Allegorical Prints and Designs

A selection of prints featuring allegorical figures and themes, emphasizing concepts like labor and honor, rendered in intricate engravings.

Emblem with allegory of friendship depicted as woman with bowl of grapes, she tramples demons under her feet emerging from hellmouth Below the representation and on the verso is a poem, Emblem with allegory on friendship Friendship , print maker: François van Bleyswijck, (mentioned on object), François van Bleyswijck, (mentioned on object), Leiden, 1681 - 1737 and/or 1737, paper, etching, h 196 mm × w 150 mm, h 129 mm × w 75 mm

Title print with allegorical figures of honor, drawing and labor, Pieter de Jode (I), 1629 print On a cartouche on a piercing stable the title in Italian and Dutch. The personification of Eer (Honore) with a laurel wreath as a symbol for fame and in her other hand is a horn of abundance as a symbol for abundance in one hand. On the left is the art of drawing (Disegno) with passer and mirror and on the right the work (Labore) with a spade. Two lines in Dutch under the Pieth stable. Title print for a series of drawing examples. This print is part of an album. paper engraving honouring the artist with laurel wreath. Honour, Glory; 'Ampiezza della Gloria', 'Gloria', 'Gloria de prencipi', 'Gloria & Honore', 'Honore', 'Sublimatí della Gloria' (Ripa). symbolic representations, allegories and emblems ~ drawing. Labour

The spinner. / 76. (registered title) | Almanach useful and pleasant from the lottery of the Royal Military School. (title of all)

Penning in honor of mayor Pieter van der Werff, 1604, 1700 - 1749 print Penning with portrait of Mayor Pieter Adriaansz. van der Werff, at his death in 1604. Front: bust of Van der Werff within Kischrift. Reverse: fresh above face on Leiden. Printed under the print and on the back with text in Dutch. Netherlands paper etching medal (considered as a piece of sculpture, regardless of its specific function) Leiden

Death of Absalom; Absalon Blyft hanging on an eykeboom. Absalom remains in the branches with his hair when he drove under a tree with his mule. His ridingier continued. Absalom was an easy prey for Davids soldiers. He was killed by Joab. Above the show a title. There are six fresh rules and a reference to 2. Samuel 18: 10-12. The print is part of an album.

Emblema XLII: In Chymicis versanti Natura, Ratio, Experientia and lectio, sint Dux, scipio, Perspicilia and lampas. Michaelis Majeri, Secretioris naturae secretorum scrutinium chymicum: per oculis et intellectui accuratè accommodata, figuris cupro appositissimè incisa, ingeniosissima emblemata, hisque confines, and ad rem egregiè facientes sententias, doctissimaque item epigrammata, illustratum, Maier, Michael, 1568-1622, Merian, Matthaeus, 1593-1650, Etching, 1687, Etching, Emblem 42, located on page 124.

Emblem with allegory of friendship depicted as woman with bowl of grapes, she tramples demons under her feet emerging from hellmouth Below the representation and on the verso is a poem, Emblem with allegory on friendship Friendship , print maker: François van Bleyswijck, (mentioned on object), François van Bleyswijck, (mentioned on object), Leiden, 1681 - 1737 and/or 1737, paper, etching, h 196 mm × w 150 mm, h 129 mm × w 75 mm

Emblema XLIX: Infans Philosophicus tres agnoscit patres, ut Orion. Michaelis Majeri, Secretioris naturae secretorum scrutinium chymicum: per oculis et intellectui accuratè accommodata, figuris cupro appositissimè incisa, ingeniosissima emblemata, hisque confines, and ad rem egregiè facientes sententias, doctissimaque item epigrammata, illustratum, Maier, Michael, 1568-1622, Merian, Matthaeus, 1593-1650, Etching, 1687, Etching, Emblem 49, located on page 145.

Title-page: De la Monarchie du Verbe incarné 1638 Abraham Bosse French. Title-page: De la Monarchie du Verbe incarné 386197

Tegenspoed doet ons naar de hemel verlangen; Tegenspoedt veroorsaeckt eenen afkeer van de Werelt, ende een begeerte tot den Hemel; Voorwinckel van Patientie in den droeven tegenspoedt.Page from a book (p.72) with text and a pressure kersvignet on the verso. In an oval cartouche the interior of a room with a mother in a chair that tries to suckle her child. However, the child refuses to eat. Above the cartouche The title (motto) of the print and a quote from the Bible (Psalm 72:25, now Psalm 73:25). Under the print a caption: "Speent Uwen Appetijt, Daer Ghy suffers damage." And a description that declares the print. Children must learn that they cannot get the chest. Analogous should humans learn that earthly life is not only prosperous.

Cartouche in a framework of ornaments with floral vases; Nova alphati effictio. Central a cartouche with the title in Latin and German. Around a framework of ornament with flower vases, garlands and mid above a mask. Candles burning in the upper corners. In the blades on a wire hanging fish. In the middle of a male and female half-lucky figure, playing the lute. Text in letterpress on verso. Print is part of an album.

Singing Rijkaard and the Crying Poverty Paager, 1691 print Singing and dancing rich man contrasted with a crying poor man, at the bottom an eight -line caption in Italian. paper etching contrast between rich and poor

Address of the printer; The credo. Printed of two blocks. Ornamental picture frame around cartouche with printer's address do Pietersz.

Woman from Popayán, Stefano della Bella, 1620 - 1664 print. playing card Play card with a performance of a standing woman in fantasized Colombian gestation from Popayán. Text in STUDMARGE. Numbered in the top left: 2. Paris paper etching Native peoples of South America (+ costume) Popayán Colombia

Jacob places peeled branches in the drinking troughs of the sheep; Jacob Vermrygt Vee for his wage. Jacob places peeled branches in the drinking troughs of the sheep to ensure that the white sheep would throw fur spotted boy. With that he misleads Laban who agreed with him that he will receive all colorful animals as a wage. Above the show a title. There are six fresh rules and a reference to Genesis 30: 37-39. The print is part of an album.

Biblical Scene (Jacob and Esau ?). Germany, circa 1643. Prints; woodcuts. Woodcut

Jacques Callot, La belle jardiniere, 1619 La belle jardiniere

La Belle Jardinière. Dated: 1619. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Twelve scenes with martyrdom of apostles in rectangular frame with architecture ornaments; Title print for Christ and twelve apostles; Illustrissimo et Reverendisimo (...) Generali Magistro etc:; Christ and twelve apostles ..

Vision of Daniël van de Vier Beasts, 1740 print Daniël's vision of four animals. The first beast looks like a lion with eagle wings, the second on a bear, the third on a leopard with four cups and four bird wings on his back and the fourth has large iron teeth and ten horns. A title above the show. Below six verses and a reference to Daniël 7: 2-4. The print is part of an album. paper letterpress printing four great beasts rising from the sea ~ Daniel's visions

Cephale et Procris. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Actaeon and Jolinde. Jolinde suddenly comes with actaeon with her consequence. He doesn't really have something at home and makes his falcon ready. The food tastes strange and eventually Actaeon Jolinde confesses what is really on the table. From pity, Jolinde marries him. Page from a book with text on recto and verso.

Last Supper, HDS monogram, after Pieter van der Borcht (I), c. 1570 - c. 1610 print The last Supper. Part of a Prentalbum with title print and 56 scenes from the New Testament. Each performance mounted in an engraving with ornamental cartouches in which a window is cut and provided with handwritten Bible passages. paper engraving Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Title page of the leaflet: this disables Vijsioen, and wants to go downhill it has been dreamed Seer Coen, Sestien hundreds of fifteen, 1615. Title of the pamphlet with the verse: Dismans this Vijsioen, and wants to beaten it dreams Seer Coen, Sestien Hundred fifteen, 1615. Allegory on the deceptive peace proposals of Spain. A monk (Spain and Rome) keeps the free horse (united Nederlanden) an olive branch, but at the same time has a whip. On the right lies the driver of the country (Johan van Oldenbarnevelt) to sleep. In the foreground a lot of tenth medal. In the background, a different horse (Southern Netherlands) is heavily loaded by Spinola with packages of Spanish Inquisition and Spanish Tyranny.

Ornamental picture frame with two female personifications; Parable of the five way and the five foolish virgins; Parabola V. VirginVM Typis AEN: Expressa. Ornamental frame with a reference to the Bible text in mat. 25 in Latin and a five-line text in Latin. The picture frame is flanked by two female personifications. Completely above Christ who knocks on the door. At the top left a crane with a piece of leg and a stone in its claw as a symbol of vigilance. At the top right a nest with hungry, young birds. In the frame at the bottom of a putto with hourglass and skull like vanitassymbols. Title print for a series of seven with the similarity of the five way and the five foolish virgins. This print is part of an album.

De Koning Pouhatan in Syn hoogste Staet. text. Prints. 1651. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Indians of North America

Title Card to Work: The works of Lucian de Samosata Auture Greek again translated into François .. JB Peirs Jean Baudoin, in Paris, at Jean Richer, 1613. Grain Jan (1575 1630)

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. Troglodyte Arabia. Fiftieth number of a suite of 52 pieces. (A. de Vesme 560; Dutuit 117) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Title print with title and river god with trident and fishnet in landscape with fishermen, Nicolaes de Bruyn, 1581 - 1656 print Title print with title in Cartouche, a river god with trident and fishnet in his hand leans on a jug where water flows out. In the landscape behind him his fishermen at work. Netherlands paper engraving river-gods. fisherman

Advertising gives light in the darkness, Gaspar Bouttats, 1679 print Page from a book (p. 47) with text on Verso. In an oval cartouche the interior of a room. Two men light various candles, causing the room to light up. Above the cartouche the title (motto) of the print and a quote from the Bible (Psalm 138: 12). Under the print a caption: "It's my use, get" ick. " And providing a description explanation: adversity is part of life as well as prosperity, just like following each other day and night. The darkness ensures that we light candles, and through adversity we remember God and let's burn his light in us. print maker: AntwerpDiestpublisher: Utrecht paper etching / engraving / letterpress printing living-room, parlour, sitting-room. candle. Abstract Ideas and Concepts (+ emblematical representation of concept). Adversity, Misfortune, Bad Luck; 'Fortuna infelice', 'Infortunio' (Ripa)

Voltaire, Fréron et la Beaumelle 1775 Augustin de Saint-Aubin French. Voltaire, Fréron et la Beaumelle 423210

Woman with candle in a dark room, Arnold Houbraken, 1682.

Shell-shaped cartouche with sea creatures, Albert Flamen, 1664

Display of the Mariaransken (Brussels), 1561; Tpoëntelijck Punt Van Buessel. Scene from the play of the Mariaransken, Rederijkerskamer in Brussels. Two scenes in arches: on the left an orator between two batches, right a ship with broken mast at sea with Neptune and Jupiter. For the land jewel of Antwerp in 1561.

Titelpagina voor Jeremy Drexel, Opera, 1636, Peter Rucholle, 1636 print PRINT MAKER: AntwerppBlubrisher: Deadai paper engraving

Persoose elevates people, Gaspar Bouttats, 1679 print Page from a book (p. 55) with text on Verso. In an oval cartouche the interior of a room. In the foreground, a man looks at a ball that he has just beaten to the ground and who is now bouncing the height. Above the cartouche the title (motto) of the print and a quote from the Bible (Psalm 75: 8). Under the print a caption: "Sleeing this down, Higher Gaen" and a description that the print explains. Just like a handball ball that is hit hard against the ground and then bouncing high into the air, his setbacks for humans an opportunity to elevate themselves. print maker: AntwerpDiestpublisher: Utrecht paper etching / engraving / letterpress printing ball games played by one person. Abstract Ideas and Concepts (+ emblematical representation of concept). Adversity, Misfortune, Bad Luck; 'Fortuna infelice', 'Infortunio' (Ripa)

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Latona and the peasants. Fiftieth number of a suite of 52 pieces. (A. de Vesme 532; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Panel with the victory in Venlo, 1702, 1702 print Panel with a performance of the victories in Venlo on September 23, 1702. Part of the decorations on the scaffolding with the temple of Mars during the fireworks on the Hofvijver on December 13, 1702 in The Hague. The temple of Mars was decorated with eight panels with representations of victories of the Allies over France and Spain in the year 1702. Northern Netherlands paper etching capture of city (after the siege) Hofvijver. Venlo

Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Blanchon, Jean Andre

Brillen seller, Arnold Houbraken, 1682 print A man with glasses in his hands. In the background a (visually impaired) figure with a dog and a stick. Pent from a book in which 36 prints with sentences. Print used in: F. van Hoogstraten, The School of the World, 1682. Northern Netherlands paper etching / letterpress printing disabilities affecting the eyes. eyeglasses, spectacles

Antwerp, Jode, Gerard de, Snellinck, Jan (I), Collaert, Adriaen, Icones Revelationum S Johs Evangeliste in Pathmo, Revelation of John on Patmos, Seven Plagues, recto - handwritten in brown ink, Angels emptying bowls that cause plagues. In the foreground the sixth plague: a dragon vomiting frogs. In the margin a four-line caption in Latin. Eighteenth print from a series of twenty-four with the revelation of John on Patmos., print, prints, verso - stamped, Sept anges des Grenouilles., height 85 mm, width 77 mm, height 131 mm, width 100 mm, Southern Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1544 - 1638-10-01, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Piratas de la America y luz à la defensa de las costas de Indias Occidentales. By Alexandre Olivier Exquemelin (1635-1701). Pirates of America and light in defense of the West Indies coasts

The Nassau Oranjeboom, 1615 print The Nassau Oranjeboom with in the middle of an eagle. In a circle nine lines of Latin text. Utrecht paper engraving / etching

The Taking of Jericho from Catholische Bibell, plate ten from Woodcuts from Books of the XVI Century 1564 Germany. Woodcut on paper . Virgilius Solis, the Elder

Apollo in his car; Moralizing love emblems; Devises et emblesmes d'Amobr moralisez. Apollo drives into his car, drawn by horses, along the sky. Among the clouds a landscape. On a banderole a motto in Latin and a caption in French, both about love.

Allegory of philosophy, Abraham Dircksz Santvoort, Adriaen Vlacq, Willem III (prins.

Ulrich I, first count of East Frisia; Ulricus Sirscena. Comes Frisiae Orientis Primus; Kings and potestocks from Friesland; Frisia, SEV, the viris. Ulrich I, first count of East Frisia. Standing for feet, in armor, sword over the shoulder. Illustration, with text on the back, coming from the book: Frisia Seu de Viris Rebusque Frisiae Illustrus Libri Duo.

Frontispiece for "The Life of the Virgin". Dated: in or after 1630. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

SPITTIGNEW I., Duke of Bohemia.

Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest, de Kosten (The Fall of the Country: The First That Falls Pays the Player, the Last the Costs) n.d. Romeyn de Hooghe Dutch. Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest, de Kosten (The Fall of the Country: The First That Falls Pays the Player, the Last the Costs) 368372

Antwerp, Jode, Pieter de (I), Varie figvre academiche, Diversche figvren wt de academia. Now first at a meeting after life, with great effort and expense, very suitable for all young people who practice the art of drawing, brought to light by Peeter de Jode, engraver of Antwerp. 1629, Title print with allegorical figures of Honour, Drawing and Labour, verso - stamped, On a cartouche on a pedestal the title in Italian and Dutch. On the pedestal sits the personification of Honor (Honore) with in one hand a laurel wreath as a symbol of Fame and in the other hand a horn of plenty as a symbol of Abundance. On the left is Drawing (Disegno) with compass and mirror and on the right Labor (Labore) with a spade. Below the pedestal two lines in Dutch. Title print for a series of drawing examples. This print is part of an album., print, title print, album leaf, prints, height 265 mm, width 194 mm, South Netherlands, 1570 - 1634-08-09, print maker, printmaker, 1629 - 1629, second quarter 17th centu

Allegory on Maurits and the end of the file, 1621. Allegory at the end of the twelve-year-old file, 1621. Prince Maurits with the gaze to heaven focused in a landscape with the sword in hand, left the broken chains of the ceasefire , right is an armor. Under the printed printed a verse in 2 columns in Dutch starting with: Siet here the great Mars of 't Vrye Netherlands.

Cephalus and procris; Close two; Cephal et procris; Card game with mythological performances; Jeu des Fables. Playing card with a representation of cephalus and procris in a landscape. Text and clover in the undermaster.

Northern Netherlands, The Great Scene of Folly, The Cornet of Filthy Luck or Carrot and Berry Postilion on his lean, but newly fattened pig crying out The Company is full, Postilion on a pig brings the news that the company is full, 1720, A postilion on a pig spreads the news that the company is full. In the foreground a cow chews on the worthless shares in a ditch. On the left in the background, wind traders are crowding at the issue of shares. In the caption a verse in two columns. Print in the bound first edition (304 B 10) of The Great Scene of Folly with cartoons on the Wind Trade or Action Trade of 1720., print, cartoon, books, Frederik Muller History Plates, height 337 mm, width 280 mm, print maker, printmaker, 1720 - 1720, paper, etching, engraving, engraving (printing process)

Print, Frontispiece: Della Magnificenza Ed. Architettura Dei Romani; Giovanni Battista Piranesi (Italian, 1720-1778); black ink on paper; Platemark: 44.9 × 28.9 cm (17 11/16 × 11 3/8 in.) H x W: 56.6 × 40.3 cm (22 5/16 × 15 7/8 in.)

Title page for: J.B. Houwaert, The Trade of the Amoureusheyt, 1621, Jan van de Velde (II), 1621 print Oval Cratouche with the title, surrounded with four scenes in medallions. At the top left of the meeting between Dido and Aeneas, at the top right Narcissus, at the bottom left Mars and Venus surprised by Vulcanus and straight below Hero and the drowned Leander. Rotterdam paper etching the meeting of Aeneas and Dido; when he approaches her throne, the cloud enveloping him and Achates vanishes. (story of) Narcissus. Mars and Venus surprised by Vulcan; he catches them in a net. (story of) Hero and Leander

Allegorical figures with coats of arms on a fountain, Joseph Mulder, 1680 - 1702 print Fontein with a statue of the fame with palm branch and a French coat of arms in the hands. Next to her are a caduceus, globe, passer and a horn of abundance. The woman on the left shows the coat of arms of Magdalena Poulle, the owner of Gunterstein Castle in Breukelen. On the right a power god. Left in the background the castle, in the foreground a dog. Amsterdam paper etching / engraving 'Cornucopia', Horn of Plenty. armorial bearing, heraldry. caduceus (staff with two snakes, attribute of Mercury). ornamental fountain. dog. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa) Gunterstein Castle

Ruiten één; Jason; Kaartspel met mythologische voorstellingen; Jeu des fables.Playing card with a representation of Jason who throws poison in the eyes of the dragon that guilder fleece monitors. Text and diamond in the undermarge.

Title page Chronica Carionis by P. Melanchthon; Chronica Carionis Vanden's start of the worlds to the Keyser Carolum. A plaque in an architectural picture frame mentions the title of the book. On the plaque is a portrait bust of P. Melanchthon. On either side, the Allegorical figures Historia and Memoria are on stone pedestals. On the coke medallions with the portraits of Julius Caesar and Emperor Karel V.

Dalmatie 1644 Etched by Stefano della Bella Italian. Dalmatie 382648 Artist: Etched by Stefano della Bella, Italian, Florence 16101664 Florence, Artist: Designed by Jean Desmarets de Saint-Sorlin, French, 15951676, Publisher: Published by Henri Le Gras, French, Dedicatee: Made for Louis XVI, King of France, French, Versailles 17541793 Paris, Patron: Commissioned by Cardinal Jules Mazarin, Italian, Piscina 16021661 Vincennes, Dalmatie, 1644, Etching, state iii. The Metropolitan Museum of Art, New York. Gift of the Estate of James Hazen Hyde, 1959 (59.654.19(3))

In the middle a base with the title of the book work. On the base Britannia, England personification, with the portrait of Queen Elizabeth I in an oval list. In addition to her a unicorn. FAMA is flying above in the air. Cupid is next to the base and has the king's crown of England in one hand and an arrow in the other.

Rome, Aelst, Nicolaus van, Tempesta, Antonio, The twelve labours of Hercules, Cartouche with winged figures, garlands and dedication to Cardinal Bourbon del Monte Santa Maria, recto lower right - handwritten in brown ink, print, prints, verso - stamped, 53, height 97 mm, width 142 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1608 - 1608, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher

Allegory on the Northern War, ca. 1658, 1658 - 1659 print Allegory on the Northern War, ca. 1658. In an arena a fight between a lion (the Netherlands), Beer (Sweden), Elephant (Denmark), a tiger and three eagles (Poland, Prussia and the German Empire). The fight is controlled by Cromwell with his dogs. The European princes watch as an audience, in the middle the Evangelical Virgin and the Evangelical Preacher. At the bottom right a bet with a fight between ships at a Kronborg castle. Under the plate a text is printed in 3 columns in Dutch with a explanation of the letters A-M. See also a German version of this print dated 1659. Northern Netherlands paper etching / engraving / letterpress printing animals (+ fighting animals; aggressive relations). circus ring Copenhagen (City). Kronborg Castle

Portada del libro 'Memorias históricas sobre la Marina, Comercio y Artes de la antigua ciudad de Barcelona', de Antonio de Capmany y de Montpalau, 1779,. Museum: Arxiu Històric de la Ciutat de Barcelona.

Veelderhande Niewe Compartimente (Titlepage in Dutch) ca. 1650-74 Michiel Mosyn Dutch The painter Gerbrand van den Eeckhout acted as the designer for several print series showing cartouches and decorative art objects in the Auricular Style. This particular series of cartouches was aimed at an international audience and three different title pages were made to accompany the prints. This is the Dutch title page, which is the most elaborate of the three. The title cartouche is held up by two male figures and below the cartouche several attributes lie strewn over the floor which might refer to the disciplines for which the designs were most useful: architecture and sculpture.. Veelderhande Niewe Compartimente (Titlepage in Dutch) 639884

Freer with a woman in a garden, Jan van de Velde (II), after David Vinckboons, 1622 print A man with his cloak over the arm and his hat in his hand, with a woman in a garden. A second pair in the background. Book illustration from G.A. Bredero, Boertigh, Amoreus, and Aend-like Lied-Boeck, 1622. At the top right page number 75. Amsterdam paper etching / letterpress printing

France, French crown, Paris, Gras, Henry le, Bella, Stefano della, Jeu des fables, Card game with mythological scenes, Ceres, Four of clubs, Playing card with a scene of Ceres drinking from a bowl. Text and clover in the bottom margin., print, playing card, prints, height 88 mm, width 55 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, publisher, granter of privilege

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Mercury and Argus. Forty-eighth issue of a suite of 48 pieces. (A. de Vesme 507; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Vita de' gran Michelagnolo Buonarroti. Dated: published 1568. Dimensions: page size: 21.1 x 14.3 cm (8 5/16 x 5 5/8 in.). Medium: 1 vol: ill: woodcut illustrations. Museum: National Gallery of Art, Washington DC. Author: Giorgio Vasari (author).

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Jupiter and Europe. Nineteenth issue of a series of 52 pieces. (A. de Vesme 496; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Canto duodécimo de la la obra Orlando Furioso, de Ludovico Ariosto (1474-1533), traducida al castellano por J. de Urrea. Editada en Amberes, año 1558.

France, French crown, Paris, Gras, Henry le, Bella, Stefano della, Jeu des fables, Card game with mythological representations, Cephale et Procris, Two of clubs, Cephalus and Procris, Playing card with a representation of Cephalus and Procris in a landscape. Text and club in the lower margin., print, playing card, prints, height 88 mm, width 55 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, publisher, granter of privilege

62. de Plaatdrucker; Luken, Caspar (1672-1709), Luken, Jan (1649-1712); 1694 (1694-00-00-1694-00-00);

Woodcut by Lucas Cranach the Younger depicting a portrait of Magnus, Duke of Saxony, with textual inscription, created in 1563, showing figure and attire.

Friday, Johann.

Heart farmer; Mars; Card game with mythological performances; Jeu des Fables. Playing card with a representation of Mars standing in a landscape. Text and heart in the undermaster.

Officer woman and wood carrier; Madam Lot Femme Thin Officer de la C OURT / ISAC La Flute Crocheteur; Les Abus du Mariage. Two performances on an album magazine. Left the fictional portrait of the woman of an officer at the court, called Lot, with a dog in her hands. In the background the court lying on the water. On the right a wood carrier from Paris, called Isaac. Two quatrains in Dutch. The print is part of an album.

Bliżej Kultury Winkler, Johann Christoph (1701 1770)

. Two fishermen hold a cloth on which the serene title in Dutch. At the bottom of a cartouche the imprint.

Title page for the pamphlet: The dispute between the French Haan, and Lombaardsche Hennen, Streges by Jupiter, 1701, Romeyn de Hooghe, 1701 print Title sheet for the pamphlet: The dispute between the French Haan, and Lombaardsche Hennen, Studies by Jupiter, 1701. At the request of the hens (Lombardy), Jupiter sends an eagle to attack De Haan (France). print maker: Northern Netherlandspublisher: Amsterdam paper etching / letterpress printing Lombardy

Figures at baskets with fruits and vegetables; Ruins in landscapes; Vetustae Ruinina et Venustissimae Aliquot Regions. Figures for baskets with fruits and vegetables, under a cloth on which the title. Title print of a series of sixteen.

Oval medallion with animals, Esaias van Hulsen, 1617 print From series of 6 magazines. Stuttgart paper etching

Count Floris III van Holland, 1586 - 1587 Count Floris III van Holland, back, with a sword in his right hand and a weapon with a climbing lion. A pouch with dagger to his waist. The print is part of a book with descriptions and representations of the graves of Holland, Zeeland and Friesland. print maker: Haarlemafter drawing by: Haarlempublisher: Amsterdam paper engraving Count Floris III van Holland, back, with a sword in his right hand and a weapon with a climbing lion. A pouch with dagger to his waist. The print is part of a book with descriptions and representations of the graves of Holland, Zeeland and Friesland. print maker: Haarlemafter drawing by: Haarlempublisher: Amsterdam paper engraving

Wenzel I, Duke of Bohemia, Saint.

Figures in baskets with fruits and vegetables, Jan van de Velde (II), 1617 print Figures in baskets with fruits and vegetables, under a cloth on which the title. Title print of a series of sixteen. Northern Netherlands paper etching vegetables. plants cultivated for their edible roots or tubers, e.g. potato, turnip

IX in the Rommelelh is fat. IX in the Rommelelh is fat. Third shock. Part of 'SinnePops', R. Visscher, 1614.

Dioscuren on the Quirinaal; Cavalli Posti Nel Monte Quirinale; Modern and antique monuments and buildings in Rome; Ornamenti di Fabriche Antichi and Moderni Dell 'Alma Citta di Roma. Two statues of the dioscuren (Castor and Pollux), two naked men with horses, seen from behind. Previously interpreted as the artists Pehrity and Paxiteles. The images are on the Piazza del Quirinale in Rome. Text in Italian in the undermaster. The print is part of an album.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Pygmalion. Thirty-nineteenth issue of a suite of 48 pieces. (A. de Vesme 52; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

unknown, Paris, Gras, Henry le, Bella, Stefano della, Cartes des rois de France, Card game with rulers of France, Louis 6e dit le gros, Louis VI, Playing card with a representation of the French king Louis VI. Text below the representation., print, playing card, prints, height 90 mm, width 54 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, publisher, granter of privilege

Cartouche with lobe ornament, held up by two men, sculptor's attributes at their feet. Text in the center, Cartouche with lobe ornament held up by two men Veelderhande Niewe Compartemente Signed by (...) (title on object) Veelderhande Niewe Compartemente (series title), print maker: Michiel Mosijn, Gerbrand van den Eeckhout, publisher: Clement de Jonghe, (mentioned on object), Amsterdam, 1640 - 1655, paper, engraving, etching, h 241 mm × w 191 mm

Landscape with dogs, Albert Flamen, 1672 print Landscape with dogs from different breeds. On a banderole a motto in Latin and a caption in French, both about love. print maker: Parispublisher: ParisFrance paper etching Qualities of Love: first series (+ emblematical representation of concept)

Titleplate to Regiunculae et Villae Aliquot Ducatus Brabantiae ca. 1610 Claes Jansz. Visscher Dutch. Titleplate to Regiunculae et Villae Aliquot Ducatus Brabantiae 415285

Boer De Landman (title on object) The Menselyk Bedryf (series title), farmers, Caspar Luyken, Amsterdam, 1694, paper, etching, h 142 mm × w 86 mm

REDICES SINCE IN THE WIND, JACQUES CALLOT, 1646 print Presentation of reed stalks, waving in the wind, on a small island in the water. Above and below this print Latin and French texts in book print. This magazine is part of the emblem series 'Monastic Life in Emblemen'. In addition to an illustrated title page and 26 emblems, the second state of this series is a title page and a magazine with assignment, both in book print without image. print maker: Nancypublisher: Paris paper etching / letterpress printing plants and herbs: reed. winds

Allegory on the elevation of William IV, 1747, 1747 print Allegorie on the elevation of William IV to Stadholder of the Republic, May 1747. The Dutch Virgin hands the sword to Stadholder William IV to an altar. In the foreground, the Netherlands Lion drives the enemies of the Republic, the French. On the leaf under the plate a verse in two columns. print maker: Northern NetherlandsThe Haguepublisher: The Hague paper etching / engraving / letterpress printing personifications of countries, nations, states, districts, etc. Netherlands

Une Grue Volant (A Flying Crane), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 16 1621-35 Jacques Callot French. Une Grue Volant (A Flying Crane), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 16. Lux Claustri ou La Lumière du Cloitre. Jacques Callot (French, Nancy 1592-1635 Nancy). 1621-35. Etching; second state of two (Lieure). François Langlois (French, baptized Chartres, 1588-1647 Paris). Prints

Allegorical representation on the principalities of the world, Adriaen Matham, after David Vinckboons, 1652 print A portrait of Maurits, Prince of Orange, flanked by two female personifications. On the left in a niche the personification of the church, on the right of politics, in imperial clothes with sword and government apple. Around four personifications of Europe, Asia, America and Africa. Under the title a portrait of Emanuel van Meteren at the age of 76. At the top and at the bottom a row with five images of kings and emperors. Title page for Emanuel van Meteren, History of the Netherlands and its neighbors wars. Amsterdam, 1652. Amsterdam paper engraving continents represented allegorically. government, the State; 'Politica', 'Auttorití o Potestí' (Ripa). emperor. ruler, sovereign. the Church symbolized

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. Armenia. Eighteenth issue of a series of 52 pieces. (A. de Vesme 577; Dutuit 117) (Main title), 1644. Eau-tie. Petit Palais, Museum of Fine Arts of the City of Paris.

Plictho de larte de tentori che insegna tenger pani, telle, banbasi et sede si per larthe magiore come per la comvne, Plictho de larte de tentori che insegna tenger pani, telle, banbasi et sede si per larthe magiore come per la comvne, Rosetti, Giovanventura, fl. 1530-1548, Woodcut, 1560

Frontispiece, from The Military Exercises. Jacques Callot (French, 1592-1635); published by Israël Henriet (French, 1590-1661). Date: 1635. Dimensions: 61 × 83 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. Turkey. Seventh issue of a sequence of 52 pieces. (A. de Vesme 570; Dutuit 117) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

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