Allegorical Figures and Youthful Themes

A collection of engravings depicting allegorical scenes featuring figures from mythology and classical motifs, showcasing themes of youth, truth, and nature.

Young woman and husband sit on a border near a fountain, Joseph Franck (attributed to), 1835 - 1883 print paper etching / engraving garden fountain. adolescent, young woman, maiden. youth, adolescent

Buys, Jacobus, Noordelijke Nederlanden, Vinkeles, Reinier (I), Title page for: Bernardus Bosch, De Eigenbaat, 1785, Northern Netherlands, verso - stamped, Title page for a patriotic verse entitled: De Eigenbaat, 1785. Allegorical representation of a forest in which the personification of Eigenbaat, accompanied by a wolf, takes the Truth by the hand., print, prent, title page, prints, Frederik Muller Historical plates, height 156 mm, width 102 mm, 1741-06-19 - 1816-01-30, print maker, printmaker, 1785 - 1785, paper, papier, etching, etchings, engraving, engraving (printing process), 1724-11-19 - 1801-04-07, intermediary draughtsman

A black ink drawing with white highlights by Sigmund Ferdinand von Perger depicting ten subjects from the Bellerofon table from the 6th song of Homer's Iliad, showing figures and mythological scenes around 1809.

Gray and gray-brown wash drawing with white highlights by Jacob Xavery depicting three women at the tomb of a Roman emperor, on greenish-gray paper from 1763.

Cleopatra. Design for a painting.

Leiden, Linden, Johannes van der (publisher), Wandelaar, Jan, Title page for: Edward Simson, Chronicon historiam catholicam complectens, 1729, Allegorical title page with the portrait of writer Edward Simson, sheet of inset - stamped, Minerva sits next to History and looks over her shoulder at the book in which she is writing. History looks up at three allegorical female figures (Truth, Poetry and a third figure). Behind them Father Time, Fame and a two-headed figure who chisels an inscription into a pyramid. In the air fly four putti, with symbols of eternity in their hands, carrying the portrait of writer Edward Simson., print, engraving, title page, prints, engravings, verso - stamped, JA Frederiks Architect Middelburg, height 366 mm, width 237 mm, Noord-Nederlands, 1690-04-14 - 1759-03-26, print maker, printmaker, 1729 - 1729, paper, papier, graferen (drukprocessé), etching, Work conception, after own design of, Publication (Event), Publication, publisher

Acte I, Europe, Print, Print

A love couple is hiding near a rock. In the background on the left, a group of soldiers on horseback are looking for them. Illustration of a scene from 'The Rock of Lovers', Love couple by a rock - but they could not be separated , print maker: Ludwig Gottlieb Portman, (mentioned on object), intermediary draughtsman: Louis Moritz, (mentioned on object), Amsterdam, 1803, paper, etching, h 99 mm × w 148 mm

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Allegory of the Victory of June 1st, 1794. Engraving.

Telemachus at Calypsos. Szumacher, I. (Petersburg ; zakład graficzny ; ca 1860-1870), printing house, Pokorny, Józef (fl. 1865-1872), graphic artist, Brosz, K. (Petersburg ; fl. ca 1860-1870), draughtsman, cartoonist

Mr. Garrick in the Character of Richard the 3d. 1746. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Cleopatra. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 253 mm × w 180 mm. Museum: Rijksmuseum, Amsterdam.

Judah and Tamar, draughtsman: Rembrandt van Rijn, (school of), Amsterdam, c. 1640 - c. 1650, paper, pen, brush, h 220 mm × w 184 mm (arched top)

Ticket to Concert of Ancient Vocal and Instrumental Music, Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Nathaniel Dance RA, 1735-1811, British, 1786, Line engraving with etching on medium, moderately textured, cream laid paper, Sheet: 7 3/8 x 9 1/8 inches (18.7 x 23.2 cm), Plate: 5 3/4 x 7 3/8 inches (14.6 x 18.7 cm), and Image: 4 3/4 x 5 3/4 inches (12.1 x 14.6 cm), books, bow (chordophone component), cello, concert, dresses, flutes, frame (furnishing), garlands, genre subject, harp, hills, horns, monument, music, trees, violins, women, Devon, England, Exeter, United Kingdom

Child with binoculars in garden sees Latitude judgment; Pia Desideria ..

Youth, from The Four Ages of Man 1622-1676 France. Abraham Bosseís moralizing series, The Four Ages of Man, encompasses the cycle of life Childhood, Youth, Maturity, and Old Age. In the present etching, two springtime lovers enjoy an intimate garden tÍte--tÍte before fall and winter inevitably descend. As the decorative framework around the scene demonstrates, Cupidís arrows have already pierced their hearts.. Etching on paper . Abraham Bosse

Jean Lepautre, Amphion, published 1676 Amphion

A drawing by Maria Anna Angelika Catharina Kauffmann depicting the allegory of summer with two women holding grain colors and a third carrying a jug and bundle, executed in gray and brown brush, feather, lavated with white, over traces of black chalk before 1781.

The Madonna del Carmelo Appearing to Saint Simon Stock. Dated: 1759. Dimensions: plate: 61.3 x 39.8 cm (24 1/8 x 15 11/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Giovanni Domenico Tiepolo after Giovanni Battista Tiepolo.

Europe; The four continents. The female Personification of the continent Europe is on a globe. In her hands a scepter and a vine. On her head she wears a crown as a queen of the world. In the background animals such as cows, sheep, horses and bears. Right rear a battle. The print has a Latin caption and is part of a four-part series with personnifications of the four continents.

ESTHER Esther ": Illustration for" works "of root - Volume 5. Estampe of Hubert Gravelot (1699-1773), before 1768. Museum of Fine Arts of the city of Paris, small palace.

Title print with the genius of drawing; The principles of drawing; I Principii del Disegno. Ticket genius already signy in a landscape with ruins and the arch of Constantine. On the left a wall with the title of the series: 'I Principii del Disegno'.

Design for a socket: The blindfolded Amaryllis grabs Myrtillo. Design for a painting.

Le mercure de France. Dated: 1784. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: Heinrich Guttenberg after Nicolas Lavreince.

Napoleon is thinking on a chair while fame points him to Pluto and damned, Teodoro Matteini, 1808 print Under the performance a verse in Italian. Print is part of an album. paper etching ruler, sovereign. Fama as Roman personification. (story of) Pluto (Hades), Dis Pater, Orcus

Amsterdam, Goeree, David, Willem (II), Luyken, Jan, Abraham builds an altar, verso - stamped, Abraham builds an altar for God at the holy oak tree of Moreh (Gen. 12:7)., print, picture, book illustration, prints, pictures, diameter 45 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1700 - 1700, paper, papier, etching, etchings, Publication (Event), Publication, publisher

Daniel Nikolaus Chodowiecki, Childhood, 1793 Childhood

Design for a painting, Clymene tells her son Phaton about his father Apollo., draughtsman: Elias van Nijmegen, 1677 - 1755, paper, pen, brush, h 297 mm × w 204 mm

Tossing Moses according to the image of Christian Köhler. A clip from a German magazine Specht, Carl Gottlob (1846 ), Köhler, Christian (1809 1861)

Bacchanal with Nymph and two putti. Bacchanaal with Nymph embraces by putto and putto that eats grapes, lying on leopard sheet, the Nymph holds a tambourine.

Meeting of Odysseus and Penelope, Francesco Bartolozzi, after John Francis Rigaud, 1788 print Odysseus and Penelope hug each other. Minerva is in the background. London paper etching meeting of Ulysses and Penelope, who fails to recognize him

Telemachus is Consoled by Termosiris, Priest of Apollo, from The Adventures of Telemachus, Book 2 1808 Italy. These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de TÈlÈmaque) by FranÁois FÈnelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homerís Odyssey, the first four books of which describe the heroís search for his father. FÈnelon invented further adventures for Telemachus, in which he undergoes many trials while accompanied by his tutor, Mentor, who is actually the goddess Minerva (the embodiment of wisdom) in human disguise. A scathing critique of autocratic government and a diatribe against war, the book denounces luxury and decadence and calls for the simplicity and equality FÈnelon believed ancient Greece best exemplified.Pinelli illustrated scenes from books 1ñ8 and one scene from book 18, and probably planned to illustrate more from the 24 books

Girl; Pvella; The four ages of a woman. A girl plays with her dolls and pets. For her is a dog on his hind legs, a cat sneaks around her skirts. Two children play with a ball outside in the garden. Print from a series of four prints with the life phases of the woman.

Three women praying to Venus (Aphrodite). Engraving by J.D. Dugourc, 1772, after C. Netscher.

In love shepherds under a tree, Abraham Blotling, After Govert Flinck, 1655 - 1690 print A shepherd and a shepherdin are sitting under a tree. The shepherd plays on the flute, the shepherdin holds a flower wreath in her hands. The herd of sheep grazes in the background. paper etching / engraving pastorals, Arcadian scenes. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. flute, aulos, tibia

Jozef in the victory car, appointed by Pharaoh over all over Egypt, Jan Punt, After Jacob de Wit, after Peter Paul Rubens, 1747 print Joseph is sitting in a Pharaoh car in Royal robe. Under the octagonal performance a verse in Latin from Gen. 41:43. Amsterdam paper etching / engraving triumph of Joseph: dressed in a royal attire he rides in one of Pharaoh's chariots, preceded by a herald Carolus Borromeuskerk

A woman, with a winged heart on her chest, points to the open book lying next to her on a pedestal. The pages show a burning heart and two crowned palm branches. The woman rests one of her feet on the globe. From a cloud, angels offer her a palm branch and a wreath., Title page for Jan Luyken 'The Unworthy World', 1710, print maker: Jan Luyken, (mentioned on object), publisher: weduwe Pieter Arentsz & Cornelis van der Sys (II), (mentioned on object), Amsterdam, 1710, paper, etching, h 142 mm × w 94 mm

Saul donates David his daughter Michal.design for a painting.

Architecture; L'Architecture; Le Cabinet des Beaux Arts (...) / The treasure room of the Vrye Rabits (...). Ceiling piece with the personification of architecture. In her hand she holds a building drawing with the uprising and floor plan of a building. Links Children moving a piece of building with a cart. Print is part of an album.

Federative and national oath pronounced in the March, July 14, 1790. (IT)

Landscape with dancing figures, René Jacques Le Charpentier, 1769 print print maker: Francepublisher: Paris paper engraving / etching group dancing

Musicing company at the table, Frans Lauwers, After Jacques Jordaens, 1864 - 1911 print Belgium paper etching instrumental and vocal music together

Winter (hyems), Jacob Matham, after Hendrick Goltzius, 1589 print Personification of the winter: an old man in a mantle with fur, warming himself at a fire test. Figures chop wood in the background and fun is made on the ice. At the top of the corresponding signs of the zodiac: fishing, waterman and Capricorn. Haarlem paper engraving Winter, 'Hyems'; "INVERNO" (RIPE)

Available, John.

Golden Age, Jacob Gole, 1670 - 1724 print The golden era: a woman decorated with flowers is at a beehive. The print refers to the mythologically inspired idea that people initially lived in an era of continuous spring. War or injustice were absent. During the Golden Age, everyone lived in bliss, in a world where people could enjoy fertile nature without working. The print is part of a series about the four eras. Amsterdam paper engraving Personification of the Golden Age; 'ETà Dell'Oro' (RIPA). Bee-hive. Flowers

Louis XIV (King of France), Paris, Duchange, Gaspard, Etanssane, d', Picart, Bernard, The five senses represented by elegant couples, Sense of touch, verso - stamped, Landscape with an elegantly dressed couple. They are holding hands. In the margin a four-line poem in French., print, prent, prints, prenten, height 90 mm, width 110 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, prentmaker, 1683 - 1710, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), writer, Publication (Event), Publicatie, 1662-04 - 1757-01-06, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, verlener van privilege

Historical steel engraving, Prince Biribinquer and the Adventures of Don Sylvio of Rosalva, by Christoph Martin Wieland

Pencil drawing by an anonymous artist depicting an allegorical scene.

Shepherd seated on a stone (from A Man’s Sketchbook,” a suite of eight prints) /Animalia ad vivum delineata et aqua forti aeri impressa Studio et arte Nicolai Berchemi/. Artist: Nicolaes Berchem, Dutch, 1620-1683

Prudence. Coxie, Michiel (the Elder) (Netherlandish (before 1600) - Flanders, 1499-1592) (designed after, attr.) painter Guebels, François (Netherlandish (before 1600) - Flanders, act.1545-1577) (workshop) weaver c. 1560-1570 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Austria, Vienna, Vienna, Sammlung für Plastik und Kunstgewerbe. Inscriptions: Inscription identifying figures in central field some include: THAMAR (Tamar) Inscriptions: Inscriptions identifying border figures: IN PRVDENTIA (Imprudence), AGNOMI (Dishonor ) Details, man kneels on ground with large jug before couple (L, middle ground); group of men with spears stand nearby, cityscape (center, background); Tamar with inscription with tokens signet, bracelets & staff from Judah (center); man holds kid (L, background); border figure of Imprudence; 2 border figures representing Dishonor () Agnomi; figure of Prudence holding mirror & sits on dragon (center, foreground), 2

A sleeping woman is disturbed in her dreams by a winged figure pointing to five people in the clouds above; representing the interpretation of dreams. Coloured etching, 1811.

MUSICA Y POESIA - ILUSTRACION DEL POEMA DE TOMAS DE IRIARTE - 1779. Author: MANUEL SALVADOR CARMONA (1734/1820). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Allegory of Abundance (Sketch for a Ceiling Painting). Attributed to Domenico Pozzi; Italian, 1744-1796. Date: 1764-1796. Dimensions: 233 x 304 mm. Pen and brown ink, with brush and watercolor, over black chalk on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Fountain with woman, meerman and children; Diverses fontaines.links holds a standing woman a jug from which water flows towards a shell held by a meer at the bottom right. On the left are two children with fish tails. Publisher number 36.

The Four Festivals: Festival of Diana. Claude Gillot (French, 1673-1722). Etching and engraving;

La Nuit (Night) Pierre Antoine Baudouin French. La Nuit (Night). Pierre Antoine Baudouin (French, Paris 1723-1769 Paris). Gouache on paper, pasted onto board. Drawings

A gray-brown ink and watercolor drawing by Giovanni Paolo Pannini depicting a vaulted hall with a broken ceiling, staff figures, an antique relief plate, and column fragments in water, showing architectural and figure details.

Lyrical Poetry ca. 1741 Claude Augustin Duflos le Jeune French. Lyrical Poetry 394232

Content and Innocence, Print made by Thomas Burke, 1749-1815, British, after Angelica Kauffmann RA, 1741-1807, Swiss, active in Britain (1766-81), Published by Thomas Macklin, active 1779-1793, British, 1797, Hand-colored stipple engraving on moderately thick, smooth, cream wove paper, Sheet: 20 3/8 x 15 1/4 inches (51.7 x 38.7 cm), Plate: 16 15/16 x 12 13/16 inches (43 x 32.5 cm), and Image: 13 1/8 x 10 7/16 inches (33.3 x 26.5 cm), cloaks, daughter, dresses, fancy dress, flowers (plants), garlands, mother, pearls, plants, portrait, slippers, trees, woods

Personified soul standing in a garden, Jan Luyken, 1714 print Amsterdam paper etching the soul. garden

Photo production of (presumably) An image of John the Baptist as a child. Part of album with pictures of sights and landscapes in England and of art.

THE THREE GRACES 'There is no Grace without Decency, and there is no Decency without a Veil' Date: 18th century

Muze with Lier, Johannes Christiaan Bendorp, 1819 print A muse with Lier sits with a monument with a coat of arms with a Dutch lion and a burning incense barrel. paper engraving (story of the) Muses; 'Muse' (Ripa). lyre, cithara, psaltery

Alphonso and Aciloe, Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Johann Heinrich Ramberg, 1763-1840, German, active in Britain (1781-88), Published by Mary Ryland, 1759-1817, British, 1788, Stipple engraving and etching on medium, moderately textured, cream laid paper, Sheet: 15 3/16 x 11 inches (38.5 x 27.9 cm), Plate: 10 3/8 x 7 3/8 inches (26.4 x 18.7 cm), and Image: 7 15/16 x 6 9/16 inches (20.2 x 16.6 cm), armors, beads, bracelets (jewelry), canto, chains, costume, drapery, dress (costume), earrings, feathers, gesture, handcuffs, hat, helmet, literary theme, love, men, Peru, 1784: Canto V, Verse 110, poem, prisoners, ruff, sandals, stool, stripes, swords, tassel, tiara, violence, virtue, weapons, woman, Perú

Scent, 1632 - 1670 print Vertumnus is, in the form of an old woman, opposite Pomona. With her pruninges, Pomona cut off the flowers of a bunch of carnations. She holds a flower in her hand, the other lie on the floor. Presentation of the smell, from the series with five prints that depict the senses. print maker: Utrechtpublisher: Amsterdam paper engraving / etching smell, smelling (one of the five senses). Vertumnus and Pomona

. Maria is sitting outside a stable and gives the Christ child the chest. The print is part of a 53-part series of prints to paintings by Titian and Veronese.

The Fountain 1835-1904 Lorenz Frølich Danish. The Fountain 335381

Friedrich Rehberg drawing depicting Bacchus, Amor, and Bathyll with wine, in front of a forested hilly landscape with women reading grapes, executed in black chalk and pencil, circa 1800.

Bellona overcomes envy, Gerard Edelinck, After Hale, 1683 print Bellona with spear and olive branch is on the conquered personification of the envy, recognizable by the snake hair. paper engraving Bellona (Enyo). Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly Sins

Allegory to the glory of Louis XIV (TF)

Menalclas looks at dancing women; Menalcas Watching Women Dance; Illustrations of Imitation of Eclogue I. Two men playing on a winch and a violin, looking at three dancing women.

A woman representing astrology or philosophy. Engraving by P. Ghigi after L. Agricola after Raphael.

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