Allegorical Prints and Portraits

Intricate prints depicting allegory, virtue, and historical portraits, showcasing detailed engravings and symbolic representations.

De Opzetene, Jacques Callot, After Andrea Boscoli, 1630 print Presentation of a possessed woman who is controlled in a church space by two men, while a priest reads from a book for her, in order to drive the demons out of her. Many men and women are watching these four figures. This scene is caught in a decorative frame. At the bottom of a cartouche with Italian text. Florence paper engraving exorcizing the devil. possession (by demons) - AA - female human figure

Coat of arms and personifications, Hendrick Hondius (I), 1618 print Great coat of arms on which the title, with the bull Europe above it. The weapon is crowned by the Bazuin Blazing Fama and flanked by Pictura and Optica (naked female figures) and Assidhus and Labor (Putti). At the bottom of the show The text: FRUCH LABORUM. Title print of the later edition of the first part of a series of 72 artist portraits, 36 of which made by Hendrick Hondius I, the other by Robert de Baudous, Simon Frisius and Andries Jacobsz. Stock. Amsterdam paper etching title-page. 'Picture', Symbolic Repres invention, Allegories and Emblems ~ Painting; 'Painting' (Ripa). Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa)

De Opzetene, Jacques Callot, After Andrea Boscoli, 1630 print Presentation of a possessed woman who is controlled in a church space by two men, while a priest reads from a book for her, in order to drive the demons out of her. Many men and women are watching these four figures. This scene is caught in a decorative frame. At the bottom of a cartouche with Italian text. Florence paper engraving exorcizing the devil. possession (by demons) - AA - female human figure

Virtue: Athena 1637 Abraham Bosse French. Virtue: Athena 386193

Giovanni Girolamo Sbaraglia. Etching by D. Creti, 1716.

Portrait of Francesco II the 'Medici. Portrait in half of Francesco II The 'Medici, in Harness, seen on the right. To the oval portrait an ornamental border with inscription (motions) and caption; In the background weaponry.

Klaudia, Princess of Lorraine.

Eugen, Prince of Savoyen-Carignan.

Tassilo III., Duke of Bavaria.

Erik break (1749-1790), Vignette to S. Richardson "Sir Grandison's history", 1782

Menzel, Johann Daniel von Stecher: Fridrich, Jacob Andreas (1684) Dating: 1740/1751

Allegory on the Anatomy, Reynier Blokhuysen, 1732 print Allegory of anatomy, a female personification of anatomy is on an architectural list, she is flanked by the mind and caution. A cloth with title hangs between two anatomical models: a skeleton and a model with muscles. Surgical instruments are on the pedestal and the interior of a cutting room is displayed. Netherlands paper etching anatomical models (usually series of five figures). Carefulness, Diligence; 'Diligenza' (Ripa). Ingenuity; 'Ingegno' (Ripa)

Augsburg, Nilson, Johann Esaias, Portrait of Gideon Ernest, verso - stamped, baron of Laudon, in an oval frame with cartouche with text Prudentiae Fortitudinisque Laude, perquam inclytus (By the praise of prudence and courage, whereby famous). On the left an angel with trumpet and laurel wreath. Below, two men shake hands., print, emboss, ornamental print, prints, ornamental prints, height 217 mm, width 157 mm, German, 1721-11-02 - 1788, print maker, printmaker, 1731 - 1788, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Italy, Giardini, Giovanni, Rome, Limpach, Maximilian Joseph, Disegni diversi inventati e delineati da Giovanni Giardini da Forlì, Various ecclesiastical objects, Ornament with angels and the coat of arms of Pope Clement XI, verso - stamped, Numbered top left: no. 89., print, ornament print, prints, ornament prints, height 275 mm, width 174 mm, Czech, print maker, printmaker, 1714 - 1714, paper, etching, etchings, Italian, 1646 - 1722, intermediary draughtsman, after a drawing by, Work conception

Octavia Empress to Nero, in escutcheon, Étienne Charpentier, French, 1707 - after 1792, Engraving with etching on paper, Shown standing and against classical ruins, which a couple inspects in the right central distance. The escutcheon is composed of rocaille motifs and lattice., France, 1750-1760, Print, Print

Ludwig XIII., King of France.

Tomb with obelisk and smoke barrels; Livre De Tombeaux. A tomb with a column with medallions, on either side of the tomb are smoke vessels.

Mary, Queen of Scots (from "Barnard's New, Comprehensive and Complete History of England") late 18th century John Lodge British. Mary, Queen of Scots (from "Barnard's New, Comprehensive and Complete History of England"). John Lodge (British, active 1774-96). late 18th century. Etcing and engraving. Mary, Queen of Scots (British, Linlithgow 1542-1587 Fotheringhay). Prints

Konrad I, Duke of Bohemia.

Portrait of Ferdinand van Austria, Jacob Neefs, after Theodoor van Thulden, 1620 - 1680 print Ferdinand of Austria, governor of the Southern Netherlands, with his hand on a staff, standing in front of a column and a curtain. Rear a landscape with a cavalry fight. Portrait in half to the right in an ornamental list. In the middle of the list a plaque with a four -line text in Latin. Numbered at the bottom: 2. Antwerp paper engraving

Portrait of Maurits, Prince of Orange, Boëtius Adamsz. Bolswert, after Pieter Isaacsz., 1590 - 1625 print Portrait of Maurits, Prince of Orange, in allegorical performance. He is depicted standing, turned to the right, resting the left hand on his sword. Behind him his armor: harness and helmet. He is in a cartouche that is stopped by Mars (right) and Minerva (left). In the middle of his weapon with crown, above which Fama with two trumpets. At the bottom, in cartouche, 6 lines of text in Latin. Left and right of cartouche attributes of the war. paper engraving armorial bearing, heraldry. armour. specific aspects, allegorical aspects of Mars; Mars as patron. specific aspects, allegorical aspects of Minerva; Minerva as patroness. Fama as Roman personification. warfare; military affairs (+ weapons)

Fugger of Kirchberg and Weissenhorn, Ursula Freine.

Songs of the Painters with Etchings 1838 Germany. Etching on ivory wove paper . Rudolph von Normann

Portrait of Carolus Sebastianus Pfinzing

Bildnis des Frederick Henry Louis, high Borussiae

The Church Father Tertullian of Carthage looks at an angel offering him a laurel wreath. Tertullian is standing on a pedestal. On the obverse, a scene of him writing one of his writings. Print marked top center: II. Part Pag: 240., Church Father Tertullian of Carthage Tertullian. Elder of Carthage. Writing about the Cloak , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 275 mm × w 171 mm

Theodobert I., Duke of Bavaria.

Portrait of Hendrik Casimir II, Count of Nassau -Dietz, Anonymous, 1675 - 1749 print Portrait of Hendrik Casimir II in an oval with edge. In the middle of his weapon. A number of allegorical objects and figures around it. In a frame four lines of Latin text. Low Countries paper engraving / etching

Portret van Giles de Fuscariis, Theodor de Bry, after Jean Jacques Boissard, c. 1597 - c. 1599 print Portrait of the Italian bishop Aegidius de Fuscariis, in oval with edge. Under the portrait a Latin verse. Frankfurt am Main paper engraving

Pedestal with drapery, painting attributes and bazuines; Vita di San Diego, Dipinta Nella Cappella di S. Giacomo de Spagnuoli in Roma (...). A drapery with title hangs on a pedestal. The pedestal is decorated with satellite heads, painting attributes, masks and bazing.

Combat à la Barrière, Frontispiece, The Arms ofLorraine-Chevreuse. Artist: Jacques Callot, French, 1592-1635

Portrait of Raimondo Montecuccoli. Portrait of the Italian General Raimondo Montecuccoli. In an oval frame of palm and olive branches. The portrait stands on a base with Montecuccoli family crest. On either side two Turkish prisoners who refer to Montecuccoli's successes in the war against the Turks. Above the portrait an eagle, which is crowned by Minerva and peace.

Król Kazimierz Jagiellończyk sitting on throne, according to an illustration from: `KRONIKA POLSKA MARCINA BIELSKIEGO NOWO PRZEZ IOACH. BIELSKIEGO syna iego wydana' Polish chronicle by Marcin Bielski published anew by his son, Joachim Bielski, Kraków 159?????????. Lesser, Aleksander (1814-1884), draughtsman, cartoonist, Bielski, Joachim (1540-1599), publisher

A copper engraving by Martino Rota from 1574 depicting the coat of arms of Stephen Radet, showing heraldic symbols and shield design in late 16th-century European art.

To the Memory of Sir George Saville Bart, Who in five Successive Parliaments represented the County of York ... 1790, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after John Fisher, 1760-1839, After 1790, Engraving

Tsarevna Sofiia Alekseevna, grav. Afanas'evym (s orig. Tarasevicha) Tsarevna Sofiia Alekseevna, engraved by Afanas'ev after the original by Tarasevich.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division. Sofia Alekseevna, Regent of Russia, 1657-1704

The Ecluse, Charles of Stecher: Gheyn, Jacques de (1565)

Titelpagina Voor: Celis Curtius, the Order of Hermitarum D. Augustine Elogia, Antwerpen: 1636, Cornelis Galle (1), 1636 print Stone table with the title of the book. Two female images on both sides. On the left a woman who writes with a spring in a book. Perhaps a personification of historiography. On the right a woman with helmet and wooden sword. Above the table a Januskop and two putti. print maker: Southern Netherlandspublisher: Antwerp paper engraving 'History'; 'History' (ripa). Title-page

Sir Christopher Wren. Chiaroscuro woodcut by E. Kirkall after H. Cooke after J. Closterman, 1695.

Dahlberg, Erik Jönssen, Stockholm, Aveele, Johannes Jacobsz van den, Suecia Antiqua et Hodierna, Insigne Principale Regni Gothiae, Coat of arms of Götaland and the ten landscapes in Götaland, The print is part of an album., print, album sheet, prints, height 310 mm, width 190 mm, 1655 - 1727-05-18, print maker, printmaker, 1698 - 1698, paper, papier, etching, etchings, engraving, engraving (printing process), Swedish, 1625-10-10 - 1703-01-16, supervision

Frontispiece, from Soliman 1620 Jacques Callot French. Frontispiece, from Soliman. Soliman. Jacques Callot (French, Nancy 1592-1635 Nancy). 1620. Etching and engraving; second state of four (Lieure). Prints

Heckenauer, Johann.

Francesco de Medici, Prince of Tuscany. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 6 15/16 × 4 15/16 in. (17.6 × 12.6 cm). Date: ca. 1634. Museum: Metropolitan Museum of Art, New York, USA.

Portrait van Sophie Caroline Marie von Braunschweig -Wolfenbüttel, 1759 - 1788 print Portrait of Sophie Caroline Marie von Braunschweig-Wolfenbüttel, Markgravin van Brandenburg, in a rocaille frame with putti. This includes personifications on either side of a crowned cartouche. On the left a woman with an anchor like De Hoop and on the right a woman with a scepter with the all -seeing eye and a horn of abundance with children. Augsburg paper etching / engraving historical persons. ruler, sovereign - BB - female ruler. Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues. 'Cornucopia', Horn of Plenty

Ludwig XIII., King of France Stecher: Passe, Crispyn DE (2)

Vos, Jan, Jemaar, Verhulst, Rombout, The Hague, Philippe, Pieter, Grave monument for Pieter Adriaansz. van der Werff in the Hooglandse church in Leiden, verso lower left - stamped, Grave monument for Pieter Adriaansz. van der Werff, mayor of Leiden during the siege in 1574, in the Hooglandse church in Leiden by Rombout Verhulst (1661). At the top a portrait, in the middle an oval with Latin text in a frame with a border with oak leaves and two putti, at the bottom two coats of arms and an hourglass. In the caption two verses of seven lines each in Dutch., print, prent, prints, prenten, height 395 mm, width 271 mm, Noord-Nederlands, 1635 - 1702, print maker, printmaker, 1661 - 1661, third quarter 17th century, paper, papier, engraving, engraving (printing process), 1624-01-15 - 1698-11-27, after image of, calligrapher, 1610 - 1667, writer

D. Philip. IV. Hisp. et Ind. regi opt. max. Ioannes de Solorzano Pereira..., page. Solórzano Pereira, Juan de, 1575-1655. Title pages, Illustrations. 1629 - 1639. Rare Book Division. Law , Spain , Colonies, Spain , Colonies , Administration, Latin America , History , To 1830, Indians, Latin America , History, Spain , Colonies , Politics and government, Philip IV, King of Spain, 1605-1665

Portrait of Albrecht, Archduke of Austria. Portrait of Albrecht, Archduke of Austria, in an oval picture frame with peripheral. There are government period in a framework. Completely in an ornamented, rectangular frame with a number of allegorical objects and animals.

Sforza, Galazzo Maria Herzog of Milan Form Cutter: Stimmer, Tobias

November; The twelve months of the year. In a rocaille frame a representation of a hunter. A hunter and his consequence with the hunting bout walk in a cafe. Two women and a man standing and sit around a table with beer mugs. The space is illuminated by a candle. A four-line French text in the undermarge.

Frankfurt am Main, Feyerabend, Sigmund, Winghe, Joos van, Sadeler, Raphaël (I), Title page for Tiberius Deciano, Consilia et responsa, 1589, Portrait of Tiberius Deciano, verso below - stamped, In an architectural frame the portrait of Tiberius Deciano, a jurist and writer from Padua. The portrait is flanked by Moses (left) and Christ () (right). On the pediment of the architectural frame the personification Justice, with sword and scales. On the left lies the god Mars, on the right lies the goddess Ceres. Below the portrait two putti hold a medallion with the personification of Fama., print, engraving, book illustration, prints, width 223 mm, height, 329 mm, South Netherlands, 1560, print maker, printmaker, 1589 - 1589, paper, engraving (printing process), Work conception, North Netherlands, 1544 - 1603-12-18, after a design by, Publication (Event), Publication, German, 1528 - 1590-04-24, publisher

Allegory with Frederik Hendrik and the victory over the Spaniards on the Slaak, 1632, 1632 print Allegory with Stadholder Frederik Hendrik and the victory over the Spaniards on the Slaak, 12-13 September 1631. The State fleet was under the command of vice-admiral Marinus Hollare. Leaf composed of six plates. Plate in the middle: Frederik Hendrik standing opposite personification of the United Netherlands (wife who gives him a laurel wreath). In the background religio: people listening to a sermon. On the ground gathered riches, weaponry and the Netherlands Lion. In the background Den Bosch (conquered in 1629). On both sides two plates with conquered cities and victories between 1629 and 1632. At the bottom of each side a small plate as a pedestal. Plate in the middle: start of the expedition in Antwerp and unhappy at the Battle of the Slaak. Northern Netherlands paper engraving prayer or religious service before battle. massacre ~ war Slook, have. Antwerp

Karl VI., Roman-German Kaiser.

Portrait of Charlemagne in medallion inside rectangular picture frame with ornaments; Carolus Magnus; The nine best. Portrait of Charlemagne as king with crown and sword in medallion inside rectangular picture frame with different animals and fantasy stations as ornaments.

Cartouche with allegory on the history of Syria and Egypt, Jan Caspar Philips, 1743 print An old man troning on a wall, in hand a scepter with an eye that symbolizes the vigilance at the State Board, is given a crown. On the left a painting on which the library of the Ptolomees. On the right in the background a soldier who climbs the house of Cleopatra on behalf of Octavius. In the frame of the cartouche medallions with portraits of Ptolemeus and Seleucus. print maker: Amsterdampublisher: Utrecht paper etching / engraving Carefulness, Diligence; 'Diligenza' (Ripa) (+ symbolical representation of concept). study; 'studiolo'; library. (story of) Cleopatra - aggressive relationships of person from classical history (+ in allegorical or symbolic frame or setting; with allegorical or symbolic accessories)

Porter van Frederik Eugenius van Württemberg, Johann Esaias Nilson, 1742 - 1788 print Portrait of Frederik Eugenius van Württemberg at a young age, in rocaille frame with flags on either side. Below that a coat of arms with two women with a sword, laurel wreath and trumpet and a look at a riding fight. Augsburg paper etching / engraving historical persons. ruler, sovereign. armorial bearing, heraldry. battle

Portrait of Maria Theresia, Roman -German Keizerin, Johann Esaias Nilson, 1740 - 1788 print paper engraving / etching historical persons. baton of general. war. the liberal arts, 'Artes Liberales'. exhibition of wealth. Possession. the soldier; the soldier's life. insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)

Gustav II. Adolf, King of Sweden.

Portrait of Karel VII Albrecht in memory of his death in 1745, Jacob Andreas Fridrich (II), 1745 - 1779 print Print maker: Augsburg print maker: Augsburg Publisher: Augsbugal Roman Empire paper engraving / etching historical persons. ruler, sovereign. ornament ~ medallion. insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral). torch - BB - torch held upside down. (children or putti) blowing bubbles, 'Homo Bulla' ~ scene symbolizing 'Vanitas'. Death as skeleton (+ Death with scythe). Spes as Roman personification. rocaille ornament. double-headed eagle

Portrait of Hans von Aachen, Jan Saenredam, after Pieter Isaacsz., 1605 print Bust to the left of the artist Hans von Aachen with a pleated question in an oval frame. The frame contains a Latin edge with the names of the portrayed and the designer. The person portrayed holds his right hand in front of his chest. The list is contained in an ornamental, architectural frame with allegorical figures. Hercules or the personification is on the left. On the right is the personification of painting. Both figures pull the hair of Fortuna, which is on top of a globe. She holds a bulging sail. On either side of her male toros and putti with writing or drawing utensils. Left and right are painting supplies. Under the portrait a cartouche with a performance of Hercules in a round medallion. paper engraving historical persons. portrait, self-portrait of painter. 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa). Hercules at the cross-roads, 'Herkules am Scheid

PortraT van Susanne Jacobaea Hellbach, Friedrich Gottlob Schlitterlau, After F.S. Schulze, 1740 - 1782 print paper etching historical persons - BB - woman

Many putti with weapons; Title page for: La Veritable Origin (...) Maison de Sohier, 1661. The coat of arms of Constantin Sohier under a canopy that is ceased by Putti, which each holds more weapons separately. Left and right a woman's figure on a piastal. At the bottom, two putti hold a cartouche on which the impressure. At the top, two putti hold a banderole with the title in three rules in French

The holy church teacher Hilarius of Poitiers, standing on a pedestal. On the obverse the scene in which he is sent into exile by Emperor Julian. Print marked top center: III. Part Pag: 293., St. Hilarius of Poitiers, church teacher Hilarius, Bishop of Poitiers, Word after Phrygien sent into exile , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 271 mm × w 169 mm

Karl VII., Roman-German Emperor.

Saint Caecilia; Mirror of honorability; Speculum Pudicitiae. The Crowned H. Caecilia, sitting with palm branch in hand, a music book on the lap. Several musical instruments around her: Portative, lute, flute, Kromhoorn, Viola da Gamba and two music books. In the background right the beheading of the Heilige. The sixth print of a seventeen-part series with female saints.

PortraT van Charlotte van Mecklenburg -Strelitz, Johann Esaias Nilson, 1761 - 1788 print Portrait of Charlotte van Mecklenburg-Strelitz, queen of Great Britain and Ireland, in oval frame with cartouche with text Tibi Plaudit Apollo. Under the frame a crown and double cartouche with the initial letters of the royal couple: G C (George and Charlotte). On the right Apollo with a lute and attributes belonging to arts and sciences, two putti and a vase on the left. Augsburg paper etching / engraving Historical persons. Queen. Initial. Apollo playing the lyre, apollo citaroedus

Josef II., Roman-German Kaiser.

Karl II. Eugen, Duke of Württemberg Draftsman: Nilson, Johannes esaiStecher: Nilson, Johannes EasaiSverleger: Nilson, Johannes esaiasdatierung: 1737/1788Factable place of origin: Augsburg

Izebel and two kneeling kings for a statue of Fortuna, Abraham Bosse, 1635 print paper etching / engraving Jezebel (Not in Biblical Context). Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa)

Franz Xaver, Prince of Saxony Stecher: Nilson, Johannes Esaias

Karl X. Gustav, King of Sweden.

Coligny, Gaspard de Stecher: Ammann, Jostfactic genesis: Nuremberg

Portret Van Anatoom Giovanni Battista Morgagni, Giovanni Volpato, After Pietro Antonio Danieletti, 1763 print Italy paper engraving / etching historical persons

Karl II., King of Spain.

Franz II., King of France 1601/1750

Hirzel, Johann Heinrich .

Title print for: Mirror of Transience. Around the title several medallions with biblical scenes. Above the Fall, on the left Moses and the brazen serpent and Christ in Limbo. On the right Jonah climbing out of the mouth of a large fish and the Resurrection. Below the Crucifixion, the Last Judgment and on the left the Transfiguration and on the right the Outpouring of the Holy Spirit. Title print belonging to the series of fourteen prints depicting the funeral of William II, Duke of Gelre,, Eleven medallions with biblical representations Title page for: T. Graminaeus, Spiegel der vergankelijkheid, 1592 Funeral of William II, Duke of Gelre (series title) Spiegel der Vergenchlichkeit (series title on object), print maker: Frans Hogenberg, (rejected attribution), print maker: anonymous, 1592, paper, etching, h 224 mm × w 155 mm

Kerkhoff, Daniël, Northern Netherlands, Brouwer, Cornelis, Honor column for Lieutenant General C. van Boetzelaar, Honor column for Lieutenant General Carel Baron van Boetzelaer, verso - stamped, Honor column for lieutenant general Carel Baron van Boetzelaer, charged with the defense of Willemstad during the siege by the French army 27 February - 15 March 1793. Niche with a statue of Liberty, at the top putti with a portrait of the baron. On the left and right four representations of events during the siege., print, prent, prints, Frederik Muller Historieplaten, height 437 mm, width 325 mm, Noord-Nederlands, 1735 - 1803-03-31, print maker, printmaker, 1793 - 1793, paper, papier, etching, engraving, engraving (printing process), 1766-02-05 - 1821-03-05, intermediary draughtsman

Honor column for Lieutenant General Carel Baron van Boetzelaer, Cornelis Brouwer, After Daniël Kerkhoff, 1793 print Honorary column for Lieutenant General Carel Baron van Boetzelaer, charged with the defense of Willemstad during the siege by the French army 27 February - March 15, 1793. Nis with a statue of freedom, at the top of Putti with a portrait of the baron. Left and right four performances of events during the siege. Northern Netherlands paper etching / engraving Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure). siege, position war Willemstad

George II.. Wale, Samuel (d.1786). 1717 - 1885. Portraits, Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Albany Congress (1754 : Albany, N.Y.), kings , Great Britain , 18th century, George II, King of Great Britain, 1683-1760

Anhalt-Zerbst, Magdalena Auguste Princess.

Stephan II, Duke of Bavaria.

Portrait of Jan I van Holland. Portrait of Jan I van Holland in an oval picture frame surrounded by ornaments, fruits and weapons. At the bottom a tablet with the dates of its government period as a count.

Antwerp, Moretus, Balthasar (II), Plantiniana, Officina, Rubens, Peter Paul, Quellinus, Erasmus (II), Southern Netherlands, Galle, Cornelis (I), Title page for: H. Goltzius, Icones Imperatorum Romanum, Antwerp: 1645, Julius Caesar enthroned on a pedestal, verso - stamped, in his right hand a statue of Victory, in his left hand a globe. To his left is Emperor Constantine, also with a globe and with a banner with the chi-rho symbol. To his right is a statue of Emperor Rudolf I. The coat of arms of the House of Habsburg is next to his feet. He holds a sword and an orb., print, engraving, title page, prints, engravings, height 310 mm, width 205 mm, 1576 - 1650-03-29, print maker, printmaker, 1645 - 1645, paper, engraving (printing process), 1607-11-19 - 1678-11-07, intermediary draughtsman, after a drawing by, Work conception, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, publisher, Belgian, 1615 - 1674

First initiatives to the elevation of William IV to Stadholder under the Schutterij in Veere, 1747, Jan Caspar Philips, 1747 print First initiatives to the elevation of William IV to Stadholder of Zeeland under the Civil Guard in Veere, in the night of 24 to 25 April 1747. Waiting room in which members of the militia deliberate. At the top a medallion with the portrait of Prince William IV. Amsterdam paper etching / engraving Veere

Minerva en man in harnas; Titelpagina voor: Hieronimus Ortelius, De Chronycke van Hungarie, 1619.Minerva with shield with medusa juice and a man in harness with sword and shield with lightning bolts, possibly mars, flanking the title. For this, two chained figures and three men with turban are next to a cartouche with flugs and a battle. At the top a battle with riders on horseback.

Renatus II, Duke of Lorraine.

Woodcut by Meister der Celtis-Illustrationen showing Maximilian I's coat of arms as a Roman king for 'Revelationes' by Birgitta of Sweden, Nuremberg, 1500, trimmed to the plate edge.

Albrecht II., Duke of Austria.

Portrait of Hendrik II of France. Portrait in oval list of Hendrik II of France. Bust to the left. The medallion is surrounded by the female personifications of Asia (bottom left), Europe (bottom right), America (bottom right) and Africa (right in the middle). The personifications have their specific attributes: Europe has the cow and the Cornucopea. Asia has the camel and the elephant and carries spices. Africa is surrounded by O.A. A chameleon, an ostrich and a lion. America is wearing an arrow and bow and is also surrounded by animals, o.a. a parrot and a seat belt. Above the portrait, the free arts are practiced, including geometry and astronomy. Below the print is a cartouche with an image of ships that discover the new world.

Fugger of Kirchberg and Weissenhorn, Maria Maximiliana Freine.

Ornamented architectural object with two medallions: on the left the portrait of Ranuccio Farnese I and on the right an equestrian statue The medallions are surrounded by rocaille ornaments, Ornamented architectural object with the portrait of Ranuccio Farnese I, Duke of Parma and Piacenza, print maker: Giuseppe Pini, (mentioned on object), Giuseppe Pini, (mentioned on object), Italy, 1706 - 1796, paper, engraving, etching, h 190 mm - w 147 mm

Design for the title page of 'Publius Ovidius Nasoos Herscheppinge', monogrammist PK (Inventor), After Abraham BLOTELING, 1665 - in Or Before 1671 drawing paper. ink. graphite (mineral). chalk pen / brush

The Jewish virgin is besieged by three soldiers In the background the destruction of Rome In the foreground left two putti, one holding the Turkish crescent, depicting the rise and fall of the world empires the Partisan, Persian and Syrian Empires In the frame of the cartouche medallions with biblical representations, Cartouche with allegory on Jewish history Title page for: K Westerbaen, Algemeene histori, 1743, print maker: Jan Caspar Philips, (mentioned on object), Jan Caspar Philips, (mentioned on object), publisher: Hermanus Besseling, (mentioned on object), print maker: Amsterdam, publisher: Utrecht, 1743, paper, etching, engraving, h 168 mm × w 123 mm

Titelblad Voor André de l'Aze 'La Saincte Apocatastase', Jacques Callot, 1619 - 1623 print Two gentlemen dressed in armor and mantle with Fleur-de-Lis (René II of Lorraine or Louis The Saint of France and Godfried van Bouillon) each stand for two pillars, on either side of a cartouche with French text and a coat of arms. Above this cartouche a medallion with an apocalyptic representation, namely the worship of the Lamb. print maker: Nancy (possibly)publisher: Paris paper etching / engraving title-page. Godfrey of Bouillon. Louis IX, king of France; possible attributes: crown of thorns, fleur-de-lis on his coat, three nails, sceptre with fleur-de-lis, model of church, hand of justice. adoration of the Lamb (by a multitude in white robes). armorial bearing, heraldry

Margarete, Countess of Haingau and Flanders.

Josef I., Roman-German Kaiser Stecher: Kilian, Bartholomew (2) Draftsman: Waldmann, Kaspar

Medal in honor of the transfer of the county of Culemborg to Willem IV, 1748. Penning in honor of the transfer of the county of Culemborg to Willem IV, November 9, 1748. Front with portrait of Willem IV, reverse allegorical performance in which the quarter of Nijmegen a Coat of arms with the weapon of Culemborg hands over to William IV. Signature at the top right: Pag. 411.

Hugobert I., Duke of Bavaria Stecher: Kilian, Philippdatierung: 1643/1693

Galle, Philips, Vos, Maerten de, Antwerp, Passe, Crispijn van de (I), Geschiedenis van Noach, Dronkenschap van Noach, recto lower right - handwritten in brown ink, Noach lies drunk and half undressed in front of his tent. His son Ham points at him and mocks him. Shem and Japheth shield their father with a garment. In the background Noah's vineyard. The image is set in a circular frame with a marginal inscription in Latin., print, prints, verso - stamped, 5., height 108 mm, width 90 mm, 1564 - 1637, print maker, printmaker, 1580 - 1588, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, 1537 - 1612-03-29, publisher

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