Allegorical Historical Illustrations

Dramatic illustrations of historical scenes and figures, capturing key moments and their significance in a detailed, allegorical style.

David and Nathan, Jacobus Buys, c. 1734 - c. 1801, Design for a print., draughtsman: Jacobus Buys, c. 1734 - c. 1801, paper, pen, brush, h 149 mm × w 88 mm

Visitatite, Jacob Matham, after Paolo Veronese, after Benedetto Caliari, 1592 - 1596 print Maria and Elisabet Refreats each other. Haarlem paper engraving Mary and Elisabeth shaking hands

Three men and a woman; The sign book of Abraham Bloemaert. Three men - seen on the back, sideways and frontal - with a woman lake in the background.

Gray brush and leading handle drawing by Christian Wilhelm Ernst Dietrich, c.1733-1735, showing an interior scene with lute players and a lady, depicting figures and furniture.

Amsterdam, Kraay, Gebroeders, Rochussen, Charles, Binger, The arrival of Caligula here in the country, A Roman general (Caligula) versus a wild native family. This proof was distributed among subscribers to the book: The main histories of the Northern Netherlands, told by J. van Lennep to his children, according to an enclosed announcement from the publisher. Belongs to the last installment of the first part., print, history print, prints, Frederik Muller Historieplaten, height 168 mm, width 255 mm, height 162 mm, width 121 mm, Dutch, 1830-02-25 - 1916, print maker, printmaker, 1856 - 1856, third quarter 19th century, paper, color lithography (process), letterpress printing, 1814-08-01 - 1894-09-22, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Alexander the Great presenting Campaspe to Apelles 1810 Jean Auguste Dominique Ingres Ingres executed this drawing of a subject from Pliny's "Natural History" during his last year as a student at the French Academy in Rome. Alexander the Great, who stands at center, had commissioned Apelles to paint a portrait of his favorite mistress, Campaspe. Over the course of the sittings, Apelles fell in love with his subject. As a sign of his esteem, Alexander then offered Campaspe to the painter; it is this moment of exchange that Ingres chose to represent. With her arm supported by the king, Campaspe steps off a small pedestal. She gazes across at Apelles who, with a paintbrush between his fingers, kisses the kings hand in gratitude. The frieze-like nature of the composition suits the antique subject. Ingres never pursued the subject in paint, so this drawing is his most advanced version of the composition, likely intended as a finished work in itself.. Alexander the Great presenting Campaspe

Phaedra Rejecting the Embraces of Theseus. Anne-Louis Girodet de Roucy-Trioson (French, 1767 - 1824)

Petrus en Paul, Galgano Cipriani, after Guido Reni, 1804 print Paul asks the sitting Peter: "What do you think you are forcing the Gentiles to behave like Jews print maker: Florenceafter drawing by: Bolognaafter painting by: Italypublisher: Italyprinter: ItalyItaly paper engraving Paul and Peter disputing in Antioch (Galatians 2:11-14)

Dutch Virgin flanked by Mars and Mercury, Jan van Munnickhuysen, after Gerard de Lairesse, 1677 print The Dutch Virgin is sitting on her throne with bundles of arrows, symbols of unity, in her hands. Mars and Mercury are next to her. The Dutch lion is at her feet. Two tondos on the edge of the stage. Amsterdam paper engraving / etching personifications of countries, nations, states, districts, etc.. (story of) Mars (Ares). (story of) Mercury (Hermes) Netherlands

Two apostles and five angels; Dome decorations by Correggio in the S. Giovanni Evangelista in Parma. Two apostles for and five bare figures (possible angels) on a wall.

Spectators see a naked man being thrown into a hole, Roman execution, draughtsman: Mattheus Ignatius van Bree, 1783 - 1839, paper, pen, brush, h 225 mm × w 294 mm

Cleopatra sits at table with Mark Antony. Lucius Plancus prevents Cleopatra from taking a second pearl from her earring to dissolve in her wine. In the process, Marc Antony loses the bet on who could give the most expensive banquet. Feast of Cleopatra, print maker: Ludwig Gottlieb Portman, (mentioned on object), intermediary draughtsman: Jacques Kuyper, (mentioned on object), Amsterdam, 1802, paper, etching, h 207 mm × w 124 mm

The judgement of Brutus on his sons. From a picture by Guillaume Guillon-Lethière exhibited in Bullocks Museum, London. Copperplate engraving by Pinelli from Rudolph Ackermanns Repository of Arts, London, 1816.

Italy, Camerata, Giuseppe (II), Joseph and Potiphar's wife, verso - stamped, Joseph running away from Potiphar's wife. She grabs his cloak. Coat of arms in lower margin., print, prints, height 324 mm, width 368 mm, 1718 - 1803-03-14, print maker, printmaker, 1728 - 1803, paper, papier, etching, etchings, engraving, engraving (printing process), Expression creation

Boudica (also spelled Boudicca, Boudicea, Boadicea,) led her people, the Iceni, and others in rebellion against Roman overlords.

'Telemachus gains Information of the commerce of Tyre', 1775. Artist: W Walker

The Cornaro Family, Francesco Bartolozzi, Italian, active England, 1727-1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 - 1666, Engraving in brown ink on white paper, Four male figures kneel in various attitudes, all but one facing left. From left to right, a man in a cloak, with a rosary, a young boy, an old man with a beard and staff, and a young man with his hand to his chin., Italy, ca. 1760-1770, Print, Print

Alejandro Blanco y Assensio (Lithographer) (After Velázquez, Diego Rodríguez de Silva y); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'The Feast of Bacchus'. 1832 - 1836. Lithographic aquatint, Crayon lithography, Scraper on wove paper; 1832 - 1836. Lithographic aquatint, Crayon lithography, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

The Prosperous Days of Job, by W.T.C. sic Dobson. Caldesi & Montecchi (British, active 1850s)

Kuyper, Jacques, Netherlands, Claessens, Lambertus Antonius, Language test of Psammeticus, Linguistic experiment of pharaoh Psammetichus, verso - stamped, The pharaoh Psammetichus wanted to know which language was the oldest in the world and had two newborn children raised in silence, separated. The first word the children said was bèkos, Phrygian for bread. Psammetichus decided that Phrygian must be the oldest language. The two children sit on the ground and gesture to the pharaoh. The Pharaoh, a shepherd, and other members of the court look at the children., print, book illustration, prints, height 115 mm, width 85 mm, Noord-Nederlands, 1763-11-21 - 1843-10-06, print maker, printmaker, 1800 - 1800, paper, papier, etching, etchings, 1761-06-29 - 1808-06-01, intermediary draughtsman

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Johanni Brasiliae Principi, 1799. Engraving.

Aeneas tells Dido about his fortunes, Gerard de Lairesse, 1668 print Aeneas sits next to Queen Dido and tells her about his fate. They are accompanied by Amor, disguised as Ascanius. On the left, a figure plays the winch. The print is part of a six -part series of prints with scenes from the mythological story of Dido and Aeneas. paper etching Aeneas tells Dido of his wanderings

Chryseis restored to her Father, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Giovanni Battista Cipriani RA, 1727-1785, Italian, active in Britain (1755-85), 1786, Engraving

The Death of Mark Antony (Shakespeare, Antony and Cleopatra, Act 4, Scene 15) January 1, 1780 Thomas Watson. The Death of Mark Antony (Shakespeare, Antony and Cleopatra, Act 4, Scene 15). After Nathaniel Dance-Holland (British, London 1735-1811 Winchester). January 1, 1780. Mezzotint. Thomas Watson (British, London 1743-1781 London). Thomas Watson (British, London 1743-1781 London). Prints

Plate XVIII from Life and Adventures of the Knight Don Quixote de la Mancha

Le lever de la mariee russe. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Augustin de Saint-Aubin after Jean-Baptiste Le Prince.

Calypso Watches Telemachus with Cupid on His Knee, While Mentor Watches in Anger, from The Adventures of Telemachus, Book 7. Bartolomeo Pinelli; Italian, 1781-1835. Date: 1808. Dimensions: 472 x 590 mm (sight); 558 x 667 mm (overall). Pen and black ink, with brush and brown and gray wash, over traces of black chalk on ivory laid paper, laid down on board. Origin: Italy. Museum: The Chicago Art Institute, USA.

Manuel Salvador Carmona (Engraver) (After Velázquez, Diego Rodríguez de Silva y); Manuel de la Cruz Vázquez (Drafstman) / 'The Feast of Bacchus'. 1793. Taille douce: etching and engraving on continuous paper. Museum: Museo del Prado, Madrid, España.

The Fall of Messalina, Reinier Vinkeles (I), 1804, The Fall of Messalina; in his chariot the Emperor Claudius receives the accusations against the Empress., draughtsman: Reinier Vinkeles (I), 1804, paper, pen, brush, h 135 mm × w 85 mm

At far left a group of two women, one holding a child on her arm (a). Next to it a woman holding up her skirt (b). In the center right Minerva (, c). On the far right a statue that could represent several figures, possibly a muse, or the goddess Flora, or Laetitia publica (d), Three women statues and a group with two women and a child Paradigmata graphices variorum artificum , print maker: Jan de Bisschop, Baccio Bandinelli, (mentioned on object), Bartolommeo (Fra), (mentioned on object), Northern Netherlands, 1668 - 1671, paper, etching, h 136 mm × w 235 mm

Plague visited onPhilistines. Artist: Jean Jacques Lagrenée, French, 1739-1821

Esau sells his first birthright to Jakob, Willem Isaacsz. van Swanenburg, after Paulus Moreelse, 1609 print Jakob and Esau are sitting at the table and shake each other's hand over a bowl with lentils. There is a dog at their feet. On the right in the distance a man kneels at the bed of Abraham. Under the performance is a twelve-line, Latin text from Genesis 25-27. print maker: Leidenpublisher: Amsterdam (possibly) paper engraving Esau, returning hungry from the hunt, sells his first birthright to Jacob for a pottage of lentils

Album of the tales of Jean de la Fontaine: The Cuckold beaten and happy. Achille Deveraia (1800-1857) and E. edit. Album of the tales of Jean de la Fontaine: The Cuckold beaten and happy. Lithograph on China glued.

Saul tries to kill David; History of David and Saul; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. If David plays the harp, Saul wants to throw his spear to kill David. The men around the throne prevent Saul to do this. Under the show a reference in Latin to the Bible text in 1 Sam. 19. This print is part of an album.

Weigel, Christoph, Amsterdam, Luyken, Jan, Christ in debate with Pharisees, verso - stamped, print, prints, height 249 mm, width 198 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

. A woman with a writing table, sitting with a foot on the globe. She shows five children a painting of the wide and narrow road. The children study the painting. Two cherubs with laurel wreath and palm branch in the air.

Emperor Valerian in captivity with the Persian king Sapor. Draughtsman: Reinier Vinkeles (I). Dating: 1804. Measurements: h 135 mm × w 85 mm. Museum: Rijksmuseum, Amsterdam.

Christ appears Mary Magdalena; Kurenkow, P. (fl. Ca 1850-1870), Annenski, P. (fl. Ca 1850-1860), Iwanow, Aleksandr Andrejewicz (1806-1850), tipography of the Empire of the Academy of Sciences (St. Petersburg; 1803-1914); 1858 (1858-00-00-1858-00-00);

Wszyscy Święci w MNK Payne, Albert Henry (1812 1902), Santi, Raffaello (1483 1520), Glücksberg, Michał (1838 1907)

Jacques Callot (1592-1635). "Notre-Dame de l'Annonciade de Florence miracles", "The patient healed". Fourteenth number of a suite of 42 pieces (Lieure 91, Meaume 273). Froz, 1615-1619. Museum of Fine Arts of the City of Paris, Petit Palais. 99595-12 Burin, Gravure

Downfall of Prinsinen, Cornelis Huyberts, after Jan Luyken, 1699 print Three women are dead to the earth, two crowns and one scepter for them on the ground. On the left they are being taught by a woman, a man who puts his hands to heaven and other figures. On the right a crowned woman is taken to her bound hands by a man with a sword in his other hand. Amsterdam paper etching / engraving tragedy. dying. queen, empress, etc. (wife of a ruler)

Man bowing in front of aristocrat by Johann Heiss, Oil on canvas, 1770-1780s, Baroque, 1640-1704) State Hermitage, St. Petersburg 86x84

Honoré Daumier, Socrate chez aspasie, 19th century Socrate chez aspasie

Pallas Athene in the workshop of Prometheus. Draughtsman: Jurriaan Andriessen. After Jacques Ignatius de Roore. Dating: 1752 - 1819. Measurements: h 404 mm × w 252 mm. Museum: Rijksmuseum, Amsterdam. Author: Jurriaan Andriessen.

Saint Peter raises Tabitha. (Acts 9.36). Engraving by C. Bloemaert after Guercino.

Jupiter and Mercury in the house of Philemon and Baucis, Nicolaes Lauwers, after Jacques Jordaens, 1619 - 1652 print Jupiter and Mercury, in the form of travelers, visit Philemon and Baucis, who offer them hospitality. Philemon offers Jupiter Fruit while Baucis tries to catch a fleeing goose. Antwerp paper engraving Philemon and his wife Baucis hospitably entertain Jupiter and Mercury in travellers' guise; possibly a goose, which they try to kill for the occasion, flies to the visitors for refuge

Personifications of fame and art; Monumenta Haec et Venerandae Antiquatatis Romanae Vestigia (...); Roman ruins (series 1). The winged fame, with two trumpets at the feet, and the personification of art, with palette, brushes and painting stick at the feet, hold a canvas with the title of the series. Title print of a series of Roman ruins.

AldoBrandinian wedding (left part), Pietro Sante Bartoli, After Anonymous, 1637 - 1691 print A mural from the Augustian era that was found around 1606 on the Esquilijn in Rome. In three scenes, it depicts the preparations into a wedding. On the left is a woman who prepares bath water. In the middle there is a veiled bride on a bed. In addition to her two half -naked female figures (Peitho or Aphrodite and Charis) and a cracked young man (Hymenaeus or the groom). On the right are three women, of whom a smell of smells, a second one playing on a winch and a third is the lead of the ceremony. Title above show. Print is part of an album. paper etching wedding feast, wedding meal. lyre, cithara, psaltery

Sitting man with cup and can turn away from a thirsty walker, Jan Luyken, 1711 print Amsterdam paper etching thirst. 'en route', traveller under way

Columbus is shown presenting his proposal to King Ferdinand and Queen Isabella at Alcazar Castle in Cordoba in January 1492.

Rome, Rossi, Giovanni Giacomo de', Vatican City, Raphael, Italy, Bartoli, Pietro Sante, Reliefs in the Loggia of Raphael, Two dancing figures, Two dancing female figures before three pilasters., print, prints, height 136 mm, width 132 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Work conception, 1483-04-07 - 1520-04-07, after a design by, after design by, Publication (Event), Publication, 1627 - 1691, publisher

The personification of the city of Rome sits on a platform with a small statue of Victoria in her hands. On the base is depicted Romulus and Remus with the wolf. Next to her, a fire burns on a sacrificial pillar. Allegory of Roman History Title page for: M. Stuart, Roman Histories, 1793, print maker: Ludwig Gottlieb Portman, (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), Utrecht, 1793, paper, etching, h 206 mm × w 124 mm

Double portrait of Azzo Xi d'Este and Rinaldo III d'Este, Marquis of Ferrara; Azzo Xi Marche di Ferrara 11. g / Rinaldo. III March di Ferrara 12 g; Rulers of Ferrara. Print is part of an album.

Canute (Sveinsson Knut, 994 or 995-1035), King of England from 1016, and Denmark from 1018, and Norway from 1030. Canute demonstrating to his flattering courtiers that God alone can command the tides. From 'The Imperial History of England' by Theophilus Camden (London, 1832). Engraving.

European Courtier and Two Turks, Conversing. Attributed to Stefano della Bella; Italian, 1610-1664. Date: 1630-1664. Dimensions: 109 x 84 mm. Pen and brown ink, with traces of black chalk, on ivory laid paper, laid down on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Captive Gaul king and a pensive British woman. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages" (1797).

A chalk and feather drawing by Giuseppe Bernardino Bison depicting a gentleman and lady conversing in a palace courtyard between two lion statues, with lavated shading emphasizing figures and architecture.

Lucius Albinius Rescues the Vestal Virgins, Pen and black ink, brush and grey, red, and yellow wash on white laid paper, Five Vestal Virgins, holding urns, are being ushered into a two-wheeled cart. A group of lamenting figures, including children, surround them., Italy, 1800-20, figures, Drawing, Drawing

Italy, Michelangelo, Libyan Sibyl, verso - stamped, The Libyan Sibyl, seated and turned to the right. Behind her a large book that she lifts up with both hands. Right two children with a scroll., print, prent, prints, prenten, height 278 mm, width 203 mm, print maker, prentmaker, 1512 - 1512, paper, papier, engraving, engraving (printing process), Italian, 1475-03-06 - 1564-02-18, after painting by

Les deux perroquets, le roi et son fils (Two Parrots, the King, and His Son). Dated: published 1759. Medium: hand-colored etching. Museum: National Gallery of Art, Washington DC. Author: Antoine Radigues after Jean-Baptiste Oudry.

Antoine Radigues after Jean Baptiste Oudry, Les deux perroquets, le roi et son fils (Two Parrots, the King, and His Son), published 1759 Les deux perroquets, le roi et son fils (Two Parrots, the King, and His Son)

Drawing by Adriaen de Weerdt depicting Orpha leaving Ruth and Naomi, executed with brown pen and gray lavated technique, showing figures, posture, and emotional expression.

Study for picture, 1798, by Alfred Chalon. Gift of Archdeacon F.H.D. Smythe, 1957.

Healing of lame beggar at Beautiful Gate of temple by SS. Peter and John. Raphael (Italian, 1483-1520) (cartoon creator) painter Lefebvre, Pierre (French, b.1579-d.1669) (workshop) weaver c. 1650 Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: Cardinal (Jules) Mazarin (d. 1661) coll. (9 pieces). Marquis de Mancini coll. (9 pieces ). Crown of Italy, Palazzo reale (Milan) (7 pieces). Additional panel in set documented in archives in Monaco. Italy, Marches, Pesaro e Urbino, Urbino, Palazzo Ducale. Scene divided by spiral (Solomonic) columns decorated with putti; Peter & John heal lame man who sits on floor, as another paralytic man approaches (Acts 3-4:31); surrounding group of women & children (UPR BRD) coat of arms flanked by putti heads & festoons tethered to corbels (L, R & LWR BRD not visible in photo) There are 7 panels at the Palazzo ducale, Urbino. This set may have been woven to complete the partial Mobilier set which Mazarin acquir

. Galatea, the alive statue of Pygmalion, is on a column. Pygmalion stands next to her and asks her some questions. The print is part of a series about the story of Pygmalion.

A romantic legend tells how Charlemagne's secretary Einhard, secretly courting Emma, fearful of being traced by his footprints, is carried by her after their trysts. Date: circa 815

Figure photography:Karnicki, Justinian (1806-1876), Karnicki, Justinian (1806-1876)-collections, Rafael (1483-1520)-reproduction, raimondi, marcantonio (Ca 1470/1482-Ca 1527/1534)-reproduction, Smolikowski, Seweryn ( 1850-1920) - collection, gift (provenance), photography of a work of art (artist), collections, religious art

Hercules Wrestles with the Snakes 63-79 Roman Art Fresco Casa dei Vettii, Pompeii, Italy

Three women's images and a group with two women and a child, Jan de Bisschop, After Baccio Bandinelli, After Bartolommeo (FRA), After Anonymous, 1668 - 1671 print On the far left a group of two women, one keeps a child on her arm (A). Next to a woman who holds her skirt up (B). In the middle on the right Minerva (, C). On the far right an image that could praise different figures, possibly a muse, or the goddess Flora, or Laetitia Publica (D). paper etching (story of) Minerva (Pallas, Athena). (story of) Flora

Wszyscy Święci w MNK Payne, Albert Henry (1812 1902), Santi, Raffaello (1483 1520)

Nova Nupta in Geniali Thalamo.. Sandrart, Susanna Maria von, 1658-1716. Prints. 1683. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

An orator speaking to a crowd in a forum, ancient Rome. The speaker is attended by a clerk accensus or scribe librarius. L'Orateur Romain. Handcoloured copperplate drawn and engraved by L. Labrousse, artist of Bordeaux, under the direction of Jacques Grasset de Saint-Sauveur from his Lantique Rome, ou description historique et pittoresque, Ancient Rome, or historical and picturesque description, Chez Deroy, Paris, 1796.

Drawing and watercolor by Linell Emanuel depicting the death of the Virgin, executed in black pen and cover colors.

Blanka Castilian expecting son of Ludwik IX (illustration for the book Frédéric Dillaye); Hildibrand, Henri Théophile (1824-1897), Zier, Victor Casimir (1822-Post 1882); 1889 (1889-00-00-1889-00-00);

The Son of Marcus Cato Bring a Dagger to his Father, Felice Giani, Italian, 1758-1823, Graphite, pen and ink, brush and wash on paper., Horizontal rectangle showing interior scene with Cato sitting upright in his bed looking sternly at his son, who sits on bed with dagger and gestures., Italy, ca. 1820, classicism, Drawing, Drawing

The Entombment. Artist: After Johann Friedrich Overbeck (German, Lübeck 1789-1869 Rome); Engraved by Joseph van Keller (German, 1811-1873). Dimensions: sheet: 20 1/4 x 23 11/16 in. (51.5 x 60.2 cm)plate: 13 3/4 x 16 7/16 in. (34.9 x 41.8 cm). Date: 1850. Museum: Metropolitan Museum of Art, New York, USA.

Matejko sentenced. Łopieński, Ignacy (1865-1941), graphic artist, Matejko, Jan (1838-1893), painter

Realm of Juno. Artist: after Adam Elsheimer (German, Frankfurt 1578-1610 Rome); Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 3 5/16 × 6 7/16 in. (8.4 × 16.4 cm). Series/Portfolio: The Three Realms of the World,NH 842-844. Date: 1646.Juno seated on tall throne with tapestry behind, wearing embroidered dress and fur-trimmed mantle and holding sceptre in her right hand, leaning slightly to left; men at work under vaults in the background; after Elsheimer. The painting was in the Arundel collection but is now lost (see K. Andrews, 'Adam Elsheimer:Paintings-Drawings-Prints', Oxford 1977, under no. 22). Museum: Metropolitan Museum of Art, New York, USA.

Nieulandt, Willem van (II), Roman ruins (series 1), Monumenta haec et venerandae antiquitatis Romanae vestigia, Personifications of Fame and Art, verso - stamped, Winged Fame, with two trumpets at his feet, and the personification of Art, with palette, brushes and painter's stick at his feet, hold a canvas with the title of the series on it. Title print of a series of Roman ruins., print, prent, title print, prints, height 105 mm, width 130 mm

Joseph and Potiphar's Wife. Date/Period: 1803 to 1805. Painting. Watercolor, gray ink and black ink on cream-colored paper (Watercolor with pen and black ink and gray ink on moderately thick, moderately textured, cream wove paper). Height: 464 mm (18.26 in); Width: 432 mm (17 in). Author: William Blake.

Wszyscy Święci w MNK Payne, Albert Henry (1812 1902), Veronese, Bonifazio; Bonifazio de Pitati; (Venetian) (1487 1533), Glücksberg, Michał (1838 1907)

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