Allegorical Prints and Engravings

A series of intricate prints illustrating allegorical themes, featuring divine figures and royal portraits, adorned with elaborate decorative elements.

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributs Hierogliphyques, K Consoles, Espagne, Spanje, verso - stamped, An ornamented console with garlands and a coat of arms, above it coats of arms, a cross, a medallion with a chained eagle, a serpent with a crown and a shovel and a round medallion with a peacock and the papal tiara on a plinth. Print number 32., print, ornamental print, prints, ornamental prints, height 379 mm, width 230 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Announcement of the birth of Maria; S. S. Ioachim; Picturae a fresco in Aedibus Augustae Vindelic (...). Maria's birth announcement to Joachim by two angels. Two putti holds Maria's monogram. In the landscape on the left in the background, Anna is at a gate. Putti with the tetragram over the show.

Seven Free Arts, Anonymous, 1698 print Female personifications of the seven free arts, arithmetics, astronomy, grammar, rhetoric, dialectics, musica and geometria with accompanying attributes around a cartouche with title of the book. paper engraving / etching the liberal arts, 'Artes Liberales'

Frederick II., King of Prussians Painters: Nilson, Johannes EasaiStecher: Nilson, Johannes EasaiSverleger: Nilson, Johannes EasaiAsdation: 1750 / 1770Factable genesis: Augsburg

Vignette with a wedding couple in a landscape, Jan Wandelaar, 1710 - 1759 print A wedding couple is in a landscape. In front of them, a winged young man is standing in a sacrifice scale on a standard in which he lays a burning heart. Behind them two putti and amor at Mercury and Venus (). Left front is a power god. The performance is surrounded by an ornamentation frame with garlands, fruits and pigeons. Around the show a frame with garlands, fruits and pigeons. In the middle of a goat and the weapons of Mars as symbols of masculinity between two empty cartouches. North Netherlands paper etching / engraving marriage, married couple, 'matrimonium'. specific aspects, allegorical aspects of Mercury; Mercury as patron

Ferdinand VI as the successor of Philip V in the middle of his family, Pieter Tanjé, after Louis Fabritius Dubourg, 1739 print His family is sitting under the central portrait of Philip V, King of Spain. His son Ferdinand VI, as his successor, holds the command staff in his hand. Rear right is Ferdinand's stepmother Elisabetta Farnese of Parma, points to the portrait of her husband Philip V of Spain. Her daughters are standing with her. On the right in the foreground, the church, with papal tiara on the head, and Putti offer one of its sons the bishop's litter. At the top of a cartouche with a French text about the happiness of the Queen mother. Amsterdam paper etching / engraving family of the sovereign. crown prince. the Church personified, 'Ecclesia', usually with chalice and banner

Allegorical performance with bust of Sybrand factama; Studio Fovetur Ingenium. Two putto laurels the bust of the artist Sybrand Feestama, which is on a base. On the ground there is a smoking pot, which symbolizes his death. There is also a winch and a roll of paper. Left Apollo, the Muses and Pegasus on the Parnassus. At the top of the frame books and the eternity symbol the Ouroboros.

The most important / Gisberto van der Hoolk Thierry Veldhusio COSS. / This pity and the Sacrarium / good republic of the auspicious / was dedicated / A.D. 17. KL. April 1636.

Medal with portrait of Johan Derk van der Capellen to Den Pol, November 1, 1782. Taging hanging on ribbon with front portrait of Johan Derk van der Capellen to Den Pol and inscription that refers to his return to the states of Overijssel on November 1, 1782 , briefly fresh fresh in honor of this politician with the date of this event. The memorial tensification was awarded in memory of the abolition of drosting services in Overijssel in February 1783.

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributs Hierogliphyques, K Consoles, Espagne, Spanje, verso - stamped, An ornamented console with garlands and a coat of arms, above it coats of arms, a cross, a medallion with a chained eagle, a serpent with a crown and a shovel and a round medallion with a peacock and the papal tiara on a plinth. Print number 32., print, ornamental print, prints, ornamental prints, height 379 mm, width 230 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Ticket for the Ball at the Mansion House, 1775. Line engraving.

Saters puts Vaas, Gabriel Huquier, After Jacques de la Joue (II), 1731 - 1761 print A sater sits next to a vase with flowers on a pedestal. On the right is a second saat with a flute. A shell motif with the series title for the pedestal. A frame around the show. Paris paper etching satyr(s) (in general). vase ~ ornament

. Allegory with a pedestal a representation of the conquest of Kattenburg on the rebellious orange-zims by the armed Amsterdam citizens on May 30, 1787. On the monument a portrait of Colonel Abraham Valentijn who had in charge of this promotion, with geniuses, the fame and two Soldiers waiting.

Virtue, grace, childhood / everything perished by a new package / eyes in tears, the shy hope / their offer ICY this modest tomb

Vase in Nis; Pour une niche décoré d'un poet; 50th Cayer Modèles Pour des Trupeaux à l'Usage des Apartemens; Cinquième Volume, Recueil élémentaire d'Architecture (...). A vase with garlands and medallions on a pedestal in a semicircular niche flanked by ionic pilasters. Above the niche a medallions with portrait and profil, helmets, flags and weapons. Print number 296.

Brambilla, Johann Alexander Eraser: Vinazer, Christianstecher: Alberti, Ignaz

Hymen connects the houses of Bavaria and Burgundy. The Wedding God Hymen connects the coat of arms of Bavaria and Burgundy. Under the show the motto: Cernes Quae Surgera Regna Coniugio Tali!

Sater approaches a nymph in ornamental frame, Gerrit Visscher, 1690 - 1710 print Amsterdam paper etching / engraving satyr(s) pursuing nymph(s). ornaments ~ art. cupids: 'amores', 'amoretti', 'putti'

Portrait of Mauro Tesi in medallion surrounded by sculptural and architectural elements; Raccolta di Dissegni Originali di Mauro Tesi. Print is part of an album.

Assignment with coat of arms by Johannes Scipio Ormea, Jan Caspar Philips, After G. Backer, 1735 - 1745 print An assignment in Latin on a drapery, awarded the coat of arms of Johannes Scipio Ormea, lord of Zevenhoven. At the top left is justice and right above Minerva. Behind them a veiled woman with an altar who looks up to the all -seeing eye. paper engraving armorial bearing, heraldry. Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. (story of) Minerva (Pallas, Athena). the all-seeing eye, triangle with eye ~ symbol of God the Father

Project for a monument with trophies and medallion Jean-Charles Delafosse (1734-1789), French painter. Project for a monument with trophies and medallion, 1770-1790. Feather and lavis sepia on cream paper.

Blazoen of the Sint-Lucas Guild with the holy Lucas that Maria paints, Adriaen Collaert, after Sebastiaen Vrancx, 1614 print Saint Luke paints Mary with the Christ child on her knee. In the background an architectural space with a balcony. A woman with a book looks outside through the balcony. The attribute of the Sint-Lucas guild, the ox, is behind the easel of Saint Lucas. A writing spring is in the foreground and refers to the Rederijkerskamer de Violieren. The print has an ornamental edge with attributes of the crafts that owns the guild (printers, painters, music builders, goldsmiths, architects). The print has a inscription with the motto of the violins and the coat of arms of the guild. As a caption there is a Dutch text in fresh shape. paper engraving St.Luke painting or drawing the Madonna (i.e. Mary and the Christ-child), sometimes Joseph present. tools, implements of painter. coat of arms of Guild of St. Luke. trophy, i.e.: decorative arrangement of symbolic or typical obje

Jakob puts peeled branches in the drinking troughs of the sheep, Bernard Picart (workshop or), After Bernard Picart, 1683 - 1733 print Jakob puts peeled branches in the drinking troughs of the sheep. In the middle of a reference to the Bible text in Gen. 30:38. The show is caught in an ornamental list of two horns of abundance. Amsterdam paper etching / engraving Jacob puts peeled rods in the animals' drinking troughs to make the beasts bear spotted young. scrollwork, strapwork ~ ornament. bunch of flowers ~ ornament. 'Cornucopia', Horn of Plenty

Johann Sadeler the Elder created a copper engraving between 1570 and 1600 depicting Emanuel Philibert of Savoy, showing his portrait, attire, and heraldic elements.

Portrait of Pierre-Laurent Buirette de Belloy, worn by Minerva and a genius, Claude Antoine Littret de Montigny, 1765 print Paris paper etching Historical Persons. (Story of) Minerva (Pallas, Athena). 'Genio' (ripe)

Grave monument for Maurits van Saksen, Christian von Mechel, after Jean Baptiste Pigalle, 1776 - 1817 print Grave monument from 1776 by the sculptor Jean Baptiste Pigalle for Marshal Maurits van Saksen in the Sint Thomaskerk in Strasbourg. Text in French in the lower margin and text in Latin on the flat obelisk behind the statue of Maurits van Saksen. paper etching / engraving monument, statue. grave-building, monumental tomb. historical persons Strasbourg (France)

Muurfontin met Verens in Cupido in N QUI, William Faitorne (I) (own), Francesco Fanelli, C. 1661 print Venus and Cupido are on two dolphins on the edge of a shell -shaped basin. Italy paper etching / engraving

Monument for Hendrik Danielsz. Hooft, 1787, Noah van der Meer (II), After Hendrik van Irhoven, After J. Vos, After Johannes Elffers, 1787 print Allegorical monument for the Amsterdam mayor Hendrik Danielsz. Hooft, following his defense of the Patriot interests in the Council on 26 February 1787. Portrait medallion on pedestal, awarded wreath by freedom, hanging left three putti oak brief around the weapon of Hooft. At the top of the radiant all -seeing eye. The print includes a statement. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure). the all-seeing eye, triangle with eye ~ symbol of God the Father

Fragments of painted walls from the pyramid of Cestius in Rome; Archaeological finds in and around Rome; Le Antichità Romane. Fragments of painted walls from the pyramid of Cestius in Rome. Explanatory list of letters in undermarge. Numbered at the top right: Tom. III. / XLVII.

Memorial stone for Prince Willem V. Memettensteen for Willem V, Prince of Orange-Nassau, adorned with a portrait in oval that is raised by a putto. Left and right of the portrait is an angel with a large ring in her hand, symbol of authority and unity, and a veiled woman with an hourglass and mirror. The base of the monument is decorated with the weapon of the prince that is flanked by two crowned lions. On the left on the ground leans a weeping woman surrounded by three children, against the base. On the right is a woman drawing. There is a four-line text in two columns in the margin.

Allegorical composition in honor of Willem v Prins of Oranje -Nassau, 11 July 1787, George Kockers, 1787 - 1792 print Allegorical composition in honor of Willem v Prins of Oranje-Nassau, July 11, 1787. A bust portrait hangs on an altar in a medallion of Willem V. under the portrait four other medallions with from left to right; Justice, agriculture, Eendracht, Weapons and De Hoorn of Abundance. The portrait of Willem V is flanked by two symbolic figures. On the left the winged fame with her trumpet and on the right a lady with the liberty hat and in her left hand the coats of arms of Orange and Prussia. Behind her, the Dutch Lion watches. On the altar there is the Oranjeboom, which is highlighted by God's eye from heaven. Under the image a fourteen -line verse in two columns, between which Zeeland and the Prussian weapon. Middelburg paper etching Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa) (+ personification). head-gear (with NAME). Freedom, Liberty; 'Libertí' (Ripa) (+ symbolical

Design for Cartouche with Large and Small Compartments, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Johann Gottfried Haid, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, Etching and engraving on off-white laid paper, In the upper compartment, two couples at a picnic., Germany, 1745, ornament, Print, Print

Design after François Duquesnoy, tomb of Ferdinand van den Eynden Anonymous, French, 18th century French. Design after François Duquesnoy, tomb of Ferdinand van den Eynden 343665

Plate One, from A New Book of Ornaments Made 1704 France. Simon Gribelin IIís charming set of 12 engravings makes up a book of ornament patterns that could be copied by artists and perused by enthusiasts. The detailed images in the New Book of Ornament Useful to All Artists alternate between sinuous frames with historical and mythological cartouches and more schematic images in the shape of medallions, decorative bands, and jewelry.. Engraving on ivory laid paper . Simon Gribelin, II

Female pastime, Johann Esaias Nilson, 1731 - 1788 print Two scenes on a leaf. Upstairs: a man and woman at the table are about to kiss each other. Sewigerei lies on the table. The show is located in a rectangular list surrounded by rocaille ornaments, a beehive, a bird's nest and two girls. Below: a woman is sitting on her lap with a dog and a book in her hand for a loom. Augsburg paper etching / engraving (lovers) kissing each other. sewing. embroidering ~ textile industry

Portret Van Clemens XIII, Johann Esaias Nilson, 1758 - 1788 print Augsburg paper engraving / etching historical persons. insignia of the pope, e.g. tiara. pope. the all-seeing eye, triangle with eye ~ symbol of God the Father. griffin (lion/eagle); 'Griffo' (Ripa)

Allegorical performance with bust of Sybrand factama; Studio Fovetur Ingenium. Two putto laurels the bust of the artist Sybrand Feestama, which is on a base. On the ground there is a smoking pot, which symbolizes his death. There is also a winch and a roll of paper. Left Apollo, the Muses and Pegasus on the Parnassus.

Allegorical grave monument for Prince Willem V, 1806; To accommodate Z.D.H. Willem de V. Prins of Orange and Nassau (...) friend of religion and the homeland. Face through a gate with curtains on the Allegorical grave monument for Prince Willem V, died on April 9, 1806. On either side of the tomb with portrait of the prince's standing figures of truth and steadfastness (right) and immortality (left). Sitting at the base of the monument on the right the writing history, left a mother with three children.

The Surprise of Peregrine Pickle, by a visit from a Lady of Quality, who comes to relieve his distresses, Charles Warren, 1767-1823, British, after Richard Corbould, 1757-1831, British, 1798, Engraving

Coat of arms of Willem Cornelisz. Van Duyvenbode, 1578, 1736 - 1761 print Coat of arms of the Leiden organist Willem Cornelisz. who acquired the right in 1578 to call himself Van Duyvenbode. This as a reward for the deployment of his pigeons as carrier pigeons for communication during the siege between the city council of Leiden and the troops of the Prince of Orange. Northern Netherlands paper etching armorial bearing, heraldry. pigeon (as messenger) Leiden

Feodor III., Zar of Russia.

Vase on pedestal, anonymous, 1730 print An ornamented vase with image of piety (Pietas) sitting next to a burning altar. The vase is on a pedestal on which two putti are. At the bottom an image of the baptism of Christ. Behind a drapery. paper etching vase ~ ornament. pedestal of a piece of sculpture (perhaps in the form of a herm). Pietas as Roman personification. cupids: 'amores', 'amoretti', 'putti'

Copper engraving by Adriaen Collaert depicting the coat of arms of Philip II of Spain with allegorical accessories, created between 1587 and 1589.

Allegorical vignette with Minerva who a young man Lauwert, Simon Fokke, 1737 print Minerva in armor with spear, shield and helmet and in the company of an owl lauwert a young man. Read and play children left and right of Minerva's throne. At the bottom of the ornamental list the image of a rooster. Amsterdam paper etching attributes of Minerva. crowning with laurel

Personification from France receives ambassadors from all regions, Pierre Soubeyran, After Charles Le Brun, After Jean Baptiste Massé, 1752 print print maker: Francepublisher: Paris paper etching / engraving wall-covering. reception ~ ambassador Versailles

Caesar, Gaius Julius .

Racknitz, Joseph Friedrich Freiherr von Draftsman: Schuricht, Christian Friedrichstecher: Schmidt, Johann Gottfried

Monument for the third centenary of the reform, 1517-1817; The third centenary of the reform. Monument to the third centenary of the reform, 1517-1817. Allegorical performance with centrally a monument awarded a portrait of Martin Luther and a swan. Two performances in the monument. Above the installation by Luther of the 95 racks in Wittenberg on October 31, 1517. Bye and burn the papal Bul and Law Books in Wittenberg on December 10, 1520. In the clouds the fame blows on a trumpet. At the bottom of religion and father time.

Erasmus of Rotterdam Stecher: Picart, Bernard

Memorial tablet in Limoges enamel.. Drawings, Design drawings. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Patterns (Design elements), Decoration and ornament, Silverwork, Victorian, Goldwork, Tablets, Enamel and enameling, Memorials

Rocaille frame with a reading man in an interior, c. 1758 - c. 1760 print The reading man is behind a reading table in a room with framed works on the wall. On the cartouche in the foreground a bust of Minerva. Above a two -line text in Latin and under a two -line text in German. Numbered at the top right: 61; At the top right: Lxi. paper etching Rocaille Ornament. Wisdom; 'Sapienza', 'Humana Sapienza', 'True Sapienza' (Ripa). NewsPaper, News-Sheet

Copper engraving by Hendrik Hondius the Elder depicting Friedrich Heinrich of Orania, produced in 1600, showing the subject in formal attire with precise engraving details.

Graftombe van Menno, Baron van Coehoorn, Jacob Ernst Marcus, after Harmanus Jansz. Vinkeles, 1819 print Graftombe by Menno, Baron van Coehoorn, as it stands in the church in Wijckel in Friesland. On the monument performances connected to the artillery, of which he was general. Menno, Baron van Coehoorn, is depicted lying, dressed in armor. Above him his weapon. Amsterdam paper etching / engraving Wifcal

Cartouche with allegory on the history of Etruria; Title page for: Kornelis Westerbaen, General Histori, 1752. History at a monument on which the map of Etruria and a medallion with the portrait of Pythagoras. In the background Etruscan ruins. Left in the foreground A Roman who receives all kinds of art treasures from the Virgin of Etruria. On the right in the foreground Putti with in the hands medallions on which the portraits of two Etruscan war heroes: Pelopidas and Epaminondas. In the frame of the cartouche a medallion with a Januskop.

Fluctuates not sink (TI)

Rebekka at the Bron, Bernard Picart (workshop of), After Bernard Picart, 1683 - 1733 print Rebekka gives Eliezer to drink from her jug at the source. In the middle of a reference to the Bible text in Gen. 24:18. The show is caught in an ornamental list. Amsterdam paper etching / engraving Rebekah offers Eliezer a drink from her pitcher. foliage, tendrils, branches ~ ornament

Dancing couple; Figures in landscapes; 9ME Livre I Morceaux de Caprices, Propre a Divers Usages. A man and a woman dance to the music of the seated flute player to the right in the landscape. Around the show an ornamented frame, below the serial title in a cartouche.

Print (France); 1919-10-43

Memorial column for Juliana Cornelia de Lannoy. Memorandum in a forest for the poet Juliana Cornelia de Lannoy. A crying putto and a grieving woman on the monument.

Songs of the Painters with Etchings. Rudolph von Normann; German, 1806-1882. Date: 1837-1838. Dimensions: 289 x 231 mm. Etching on ivory wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA. Author: Rudolph von Normann.

Friedrich August I, King of Saxony Stecher: Nilson, Johannes Esaias

Visconti, Matteo I..

Bound Print, Title Page; Designed by Gilles-Marie Oppenord (French, 1672-1742); Print Maker: Gabriel Huquier (French, 1695-1772); Published by Chez Huquier; France; etching and engraving on paper

Allegorical grave monument for Jan van Speijk, 1831; Monument dedicated to the memory of the immortal hero J.C.J. Van Speijk. Allegorical grave monument for Jan van Speijk, with a representation of the jump from Jan van Speijk's gunboat on the Scheldt for Antwerp on February 5, 1831. Left next to the monument The fame with trumpet and ships crown, right clio writes history. An angel (Victory) Brings a laurel wreath on the grave a crying genius with the Dutch flag. On the right in the air Mars, at the top left of Speijk is received in heaven by immortal heroes. On the pedestal of the monument a teenage way.

Grave monument for Jacob Boreel In memory of syn excellence, the ed. Lord and mr. Jacob Boreel (title on object), A grave monument with a sarcophagus on a pedestal. Above the sarcophagus between two pleurants a carved bust of the deceased: Jacob Boreel. An obelisk with coats of arms of its relatives on either side of the sarcophagus. On the pedestal Boreel's coat of arms above a Dutch inscription, sarcophagus, grave-building, monument tomb, effigy, 'gisant' (portrait-figure on closed coffin or in 'castrum doloris'), transi, obelisk, needle, 'pleurants', Jacob Boreel, Jan Goeree (mentioned on object), Amsterdam, 1697, paper, engraving, w 202 mm × h 322 mm

Karl II Wilhelm Ferdinand, Duke of Braunschweig-Wolfenbüttel Publisher: Rosselin , (1736) Stecher: Nilson, Johannes Esaias

Lazio Viterbo Caprarola Palazzo Farnese435. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Group portrait of Charles IV, King of Spain with his wife and five children. The portrait busts en profil to the left are placed side by side in a medallion. Below the portraits the royal coat of arms and the names of those portrayed, Group Portrait of the Spanish Royal Family, print maker: Antoine Cardon, (mentioned on object), intermediary draughtsman: Richard Cosway, (mentioned on object), publisher: Antoine Cardon, (mentioned on object), London, 2-Jan-1807, paper, etching, h 310 mm × w 228 mm

Katharina II., Empress of Russia.

Klemens XIII., Papa Designer: Nilson, Johannes EasaiRadier: Nilson, Johannes EasaiSverleger: Nilson, Johannes esaiasdatierung: 1758 / 1769Factural genesis: Augsburg

Carrying the corpse of St. Casimir. Chardon, Francis ainé et Fils (Paryż ; drukarnia ; ca 1821-1880), printing house, Oleszczyński, Antoni (1794-1879), graphic artist, Wilczyński, Jan Kazimierz (1806-1885), publisher

The Prophet Jonah, from "Prophets and Sibyls" 1480-90 Francesco Rosselli Italian This print is part of a series comprised of twenty-four Prophets and twelve Sibyls, modeled after the series of the same subject by Baccio Baldini (TIB 2403.052-.089). Rosselli's engravings are executed in the Broad Manner and Italianate in style, whereas Baldini's are in the Fine Manner and mostly Germanic in style. Rosselli's prints vary from faithful ciopies of Baldini's prints to loose adapations. This print is opied from Baccio Baldini's Prophet Jonah (TIB 2403.068).. The Prophet Jonah, from "Prophets and Sibyls" 625983

Snarpering hate rod of a real Vrank and Vryen Batavier, 1787, Anonymous, 1787 print Orangist Allegorical representation in which a Batavier like Hercules drives the monster from the discord to hell. On the left side of the medallion a trophy with the weapons of the Divine, a trophy on the right with the weapons of the Eendracht. At the top the sun shines with orange branch and olive branch, there is darkness at the bottom with a skull and patriotse pamphlets. With edge in Latin. Used in Scotchrift by Johannes le Francq van Berkhey in 1787. Northern Netherlands paper etching / engraving Agreement, Unity; 'Concordia', 'unsurpassed Concordia', 'Military Concordia', 'Concordia di Pace', 'Civil Union' (Ripa). Disagreement, discord; 'Discord' (Ripa)

Ambitie en onenigheid; Ambition, Discorde; R Dessus de Portes; Nouvelle Iconologie Historique Ou Attributs Hierogliphyques (...).A Dessus de-Porte with garlands, a book, trumpets, a torch, laurel wreaths, a Bucranium and a round locket with a lion. Below a Dessus de-porte with weapons, snakes, torches, crowns and a round medallion with a burning object. Print number 90.

Modern Grotesken with Venus and Cupid; Panels with grotesken. Vertical panel.

Karl VII., Roman-German Emperor.

Portrait of Hendrik van Eyl Sluyter. Portrait of the Amsterdam art collector Hendrik van Eyl Sluyter, on a grave monument with three putti.

Title print with two royal soldiers at a balustrade, Abraham Bosse, 1639 Title in architectural boogom frame, caught in an ornament list. There are two male figures in front of the title: the left in armor, the judge in civil costume. Paris paper etching / engraving clothes, costume (+ men's clothes). title-page. the soldier; the soldier's life

Allegory with the glorification of Louis Napoleon, King of Holland; To the king. Father of the fatherland, (...). Allegorical performance with a bust portrait of Lodewijk Napoleon, probably following his arrival to the Netherlands, June 1806. His portrait is surrounded by wisdom, personalified by Minerva in armor and abundance, with a cornucopia, scattering food to people . Justice, with scales, and the truth, with mirror, which expel the list and lie. The whole is caught in an oval frame. In the margin the coat of arms of the Kingdom of Holland and a six-line caption in Dutch.

The Coaxer, Arabesque. Pierre Alexandre Aveline (French, 1710-1760), after Jean Antoine Watteau (French, 1684-1721). Engraving;

Tomb puts Treurend Figuren, just Nathan François Boucher, 1755 - 1782 print A tomb on lion legs with a mourning man and woman, above that a smoking vessel hangs. Paris paper etching façade (of house or building). incense-burner ~ scents, perfumes

Title page and fresh from: the post of the Neder-Rhijn, dl. VIII, 1786, Cornelis Brouwer, After Jacobus Buys, 1786 print. text sheet Title page of the Patriotic magazine De Post van den Neder-Rhijn, dl. VIII, 1786. Cut out vignette with an allegorical performance with the freedom standing next to a monument with inscription: Alliance with Vrankryk. MDCCLXXXV. On the alliance between the Republic and France, November 10, 1785. In the print a cut out verse of 6 lines with a description of the show. Northern Netherlands paper etching / engraving / letterpress printing Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure)

Drawing, Detail of tomb monument; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); France; red chalk on paper

Personification of civilian unity; Numismata virorum illustrium ex Barbadica Gente. A console with the personification of civilian unity, shown as a woman with an olive branch in her right hand with a Mirtekrans. In her other hand she has a fish. In addition, a plate with two coats of arms. On the right the coat of arms of the Barbarigo family with a Dogehoed above. On the left the papal weapon of Alexander VI. The print is part of an album.

Klemens Wenzel, Prince of Saxony Eraser: Farrier, Egid (The Younger) Draftsman: Langenhöffel, Johann Joseph Friedrichtunter: Noortwyck, Franz Josephfactic Location: Mannheim

Graftombe Anna Barbera van Meerten-Schilperoort, Anonymous, After Ignatius Stracké, 1853 print Two figures are depicted on the tomb that bind a medallion with the portrait of the deceased on it. Netherlands paper niche-tomb, wall-tomb

Tomb cellar of the genus tassis.Graf cellar of the genus Tassis in Cologne. The entrance to the burial cellar with a decorated pappie with inscription and family crest above it.

Epitaaf with portrait of Johann Christian Bach. Epitaaf with an allegory on the music and a medallion with the portrait of Johann Christian Bach.

Amsterdamse Stedensmaag, Anonymous, c. 1600 - Before 1699 print The Stedensmijd carries the peace staff in her hand and is in the midst of two lions. Netherlands (possibly) paper etching

Copper engraving by Adriaen Collaert depicting a reply involving Gaius Julius Caesar, created between 1587 and 1589.

Parades by the famous Guizotin. The public testifies its high satisfaction. (IT)

Memorial to Charles Mordaunt from Hendon Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/8 × 11 inches (38.4 × 27.9 cm), architectural subject, church, memorial, England, Greater London, Hendon, London, St Mary's Church, United Kingdom

Epitaaf for the deceased princess Anna van Hannover, 1759, Caspar Jacobsz. Philips, After Isaac van Haasterert, 1752 - 1789 print Monument or memorial stone for Princess Anna van Hannover, who died in 1759. Monument made up of banners, allegorical female figures and a royal ermine cloak, crowned by a skeleton with royal crown. Centrally the princess weapon held by a lion and a unicorn. At the top right marked: XIV. Amsterdam paper etching Epitaph. "Vanity" symbols Delft

Portrait van Karl Philipp Franz zu Hohenlohe -Bartenstein, Johann Esaias Nilson, 1731 - 1788 print paper engraving / etching historical persons. armorial bearing, heraldry. Justitia (justice) as Roman personification

Design for a grave monument for Tollens, Anthony Jacobus Offermans, 1806 - 1872 drawing paper. pencil. ink pen / brush grave-building, monumental tomb. historical persons

Print, Epitaphe de marbre et bronze de Mr. le Baron de Bezenval (Epitaph in Marble and Bronze for Baron de Bezenval), plate 100, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier); Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); Engraved by Gabriel Huquier (French, 1695-1772); France; engraving on white laid paper; 59.5 x 24.1 cm (23 7/16 x 9 1/2 in.)

. Allegoric monument for the Amsterdam mayor Hendrik Hooft Danielsz., Following his defense of patriotic interests in the Council on February 26, 1787. Portrait medallion on pedestal, crowned with wreath through freedom, left hanging three Putti oak spirit to the weapon of Hooft. At the top of the radiant everyday eye. A statement belongs to the print.

Schiller, Frederick von.

Portrait of August III, King of Poland, Johann Esaias Nilson, 1733 - 1788 print print maker: Augsburgpublisher: Paris paper engraving / etching historical persons. armorial bearing, heraldry. knighthood order of the Golden Fleece - insignia of a knighthood order, e.g.: badge, chain (with NAME of order). cupids: 'amores', 'amoretti', 'putti'. symbolic representations, allegories and emblems ~ science, 'Scientia'; 'Scienza', 'Studio' (Ripa). insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral) Kennel

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