Allegorical Prints and Portraits

Intricate prints depicting allegory, virtue, and historical portraits, showcasing detailed engravings and symbolic representations.

De Opzetene, Jacques Callot, After Andrea Boscoli, 1630 print Presentation of a possessed woman who is controlled in a church space by two men, while a priest reads from a book for her, in order to drive the demons out of her. Many men and women are watching these four figures. This scene is caught in a decorative frame. At the bottom of a cartouche with Italian text. Florence paper engraving exorcizing the devil. possession (by demons) - AA - female human figure

Portret van Georg Hieronymus Welsch, Melchior Hafner (II), After Johann Zacharias Raidel, 1660 - 1677 print With praise in Latin. paper engraving historical persons. armorial bearing, heraldry. ornament ~ festoon, garland

Working in the Mijnput Recto

Shirley, Robert .

Allegorical Portrait of Prince Maurits, 1600, Anonymous, 1600 print Allegorical portrait of Prince Maurits. Large oval propaganda interest on the victories of Prince Maurits in the years 1593-1600, culminating in the Battle of Nieuwpoort, 2 July 1600. In the middle a portrait of the prince surrounded with a chain formed by the weapons of the conquered places. Eendracht and caution keep a laurel wreath above his head. In five small scenes the conquests in Geertruidenberg (1593), Groningen (1594), Turnhout (1597), Sint-Andries (1600) and Nieuwpoort (1600). Furthermore, roll work, weapon trophies and the spanish banners. In the 4 corners verses of 4 lines in Latin. At the bottom left and right the Hollandse Leeuw with (left) the Pijlenbundel and (right) sword, lance with freedom hat. Also the weapons of the prince and of the States General. Northern Netherlands paper etching / engraving Agreement, Unity; 'Concordia', 'unsurpassed Concordia', 'Military Concordia', 'Concordia di Pace', 'Civ

Amsterdam, Picart, Bernard, Coat of arms of Johann Joseph Anton Count of Thun and Hohenstein, verso - stamped, print, prints, height 94 mm, width 68 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1732 - 1732, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process)

Barbarigo, Giovanni Francesco, Rome, Audenaerd, Robert van, Numismata virorum illustrium ex Barbadica gente, Personification of Civil Concord, verso - stamped, A console with the personification of Civil Concord, depicted as a woman with in her right hand an olive branch curled with a myrtle wreath. In her other hand she holds a fish. Next to it a board with two coats of arms. On the right the arms of the Barbarigo family with a doge's hat above it. On the left the papal arms of Alexander VI. The print is part of an album., print, album sheet, prints, height 183 mm, width 180 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, engraving, engraving (printing process), Italian, 1658-04-29 - 1730-01-27, patron

Ferdinand IV., Roman King Stecher: Borcking, Johann

Elisabeth I, Queen of England.

ANTEPORTADA DE LAS ORDENANZAS DE LA REAL MAESTRANZA DE CABALLERIA DE RONDA - GRABADO SIGLO XIX. Author: RIVERO JOSEF. Location: SENADO-BIBLIOTECA-COLECCION. MADRID. SPAIN.

Grafmonument Met PortraT van Georg Jacob Schrazenstaller, Christoph Friedrich Theodosius von Schad, After Georg Jacob Schratzenstaller, 1795 print paper etching historical persons. grave-building, monumental tomb

Portraits of Willem IV, Prince of Oranje-Nassau, Willem V, Prince of Oranje-Nassau, Wilhelmina van Prussen, Louise, Princess of Oranje-Nassau, Willem I Frederik, King of the Netherlands, and Frederik, Prince of Orange-Nassau. Portraits of Willem IV, Willem V, Wilhelmina, Louise, Willem I Frederik and Frederik. Each in an ornamented frame with their names and titles. In the middle of two weapons with a crown. In the lower margin two columns with eight lines of Dutch text.

Portrait of Ferdinand van Collen; Mr. Ferdinand Van Collen. Bust of Ferdinand van Collen in an oval medallion. At the bottom left of an allegorical female figure that represents the city of Amsterdam, on the right a putto with the coat of arms of from Collen and an angel with trumpet at the top left. At the bottom right of its name and data in four rules in Dutch with a twelve-line verse in Dutch.

Bliżej Kultury Unknown, Saint Luke Society in Krakow, Miłkowski, Władysław (1847 1928)

Les Principaux poincts de la Foi de l'eglise catholique. Defendus contre l'ecrit adresse au Roi par les quatre ministres de Charenton"", byr Armand Jean du Plessis (1585-1642), Cardinal Richelieu. Engraving by Huyot based on the illustration for the frontispiece of the work, engraved by J. Picart. Published in Paris, chez Sebastien Cramoisy, 1629. XVIIme siecle: lettres, sciences et arts, France 1590-1700 (17th century: letters, sciences and arts), by Paul Lacroix. Published in Paris by Librairie de Firmin-Didot et Cie, 1882.

Portrait of Hendrik Casimir II, Count of Nassau-Dietz. Portrait of Hendrik Casimir II in an oval with a ribbon. Above it is a weapon with a crown. At the top left and top right, Putti holds a cloth. On the canvas four lines of Latin text.

The Tiburtine sibyl. Reproduction of an engraving by B. Baldini, ca. 1480.

Paris, Buldet, Denis-Charles, Eisen, François, Salvador Carmona, Manuel, Children Making a Dog Dance, A boy and a girl making a small dog dance. The dog is standing on its hind legs and is wearing a hat on its head. The boy is playing the hurdy-gurdy. Dedication in French in the lower margin., print, prints, height 392 mm, width 271 mm, Spanish, 1734-05-20 - 1820-10-15, print maker, printmaker, 1761 - 1761, paper, papier, etching, etchingsen, engraving, engraving (printing process), 1695 - 1778, after, after painting by, Publication (Event), Publication, French, 1724 - 1797, publisher

Allegorical portrait of Pieter Adriaansz. van der Werff, Noah van der Meer (II), After August Christian Hauck, 1751 - 1822 print Portrait of Pieter Adriaansz. van der Werff, mayor of Leiden at the time of the relief of Leiden. The portrait is located on a monument and is flanked by Putti. One shows a banderole, the other breaks a yoke and stands next to a lance of freedom. In the middle of the all -seeing eye of God. In the middle of the portrait, an allegorical representation with the Stedsmaarden of Leiden. Leiden paper etching / engraving cupids: 'amores', 'amoretti', 'putti'. yoke. Freedom, Liberty; 'Libertí' (Ripa) (+ allegorical scene, i.e. two or more personifications involved in an action). Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues

Portrait of Catharina Elisabeth Besser held by Erato and Minerva, Christian Fritzsch, After Anna Maria Werner, 1732 print There is a portrait on either side of Catharina Elisabeth. The portrait on the left bears the name 'Doris' and on the right the name 'Laura'. print maker: Hamburgpublisher: Leipzig paper engraving historical persons - BB - woman. serpent Ouroboros. death's head, skull (symbol of Death). Erato (one of the Muses); 'Erato' (Ripa). Minerva as patroness. grave-building, monumental tomb. torch - BB - torch held upside down. empty bird cage. armorial bearing, heraldry. Eurydice, while fleeing from Aristaeus, is killed by a snake

Heinrich IV., King of France Stecher: Leu, Thomas DE

Grave monument with medallion and standing figures. A grave monument with a medallion with men's portrait flanked by Hercules and a woman. They hold a crown above the medallion.

Karl Xi., King of Sweden.

Circumcision Aegidius Sadeler II Netherlandish After Hans von Aachen German After Joris Hoefnagel Netherlandish 1590 This engraving belongs to a series, Salus generis humani (Salvation of Mankind), depicting thirteen scenes from the life of Christ (see 51.501.6467(1-13)). Aegidius Sadeler II based his engraving of the scene at the center on a drawing by Hans von Aachen. The allegorical border is based on designs by Joris Hoefnagel. This impression has been hand-colored by an unknown artist with opaque watercolor, gold, and now-tarnished silver. The carefully applied watercolor reinforces the underlying engraved desgin (see 51.501.6467(4)), adding depth and emphasizing lighting and contour. At least two other prints with similar coloring from the same series survive, one in The Met's collection (see 17.3.3286).1 These other surviving sheets suggest that the series may have been colored and preserved as a set.- Olivia Dill, May 23, 20231 See Susan Dackerman, "Painted Prints in Germany an

Benedikt XIV., Dad.

Florence I, Count of Holland.

Canitz, Friedrich Rudolph Ludwig Freiherr von.

Allegorical performance with Apollo and Diana and three personifications of the pharmacy; Title page for: Johannes Neander, Tabacologia (...), 1626..

Josef II., Roman-German Kaiser.

Friedrich, Markgraf von Brandenburg-Bayreuth.

Musette Player (Le Joueur de Musette) 18th century Anonymous, French, 18th century French. Musette Player (Le Joueur de Musette) 391695

Johann II., Duke of Bavaria.

Paris, Bosse, Abraham, Lasne, Michel, Siege of La Rochelle, September 1627-October 1628 (margin, upper center part), verso lower left - stamped, Sixteenth part (margin, upper center part) of a print of the siege of the Huguenot stronghold of La Rochelle in 1627 and 1628, which was carried out by order of the French king by the French army under the command of Cardinal Richelieu. On this sheet a portrait of Louis XIII in an oval with inscription in the margin, surrounded by a crown and military attributes. Top left the letters 'IO' and top right a large 'R', parts of the inscription of the print., print, historical print, prints, height 163 mm, width 463 mm, 1590 - 1667-12-05, print maker, printmaker, 1628 - 1631, second quarter 17th century, paper, papier, etching, etchings, engraving, engraving (printing process), French, 1602 - 1676-02-14

Puchheim, Johann Christoph Graf.

Jacobus IIds, D.G. Angliae, Scotiae, Fran. et Hiber. rex, fidei defensor etc.. 1886. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. James II, King of England, 1633-1701, kings , England , 17th century

Portret Van Scipione Gentile Anonymous, 1763 print Title page with the portrait of Scipione Gentili in a frame with two putti. Below that a library with a man behind a writing table. paper etching / engraving study; 'studiolo'; library. writing-table, writing-desk. bookshelves. cupids: 'amores', 'amoretti', 'putti'

Title page for Fortification Ou ArchitectVre Military by Samuel Marolois, Willem Outgertsz. Akersloot, 1627 print Stone landing with plaque on which the title of the work, left and right are the personifications of geometry and astronomy. On the landing, Minerva who talks to Mercury, both are on a cannon. In the background banners, flags and lances. Amsterdam paper engraving (story of) Mercury (Hermes). (story of) Minerva (Pallas, Athena). 'Geometria' (~ quadrivium); 'Geometria' (Ripa). 'Astronomia' (~ quadrivium); 'Astronomia' (Ripa)

Rome, Persijn, Reinier van, Medal with the portrait of Emperor Heraclius, verso right - stamped, Print with the obverse and reverse of a medal. Above: the obverse of the medal with the bust portrait of Emperor Heraclius, in prayer. Below: the reverse of the medal with Emperor Heraclius in a triumphal chariot. Both sides contain text in Greek., print, prent, prints, prenten, height 203 mm, width 105 mm, Noord-Nederlands, 1614 - 1668-11-23, print maker, prentmaker, 1623 - 1668, paper, papier, engraving, engraving (printing process)

Memorial for Thomas Hoog, Walraad Nieuwhoff, After Haatje Pieters Oosterhuis, 1829 - 1831 print A memorial for Thomas Hoog, pastor in Rotterdam. The monument is awarded its portrait. The cross support of Christ is depicted on the lower part. Next to the monument is the faith with a cross in her hand. On the edge of the stage are a mourning female figure and the grieving Amor with an inverted torch. In the cloud behind the monument, Vadertje Tijden appears with his scythe. At the bottom of the margin a five -line text in Dutch. Amsterdam paper etching / engraving Father Time, man with wings and scythe. Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. monument, statue. torch - BB - torch held upside down (+ extinguishing; extinguished light, lamp, candle)

Intake Van den Briel; Vignette for the national history. The intake of the Briel depicted with two historical figures in oval portrait. Between the portraits is the personification of freedom with freedom hat on stick.

Lazio Roma Rome S. Croce in Gerusalemme50. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Title page for: 'The book der Psalmen, Near Christelyke Zangenen', 1779, Reinier Vinkeles (I), 1779 print Amsterdam paper etching / engraving altar. serpent Ouroboros. Trust (+ allegorical scene, i.e. two or more personifications involved in an action). harp

Rudolf Hohenzollern. Jörg Ziegler (German, early 16th century - 1574/1577)

Weislinger, Johann Nikolaus.

Portrait of Desiderius Erasmus in an allegorical frame, Bernard Picart, 1718 print Portrait of Desiderius Erasmus to his Lesser. The portrait is flanked by the personifications of wisdom, which overcomes stupidity, and caution, who overcomes the envy. Amsterdam paper etching / engraving Wisdom; 'Sapienza', 'Humana Sapienza', 'True Sapienza' (Ripa). Prudence, 'Prudentia'; 'Prudence' (Ripa) ~ One of the Four Cardinal Virtues. Envy; 'Envy' (Ripa) ~ Personification of one of the Seven Deadly Sins. Ignorance; 'Ignorance', 'ignorance of all things', 'ignorance in a wealthy without letters' (Ripa)

Portrait van Johann Friedrich von Schwarzburg -Rudolstadt, Johann Esaias Nilson, 1767 - 1788 print Augsburg paper engraving / etching historical persons. armorial bearing, heraldry. armour. 'automatic' music. crucifix ~ personal devotion

Antwerp, Plantijn, Christoffel, Netherlands, Vredeman de Vries, Hans, Hooghe, Cornelis de, Doetechum, Johannes of Lucas van, Exercitatio alphabetica nova et utillisima, Cartouche with calligraphy, on either side a female herm, recto lower right outside the plate edge - handwritten, Sheet XIIII. Cartouche with the text Make not thy boaste.... Both herms carry a basket full of fruits and tendrils on their heads. From a series of 21 numbered cartouches with calligraphy in a frame of scroll and fittings with grotesques, garlands and mascarons., print, ornamental print, prints, ornamental prints, 15a 4, 77, verso lower center - handwritten, nonso che bromare meba stu chosi fermare chi (), height 215 mm, width 284 mm, Work conception, after a design by, 1569 - 1569, third quarter 16th century, paper, engraving, engraving (printing process), Northern Netherlands, 1541 - 1583-03-29, Southern Netherlands, 1527 - 1607, Publication (Event), Publication, 1514 - 1589-07-01, publisher

Epitaaf Decorated with medallions, Jacob Folkema, After Johannes de Bosch, 1741 print Epitaaf decorated with medallions on which from left to right personifications of the virtues of moderation (temperantia, with horse -length), virtue in general, and truth (veritas, with mirror) are standing. The personalized life, seated on a wheel is at the top of the list. The epitaph is flanked by acclaimed allegorical figures with attributes of different muses. At the bottom of the epitaph is the title on a cartouche. Netherlands paper etching epitaph. Truth; 'Verití' (Ripa). Temperance, 'Temperantia'; 'Temperanza' (Ripa) ~ one of the Four Cardinal Virtues. Life. (story of the) Muses; 'Muse' (Ripa) (+ attributes)

Franz I, represented as Franz III, Duke of Lorraine, Sebastian Antoine, Copper Engraver, after, Johann Gottfried Auerbach -, Artist, after, Jacquart Claude, Peintre

Achievement of arms of the London Barber Surgeons Company. Coloured pencil drawing.

Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Trade Card for Thomas Sandby, Jr, 1791. Etching and stipple engraving on thick, moderately textured, beige laid paper.

Amsterdam, Boom, Hendrick and Dirk, Noordelijke Nederlanden, Hooghe, Romeyn de, Princelycke almanach op 't Jaer, MDCLXXIIII, Allegorie op de zegenen van Willem III in 1673, Northern Netherlands, Allegorie op de zegenen van Willem III in 1673. The young prince with command staff standing next to the young Hendrik Casimir. In front of this commanders who achieved victories in 1673: Michiel de Ruyter, Cornelis Tromp, Adriaen Banckert, Johan Maurits, Paulus Wirtz, George Frederik van Waldeck, Rabenhaupt and Count Willem van Hornes. Around this medallions and cartouches with victories. At the top left the portrait of Montecuccoli and on the right Monterrey. At the bottom pasted an almanac for the year 1674 printed in black and red. On either side of the almanac chained prisoners. In the plate under the almanac a verse in two columns in Dutch addressed to the prince., print, propaganda print, almanak, prints, Frederik Muller Historieplaten, height 700 mm, width 483 mm, Noord-Nederlands, 1645

Allegory on freedom, loyalty and vigilance, 1795; Veryliness, faithfulness, and viciousness; Four medallions with allegories on the revolution in 1795. Allegory on freedom, faithfulness and vigilance, 1795. Medallion decided in a square of building blocks with centrally freedom with the hat on a spear, in the foreground the Dutch lion, on the right a Keeshond. Coastal landscape with a warship and a sailing ship at sea.

Morison, Letitia .

Portrait van Wenzel Xaver Neumann von Puchholz, Jan Balzer, after Johann Kleinhard, 1772 - 1799 print Numbered in the top left: 22. Prague paper engraving / etching historical persons

Josef I., Roman-German Kaiser.

Allegory of the death of Dorothea Louise von Wittenhorst -Sonsfeld, Gottfried Eichler (II), 1746 - 1770 print paper etching historical persons - BB - woman. insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral). grave, tomb. Father Time, man with wings and scythe. chest, bust. family lineage, pedigree, genealogical tree or table

Twelves Plates from "Almanach de la toilette et de la coiffure des dames françoises" 1779 Remondini Family Italian Pamphlet of paste paper by Remondini with etchings of royal French female coiffeurs.. Twelves Plates from "Almanach de la toilette et de la coiffure des dames françoises". Remondini Family (Italian, 1649-1861). 1779. Book. Chez Desnos. Books

The excavation of the strongholds by the Antwerp residents, 1577, 1578 print The excavation of the strongholds by the Antwerp residents, August 23, 1577. Procession of residents of Antwerp armed with spades and baskets on their way to the Citadel. In the background, the demolition and excavation of the fortress. Presentation in a round medallion with ornamental allegorical frame with at the top of the sitting female personifications of Vlijt (Diligentia) and Freedom (Libertas). At the bottom of a cartouche with 2 verses of 6 lines each in French and Dutch. Southern Netherlands paper engraving Industriousness, Assiduity; 'Assiduití', 'Industria', 'Zelo' (Ripa). Carefulness, Diligence; 'Diligenza' (Ripa). Freedom, Liberty; 'Libertà' (Ripa). demolition of building Citadel of Antwerp (16th century)

Brandmüller, Gregor Publisher: Haid, Johann Jakobaler: Brandmüller, Gregor artist: Bergmüller, Johann Georgstecher: Haid, Johann Jakob

Le sommeil interrompu. Dated: 1787. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jean Dambrun after François Marie Isidore Queverdo.

unknown, Amsterdam, Douci Pietersz, Adrianus, Delft, Boitet, Reinier, The Hague, Cuyck, Pieter van (I), Tomb of Gerard van Randenrode van der Aa, verso - stamped, Tomb of Gerard van der Aa, lord of Randenrode, in the Grote- or Sint-Jacobskerk in The Hague. Van der Aa lies in armor on a plateau carried by two putti. Above him nine coats of arms, including that of his family., print, book illustration, prints, height 281 mm, width 176 mm, 1689-06-07 - 1765-05, print maker, printmaker, 1730 - 1736, paper, engraving, engraving (printing process), etching, Work conception, after own design by, Publication (Event), Publication, publisher, granter of privilege

Woodcut by Albrecht Dürer Workshop depicting the coat of arms of the Habsburg home ownership on the Mittel portal of the honorary gate of Emperor Maximilian I, created in 1515, showing heraldic symbols, shields, and composition.

Saint Peter. Etching.

Barbarigo, Giovanni Francesco, Audenaerd, Robert van, Rome, Numismata virorum illustrium ex Barbadica gente, Portrait of Girolamo Barbarigo with the personifications of Wisdom and the Art of War, verso - stamped, Pedestal in the form of a cartouche. On it a medallion with on the obverse the portrait of Girolamo (Hieronymus) Barbarigo, procurator of the Basilica of San Marco in Venice. On the reverse a knight on horseback. The pedestal is flanked by a Roman man in a toga with a caduceus or serpent staff and an armored woman with a sword. They hold a wreath of laurel leaves and a wreath of oak leaves above a pile of books and a suit of armor. They may be the personifications of Wisdom and Martial Art. The print is part of an album., print, album sheet, prints, height 220 mm, width 239 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, engraving, engraving (printing process), Work conception, after own design by, Italian, 1658-04-29 - 1730-01-27, client

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Portrait of Frederik Willem, Elector of Brandenburg, Jan van Vianen, After Jan Goeree, 1670 - 1726 print Northern Netherlands paper etching Cupids: 'Amores', 'Amoretti', 'Putti'

Longueville, Henri Duc de.

Friesen, Otto Heinrich Freiherr von Stecher: Bernigeroth, Martin

Vase Op Koming, Marie -Anne Rousselet, After Maurice Jacques, 1745 - 1775 print A vase with flowers is on a wall with pilasters between which a tablet with the serial title. Paris paper etching / engraving vase ~ ornament. fence, wall, paling

Gabrieli, Giovanni Antonio.

Title in architectural accompaniment with coat of arms, Maria Eugenia de Beer, 1643 print Madrid paper etching coat of arms (symbol of sovereignty)

Heinrich IV., Duke of Silesia-Wroclaw.

Wilhelm, Duke of Saxony-Weimar Publisher: Ended, Wolfgang (the elderly) Stecher: Trooschel, Peterverlaysort: Gotha

Woman portrait by Johann Hieronymus Loeschenkohl, copper engraving, 1781, 1753-1807, Russia, State Open-air Museum of the Trinity Lavra of St. Sergius, 26, 5x16, 4

Ludwik and Annegaweński, King of Hungary and Poland (according to the seal) with his wife, Elżbieta Bosniczka and daughter Jadwiga Matejko, Jan (1838 1893), Styfi, Jan (1841 1921), Lewental, Salomon (Franciszek Salezy) (1841 1902)

Maria Theresia, Roman-German Empress Maria Theresia among columnal balcony with map of the Reich. Copper engraving without an artist note

Members of the famous Augsburg Fugger family, Catharina Fugger, also known as Katharina, born 1587, daughter of Severin Freiherr von Fugger (1551 to 1601) and his woman Katharina Gräfin von Helfenstein-Wiesensteig, authentic reproduction from Fuggerorum et Fuggerarum imagines, a collection of coloured engravings created in the late 16th and early 17th century and produced by Dominicus Custos, historical

Zygmunt Kazimierz (1640 1647) Królewicz Polski, Syn Władysława 4 1 Cecylii Renaty. Z PANEGIRYKU: ARA triple hope, Augusta, Sacred, fortunate, in the arrival serenissimo Prince Polish Sigismundi Casimir, Serene, Vladislai 4. And the Cecilia Renatae of the kings of Poland, the first born, from the nourishing of the Academy and University of Vilnensi Soc. Jesus erected, the serene prince, by John Frederick Doenhoff in the same academia logices a hearing dedicated. In the year of 1643 threefold republic by Johan Fridrich denhoff, 1643 Vilnae. Akad. S. 1 .. 1643. 32 S .. Shrinks, John, GETTKE, CONDRED

Blazon of the Rederijkerskamer the red daisy in Warmond, 1620; Red madelies in love warmth warm. Blazon of the Rederijkerskamer the red daisy in Warmond, 1620. Blazon with a hen with her chicks in a landscape. With sitting personification of the Rhetorica. On either side weapons, bows and festans.

Bretislav II, Duke of Bohemia.

Frontispiece for Peter Heylyn's "The History of St. George of Cappadocia". Dated: published 1631. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Edward Marshall.

. Portrait of Joost van Stappen Banckers, Vice Admiral of Zeeland. Around the neck a chain with a medallion received from the General States after the Battle of Duins (1639). Calligraphed Dutch randwy in two columns.

Louis IV (1282-1347) called the Bavarian. King of the Romans. Portrait. Engraving.

Maximilian Heinrich, Duke of Bavaria, Elector of Cologne.

Josef II., Roman-German Kaiser.

The Thermidorian allegory on the convention. The French people crowned by the Union and Equality. French Revolution. Louis-Jean Allais (1762-1833). The Thermidorian allegory on the convention. The French people crowned by the Union and Equality. French Revolution. Water-strong to dotted. Carnavalet Museum, History of Paris.

Władysław Jagiełło and Sophia of Halshany, according to etching at the collection of prints of duke Czartoryski in Paris. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Promnitz, Anna Friederike Countess.

Maximilian II (born 31 July 1527, died 12 October 1576), contemporarily also Maximilian the Other, was Emperor of the Holy Roman Empire and Archduke of Austria from 1564 to 1576 / Maximilian II (born July 31, 1527, died October 12, 1576), contemporarily also Maximilian the Other, was Holy Roman Emperor and Archduke of Austria from 1564 to 1576, Historical, digitally restored reproduction of an original from the 19th century, exact original date unknown, subsequently coloured

Two putti supporting a roundel with the portrait of John Bulwer; above, coat of arms. Etching, ca. 1650.

Portrait of Adolf, Count of Nassau and Roman -German King, 1700 - 1799 print Portrait of Adolf in a circle with edge. In his right hand a scepter and in his left hand the Rijksappel. In a cartouche two lines of Latin text. Bottom left '141'. Low Countries paper engraving / etching

Oorlog en Vrede; Titelpagina voor Jacobus Le Roy, Topographia Historica Gallo-Brabantiae, 1692.In the middle of the print a cartouche with a coat of arms, with the title of the work below. In addition to the cartouche the goddess Minerva (right) and the goddess Pax (left). Above the two goddesses fly two angels that each wear a medallion. Above Pax depends on the medallion of the Pax Augusta (a term from antiquity for long-term peace). Upper Minerva is the medallion with Mars Ultor (the Carroting War). Under the two goddesses are objects that are characteristic of their state: peace goes together with music (instruments) and knowledge (the caduceus, the globe, the passer), while under war weapons, flags and armor.

Northern Netherlands, Medals on the occasion of the third centenary of the invention of printing in 1740, Two medals, obverse and reverse, minted in 1740 on the occasion of the third centenary of the invention of printing. Images by Laurens Jansz. Coster and allegories on printing., print, picture, historical object representation, prints, pictures, Frederik Muller Historieplaten, height 158 mm, width 98 mm, print maker, printmaker, 1738 - 1740, second quarter 18th century, paper, etching

Atahualpa .

Coat of arms of Marquis Nicholas Meli-Lupi, 1731. Heraldry, Italy, 18th century.

Portrait of Willem III, Prince of Orange, Jacob Gole, 1688 - 1724 print Portrait of Willem III with a crown. He is sitting next to a table with a rug. The helmet of his armor is on the table. In his right hand a scepter and in his left hand the Rijksappel. There are name and titles in the lower margin. Amsterdam paper knighthood order (GARTER) - insignia of a knighthood order, e.g.: badge, chain

Odilbald, second king of the Frisians; Odilbaldus. Rex Frisiae Secundus; Kings and potestocks from Friesland; Frisia, SEV, the viris. Odilbald, second king of Frisians. Standing for feet, scepter in hand. In an ornamental frame. Illustration, with text on the back, coming from the book: Frisia Seu de Viris Rebusque Frisiae Illustrus Libri Duo.

General reinforcement, decoration on the Kadijksplein, 1795; Image of the pragite royal piece and decoration on the Kadyks Square XIX Junij 1795 in Amsterdam. The general reinforcement, allegorical decoration founded on the Kadijksplein in Amsterdam at the Alliance party on 19 June 1795. Medieval castle standing on rocks, on the towers of astronomy, hydrography and geometry, on the chassinet in the underpass becomes freedom through Batavian French sailors raised on a shield.

Berlin, Daniel.

Murad III., Sultan of Turkey Unknown artist dating: 1601/1750

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