Allegorical Prints and Engravings

Artworks featuring allegorical scenes and personifications, enriched with ornate borders and symbolic imagery, often depicting moral themes.

Allegory on the human nature, Jan Saenredam, After Cornelis Ketel, 1610 - 1648 print Beneficentia, the personification of beneficency, sits on a chair and is stabbed from behind by evil in the form of a naked man. A knee of the man leans on a skull and a snake that bites in his own tail as a symbol of eternity, hangs around his right leg. On the right is a coffin with the inscription: Mors Oblivio. With her left hand, Beneficentia gives the sun to the naked man. She gives the moon to the woman for her. Between them lies a tied lion that licks a dog. A mouse gnaws at its rope. A few obelisks in the background. The show has an ornamental frame. On the left, the personification of fertility is a child who is brought to life as a symbol of the good as a symbol of the good. On the right a child is gestured that receives his breath from evil. At the top left, a woman breasts a child. At the top right, a woman feeds a child with a spoon. Under the performance an eighthritige, Latin text and a

Virtue leads a few to the wedding boat, Jan Goeree, 1716 print A cartouche with ornaments. The personification of virtue points a couple in love with the wedding boat, lying on the banks of a river. Cupido binds the couple with a rope of virtue. The boat is prepared by many putti. In the air Juno, the Roman goddess of marriage. Amsterdam paper engraving Virtuousness; 'Love of virtue', 'virtuous action', 'Safe driving of' real honors', 'virtue', 'insurmountable virtue' (Ripa). Cupids: 'Amores', 'Amoretti', 'Putti'. (Story of) Juno (Hera). (Story of) Cupid, Amor (Eros). Couple of Lovers. Marriage, Married Couple, 'Matrimonium'. Rowing-Boat, canoe, etc.

Three young men at Waterfal, Carl Albert von Lespilliez, after François de Cuvilliés (Sr.), 1745 print A young man with a rod stands on a bank next to a waterfall, next to him is a young man who awardes his hand to a swimming young man in the water. Around the show an ornamented frame. after design by: GermanyParis paper etching / engraving angling (+ fishing-rod). waterfall. swimming (movement in water)

Marie Amalie, Archduchess of Austria.

Allegory in Heavenly Jerusalem, Abraham Delfos, 1765 print Allegory in the heavenly Jerusalem in Cartouche. Female personification with incense vessel sitting in the picture of the great city of God, held by small angels. In the background Silhouette from Stad Jerusalem. Frame with animals such as a lion, snake, squirrel and birds that are on ornaments derived from plant forms. paper etching / engraving the New Jerusalem. the all-seeing eye, triangle with eye ~ symbol of God the Father

Allegorische voorstelling met personificaties met schip en spiegel; De cl. Psalmen &c Uit de Beryminge van Laus Deo Voet en Ghysen.In the middle is a figure with mirror (possible caution) with a foot on a globe. On the left is a woman with a ship in her hands. The figure in the middle and an angel to the right are touched by rays. There are two musicing putti above that.

Gallery of a palace with a garden behind it; Dessseins de Lambris à l'Italienne. Gallery of a palace with a garden behind it. On the left a statue of Jupiter and on the right a statue of Hercules. Print is part of an album.

Allegory on the human nature, Jan Saenredam, After Cornelis Ketel, 1610 - 1648 print Beneficentia, the personification of beneficency, sits on a chair and is stabbed from behind by evil in the form of a naked man. A knee of the man leans on a skull and a snake that bites in his own tail as a symbol of eternity, hangs around his right leg. On the right is a coffin with the inscription: Mors Oblivio. With her left hand, Beneficentia gives the sun to the naked man. She gives the moon to the woman for her. Between them lies a tied lion that licks a dog. A mouse gnaws at its rope. A few obelisks in the background. The show has an ornamental frame. On the left, the personification of fertility is a child who is brought to life as a symbol of the good as a symbol of the good. On the right a child is gestured that receives his breath from evil. At the top left, a woman breasts a child. At the top right, a woman feeds a child with a spoon. Under the performance an eighthritige, Latin text and a

Waza for decorating a hundred; Le Pautre, Jean (1618-1682), Mariette, Pierre (1634-1716; m.); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Copper engraving by Agostino Veneziano from 1530-1535 depicting a decorative board with detailed ornamentation and symmetrical design.

Allegorical performance on the occasion of the marriage of David Leeuw van Lennep and Hester Barnaart, Bernard Picart, 1723 print Allegorical representation on the occasion of the marriage of David Leeuw van Lennep and Hester Barnaart in Haarlem on May 25, 1723. The husband is brought to the marriage bed by Hymen, where she displays him lightly. Juno, as a protector of the women, and Venus, as a goddess of love, sit on top of a cloud. The show is caught in an ornamental list. Under the current gods of the IJ and the Spaarne. Merchandise, ships and the trade release Mercury display the activities of the couple as merchants. Under the show The motto: IRA Cedit, Favet Dum Hymen Amori. Amsterdam paper etching / engraving marriage, married couple, 'matrimonium'. (story of) Juno (Hera). (story of) Hymen(aeus). (story of) Cupid, Amor (Eros). (story of) Venus (Aphrodite)

Amsterdam, Picart, Bernard, Interior of a library, verso - stamped, Ex-libris for Amadei Lulin. An interior of a library, in a frame with two half-length figures, Truth and Love, on each side. At the bottom four putti with books and at the top the coat of arms and motto of Amadei Lulin., print, prent, ex libris, prints, engravings, height 128 mm, width 81 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1722 - 1722, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process)

Kidnapping of Europe, Jacobus Schijnvoet, 1711 print Amsterdam paper etching Jupiter, usually in the shape of a white bull, abducts Europa and carries her across the water

Age under the influence of Jupiter, Monogramist HF (Graveur), 1609 print paper engraving Old Age, 'Senectus'; 'Vecchiezza' (Ripa). (story of) Jupiter (Zeus)

Title page for: Michel Ange de la Chausse 'Le Grand Cabinet Romain', 1706, Caspar Luyken, 1706 print Amsterdam paper etching Father Time, man with wings and scythe. personification of a city, town-patron(ess). fabulous animals ~ birds: phoenix. Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Fortuna aurea', 'Fortuna buona', 'Fortuna pacifica overo clemente', 'Sorte' (Ripa) Rome

. A triumphal arch with cupid in the middle and a putto. Both are on either side of an altar on which two hearts with the initials C and B. Cupid lights the hearts on fire. In the background partying nymphs. On the altar the title of the book work. At the top of the triumphal arch two putti in embrace.

Paris, Mariette, Pierre (II), France, Lepautre, Jean, Different Designs for the Fair of Plaques and Eaubenistiers, Holy Water Font with the Washing of the Feet, On the lower left and right, the upper body of a child emerges from a console. Sheet 4 from a series of 6 sheets, first edition., print, ornamental print, prints, ornamental prints, height 235 mm, width 152 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1657 - 1661, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher

The Large Thesis, 1625. Jacques Callot (French, 1592-1635). Etching and engraving;

Cabinet with combat scene on panel; Les Cabinets. Left of the panel is Minerva, right Hercules.

Allegory on the heavenly Jerusalem; The great city of God; Title page for: Hermannus Samuel Reimarus, the main truths of Den Natuurlyken God's service, in ten discourses, 1758.A Female Personification with Incense Vessel Sitting at An Image of the Great City of God, hero by Putti. In The Background The Silhouette Of The City Of Jerusalem. Around a Frame with Animals Such as a Lion, Snake, Squirrel and Birds.

Elisabeth, Princess of Lorraine.

Glass pane with scene from the history of Titus Junius, with bust of Hugo de Groot, 1627; Three allegorical glass windows in the house of Abraham Daatselaar, in memory of captivity, flight and exile of Hugo de Groot, 1619-1622. Glass pane with scene from the history of Titus Junius, awarded a bust of Hugo de Groot, 1627. Titus Junius hides in a coffin. On either side Pallas and Mercury, further decorated with tendrils, weapons and putti. Under the central scene a verse of 6 lines. Part of a series of three allegorical glass windows in memory of the captivity, flight and exile of Hugo de Groot, 1619-1622. In 1627 manufactured for the house of Abraham Daatselaar, the merchant in Gorcum that Hugo de Groot has helped flee.

Cities saggers of Haarlem explains the oath; Handjobs of the city of Haerlem. The Haarlem city lag kneeling for a throne woman and turns the oath. She is wearing the armor of Minerva and supports a shield on which the city of Haarlem. In the air, a trumpet blowing angel flies that loves a laurel wreath above the head of the city. Around the show is an arc-shaped ornamental list, decorated with medals on which portraits are of historical figures.

Title print by François Halma's 'Tooneel der Vereenighde Nederlanden and Subject Landscapes', 1725 print Title print for François Halma's 'Tooneel der Vereenighde Nederlanden and Subject Landscapes'. Allegorical representation with the personification of the country sitting on raised throne surrounded by the personifications of the seven provinces. print maker: Northern Netherlandspublisher: Leeuwarden paper etching / engraving coat of arms (as symbol of the state, etc.). personifications of countries, nations, states, districts, etc.

ZinnePrent on the victory of the Netherlands under the leadership of Willem III, 1674. Large allegorical performance on the victory of the Republic under the leadership of Willem III in 1674. Through two stories from Greek mythology, the victory of the United Netherlands will be below The leadership of Prince Willem on her enemies, laid down in the Peace of Westminster on February 19, 1674, glorified. Mercury and Jupiter show the Dutch virgin with the freedom hat on an open open book from Ovid Metamorphosen in which scenes from the stories of Apollo and Daphne and Neptune and Coronis can be seen. Below the Dutch lion who drives the French rooster and an English dog. At the bottom left and right the fables and the political interpretation are explained.

Allegory on death and transience of life. In a round tent there is a putto bubbles to blow ('gay bulla' - 'man is a bubble' - stands on the edge of the niche in which it is in), flanked by an emperor and a country worker. Above the putto a representation of the last judgment. Above left a cartouche with round representation of the fall; At the top right a cartouche with round representation of the crucifixion. In the foreground there are two corpses (the emperor and the farmer, according to the broken crown extreme front left and the battered shave in front of the top). On the left in the foreground also a vase with flowers; On the right a vase from which smell rises and a broken hourglass. Equipped with explanatory texts that refer to death (which does not distinguish between the positions) and the transience of human life. With Latin caption in the form of four quatrains.

Allegory on the marriage commitment between Jacob van Oosterwyck and Anna Bruyn, Jan Goeree, 1708 print In the middle an altar with two burning hearts with the initials O and B. On either side of the altar a sitting woman with coat of arms. The woman on the right holds a ring in her right hand. On the altar the title of the book. Above the altar a round list of putti that show a pair (Jacob van Oosterwyck and Anna Bruyn) A tapestry on which the emblem "Omnia Vincit Amor". Amsterdam paper engraving cupids: 'amores', 'amoretti', 'putti'. (civil) marriage ceremonies. 'Omnia vincit Amor', Love the conqueror, Love triumphant. wedding ring. heart symbolism

Print, Title Page, Vasses de la Maison Royalle de L'oo Nouvellement (Vessels of the Royal House of L'oo); Designed by Daniel Marot (French, active in the Netherlands and England, 1661-1752); Netherlands; etching and engraving on white laid paper; Sheet: 35 x 23.5 cm (13 3/4 x 9 1/4 in.) Platemark: 26.3 x 19.9 cm (10 3/8 x 7 13/16 in.)

Cartouche with Woman in Landscape, Anonymous, After Jan Caspar Philips, 1769 print Landscape with a woman in Greek robe, who makes a flower wreath. The show is caught in a cartouche with medallions in which personifications of the four seasons. Amsterdam paper etching / engraving Seasons of the Year (Esp. Personifications); 'Season', 'The four season of the year' (Ripa). ornament ~ cartouche

The Covenant between Liedekercke, Roeck and Bourse, 1577, 1578 print The alliance between Liedekercke, Roeck and Bourse, to conquer the Citadel of Antwerp, August 1, 1577. Interior in which the three men take an oath. Left faithfulness (Fiducia) and Love (Charitas), in the clouds the triumphal wagon of Venus. Presentation in a round medallion with ornamental allegorical frame with at the top of the sitting female personifications of torment (tribulatio) and piety (Pietas). At the bottom of a cartouche with 2 verses of 6 lines each in French and Dutch. Southern Netherlands paper engraving Fidelity; 'Fedelta' (Ripa). Charity, Charity '; 'Carita' (Ripa) ~ One of the Three Theological virtues. Torent; "Distress" (bank). Piety, 'duty', 'fear of God' ~ the three theological virtues. Triumph of Venus; "Carro di Venus" (Ripa) Citadel of Antwerp (16th century)

The return of Jacob in Canaan, Cornelis Cort, Frans Floris (I), Julius Goltzius, after 1563 - before c. 1601.

Puber time under the influence of Venus, HF monogrammist (engraver), 1609 print paper engraving the ages of man. adolescent, young woman, maiden. (story of) Venus (Aphrodite)

Triumph of Divine Love (left plate), Adriaen Lommelin, after Peter Paul Rubens, c. 1626 - 1677 print Divine love (Caritas) is on a two -wheeled cart. She holds a child against the chest. Next to her are two more children looking for protection. At the front of the car is a pelican that feeds her boy with her own blood. A group of angels whose front dance holds a torch in a round dance flying above the head of divine love. Two angels walk behind the car, one keeps a burning heart in the air, the other threatens with a torch two winding snakes, symbol of hatred. Antwerp paper engraving Charity, 'Caritas'; 'Carità' (Ripa) ~ one of the Three Theological Virtues - MM - Virtues triumphant. symbols of Christ ~ animals. angels. heart symbolism

Romulus marks the circumference of Rome, Louis de Châtillon (Rejected Attribution), After François Tortebat, After Annibale Carracci, 1659 print paper etching / engraving Romulus lays the foundation of Rome

Allegory on Paulus V, Anonymous, 1605 - 1621 print Allegory with the portrait of Pope Paul V. on either side an angel with a banderole. In addition to the portrait, the headwear of both secular and spiritual authorities. In the foreground personifications of the four continents. In the margin a quote from Revelations 13:18, in which reference is made to the number of the beast. paper etching pope. head-gear: hat. banderole. trunked animals: elephant. ruin of a building ~ architecture. horse. archer's weapons: bow and arrow. 'Cornucopia', Horn of Plenty

Allegory of marriage: a couple kneels before a woman who hands them a ring. On the left, a woman holding a horn of plenty, symbolizing fertility. She holds Amor by the hand. In the background, a view of a river landscape. Cartouche with allegory of marriage, print maker: Jan Caspar Philips, (mentioned on object), Jan Caspar Philips, (mentioned on object), Amsterdam, 1736 - 1775, paper, etching, engraving, h 125 mm × w 161 mm, FTZYC Doctype

Copper engraving by Willem Jacobsz. Delff depicting Gerard Thibault, created between 1600 and 1638.

Cartouche with allegorical show with portrait of monarchy; Title page for: Kornelis Westerbaen, General Histori, 1745. A woman draws a portrait of the monarchy personification, while she leans on a pedestal with crowns and skepters. At her, a woman with salamander is on hand and a figure on the back with his knee on a globe and sword and arrows in hand. A weapent trophy behind the portrait. Left in the background is a throne figure on an increase for a crowd. In the frame of the cartouche scenes that have to do with the history of the Roman Empire.

View, Anonymous, After Franz Cleyn, c. 1655 print A woman looks at herself in a mirror, next to her is a peacock. print maker: England (possibly)after design by: England (possibly)publisher: London paper etching

Altitud. Tab. 11 7/12 ped. Latitud. 11 ped. Rhen." druk recto m.o.

Childhood under the influence of Mercurius, HF monogrammist (engraver), 1609 print paper engraving the ages of man. Childhood (alleg.). attributes of Mercury

Allegory on the history of the Romans, Jan Caspar Philips, 1747 print A priest stands with a burning sacrifice column. In the foreground putti with paintings on which the bridge over the Danube and the column of Antoninus Pius. In the background Christians who are killed. The show is caught in a cartouche with medallions in which the portraits and names of Roman emperors. print maker: Amsterdampublisher: Utrecht paper etching / engraving sacrifice ~ Roman religion. persecution of believers Rome

Allegorical performance on the occasion of a marriage. Allegorical show produced on the occasion of a marriage. The love couple sits under a round arch in a garden surrounded by love, peace and wedding god Hymen. On either side of the bow the coats of arms of the spares. Various putti in the foreground. Some of them play with bobbins yarn, presumably a reference to the appeal of the spouse.

. Above: Personalization justice, sitting on a throne. Under her the globe on a base with the Indian Ocean in the middle. An angel on either side of the base. Together they keep a drapery up with the title of the book work. In the foreground the female personnifications of the four continents: on the left Europe and Africa, right Asia and America.

Wedding of Simson with the Philistine woman; History of Simson; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Simson marries Timna with a Philistine Girl. In the background he celebrates a party with his peers in her parental home. Simson who is left on the left of the table gives a mystery. Print is part of an album.

Photo of the title page for: Georges Herman Wilmart, Gender Triumph of the lofty house of Nassau, 1673 ..

. New Year's passage of the Christmas guild in Haarlem, with a representation of the worship of the shepherds in an oval medallion with peripheral.

Title print of a series about Roman emperors on horseback; Roman emperors on horseback; ImperatorVM XII. A Svetonio Descriptorvm Effigies Resqve Gestae. Central to this title print a column on top of the symbol of Rome, the wool fin that suckles the twins romulus and remus. In addition to her tiber's personification. Above them a eagle flies, with a cartouche in his claws with the title of the series. At the bottom of the column the globe with the Roman Empire and the portrait of Johannes Stradanus in an oval list with bust to the right. On either side the gods Diana and Mars. In the background the destruction of Troje and the flight of Aeneas with his father on his back and his son in hand. The print has a Latin caption. This is the title print of a twelval series about Roman emperors.

Allegory on the establishment of the Hollandsche Maatschappij der Sciences, 1752; To establish the Hollandsche Surgye der Sciences in Haerlem. Allegory on the creation of the Hollandsche Maatschappij der Sciences in Haarlem on May 21, 1752. Above Minerva with a portrait of the patron Willem V, in the background a meeting of scientists. Under the sides of a memorial tensation with naked truth with sun on head, a palm branch and in the right hand keep an olive wreath in the left hand; In background View of the city of Haarlem at the Spaarne, down the city pavement of Haarlem. Reverse: Two women sitting at altar, representing religion with flame on head and leaning on Bible and the Netherlands with coat of arms and freedom hat on spear.

Amsterdam, Picart, Bernard, Title page for: C. Visconti, Lettres anecdotes et memoires historiques, 1719, Miraculous apparition during a religious meeting, verso lower right - stamped, During a council, hands emerge from two clouds, carrying a torch and a bundle of snakes. The scene is set in an ornamental frame with portraits. At the top, a cartouche crowned by putti with devil's horns. A man with a lantern shines light on a woman with two heads. In her hands she holds a flaming heart and a mask(). At the bottom, a cartouche with the title in French, crowned by a mitre with an eye and an ear. And flanked by an owl and a monkey., print, title page, prints, height 145 mm, width 85 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1719 - 1719, paper, papier, etching, etchings, engraving, engraving (printing process)

Amsterdam, Crajenschot, Theodorus, Haen, Abraham de (II), Frankendaal, Nicolaas van, Schenk, Jacob, Monent monetae date, Luctor et Emergo, Allegory on the elevation of William IV to hereditary stadtholder and on the Liberal Gift, verso - stamped, In the middle Peace and Justice are seated on a throne on a pedestal. In front of the pedestal is a money chest and there are jewelry and vases. The objects refer to the Liberal Gift of the fiftieth penny requested in 1747 to support the country at war. Above the two women is the text Monent monetae date. Surrounded by a frame with eight cartouches: At the bottom the coat of arms of Zeeland with the motto Luctor et emergo; at the top an armoured figure (possibly Minerva) receives a fasces from an angel; on either side three cartouches referring to the elevation of William IV. At the bottom the caption Felix congressio quâ pax se themidi jungat., print, prints, height 181 mm, width 120 mm, Dutch, 1722 - 1786, print maker, printmaker, 1747 - 174

Grave monument of Pope Urbanus VIII, Anonymous, After Giovanni Lorenzo Bernini, 1692 - 1762 print The burial monument of Pope Urbanus VIII in the St. Peter's Basilica in Vatican City, with a statue of the Pope, death as a skeleton, Caritas and Justitia, by the Italian sculptor Giovanni Lorenzo Bernini. print maker: Italyafter sculpture by: Italypublisher: RomeRomeVenice paper etching grave, tomb. grave-building, monumental tomb. pope. historical persons

Two figures for a king and queen on a throne, Anonymous, Michel Lasne (Possible), 1623 print Paris paper engraving / letterpress printing king. throne

Portrait of a man. Portrait of a man in oval. The man carries the chain of the order of the golden fleece. In addition to the oval an angel that blows on a trumpet, a drapery and minerva. Under the portrait a coat of arms that are flanked on either side by a putto.

Vignet with a wedding couple in a landscape. A wedding couple is in a landscape. For them, a winged youth is in a sacrifice scale on a standard where he places a burning heart. Behind them two putti and amor at Mercury and Venus (). Left front is a flow god. The show is surrounded by an ornamental picture frame with garlands, fruits and pigeons. Around the show a frame with garlands, fruits and pigeons. In the mid top a goat and arms of Mars as symbols of masculinity between two empty cartouches.

Cartouche with allegorical performance with portrait of monarchy, Jan Caspar Philips, 1745 print A woman draws a portrait of the personification of the monarchy, while leaning on a pedestal with crowns and scepters. With her, a woman with salamander is on the hand and a figure on the back with his knee on a globe and sword and arrows in her hand. A weapon trophy behind the portrait. On the left in the background is a thrown figure on an elevation for a crowd. In the frame of the Cartouche scenes that have to do with the history of the Roman Empire. paper engraving / etching drawing. monarchy; 'Monarchia mondana' (Ripa). crown (symbol of sovereignty)

Italy, Giardini, Giovanni, Rome, Limpach, Maximilian Joseph, Disegni diversi inventati e delineati da Giovanni Giardini da Forlì, Various ecclesiastical objects, Chandelier with five burning candles and two putti, verso - stamped, Numbered top left: no. 40., print, ornament print, prints, ornament prints, height 275 mm, width 175 mm, Czech, print maker, printmaker, 1714 - 1714, paper, papier, etching, etchings, Italian, 1646 - 1722, intermediary draughtsman, after a drawing by, Work conception

Allegory up de art, Jacob Folkema, After Bernard Picart, 1702 - 1767 print The acclaimed Apollo is surrounded by its nine muses while writing. In the foreground, on the left and right play putti. The show is caught in a graceful list and decorated on either side with Hermen. paper etching Apollo and the Muses, Apollo Musagetes. Cupids: 'Amores', 'Amoretti', 'Putti'

. Cartouche with at the top of the letter A. a putto on either side of the letter. They pour vinegar into a bowl. In the middle of the cartouche an emblem with Christ on the cross. A soldier offers Christ a sponge steeped with vinegar.

Koorbank, c. 1657 - c. 1665 print Title print for a series of choir benches. Print is part of an album. Paris paper etching ornaments ~ art. seats of the clergy, choir-stalls

The Judgment of Paris in a frame of scrollwork with female hermen, mascarons, putti and garlands. Sheet from a series consisting of a title page and 15 of the 16 sheets with cartouches with biblical and mythological scenes in a frame of scrollwork and grotesques, Judgment of Paris in frame of scrollwork QVANTVM FORMA/ FVGAX, QVANTVM/ VENVS IMPROBA POS (...) (title on object) Comperimentorum quod vocant multiplex genus... (series title), print maker: Pieter van der Heyden, Jacob Floris, publisher: Hieronymus Cock, (mentioned on object), Netherlands, (possibly), 1566, paper, engraving, h 137 mm × w 202 mm

Louis XIV (king of France), Paris, Mariette, Pierre (II), France, Lepautre, Jean, Alcoues a l'Italiene, Alcove with five figures, The alcove is closed off by a balustrade., print, ornamental print, prints, ornamental prints, height 147 mm, width 211 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1655 - 1657, third quarter 17th century, paper, etching, etchings, Work conception, after own design of, Publication (Event), Publication, 1634 - 1716, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Allegory over the victories of Willem III in 1675, 1676 print Allegory over the victories of William III in 1675. At the top 8 portraits with Willem III in the middle. In addition, medallions with portraits of the Elector of Brandenburg, the king of Denmark, the Duke of Lüneburg-Zell and the bishop of Münster. This includes the portraits of Villahermosa, Montecuccoli and the Markgraaf of Baden. In the background and in cartouches below representations of wins achieved and the dying of Turenne in the year 1675 and early 1676 (the sea battle at Messina). At the bottom of an open space intended for the Almanak, with prisoners chained on either side. print maker: Northern Netherlandspublisher: Amsterdam paper engraving / etching battle, fighting in general

Coat of arms of the Geelvinck family surrounded by allegorical figures. The crowned weapon of the Geelvinck family, described with the text "to the lords of yellow finches appropriated", is surrounded by allegorical figures. At the top left of the weapon, the raised personification of poetry. She presents melpomene, muse from the mourning game, a roll of paper. Above Melpomenene, Thalia, Muze of Blijspel, the throne poetry is also a rolled paper. To the right of the family crest, the blindfolded frenzy extracts with a burning torch and the envyed with snakes in her hands. In the foreground a young and old Sater hold a piece of paper together.

Title print for part 1 of 'Spiegel van Staat' by Romeyn de Hooghe, Romeyn de Hooghe, 1706 print Personification of faith with a book on your lap. In addition, Minerva (fought freedom) that beats discord. In the background personifications of strength and justice. Print Maker: Haarlem Publisher: Amsterdam paper etching / engraving Faith, 'fides'; 'Fede', 'Catholica Faith', 'Christian faith', 'Christian faith Catholica' (Ripa) ~ one of the Three Theological Virtues. Strength, power; 'Fortezza', 'Fortress of mind and body', 'Fortress of the joint body with the genericity of the soul', 'Fortress & value of the joint body with prudence & virtue of the soul', 'Force' (Ripa). Justice; 'Strength to the justice subject', 'justice', 'Recto justice', 'rigorous justice', 'pity and violence subject to justice' (Ripa) Dutch Republic

Allegorical performance with Neptune and Stedensmaag, 1749 print Neptunus on a dolphin and an allegorical female figure with a wall crown (possibly a city stir -around) are on either side of the atlast title. Left at Neptunus a mermaid with Hoorn of Abundance and in the background atlas that the world is wearing. Right in the woman four putti and animals as a symbol of the four continents. In the air fama blends on two trumpets and the four wind directions. paper etching / engraving maps, atlases. (story of) Neptune (Poseidon). city-crown, mural crown

Cartouche with allegory on the history of Greece; Title page for: Kornelis Westerbaen, General Histori, 1742. A landscape with the colossus of Rhodes in the background and in the foreground some figures at a globe, from which three putti parts are taken. On the right is Minerva in addition to writing history. There are two putti with tablet and paper with Greek areas on the ground.

Antwerp, Galle, Cornelis (II), Lepautre, Jean, Paris, Ertinger, Franz, Varie inventioni di vasi da acqua benedetta fatti al moderno, Holy water font with angel, Holy water font with an angel pouring water from a jug on the back plate. From a series of 6 sheets with copies after the series Inuentions pour faire des plaques ou des Aubenistiers seruans aux Orfeures by Jean Lepautre. Designs for holy water fonts. The print is part of an album., print, ornamental print, album leaf, prints, height 225 mm, width 150 mm, 1640, print maker, printmaker, 1677 - 1692, paper, papier, etching, etchings, Work conception, Frans, 1618-06-28 - 1682-02-02, after print by, after design by, Publication (Event), Publication, Zuid-Nederlands, 1615 - 1678-10-18, publisher

Etend and drinking company in a landscape, Pierre Adrien Le Beau (attributed to), 1768 print Clothing: civilian clothing 1768. print maker: Francepublisher: Paris paper etching / engraving clothes, costume (+ men's clothes). clothes, costume (+ women's clothes). picnic, alfresco, 'déjeuner sur l'herbe'. eating and drinking

Faith with cross and lion. The depicting of faith is caught in an ornamental picture frame with floral motifs and two lions.

Group picture.

Utrecht arms map (top part), Hendrik Winter, after Everard Meyster, c. 1663 - 1732 print Upper part of a weapon map of cities and prominent genera from the province of Utrecht. paper engraving prospect of city, town panorama, silhouette of city. coat of arms (as symbol of the state, etc.). Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). armour. chariot, triumphal car Utrecht. Amersfoort. Rhenen. Wijk bij Duurstede. Montfoort. Utrecht

Allegory on the fame of the Dauphin, Antoine Coypel, 1671 - 1722 print France paper etching Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa). king. ornament ~ cartouche

Cartouche with allegory on the history of Greece, Jan Caspar Philips, 1742 print A landscape with the colossus of Rhodes in the background and a few figures in the foreground at a globe, from which three putti are troubled. On the right is Minerva next to the writing history. There are two putti with tablet and paper with Greek areas on the floor. paper etching / engraving 'History'; 'History' (ripe). Colossus of Rhhodes (Wonder of the World). (Story of) Minerva (Pallas, Athena) Greece

Minerva sitting on a throne, Robert van Audenaerd, 1692 print Minerva is on a throne made of arms. With her scepter, she points to a Julius Caesar medallion. The medallion is held by three putti. One of them holds a laurel wreath above the medallion. An angel plays on a Schalmei. Under the performance an assignment and a Latin text. Rome paper etching / engraving (story of) Minerva (Pallas, Athena). angels singing, making music

Allegory on vanity with dance for the Golden Calf, Hendrik Frans Volkert Diamaer, After Matthijs Balen (1684-1766), 1727 print Allegory on vanity with dance to the golden calf in oval and reference to transience with two children blowing bubbles. On Verso Dutch text in two columns in book print. South of the Netherlands paper engraving / etching the people dance around the golden calf ~ Exodus. (children or putti) blowing bubbles, 'Homo Bulla' ~ scene symbolizing 'Vanitas'

Haarlem, Enschedé & Zn., Johan, Scriverius, Petrus, Jelgersma, F., Laan, Adolf van der, Minerva embraces bust of Laurens Jansz. Coster, verso - stamped, Minerva embraces a bust of the Haarlem printer Laurens Jansz. Coster, which is laurelled by an angel blowing a trumpet. On the left is a cushion with a coat of arms. Through the arched view, decorated with medallions on the left and right, you can see the interior of a printing house. Below the image a four-line caption in Latin., print, prent, prints, prenten, height 167 mm, width 100 mm, 1690 - 1742-05-09, print maker, prentmaker, 1740 - 1740, paper, papier, etching, etsen, Work conception, after a design by, Noord-Nederlands, 1576 - 1660, schrijver, Publication (Event), Publicatie, publisher

Fronton with a cartouche, flanked by two angels. In the middle above three putti under a cardinal hat.

Achilles defeated, Bernard Baron, after Peter Paul Rubens, 1724 print London paper etching / engraving (story of) Achilles. defeat ~ armed conflict

Exotic landscape with the ruins of an ancient temple In the foreground Arabs, Persians and putti have gathered around a globe On the left, a painting depicting the Kaaba at Mecca On a pedestal is the title in Dutch The scene is framed in a cartouche with the portraits of two rulers in medallions in the upper corners, Cartouche with view of ancient temple Title page for: Thomas Salmon, Present History, or Present State of All Nations, 1732, print maker: Jan Caspar Philips, (mentioned on object), Jan Caspar Philips, (mentioned on object), publisher: Isaak Tirion, (mentioned on object), Amsterdam, 1732, paper, etching, engraving, h 176 mm × w 108 mm

Moses is found by the daughter of the Pharaoh, Jan Luyken, 1700 print A list with the daughter of the Pharaoh and her maid, who find the Biezen basket with Moses on the banks of the Nile. Around the list of men (the Jewish community who have to work as slaves in Egypt) and women who mourn the death of their children (the murder of all male newborns). Amsterdam paper etching the finding of Moses: Pharaoh's daughter comes to bathe with her maidens in the river and discovers the child floating on the water. the Israelites are forced to hard labour ~ Exodus. Pharaoh decrees the drowning of every new male offspring among the Israelites

Allegory at Gustaaf Willem Baron from Imhoff Gouverneur of the Dutch East Indies. Allegory at Gustaaf Willem Baron van Imhoff, Governor of the Dutch East Indies. A female personification is next to a base with the Governor's portrait. She holds a palm branch and a snake that bites itself into the tail. Next to her is a cornucopia. The frame with an irregular shape is awarded by the coat of arms of the man with a banner on which the letters VOC (United East India Compagnie) are legible. Below the show is a Dutch randwy of Hendrik Snakenburg.

Book of Fountains: No. 1, Title Page, c. 1736. Gabriel Huquier (French, 1695-1772), after François Boucher (French, 1703-1770). Etching;

Amsterdam, Wolfgang, Abraham, Nederland, Santvoort, Abraham Dircksz., Title page for: Corneille, Pierre. Le menteur. Comedie, 1663, Dorante meets Clarice and Lucrece, Netherlands, verso lower right - stamped, Dorante greets Clarice and Lucrece at a fountain in the Tuileries Gardens in Paris. Behind him stands a man. On the right are two figures walking. Below a cartouche with the title., print, engraving, title page, prints, engravings, height 115 mm, width 66 mm, Noord-Nederlands, 1634 - 1669, print maker, printmaker, 1663 - 1663, paper, papier, etching, etchings, Publication (Event), Publication, publisher

Allegory on carthago, jan carspar philos, 1749 print A general and the personification of Carthage redetle about a globe. In a niche a statue of Saturn. On the left in the background the Carthaagse people. The show is caught in a cartouche that is crowned by a medal with the portrait of the Carthagen army commander Hannibal Barkas. print maker: Amsterdampublisher: Utrecht paper etching / engraving cities represented allegorically or symbolically. globe. commander-in-chief, general, marshal. specific aspects of Saturn; Saturn as patron Carthage

Allegory on Lodewijk XIV, Charles Louis Simonneau, after Antoine Coypel, 1723 print Portrait of Louis XIV stopped by Mercury above a writing woman and the time. Paris paper engraving / etching (story of) Mercury (Hermes). Father Time, man with wings and scythe. specific aspects, allegorical aspects of Mercury; Mercury as patron. cupids: 'amores', 'amoretti', 'putti'. printing press

The announcement of a new play which will enact out the childhood of Harlequin. Etching by G.J. Xavery.

Second Carriage of Lord Castelmaine: rear view, Arnold van Westerhout, Flemish, 1651 - 1725, Giovanni Battista Lenardi, Italian, 1634 - 1704, Etching and engraving on white paper, Rear view of carriage: a group consisting of four seated children and a seated woman rises over the rear axle. The woman carries a bracket with four crowns upon her head., France or Italy, 1700, transportation, Print, Print

Figures around an allegorical burial monument for John Churchill, 1st Duke or Marlborough, Laurent Cars, After Domenico Maria Fratta, After Donato Creti, after Nunzio Ferrajuoli, After J.P. Mirando, 1735 - 1741 print Paris paper etching / engraving grave, tomb. equestrian statue

Stirling Maxwell, William, Vos, Maerten de, Wierix, Great Britain, Waterston, Sons, & Stewart, G., Reproductions of the medallions with the capture of the citadel of Antwerp in 1577, Reproduction of the print with the negotiations with the German commanders about the departure of the garrison, 1577, Reproduction of the print with the negotiations between Liedekercke, Roeck and Bourse and the German commanders about a ransom for the departure of the German garrison, 2 August 1577. Group of men standing in consultation, the citadel in the background. In the clouds the personification of God's punishment. Representation in a round medallion with ornamental allegorical frame with at the top the seated female personifications of Generosity (Liberalitas) and Ingratitude (Ingratitudo). At the bottom a cartouche with 2 verses of 6 lines each in French and Dutch., print, picture, historical object representation, prints, pictures, Frederik Muller Historieplaten, height 412 mm, width 250 mm, pri

Coat of arms of Holland flanked by man and woman; Cedant arma togae; Title page for: Lieuwe van Aitzema, History or Verhael of Saken van Staet and War in Ende regarding the United Netherlands, 1657. In the center the crowned weapon of Holland flanked by an armed man and a woman in armor with an olive branch and the freedom hat. Above the weapon, four portraits are held by numerous putti. In the background a meadow landscape and a seascape.

Elsevier photo collection. Garvure image Noordeinde Palace. undated. Hague, South Holland

Avctarium Work of Concions title card . Kilian, Wolfgang (1581 1662), Bottan, J.B.

Coat of arms flanked by Minerva and Prudentia, Christian Friedrich Fritzsch, 1729 - 1774 print A helmet coat of arms with the image of a tulip, both on the shield and on top of the helmet, stands on a base in the open air. A winch is on the pedestal. Minerva is in her armor to the left of the weapon; An angel blows the trumpet behind this. On the right is prudentia or caution, with a snake and a mirror in her hands. Behind Prudentia a putto holds the Caduceus, Pegasus flies in the distance. paper etching (story of) Minerva (Pallas, Athena). Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. armorial bearing, heraldry

S. Ignace, martyr (St. Ignatius, Martyr), February 1st, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Ignace, martyr (St. Ignatius, Martyr), February 1st, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Title print of a series by Roman emperors on horseback, Adriaen Collaert, after Jan van der Straet, 1587 - 1589 print Central to this title print a column with on top of the symbol of Rome, the Wolvin who sits the twins Romulus and Remus. Next to her the personification of the Tiber. Above them an eagle flies, with a cartouche with the title of the series in his claws. At the bottom of the De globe column with the Roman Empire and the portrait of John Stradanus in an oval list of bust to the right. On either side the gods Diana and Mars. In the background the destruction of Troy and the flight of Aeneas with his father on his back and his son in his hand. The print has a Latin caption. This is the title print of a twelve -part series about Roman emperors. Antwerp paper engraving Romulus and Remus are washed ashore and suckled by a she-wolf; 'Lupa Romana'. personification of river Tiber; 'Tevere' (Ripa). 'Pius Aeneas': Aeneas, leading Ascanius, escapes from burning Troy, carrying his fa

November, Johann Esaias Nilson, 1766 print In a rocaille frame a performance of a hunter. A hunter and his entourage with the hunting shot walk into a cafe. Two women and a man stand and sit around a table with beer mugs. The space is illuminated by a candle. In the lower margin a four -line French text. Augsburg paper etching / engraving November and its 'labours'. return from the hunt. inn, coffee-house, public house, etc.

Neptunus fountain in Florence. A Neptunus fountain, probably that fountain that was established in Florence in honor of the entry of Johanna of Austria in 1565. Central to the fountain, Neptune drives to a shell by four sea horses. Around him water nymphs. Two putti on swans in the foreground. A woman walks towards the fountain to get water.

Golden era; Ætas Avrea. Presentation of the golden age. Life is good and the people are happy. They celebrate the party in honor of the goddess flora and decorate their homes with flowers and garlands and collect fruit. On the right side of the cloud is Saturn, as a patron of this happy time.

Marriage, Bernard Picart (Possible), 1683 - 1733 print A wedding ceremony of a man and a woman standing by an altar on which two hearts lie. Amor appears with two torches above them. On the left is the abundance with a horn of abundance and on the right a winged Hercules. The performance is caught in an ornamental framework. Amsterdam paper etching / engraving marriage, married couple, 'matrimonium'. ornaments ~ art. (story of) Cupid, Amor (Eros). 'Cornucopia', Horn of Plenty. (story of) Hercules (Heracles)

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