Allegorical Prints and Decoratives

Engravings featuring allegorical themes and decorative motifs, including putti and floral arrangements, conveying elegance and historical richness.

The image of a dove, symbolizing the Holy Spirit, is framed ornamentally with floral motifs, three foxes and fantasy figures with bows and arrows, Two snakes attack the dove of the Holy Spirit, print maker: Caspar Luyken, publisher: Jacob Lindenberg, Amsterdam, 1705, paper, etching, h 116 mm × w 149 mm

Husband and wife drink tea, Cornelius Heinrich Hemerich, after Johann Esaias Nilson, 1731 - 1780 print In a landscape with a rocaille ornament, there is a man with a turban with a cup of tea and a long pipe in his hand. On the left, a woman pours a cup of tea. London (possibly) paper etching / engraving cup of tea (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)

Allegorical performance with six putti with portrait of Isaiah and Boom van Jesse, Abraham Zeeman, 1724 print paper etching Isaiah's prophecy of the tree of Jesse (Isaiah 11:1). cupids: 'amores', 'amoretti', 'putti'. fruits and vegetables ~ ornament

Cartouche with garlands and two seated putti, Agostino Mitelli, print maker: Anonymous, after 1619 - before 1642

The image of a dove, symbolizing the Holy Spirit, is framed ornamentally with floral motifs, three foxes and fantasy figures with bows and arrows, Two snakes attack the dove of the Holy Spirit, print maker: Caspar Luyken, publisher: Jacob Lindenberg, Amsterdam, 1705, paper, etching, h 116 mm × w 149 mm

Netherlands, France, Vauquer, Jacques, Watch cases: lids and sides, Watch case, bouquets and flower vases, Watch case with the Presentation of Christ in the Temple., print, ornament print, prints, ornament prints, height 96 mm, width 170 mm, Work conception, French, 1621-10-11 - 1686-08-31, after a design by, 1631 - 1736, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, publisher

Panel with two women and sphinxes; Grotesken.A panel with grotesken. In the middle there are two women with the backs against each other on a dolphin. Left and right a portico with columns including putti on sphinxes.

J.F. Clemens (1748-1831), a seated woman, 1778

Cartouche se détachant sur une grande coquille et contenant un écusson vide. 1610 - 1664. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Verso a hanging rocaille ornament of volutes with flowers, Rocaille crowning with a shell, volutes and flowers, draughtsman: anonymous, France, c. 1750, paper, pen, brush, h 157 mm × w 96 mm

Design for a print, Panel filling with flute playing putto, draughtsman: Bernard Picart, 1683 - 1733, paper, pen, brush, h 86 mm × w 150 mm

Cartouche flanked by five soldiers, Pieter Jansz, 1630 - 1672, Possible design for a print., draughtsman: Pieter Jansz., 1630 - 1672, paper, pen, brush, h 104 mm × w 235 mm

Allegorical representation with possibly the Dauphin sitting on a dolphin, Pierre Daret (attributed to), after Claude Mellan, 1614 - 1678 print A boy, possibly the Dauphin, sat on a dolphin with a lily in his right hand and a flag with three Fleur de Lis in his left hand. Young tritons on either side, blindly on shells. France paper engraving historical persons. crown prince. swimming mammals: dolphin. triton(s)

Allegory on peace with three putti in cartouche. Allegory on peace with three putti in landscape in cartouche with coat of arms.

Wood engraving, England, by Thomas Bewick.

Apollo on his solar car, in the context of volutes and rocailles, Laurolli, Juste Aurèle Meissonnier, 1738 - 1749 print This print is part of an album. paper etching (story of) Apollo (Phoebus)

Rocaille-brown with a shell, volutes and flowers, anonymous, c. 1750 Verso a hanging rocaille ornament of volutes with flowers. France paper. watercolor (paint) pen / brush ornaments ~ art. decorative furniture

Wood engraving, England, by Thomas Bewick.

Italy, Giardini, Giovanni, Rome, Limpach, Maximilian Joseph, Disegni diversi inventati e delineati da Giovanni Giardini da Forlì, Various ecclesiastical objects, Incense burner with two putti with coats of arms, recto upper left - handwritten in brown ink, print, ornament print, prints, ornament prints, verso - stamped, 64, height 273 mm, width 175 mm, Czech, print maker, printmaker, 1714 - 1714, paper, papier, etching, etchings, Italian, 1646 - 1722, intermediary draughtsman, after a drawing by, Work conception

France, Vauquer, Jacques, Goldsmith's designs for watch cases: lids and sides, Watch case, two flower baskets and a strip, Watch case with the Holy Family, a servant and the child John the Baptist. First edition, second printing., print, ornamental print, prints, ornamental prints, height 138 mm, width 180 mm, Work conception, French, 1621-10-11 - 1686-08-31, after a design by, 1631 - 1676, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, publisher

Man with Pijp and Woman with Kan, Cornelius Heinrich Hemerich, After Johann Esaias Nilson, 1731 - 1780 print A man with a pipe lies on a rocaille ornament. To his right is a woman with a jug. London (possibly) paper etching / engraving pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)

A Headpiece in the Form of a Fan. Agostino Carracci; Italian, 1557-1602. Date: 1584-1600. Dimensions: 370 x 248 mm (image/sheet, cut within plate mark). Engraving on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Design for the Rear of a Carriage with Valor Victorious over Vice and Arrogance, Ciro Ferri, Italian, 1634 - 1689, Black chalk, pen and ink, brush and wash on paper, An allegorical warrior with a spear and shield decorated with a sun vanquishes figures at his feet. Accompanied by eagle, putti and swirling acanthus leaves., Italy, late 17th century, figures, Drawing, Drawing

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Woman with Crescent Moon in Two Deer Chariot, Representing Moon, Artemis, undated. Engraving.

Venus on her chariot, François Perrier, After Rafaël, 1624 - 1649 print paper etching (story of) Venus (Aphrodite)

A Bacchanal: a satyr holds Silenus as he lies on a donkey's back and picks a leaf from a garland, two putti carry an amphora and a basket with grapes at left, and a faun carries a sack at right 1619 Giovanni Battista Costantini Italian An octagonal plate.. A Bacchanal: a satyr holds Silenus as he lies on a donkey's back and picks a leaf from a garland, two putti carry an amphora and a basket with grapes at left, and a faun carries a sack at right 397507

Music put with flute and horn next to a shell, 1683 - 1733 print Vignette with two sitting, music -making putti with flute and horn next to a shell. In the middle a shell with a vase on it from which a garland comes. Two sphinxes left and right. paper etching scallop, shell ~ ornament. sphinx (lion/woman); 'Sfinge' (Ripa). transverse flute

Woman in a medallion flanked by two hybrid beings ..

Weapon flanked by Leeuw and Hercules, Anonymous, 1740 - 1760 print A crowned coat of arms with three on the right. A roaring lion and Hercules with club flanks the shield, standing on rocaille ornaments. paper etching / engraving coat of arms (symbol of sovereignty). beasts of prey, predatory animals: lion. (story of) Hercules (Heracles)

Personification of merit or reward; Numismata virorum illustrium ex Barbadica Gente. A console with a man in Gown. In his right hand a och roof and palm branch. In his left hand a crown and laurel wreath. The print is part of an album.

Eeckhout, Gerbrand van den, Continuation of the series RP-P-1964-1998, 2006, print, prints, Northern Netherlands, 1621-08-19 - 1674-09-29, 1631 - 1674

Two putti with a basket of flowers on top of their heads, Bernard Picart (workshop of), 1683 - 1733 print Ornament with two putti, which carry a basket of flowers on top of their heads. In the middle of a mascaron. Amsterdam paper etching / engraving / letterpress printing cupids: 'amores', 'amoretti', 'putti'. foliage, tendrils, branches ~ ornament. ornament ~ festoon, garland. mask, mascaron ~ ornament

Personification of Merit or Reward, Robert van Audenaerd, 1673 - 1743 print A console with a man in gown. In his right hand an oak branch and palm branch. In his left hand a crown and laurel wreath. The print is part of an album. paper engraving Reward 'reward'; 'Premium' 'reward' (Ripa)

Israhel van Meckenem, Circular Ornament with Musicians Playing near a Well, c 1495 1503 Circular Ornament with Musicians Playing near a Well

England, Designs for empire fittings, Ornaments with Spikes, Amor, a vase, satyr heads and sphinxes with a lyre, verso - stamped, Top left a young man, possibly Amor, with wings, a bow and a quiver of arrows in a chariot drawn by butterflies. Next to it a vase with masks. Right two satyr heads. Below two sphinxes and arabesques on either side of a lyre. All objects are numbered., print, ornament print, prints, ornament prints, height 189 mm, width 473 mm, print maker, printmaker, 1810 - 1830, paper, papier, engraving, engraving (printing process), Expression creation

A fragment of the Fresku Decorating of the Palazzo Barberini Salon in Rome, Allegory of Divine Wisdom and the Barberini Papan Urban VIII, Work Pietro Da Cortony from 1633 39. Cortona, Pietro da (1597 1669), Unknown

Rocaille Met Draak, Antoine Aveline, François-Thomas Mondon, 1736 print This series is numbered in the top left with a letter A. print is part of an album. paper etching rocaille ornament. dragon

John Eckstein, 1735-1818, German, Design for Funerary Monument, undated. Pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper.

Medallion with initials worn by Putti, Bernard Picart, 1730 print Medallion with initials worn and crowned with flower wreath by putti. At the top right the fame. Amsterdam paper etching / engraving Cupids: 'Amores', 'Amoretti', 'Putti'. Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa)

Cartouche flanked by five soldiers, Pieter Jansz, 1630 - 1672 drawing Possible design for a print. paper. ink pen / brush the soldier; the soldier's life. ornament ~ cartouche

Germany, Jamnitzer, Christoph, sheet of the 'Neu Grotesken Buch' 1610, Das Neuw Grottesken Buch Nürnberg 1610, Leaf-shaped cartouche with a putto sitting on a cloud, The putto holds in its arms a bird with a very long beak. Sheet from a series of surface decorations with grotesques, cartouches, ovals, mascarons, putti and fantastic creatures. The series consists of three title pages, two text pages with the dedication and the preface and 60 leaves, divided over three books., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 142 mm, width 184 mm, 1563-05-12 - 1618, print maker, prentmaker, 1573 - 1610, third quarter 16th century, derde kwart 16e eeuw, fourth quarter 16th century, vier kwart 16e eeuw, first quarter 17th century, eerste kwart 17e eeuw, paper, papier, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

Hercules, wearing the skin of the Nemean lion, carries the Cretan bull Pierre Gravée Antique still image. Illustrations. 1789 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Heracles (Greek mythology), Bulls, Hides & skins, Mythology, Hercules (Roman mythology), Lions , Mythology, Male nude in art, Cretan bull (Greek mythology), Nemean lion (Greek mythology), Cameos, Ancient

Lunette with putti, roosters and horns of abundance in the western gallery of the town hall on Dam Square, Hubert Quellinus, after Artus Quellinus (I), 1655 print Lunette with two putti, two roosters and two inverted horns of abundance in the southern part of the western gallery of the town hall on Dam Square in Amsterdam. This is one of the two lunettes left and right of the image of Apollo. Marked in the middle: K. paper etching / engraving 'Cornucopia', Horn of Plenty. cupids: 'amores', 'amoretti', 'putti'. fowl (cock, hen, chicken, etc.) City Hall of Amsterdam (1655-1808)

Garden sculpture with a seag pad that ceases a dolphin.

Rolwerkkartouche with animals, 1640 print On the left is a man with a stick in his hand, in the middle is a dog, wild boar, snake and goat turned to a rolled up hedgehog. From series of 38 cartouches, decorated with masks, garlands of fruit and flowers, shells and animals. paper engraving dog

A 16th-century etching by Monogrammist AC depicting a fight between four figures, emphasizing dynamic combat and human figures.

Virgin in Glory with St. Peter and St. Paul, Francesco Solimena, Italian, 1657-1747, Pen and brown ink, brush and brown wash, black chalk on paper, Painted architecture for a fresco above and arch. Two angels support a framed picture of the ascension of the Virgin. Below sitting: St. Peter and St. Paul., Naples, Italy, ca. 1715, architecture, interiors, Drawing, Drawing

Design drawing for a room wall. Part of an album consisting of 102 sheets with 124 drawings.

Emblem depicting a man, possibly Arion, playing a lyre and sitting on the back of a dolphin in calm seas. The representation is included in a circular frame with banderole with motto Mediis tranquillat in undis (calm amidst the raging waves), Man playing lyre and sitting on back of dolphin in calm sea in frame with ornaments and extinguished torch, print maker: François van Bleyswijck, (mentioned on object), François van Bleyswijck, (mentioned on object), Leiden, 1681 - 1746, paper, etching, h 98 mm × w 100 mm

Two putti with bust of pan and beehive in cartouche. Bust of Pan sculpted by putto and other putto kneeling at Bijenkorf with bowl of honey, in cartouche with curly leaf and flowerguirdes.

Design for ceiling decoration. Pen and brown ink, brush and brown wash on lined off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

A portrait by Jakob Andreas Friedrich of the Italian Servite religious and historian Paolo Sarpi, Venice 1552-1623, executed in red chalk and pencil around 1714.

Bassorilievo: Di Sileno ubbriaco con Fauni, Il museo Pio-Clementino, Visconti, Ennio Quirino, 1751-1818, Visconti, Giovanni Battista, d. 1722, Engraving, 1782-1807, plate 28 (facing page 56), volume 4 (contents of v. 4-5: Bassirilievi). From a set of 7 volumes depicting Greek and Roman statuary in Vatican City.

Design of a Candlestick with Winged Figures at Base Surrounding Scenic Medallion. Artist: Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501-1547 Rome). Date: 1501-47.Although he received commissions for numerous monumentalfresco cycles throughout his thirty-year career, it was as adesigner of small-scale decorative objects that Perino's artisticimagination took flight. This lavish design for a bronzecandlestick brimming with ornament is a veritableadvertisement for his prodigious powers of invention. In aseamless synthesis of the sacred and profane that epitomizesthe cultural ethos of Renaissance Rome, classicizingswags, acanthus leaves, and grotteschi frame a medallion--presumably an engraved rock crystal--illustrating anepisode of the Passion. The Christian imagery--both thenarrative scene and the saint standing in a niche at thetop--indicates that the candlestick was intended for an altarrather than a secular domestic context. Nothing about thepatron or the

Rectangular cartouche with a coat of arms and five figures. Design for a print.

Design for a Lunette Decoration: Coat of Arms Flanked by Seated Allegorical Figures (recto and verso) 1553-1626 Attributed to Pomarancio (Cristoforo Roncalli) Italian. Design for a Lunette Decoration: Coat of Arms Flanked by Seated Allegorical Figures (recto and verso) 340634

Drawing, Vulcan, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and ink, brush and bistre wash over black chalk on rolled paper; 11.8 x 9.3 cm (4 5/8 x 3 11/16 in.)

Drawing (Italy); Designed by Felice Giani (Italian, 1758-1823); pen and brown ink with brown wash (iron gall ink) and traces of graphite

Design for the seizure of a book lid, with the Ascension of Christ and the evangelist Johannes, Anonymous, c. 1650 Paris paper. ink. chalk brush / pen

Ornamental Design with Diana and Endymion in a Central Cartouche. Artist: Attributed to Jacob Denys (Flemish, 1644-1708). Dimensions: c. 12 1/16 x 9 9/16 in. (30.6 x 24.3 cm) irregularly shaped oval.. Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Paris, France, Lepautre, Jean, Right half of panel with cartouche, Two putti are floating next to the cartouche, the upper one is holding an open crown., print, ornament print, prints, ornament prints, height 187 mm, width 132 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1628 - 1682, second quarter 17th century, third quarter 17th century, third quarter 17th century century, fourth quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Hanger with Herme flanked by two swans; Pear-shaped pendants. Top left is the fox with a male head, sat next to a naked man without arms; top right the lion and the horse; Bottom left the crow that an eagle wanted to imitate but licked into the fur of a sheep; At the bottom right of the frog and the OS. One of 8 unnumbered sheets from a series of 12 with pear-shaped pendants with grotesken, birds, fish and garlands, placed in a structure of rollerwork and Schweifwerk.

Vignette, Jakob Frey, Swiss, active Italy, 1681 - 1752, Giovanni Passari, Italian, Engraving on paper, Three flying cupids support a wreath formed by stars., Europe, Italy, ca. 1715, Print, Print

'Sketch of a Panel with a Medallion and Two Dragons'. France, Circa 1720. Dimensions: 25x27,3 cm. Museum: State Hermitage, St. Petersburg. Author: Gilles-Marie Oppenort.

New Designs for Ornamenting and Embellishing Coaches and Carriews. With details and a variant for the right half.

Two ovals, links with a dog, right with a bear; Oval cartouches in a frame of curl work with animals in landscapes.uit series of 12 magazines.

Roalse Cartech, Johann Georg Pintz, after Joe Johnpp rump, 1712 - 1755 print Rocaille cartouche with series title. Print number 55, publishing number 10. Augsburg paper etching Ornament ~ cartridge. Rocaille Ornament

Panel with coat of arms of the Swedish royal family, after 1616 - Before 1689 print Vignette. Medallion with coat of arms, flanked by two chained prisoners of war or slaved men with a weapon trophy in the background. The whole is surrounded by an edge of leaves. Paris (possibly) paper engraving coat of arms (symbol of sovereignty). slavery; serfs and the enslaved. prisoner of war (after the battle)

France, French crown, Paris, Langlois, François, Bella, Stefano della, Nouvelles inventions de cartouches, Twelve cartouches, Cartouche with two young satyrs, a half cardinal's hat and a half helmet, print, ornament print, prints, height 121 mm, width 91 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1647 - 1647, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever van privilege

Louis XV (king of France), Parijs, Huquier, Gabriel, Meissonnier, Juste Aurèle, Desplaces, Louis, Oeuvre de Juste Aurele Meissonnier, Chandeliers de sculpture en argent, Design for a silver candlestick decorated with two children, Paris, This print is part of an album., print, prent, ornamentprent, albumblad, prints, prenten, height 266 mm, width 212 mm, Frans, 1682 - 1739, print maker, prentmaker, 1738 - 1749, paper, papier, etching, etsen, Work conception, 1693 - 1750-07-31, naar ontwerp van, Publication (Event), Publicatie, 1695 - 1772-06-11, publisher, uitgever, 1710-02-15 - 1774-05-10, verlener van privilege

Picart, Bernard, Amsterdam, Bird on an ornamental monument, verso - stamped, print, ornamental print, prints, height 49 mm, width 72 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1725 - 1725, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman

Print, Design for a Candlestick, Second View, Plate 11 in Oeuvre de Juste-Aurèle Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); Engraved by Phillippe-Louis Compagnon-Desplaces (French, 1682 - 1739); Published by Gabriel Huquier (French, 1695-1772); France; etching on off-white laid paper; 26.5 x 21.2 cm (10 7/16 x 8 3/8 in.)

A historical drawing by Étienne Delaune illustrating the virtue of abstinence through the story of Scipio, rendered in pen, ink, and brush washes on parchment.

Minerva holds laurel wreath above boy with bull, surrounded by putti with symbols of the four faculties. Design for a title page, Minerva holds laurel wreath above boy with bull, surrounded by putti with symbols of the four faculties., draughtsman: Simon Fokke, (mentioned on object), 1745 - c. 1747, paper, h 240 mm × w 173 mm

Design for a pier table. Artist: Anonymous, Italian, 18th century. Dimensions: 7 5/16 x 9 5/8 in. (18.6 x 24.4 cm). Date: ca. 1700. Museum: Metropolitan Museum of Art, New York, USA.

Nuremberg, Weigel, Johann Christoph, Decker, Paul (I), Germany, Beger, Lorenz, Groteschgen Werk vor Mahler Goldschmidte Stucato, Grotesques, Enthroned woman and two musical figures near a vase, verso - stamped, The upper print shows in the middle an enthroned woman with a halo of stars and a staff with a radiant eye. She is flanked by two women with a palm branch and a flame on their foreheads. On the left and right a smoking vessel. The lower print shows a figure playing a lyre and a flute on either side of a vase and a frame with grotesques., print, ornament print, prints, ornament prints, height 110 mm, width 155 mm, height 313 mm, width 188 mm, 1663 - 1735, print maker, printmaker, 1687 - 1725, paper, papier, etching, etchings, 1677-12-27 - 1713-11-18, intermediary draughtsman, after a drawing by, Publication (Event), Publication, German, 1661-07-15 - 1726, publisher

Woman with Korenaren, a showing -off peacock and a family crest in Cartouche, Anonymous, 1520 - 1550 drawing Ferrara (city) paper. ink pen

Roman god of love Cupid presents Venus with the arms of Aeneas. LAmour presente a Venus les armes dEnee. Copperplate engraving from Pierre-Francois dHarcanvilles Monumens du Culte Secret des Dames Romaines, Sabellus, Capri (Monuments to the Secret Cult of Roman Women, Leclerc, Nancy) 1780. Based on imaginary Spintria, medals and cameos.

H. ACRIISH A DRAAK, Wenceslaus Hollar, Afterborn Durrows, 1642 print paper etching the warrior martyr George (Georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword

Drawing, Ceiling Design; Vittorio Maria Bigari (1692-1776); Italy; red chalk, red, pale gray wash support: paper; 21.7 x 25.5 cm (8 9/16 x 10 1/16 in.)

Amsterdam, Picart, Bernard, Engel crowns two putti surrounded by ornaments, verso - stamped, print, ornament print, book illustration, prints, height 95 mm, width 178 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, prentmaker, 1683 - 1733, fourth quarter 17th century, fourth quarter 17e century, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), letterpress printing

Vignettes with Angels and Instruments of the Passion, Jakob Frey, Swiss, active Italy, 1681 - 1752, Giovanni Passari, Italian, Engraving on paper, The vera ikon held by two flying angels., Rome, Italy, ca. 1715, Print, Print

Augsburg, Hertel, Johann Georg (I), Nilson, Johann Esaias, Augusta Vindelicorum, verso - stamped, Cartouche with a personification of the city of Augsburg with attributes of the arts and sciences, personifications of rivers and the symbol of the city: a pine cone. Publisher's number 52., print, ornamental print, prints, ornamental prints, height 182 mm, width 155 mm, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, German, 1721-11-02 - 1788, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Design for a Cartouche and Representation of 'Smell', Plate 5 from 'Neu Inventierte auf die artigste Facon Sehr nutzliche Schild.'. Artist: After Johannes Rumpp (Central European, active Augsburg ca. 1730-1750). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Engraver: Johann Georg Pintz (German, 1697-1767). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Ornament print with a design for a rocaille cartouche, with a depiction of two figures kneeling in front of an altar (likely the mythological story of Iphis and Ianthe praying to Isis) in the central compartment, to illustrate the sense of 'smell'. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. Museum: Metropolitan Museum of Art, New York, USA.

Print, Tailpiece, Putto with Shovel; Designed by Hubert-François Gravelot (French, active England, 1699 - 1773); France; etching on paper; 1919-10-6

Poetry, from a Series of Seated Muses, Pen and bistre on paper, mounted, She carries the writing pen in her right hand, and supports with the left hand, the lyre, which stands beside her. Lying beside her are, at left, a flute and a clarinet, at right, books. Franked by ink lines., probably Venice, Nothern Italy, 1750-1780, Drawing, Drawing

Cartouche with two cents that stop a leopard sheet, Stefano della Bella, 1647 print print maker: Franceafter own design by: Francepublisher: ParisFrance paper etching ornament ~ cartouche. centaurs. beasts of prey, predatory animals: panther (+ skin, fleece, hide, fur, leather)

Cybele. Cybele as a mature mother with a crown in the shape of a wall with towers driving in a wagon drawn by two lions. She carries a key in her right hand. Leaf 25 Recto from a sketchbook with 63 sheets.

Rome, Lafreri, Antonio, Italy, Raphael, Martini, Giovanni, Master of the Dice, Tapezzerie de Papa, Tapestries of the Pope, Putti mocking a monkey, verso - stamped, On a large garland stands a monkey with a putto wrapped in cloth. On the right a putto with a fruit in its hand and on the left a putto with a rattle. On the ground a snail, a turtle and a butterfly., print, prints, height 218 mm, width 285 mm, Italian, German, print maker, printmaker, 1530 - 1560, paper, engraving, engraving (printing process), Work conception, 1470 - 1535, after a design by, 1483-04-07 - 1520-04-07, Publication (Event), Publication, 1512 - 1577, publisher

Étienne Delaunes feather and ink drawing depicts pastoral scenes with shepherds and spinning rocks inside a rock grotto, executed in gray-brown with Bister on parchment.

Georg Christian School (1764-1816), Title Vignet Til S. Richardson: "Miss Clarissa Harlowes History", Tredje del, 1783

Print (France)

Design for a Trophy with Sword and a Plumed Helmet Decorated with Grotesques Masks, Classical Motifs. Artist: Anonymous, Italian, 17th century. Dimensions: sheet: 7 9/16 x 7 1/4 in. (19.2 x 18.4 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Maps of the Spanish Armada (22 and 24 July 1588). Two cards (V-VI) with the Spanish and English fleet in the canal near the Isle of Portland and Weymouth, within an ornamental frame. Upper in the frame a cartouche with the portrait of Francis Drake. A memorial coin between the anchors, spears and banquets with three ships on one side and on the other side the coat of arms of Zeeland. Left at the bottom of a coin on which Queen Elizabeth I depicted in a triumphar, with palm branch and a book with the first words of our father in Dutch. On the back of the coin, turn right, is a tree with a bird's nest in the branches. The birds defend themselves against a bird of prey in the air. In the middle, Francis Drake spends money to his crew from a looted galleon. In addition, prisoners are discharged. The show is part of a book about the Spanish Armada and the carpets that were commissioned by Charles Howard.

Design for a garden jewel with bust of Diana and two hunting dogs, Daniël Marot (II), 1705 - 1769 drawing Design for a garden ornament. paper. ink. pencil brush / pen garden ornaments. piece of sculpture, reproduction of a piece of sculpture. (story of) Diana (Artemis)

Title page with Labor (Labor) and Vlijt (Diligentia) for Arts Satelier, Augustin Braun, 1614 drawing Design for a print or title page. paper. graphite (mineral). ink pen / brush workshop, studio ~ painter. Carefulness, Diligence; 'Diligenza' (Ripa). Industriousness, Assiduity; 'Assiduití', 'Industria', 'Zelo' (Ripa)

Martin Schonguer (around 1450-1495). Coat of arms with two wings (Bartsch 102). Engraving (chisel), 1485-1491. Museum of Fine Arts of the City of Paris, Petit Palais. 76856-1 Art medieval, Christianity, engraving in chisel, Christian iconography, religious iconography, Middle Ages, New Testament, biblical character, 15th XV 15th 15th 15th century, engraving

Vignettes, Jakob Frey, Swiss, active Italy, 1681 - 1752, Giovanni Passari, Italian, Engraving on paper, The flying angels carry the Tunic., Italy, ca. 1715, Print, Print

Flower wreath, watch case and medallion; Goldsmids designs for watch cases: lids and sides. In the middle a watch case with the baptism of Christ, on the right a medallion with John the Baptist surrounded by a border of flowers. First edition, third edition.

Oval edge surrounded by four watch cases; Designs for jewelry. Oval border decorated with flowers, leaves and ribbons, to which six tendrils or wrapping leaf drinks are stuck. Four watch cases in the corners.

Spring; Primavera; Four Seasons. Sweep with the personification of spring: a woman with floral wreath on her head.

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