory of Versailles. Print is part of an album.

Untitled Allegorical Portrait of Thomas Jefferson. Artist: Henry Dean, American, 1788-1849

Landscape with a muse (Terpsichore) playing a triangle, Landscape with a musician muse, print maker: Bernard Picart, after: Eustache Lesueur, Paris, 1683 - 1733, paper, etching, engraving, h 335 mm × w 216 mm

Dancing and music -playing figures, Pierre François Basan, 1733 - 1797 print Paris paper etching / engraving group dancing. musician at work - CC - out of doors. armorial bearing, heraldry

Love Chicken, Johann Nath. .

Man who stumbles a woman, Jean Jacques Avril (I), After Peter Paul Rubens, 1781 print Paris paper etching / engraving stumbling - AA - female human figure. sheep. armorial bearing, heraldry

. A woman with a basket on the head, dressed in an antique robe, overlooks a river. In the background a mountainous landscape.

Asia, Etching on paper, mounted, A woman holding a censer points to an incense burner at left. A man with a long-stemmed pipe offers her a cup of something. At right, a man with a crescent on his turban carries ticks in his arms. At left, in the background, are a camel and a truncated pyramid. Ornamented border of rocaille and plants. Bottom center: 'ASIA'., France, 1740-1770, Print, Print

Industria assisted by knowledge, truth and time, Pieter Tanjé, After Louis Fabritius Dubourg, 1716 - 1761 print Industria, with wings on the head, is assisted by knowledge, with a book under her arm, truth, with the sun on her head, and father time. In the background, Cybele has her horn of abundance and is a beehive, as a sign of the diligence. The ships on the water indicate the trade and maritime shipping, which promote industry. In the foreground putti in the middle of animals, coral and fossils. Putti on the clouds bring a laurel wreath and an eternity symbol for industria. Amsterdam paper etching / engraving Truth; 'Verità' (Ripa) (+ personification). Knowledge; 'Cognitione', 'Cognitione delle cose' (Ripa). Father Time, man with wings and scythe. Industriousness, Assiduity; 'Assiduità', 'Industria', 'Zelo' (Ripa) (+ personification). serpent Ouroboros. (story of) Cybele, Rhea Cybele, Great Mother of the Gods (Berecynt(h)ia). animals

Mercurius ordered Calypso to let Odysseus leave, Gerard Valck, after Gerard de Lairesse, 1694 - 1715 print Mercury ordered Calypso to make Odysseus leave. On the right Amor with the armor of Odysseus. Amsterdam paper engraving Mercury orders Calypso to release Ulysses (Homer, Odyssey V)

Mother with child on the chest while picking pomegranates for her children, Jean Daullé, After Francesco Albani, 1763 print France paper etching / engraving Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. feeding a baby. fruits: pomegranate

The fig. ": Rubens and his wife, to the Rubens painting..

Gabriel Jacques de Saint Aubin, La mort de Germanicus La mort de Germanicus

Minerva en Apollo met zijn Muzen.Minerva sits on a cloud and points her hand towards Apollo who plays the winch in the midst of his muses. Above Minerva a trumple blowing putto flies with the symbol of eternity, a snake that bites its own tail. Three putti fell over a book in the foreground.

John Hall, 1739-1797, British, Timon of Athens, 1803. Engraving.

Vertumnus and Pomona; Mythological performances in landscapes. Vertumnus bends in the form of an old woman about Pomona. She is under a tree and supports her arm on a basket with fruits. In her hand she holds a pruning knife. In the garden in which they are, pots are with orange trees. There is a peacock on a wall. A vineyard with ripe fruits winds in a tree in the foreground. Putti watch. Under the image an explanatory text in French. Scene from Ovid 'Metamorphoses (with. XIV, 623-697 and 765-771).

The Virgin and Child with Distaff and an Angel, c. 1611-13. Jacques Bellange (French, c.1575-1616). Etching and engraving; platemark: 25.1 x 18.7 cm (9 7/8 x 7 3/8 in.); sheet: 26.1 x 19.3 cm (10 1/4 x 7 5/8 in.). Bellange produced only 48 etchings between 1611 and 1616, yet his brilliant artistic imagination and technical mastery place him among the greatest European printmakers of the 17th century. Although based on traditional Christian imagery, Bellanges etchings are filled with an unusual psychological drama and a penetrating spirituality. Elongated, sensual figures engage in provocative scenes that might seem extreme or even bizarre but are characteristic of Mannerism, an international artistic style at the time. Here, the Virgin Mary spins thread while the Christ child sleeps. The basket of wool and the distaff holding the wool as it is spun both relate to the legend that describes the Virgins upbringing at the Temple of Jerusalem, where she spun wool and wove vestments for t

Drie soldiers, Salvator Rosa, c. 1656 - c. 1657 print A sitting soldier with raised hand. Two other soldiers left. Italy paper etching / drypoint the soldier; the soldier's life. armour

Grave monument with angel; Grave monuments for artists. Tomb monument in pyramid shape with artist portrait. An angel writes the data from the artist at the monument. Bottom right is a devoting torch.

Engel protects child against vain woman, Boëtius Adamsz. Bolswert, 1624 print paper engraving

Print made by John Smith, 1652-1743, British, Children Fighting over a Bird, c. 1703. Mezzotint on moderately thick, moderately textured, blued white, laid paper.

Apollo and the Invention of Music, Gerard de Lairesse, 1675 print With a burning torch, Apollo stands next to a muse dressed in a rug decorated with musical notes. Her arm supports a column on which a viola lies, the relief of the column shows music playing muses. On the left in the background are cyclopen with hammers around an anvil, on the right is a figure to make music. Amsterdam paper (story of) Apollo (Phoebus). (story of the) Muses; 'Muse' (Ripa). the Cyclopes forging

Putti decorate a sculpture; Playing putti. On the left, some putti decorate a sculpture on a base with garlands. At the front, a putto offers two putti on the ground growing roses. Street right two more putti. One of them has a basket on his head. Bottom left: 104.

Personifications of the Austrian Netherlands and France, Jan Wandelaar, 1761 print In the middle is the personification of the Austrian Netherlands with a wall crown and a freedom staff with a hat. She holds an open book with the shortened title. At her feet is a lion with a bundle of arrows. Left behind her, a woman plays a winch and writes another woman in a book. On the other side of the open book, the personification of France is with a crown, a scepter and a rooster at her feet. Behind them, Mercury flies with his Caduceus, an envelope and a key. paper engraving / etching personifications of countries, nations, states, districts, etc.. title-page

Dürer, Albrecht, unknown, Sadeler, Aegidius, Virgin and Child in a Landscape, verso lower left - stamped, Virgin and Child on her lap. In the background a mountain landscape with an angel announcing the birth of Christ to a group of shepherds. In the foreground all kinds of animals., print, prent, prints, engravings, height 343 mm, width 244 mm, South Netherlands, 1570 - 1629, print maker, printmaker, 1580 - 1629, paper, papier, engraving, engraving (printing process), Work conception, German, 1471-05-24 - 1528-04-05

Allegory on the trade at sea, Elias van Nijmegen, 1677 - 1755 drawing Design for a painting. paper. ink. watercolor (paint). pencil brush / pen Trade, Commerce and Finance. 'Navigation' (Ripa)

Maria and Child with flying putti with cross, Laurent de la Hire, 1639 print print maker: Francepublisher: Paris paper etching / engraving Madonna: i.e. Mary with the Christ-child. cupids: 'amores', 'amoretti', 'putti'. the cross ~ symbols of Christ

. In a landscape there is a kneeled woman with a perfume vase in her hands.

The Monument to Costume La Rencontre au Bois de Boulogne (title on object) The meeting at the Bois de Boulogne The Monument to Costume. Second suite d'estampes, pour servir à l'histoire des Modes et du Costume en France, Dans le dix-huitième siècle (series title), Céphise, a lady of status, and her marquise girlfriend make a trip on horseback through the Bois de Boulogne. Céphine rides in an amazon seat, dressed in amazon costume. The long hair has not been put up now, but falls under the hat with feathers on the back in a long braid. The marquise stands for the horse, a whip in the right hand. No. 11 (23) from the Seconde suite d'estampes series, in which the life of Céphise, a young lady 'du bon ton' and the French fashion of her time is portrayed, riding a horse, ass, or mule, rider, horseman, lovers' meeting, meeting, clothes, costume (women's clothes), horseman (riding side-saddle), whip, dress, gown (women's clothes), skirt (women's clothes), belt, girdle, waistband (women's clot

Moses beats water from the rock, draughtsman: anonymous, 1600 - 1699, paper, pen, brush, h 190 mm × w 290 mm

. Landscape with a Roman engineer in the foreground that shows a road map to a magistrate. Left in the foreground the Tiber, resting with Romulus, Remus and the Wolvin along the side of the river. In the background men who level a way. With an empty margin.

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Portret van Joseph Werner, Franz Ertinger, after Joseph Werner (II), 1662 - 1710 print Portrait Ten Halven van de Painter Joseph Werner (1637 - 1710), pointing to an allegorical painting on which three putti and a lion are depicted. Two lines of Latin under the performance. print maker: Paris (possibly)print maker: Paris (possibly)after painting by: Rome paper engraving Love conquers all 'love the complainant love triumphant

Allegory on the anniversary of Dutch Freedom, 1748, Simon Fokke, 1748 print Allegory on the 100-year anniversary of Dutch freedom, 1648-1748. The personification of Dutch freedom, depicted with hat on Stok, the Dutch Lion and banner of Prince William IV, receives the personification of the century that has descended from the clouds. Above the throne are bustes of the stadholders, at the feet of freedom lies the enemy defeated during the uprising: the Catholic Church. Amsterdam paper etching / engraving symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). Freedom, Liberty; 'Libertà' (Ripa)

Mentor lifts Telemachus onto the island where they are received by a nymph. The scene is framed by an ornamental frame with olive branches and a bow at the bottom. Numbered top right: No. I. Telemachus and Mentor arrive on the island of Calypso, print maker: Jean-Baptiste Tilliard, (mentioned on object), intermediary draughtsman: Charles Monnet, (mentioned on object), publisher: Pierre Didot, print maker: France, intermediary draughtsman: France, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, 1785, paper, etching, engraving, h 315 mm × w 250 mm

Philipp V., King of Spain.

Ticket to Westminster Abbey, Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Robert Smirke, 1752-1845, British, before 1791, Etching and line engraving on thick, moderately textured, cream (discolored to beige at edges) laid paper, Sheet: 8 3/4 x 7 3/8 inches (22.3 x 18.7 cm) and Image: 6 15/16 x 5 3/4 inches (17.6 x 14.6 cm), bench, children, Christianity, clouds, costume, embracing, lion, man, music, musician, organ (aerophone), portrait, religious and mythological subject, spinet, unicorn, wings, women, City of Westminster, England, Greater London, London, United Kingdom, Westminster Abbey

View of a dyke with a woman looking at a drawing trolley. .

Portrait of Albrecht III, Duke of Saxony.Top Left: Stav:. At the Top Right: p. 161.

Portrait of Albrecht III, Duke of Saxony, Anonymous, 1600 - 1699 print At the top left: Stav:. Top right: p. 161. paper engraving / etching / letterpress printing

Daughter of Pharaoh finds Moses in the rush basket, Paul van Somer (II), 1659 - 1694, draughtsman: Paul van Somer (II), 1659 - 1694, paper, h 327 mm × w 458 mm

Feeling, 1652 - 1711 print A lady in Négligé, sitting on a sofa under a canopy is embraced by a child. paper etching / engraving feeling (one of the five senses). couch, sofa, settee. mother playing with baby (fondling, dandling, crooning)

Melager gives the head of Caledonian Zwijn to Atalanta, Bernard Picart, After Charles Le Brun, 1683 - 1710 print Melager offers Atalanta the head of the wild boar. She had injured the beast with a first arrow and Meleager had inflicted the beast the death blow. Under the performance an explanatory text in French and English. Paris paper etching / engraving Meleager gives the head of the boar to Atalanta

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