Allegorical Prints of Antiquity

A set of classical prints depicting allegorical scenes involving figures from mythology and history, showcasing intricate details and themes of nobility and divine wisdom.

Spirit of Creüsa appears to Aeneas, 1663 print During the flight from Troy, Creüsa, the wife of Aeneas, disappears and dies. When Aeneas starts looking for her, her mind appears to him. Numbered: VII. The print originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching Aeneas searching for Creusa; her spirit appears to him

Aeneas and his companions fight with the harps; Arpijae Celebri Lapsu the Montibus adsunt; Wanderings of Aeneas; L'ENEA Vagante Pitture Dei Caracci. Aeneas and his companions are disturbed during a meal by harpies. A fight between the soldiers and harpies is created. Numbered: X. The print originally belonged to Liber 22 of the Atlas of Michiel Hinloopen (seem to book 10).

Allegorical representation with the nobility and the Divine wisdom that bring apples to Ecclesia, Guillaume Chasteau, After Ciro Ferri, 1659 print Putti plants seeds of the apple tree, water the plants, pick apples and bring them to the allegorical figures nobility (right) and divine wisdom (left), which offers a plate of apples to ecclesia, sitting on a cloud. The image is a representation of the cycle of education and human development. Rome paper etching / engraving Nobility; 'Nobiltí' (Ripa). 'Sapientia', Wisdom; 'Sapienza divina' (Ripa) ~ one of the seven gifts of the Holy Ghost. the Church personified, 'Ecclesia', usually with chalice and banner. fruits: apple

Allegorical performance in which Mars in armor handles a dagger to a child in the arms of a city lawn. In the foreground a lying river god, in the air putti with a shield and an image of the zodiac arranger.

Marcus Velleius Paterculus is offered weapon trophies as Roman general, François van Bleyswijck, after Hieronymus van der Me, 1719 print Marcus Velleius Paterculus is offered weapon trophies and a statue of Victoria as Roman general. There are imprisoned opponents between the remains of destroyed buildings. Remus and Romulus feed on milk from the Wolvin. paper etching / engraving heroes, male characters from the legendary origins of Rome. (story of) Romulus and Remus

Cross -facing, Jean Audran, After Anthony Van Dyck, 1677 - 1756 print print maker: Francepublisher: Paris paper etching raising of the cross to which Christ is nailed already

Holide scene unknown

Venus en Amor in the Smidse Van Van Vulcan, Cornelis Schut (1), 1618 - 1655 print Venus watches with Amor in addition to her how Vulcanus in his blacksmith works on the armor for Aeneas. There are a helmet and chest kuras on the floor. Left front is a cannon. paper etching / engraving Venus asks Vulcan to forge Aeneas' armour

Titelpagina voor: N. Gueudeville en Henri Abraham Chatelain, Atlas historique, Tome II, 1708; Allegorische voorstelling met goden en personificaties van Tijd en Geschiedenis.With an obelisk, decorated with coats of arms and historical shows, Jupiter with an eagle is on a rock. A man is sitting on a stool and writes in a book that is held by a fold with a mirror and wings to her head. She may say Klio, the muse of history. In addition to her, a man gets links from a large vase and this buries. There is time behind him. On the clouds in the air are crowned women with skeptists and a winged lion with a book and a sword. At the bottom of the title of the book and the address of the publishers.

Architects and artists are working on the construction of a palace, Michel Dorigny, after Simon Vouet, 1640 print paper engraving / etching building-site. architect at work

Spirit of Creüsa appears to Aeneas, 1663 print During the flight from Troy, Creüsa, the wife of Aeneas, disappears and dies. When Aeneas starts looking for her, her mind appears to him. Numbered: VII. The print originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching Aeneas searching for Creusa; her spirit appears to him

Copper engraving by Pieter de Bailliu from 1635 depicting the abduction of Hippodameia from Ovid's Metamorphoses, showing figures in mythological narrative.

Creation of the copper hose; History of Moses after the Exodus; Historia moisis in deserto (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. In the middle the copper hose attached to a stake. Moses points to the copper snake. To keep the copper hose men, women and children, who are bitten by poisonous snakes and watching the copper snake to stay alive. In the background the tent camp of the Israelites. Under the show a reference in Latin to the Bible text in Num. 21. Print is part of an album.

Dream of Mercury with unicorn and peace; Europic Merkurius for the year 1726. XXXVII Piece of first part; Title page for: S.N., Europisch Mercury, 1726. Mercury is dreaming. Next to him is the personification of peace, she burns weapons. A soldier tries to attack the peace behind Mercurius, but is stopped by a unicorn. A lion behind the soldier. In the background ships at sea and the city of Segovia. There are tracts of Hanover and Vienna on the floor. Two falling angels in the air.

Neptune and the river gods cause a flood; Ovidius' metamorphoses; Reflections by P. Ovidius Naso. Standing in a mountainous coastal landscape, Neptunus pulled his trident on the ground surface and he pushes up a water mass from the sea. River gods pouring jugs and cause a flood together with Neptune. Jupiter has determined that humanity must be wiped out with a large flood, as punishment for their behavior. Under the show twice two fresh rules in Latin. The print is part of an album.

. Jupiter sends the Goddess Iris, who descends from her rainbow to Hector. She passes him his message to withdraw from the battle. A caption in French in the margin.

"Copper engraving by Antonie Wierix II showing a man lifted from a pit and the capture of Zedekia, emphasizing figures, gestures, and biblical narrative, printed around 1585."

Portretbuste onthuld door twee apen.A little man points to a portrait bust that is unveiled by monkeys. There are various animals around the bust.

Women of Montmartre, from "The Graphic," vol. 3 June 10, 1871 After Arthur Boyd Houghton Women participated in the Paris Commune in great numbers, especially in the working-class neighborhood of Montmartre. Houghtons illustration, which appeared in "The Graphic" in June and "Harpers Weekly" in July of 1871, shows a group of women marching under a flag that reads "The Commune or Death." The accompanying article states: "In the present revolution the women have shown themselves almost worthy of their sisters of 1792-93." It is more generally critical of the "Amazons of the Commune," however, describing them as "coarse, brawny, unwomanly, and degraded; picturesque certainly, but by no means pleasing.". Women of Montmartre, from "The Graphic," vol. 3. Paris Commune. After Arthur Boyd Houghton (British, Madras, India 1836-1875 London). June 10, 1871. Wood engraving. Prints

Painting of Adonibezek; Eglon killed by Ehud. Two performances on a plate. Upstairs: the Judes are heating adonibezeks thumbs and toenails. Below: King Eglon is dead on the ground, a knife sticks in his stomach. Two soldiers rush to him. With captions in Dutch and French.

The church and pride is pentruming, 1674 The church and pride burn intrigues and unrest. The Roman church encourages the bishops of Münster, Keulen and Strasbourg and Wilhelm Egon von Fürstenberg to war. Central the imagination of the pride of the French king Louis XIV that has more crowns on the head than he can wear. On the right, the prosperity of the Republic is viewed with envy. In the background, Catholics forge bishops rods to weapons, on the right the tires are released around the world. Unnumbered. Amsterdam paper etching / engraving Netherlands The church and pride burn intrigues and unrest. The Roman church encourages the bishops of Münster, Keulen and Strasbourg and Wilhelm Egon von Fürstenberg to war. Central the imagination of the pride of the French king Louis XIV that has more crowns on the head than he can wear. On the right, the prosperity of the Republic is viewed with envy. In the background, Catholics forge bishops rods to weapons, on the right the tires are relea

Syringy hunt; Hunting scenes; Iachtboeck. Three riders and their dogs dreamed a ditch a stupel. An ostrich is already in the ditch.

Dood van Romulus, Bartolomo Picelli, 1818 print King Romulus is killed by the senators. Rome paper etching suffering, misfortune of Romulus and Remus - death

"Copper engraving by Aegidius Sadeler the Younger from 1590-1629 depicting the Robbery of the Sabines, showing figures, action, architectural elements, and narrative composition."

Geboorte Van Venus, Augustin Mongin, After Noël -Nicolas Coypel, 1853 - 1894 print paper etching birth of Venus; Venus Anadyomene: after Uranus' castration Venus rises from the sea wringing the water from her hair; usually she is awaited by the Hours

Allegory on the Roman Empire, Anonymous, 1733 print On a pedestal of the personification of the Roman Empire with eagle, government apple and wall crown with the star of Italy. Around are an emperor, soldiers and clergy with freedom hats and shields and banners with spqr. In the foreground are a river god (possibly personification of the Tiber) and the Wolvin with Romulus and Remus. publisher: Amsterdampublisher: Utrecht paper engraving / etching Rome (one of the four world empires). personifications of countries, nations, states, districts, etc.

Melinte kills the king of his enemies, Abraham Bosse, after Claude Vignon, 1639 print paper etching / engraving hand-to-hand fighting (~ battle) (+ weapons). killing ~ aggressive relationships. king

Triumphar from Karel V and Ferdinand, after the liberation of Vienna from the Turks, ca. 1532, no. 7; Scenes from the life of Charles V; La Vie de l 'Empereur Charles V. and Tres-Belles Tailles-Douces, Gravées sur Les Dessins du Celébre A. Tempeste, Par Deux des Plus Habiles Maitres J. de Gein & C. Boel. A Leide, Chez Pierre van der Aa, avec privilegge. Procession with Charles V and his brother Ferdinand I sat in a triumphade drawn by horses. Presidened by soldiers with standards and booty and horn blower afternipers. Right and in the background, prisoners, approx. 1532. With caption of four rules in Latin.

Passage through the Red Sea, Nicolas Chaperon, After Rafaël, 1649 print Print Maker: FranceAfter Painting by: Vatican City paper etching passage through the Red Sea. Pharaoh and his army engulfed in the Red Sea (Israelites not or barely visible)

Portretten van Salzburgse Cardinals Sigismund II de Schrattenbach, Eberhard II de Truchsen en Burchard I DE Ziegenhagen in allegorical voorstall, Johann Baptist Klauber, 1722 - 1768 print Augsburg paper etching / engraving historical persons. cardinal. Minerva as patroness. fabulous animals ~ birds: phoenix. 'Cornucopia', Horn of Plenty. Father Time, man with wings and scythe. the liberal arts, 'Artes Liberales'. Pegasus, the winged horse Salzburg

Moses Defending the Daughers of Jethro (after Le Brun) 1686-1701 Jean Audran. Moses Defending the Daughers of Jethro (after Le Brun). After Benoit Audran the Elder (French, Lyon 1661-1721 Paris). 1686-1701. Etching. Jean Audran (French, Lyons 1667-1756 Paris). Prints

Sketches for a Ceiling Painting: The Triumphant Church, Domenico Antonio Vaccaro, Italian, 1678-1745, Pen and brown ink, brush and gray wash on laid paper; verso: black chalk, A figure of a woman in the attire of a Pope is seated on clouds and supports the mantle of a church, together with angels. A dove flies above her; more angels are attendant at right. The woman addresses herself to the kneeling allegorical figure of 'Strength,' while 'Abundance' gazes up to her. Angels and an escutcheon are shown in the lower center. Verso: rough sketch; 'Abundance' seems to be seated beside the Church. An angel flies beside the lower part of the kneeling figure of 'Strength.', Rome, Italy, ca. 1750, interiors, Drawing, Drawing

Title print for the third part of Guerres de Flandres; Troisieme Partie des Guerres de Flandres; Guerres de Flandres. Allegorical title print for the third part of Guerres de Flandres. The Geldhord Alexander Farnese, the Duke of Parma, as Hercules with Knots and Lion skin standing on a hill. In the cloud figures with attributes of the triumphal duke and a portrait of a young king. In the foreground Minerva with Spanish flag shows a laurel wreath framed equestrian portrait of the duke of Parma, to a shock of the enemy.

Coastal face with three men, woman with child and different animals, Anonymous, After Romeyn de Hooghe, 1668 - 1725 print In the foreground, a man is busy removing an arrow from an animal. Next to him an arc, monkey and turtle. The man looks up to a woman behind him with child on her back, cockatoo on her hand, and coffin under her arm. There are two goats behind her. A rowing boat with two men and three goats in the water. Left behind a ship. paper etching sailing-ship, sailing-boat. coast. he-goat, billy-goat. monkeys, apes. ornamental birds: cockatoo. archer's weapons: bow and arrow. rowing-boat, canoe, etc.. tortoises, turtles

Copper engraving by Anthonis van Dyck from the 17th-18th century depicting Compassion, showing figures, gestures, and religious context.

Willem Swanenburgh, after Joachim Anthonisz Wtewael, The Last Judgment, 1606 The Last Judgment

Seated personifications of genius and philosophy with nymphs that plant roses, François Spierre, after Ciro Ferri, 1649 - 1681 print publisher: RomeVaticaanstad paper engraving / etching (story of) Minerva (Pallas, Athena). nymphs (in general); 'Ninfe in commune' (Ripa). flowers: rose

Perseus en Andromeda, Pierre François Tardieu, After Adam Friedrich Oeseer, After Peter Paul Rubens, c. 1750 print Numbered below: No. 27. paper etching Perseus frees Andromeda of her chains

The triumph of Marat in the hell (IT)

Jupiter. .

Despair of the inhabitants of Peru during the lunar eclipse and a bloody victim of a prisoner of prisoner made by the Antis people (two illustrations); Picart, Bernard (1673-1733); 1723 (1723-00-00-1723-00-00);

The Lion Hunt. Schelte Adamsz. Bolswert (Dutch, active in Flanders, c. 1586-1659); after Peter Paul Rubens (Flemish, 1577-1640). Date: 1616-1634. Dimensions: 409 × 586 mm (image); 425 × 590 mm (primary support, trimmed within platemark); 496 × 680 mm (secondary support). Engraving in black on cream laid paper, tipped onto cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

Print, Unidentified subject; Designed by Martin Van Heemskerk (Netherlandish, 1498 - 1574); Netherlands; engraving on off-white laid paper; Sheet: 25 x 32.6 cm (9 13/16 x 12 13/16 in.) Platemark: 20.6 x 25 cm (8 1/8 x 9 13/16 in.); 1947-124-5

Amsterdam, Picart, Bernard, The dream of Agamemnon, verso lower left - stamped, Jupiter seduces Agamemnon, the commander of the Greek troops, in a dream to fight the Trojans again. In the margin a caption in French., print, book illustration, prints, height 189 mm, width 120 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1710 - 1710, first quarter 18th century, paper, etching, engraving, engraving (printing process), intermediary draughtsman

Orazio Frezza depicted Lykaon transformed into a wolf by Zeus Lykaios using feather with gray and brown wash.

Atrocities in a farmhouse, 1672, Anonymous, After Romeyn de Hooghe, 1673 - 1677 print Presentation of the atrocities by the French troops in Dutch villages in the year 1672, copied to the prints of Romeyn de Hooghe from 1673 (FMH 2439). The show shows the interior of a home with a fireplace on the right and a box bed in the background. The print is numbered: 3. Northern Netherlands paper etching / engraving violent death, being killed; being mishandled and maltreated; seeking death. massacre ~ war Bodegraven. Zwammerdam

Fight between Amazons and Greeks (part in the middle of the top), François Ragot, after Peter Paul Rubens, 1648 - 1670 print Fight between Amazons and Greeks on the Troy bridge. publisher: ParisFrance paper engraving / etching battle of Amazons; amazonomachy. bridge

Jacques Callot after Ventura Salimbeni, French (1592-1635), The Entombment, engraving

Cloelia Steekt de Tiber Over, Giulio Bonasone, After Polidoro da Caravaggio, 1501 - 1580 print Cloelia flight to Rome escaped from captivity. She crosses the Tiber river on horseback. On the left on the bank is a group of women with children for tents. On the right are women on the bank who try to stop Cloelia. Italy paper etching / engraving Cloelia and her companions escape Porsena's camp: she crosses the Tiber on horseback and persuades her companions to swim after her Tiber

The Genius of Franklin 1778 Marguerite Gérard French This is the largest print made by Gérard, Fragonards seventeen-year-old sister-in-law, who would go on to become a successful painter. As part of her artistic training Fragonard taught her the technique of etching. Over the course of several months in 1778, she made five prints all based on drawings by her brother-in-law, culminating in this allegorical portrait of Benjamin Franklin. Franklin, a popular figure in Paris, is shown under the protective shield of Minerva, instructing Mars to banish the enemies of America, who sits leaning against his knee.. The Genius of Franklin. Marguerite Gérard (French, Grasse 1761-1837 Paris). 1778. Etching printed in brown ink, first state of two. Prints

Triumph of Galatea; Paintings in Palazzo Farnese in Rome; Galeria Nel Palazzo Farnese in Roma. The Zeenimf Galatea rests in the arms of a sea-centaur. They are surrounded by a DROM Sea Affect. Four putti float above.

Copper engraving published by Raphael Sadeler the Elder depicting Samson and Delilah and King Solomon among many women, created in 1589, showing biblical figures, interaction, and composition.

Delivery of the moon. (IT)

Seventeenth century Flemish painting : Rubens. Rubens, Peter Paul, 1577-1640. Knight, Charles, 1791-1873. Prints, Illustrations. 1858. Science, Industry and Business Library: General Collection. Art, Industrial arts, Painting, Flemish

Voting tramples the overcome ..

Untitled: Old Testament Scene?. Artist: Romeyn de Hooghe, Dutch 1645-1708

Roof from Proserpina; The history of Pluto and Proserpina. Pluto drags Proserpina to his victory. Proserpina screams for help. The horses with the victory stand at a forest waiting.

The lost son chased, Anonymous, Peter Paul Rubens (Rejected Attribution), After Theodoor van Thulden, 1694 - 1737 print The lost son is deported by two men to the inn and the brothel because his money has run out. A dog next to him. Amsterdam paper etching when all his money is squandered the prodigal son is chased away by the harlots (+ variant)

The sons of Lara storms up the villager when they see blood on the face of their brother, Antonio Tempesta, After Otto van Veen, 1612 print Explanatory numbers in the show. Caption in Spanish and Latin. print maker: Italypublisher: Antwerp paper etching fighting. garden fountain. tales and fairy tales

Sardanapale, from "Le Monde Illustré" May 16, 1874 Emile Thomas The popular illustrated weekly "Le Monde Illustré" published this reproduction of Delacroixs "The Death of Sardanapalus" (1827; Louvre) when the painting was included in an exhibition of the Société de lUnion des Arts in May 1874. The magazine declared that it believed "it must make known to its readers the most remarkable works currently on view in Paris." A decade after the artists death, the painting had come up at auction for the first time the previous year and was purchased by the dealer Paul Durand-Ruel, who lent it to a number of exhibitions in London and Paris.. Sardanapale, from "Le Monde Illustré". After Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). May 16, 1874. Wood engraving. Emile Thomas (French, Vittel 1841-1907 Paris). Prints

Révolte du Caire (CairoRevolt). Engraver: Achille Désiré Lefèvre, French, 1798-1864 After: Anne-Louis Girodet de Roucy-Trioson, French, 1767-1824

David Killing Goliath, from The LoggiaPaintings. Etcher: Orazio Borgianni, Italian, ca. 1578-1616 After: Raphael, Italian, 1483-1520

Triumph of Mardocheus; Rijn, Rembrandt Van (1606-1669); around 1641 (1636-00-00-1646-00-00);Mardocheus, Old Testament, Rehdigerana (collection), Old Testament, Course, celebration, religious performances, triumph

Autumn - the Vendage. Engraving 1786.

Appeal of AdoniZek; Eglon killed by Ehud, Frans de Bakker, 1748 print Two performances on a plate. Upstairs: The Judëers caress AdoniZeks thumbs and toenails. Below: King Eglon is dead on the ground, a knife sticks in his belly. Two soldiers rush towards him. With captions in Dutch and French. Amsterdam paper etching / engraving Adoni-bezek is caught; his thumbs and his great toes are cut off. Eglon is found dead

Saint Martina is being skinned, Antonio Gherardi, 1654 - 1702 print Saint Martina is tied to a column for an arc. She is stripped of her skin by two soldiers. Soldiers and believers watch. Italy paper etching female saints (MARTINA OF ROME) - martyrdom, suffering, misfortune, death of female saint.

Etching by François Perrier, 1645, showing the Relief des Constantins with Roman figures, architectural details, and sculptural ornamentation in book format.

Etching by Romeyn de Hooghe depicting an allegorical representation of the death of Michiel de Ruyter, created between 1676 and 1677, illustrating symbolic figures and naval themes.

Sanherib, king of the Assyrians, Pieter Claesz. Soutman, after Peter Paul Rubens, 1616 - 1657 print King Sanherib fled with a small group on horseback the Assyrian army camp, where a troops sent by God kills his troops to help Koning Jechizkia and the inhabitants of Jerusalem. In the margin under the image the Bible verses 2 Kon.19. paper etching / engraving at night, an angel of the Lord decimates the Assyrian camp: 185.000 soldiers are killed

Drawing, Sheet from a Sketchbook: Minerva Orders Ulysses to Make Peace with the Suitors of Penelope (Minerva induce Ulisse alla pace con i Proci); Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash, traces of graphite on cream laid paper; 18.4 x 24.3 cm (7 1/4 x 9 9/16 in.)

Bacchus followers in a landscape, Anonymous, After Battista Franco, After Giulio Romano, 1560 - 1570 print Centrally a dancing bacchante, left a saat and faun, a putto and goat. On the right two putti that carry a barrel full of grapes on their shoulders. In the background a city on a hill. print maker: Italyafter print by: Veniceafter design by: Mantuapublisher: Venice paper etching the drunken Bacchus. maenad(s), female bacchant(es). satyr(s) (in general)

Fall of phaeton; Ovidius' metamorphoses; Reflections by P. Ovidius Naso. Phaëthon's ride in his father's solar car is a disastrous trip. The horses have placed the earth. River beds come dry and river nymphs complain their destiny. Neptune with trident comes up from the sea and stretches his arm to heaven. Mother earth, with city wreath shown as Cybele, sticks her head out of the earth and protects her look with a hand. Atlas swims to toosen the sky vowel. Jupiter throws lightning bolts and Phaëthon falls by car and all out of heaven. Under the show twice two fresh rules in Latin. The print is part of an album.

Copper engraving and etching by Johann Friedrich Greuter depicting Alexander the Great meeting Diogenes, created between 1610 and 1630, showing historical figures and classical settings.

Kindermoord te Betlehem, anonymous, after Paulus Pontius, after Peter Paul Rubens, 1668 - 1693 print In the courtyard of Herod's Palace in Bethlehem, mothers try to protect their children against his soldiers. They pull the children out of the arms of the desperate mothers. The soldiers have been instructed to kill all boys of two years and younger. There is a sheet of paper on the column with this commandment in Dutch. In the margin a Bible quote from Mat. 2 in Latin. Below that a twelve -line caption, in two columns, in Dutch, German and French. Map is digitally composed of 6 separate parts. after print by: Antwerppublisher: Amsterdam paper engraving the massacre of the innocents

Allegory on the acceptance of city harvester by Prince Willem V, 1766. Allegory on the acceptance of city harvester by Prince William v by his majority on March 8, 1766. The prince is by his mentor, the Hertog van Brunswijk, to the seat of it City Holdering led. The prince is accompanied by the piety and truth, waiting justice, caution and the Dutch virgin at the throne. To the right, the angel's God's discourse, fanaticism and heresy. In the foreground, geniën play with the symbols of arts and sciences.

Cain kills Abel, Jan Harmensz. Muller, after Cornelis Cornelisz. van Haarlem, 1587 - 1591 print Cain kills his brother Abel with a club. Cain runs away in the background. God is depicted by a jet wreath from the clouds. At the bottom of the margin a four -line verse in Latin. paper engraving the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon

The Annunciation to the Shepherds, 1599. Jan Saenredam (Dutch, 1565-1607), after Abraham Bloemaert (Dutch, 1564-1651). Engraving; sheet: 55.1 x 39.6 cm (21 11/16 x 15 9/16 in.).

Terrible procedure with the body of the murdered , Minister of War Grf, Latour, on October , Witek, Lithographer

Apollo framed by zodiac. Apollo, the sun god, floats in the air with its winch, framed by the zodiac. Right Bacchus and Vulcanus and Left Flora and Ceres in a landscape.

JOKS AT OTHS ACCOUNT GOORGE LEWIS, After Edwin Henry Lunier, After Henry Graves & Cee Viib Send & Cie Giquil, 1847 print print maker: Englandafter painting by: Londonpublisher: Londonpublisher: Paris paper etching / engraving beasts of prey, predatory animals: otter. hunting, chase

Karl V., Roman-German Emperor.

Copper engraving by Bartholomäus Kilian depicting a Thesenblatt (pamphlet) for F. A. J. Halweil, showing printed text and decorative elements.

The Assault, Print made by John Bell, 1811-1895, British, between 1838 and 1850, Etching on moderately thick, slightly textured, beige wove paper with cream chine collé, Sheet: 6 5/16 x 8 1/8 inches (16 x 20.6 cm), Plate: 5 1/4 x 7 1/16 inches (13.4 x 17.9 cm), and Image: 4 5/16 x 6 5/16 inches (11 x 16 cm), armor, arrows, battle, bows, Christian, crosses, death, fighting, helmets, Islamic (Muslim), killing, moons, religious and mythological subject, shields, spears, stones, swords, tunics, turbans, wall, war

War and tyranny in the Netherlands. War and tyranny in the Netherlands during the French occupation. Large blazing fire in which war, envy and tyranny rages and innocent civilians are murdered. On the left a Roman mass, to the right closing the peace between Brandenburg and France. Allegory on the political situation in the Republic in the year 1674. Unnumbered.

The trip from Barcelona to Genoa; entry from Ferdinand in Antwerp in 1635 (no. 7); Navigatio ser.mi Principis, Barcinone Genuam: Tabula lateris Dextri. Ferdinand's trip by sea from Barcelona to Genoa in Italy (11 April - May 5, 1633). In the foreground Neptune in his chariot with zeenimms, the Noorderwind Boreas is being chased away. The left show on the welcome theater. Signature upper left: p. 15. With caption of 5 lines in Latin. Leaf No. 7 In a set of 43 plates that illustrate the publication of the arrival of the Cardinal Infant Ferdinand of Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands.

Jacoba van Bavaria states at the head of the corners, ca. 1430. Jacoba van Bavaria states at a battle at the head of the corners, ca. 1430.

Attila pardons Rome (illustration in: Cesar Cantu, General history, Warsaw 1853-1857). Orgelbrand, Samuel (Warszawa ; wydawnictwo, drukarnia ; fl. 1836-1919), merchant employer, unknown, graphic artist

Habsburgs chase Turkish besiegers from the corridor system under the imperial castle, Romeyn de Hooghe, 1684 print Habsburgers chase Turkish besiegers from the corridor system under the imperial castle. This print is No. 6 in a series of prints of ten performances about the relief of Vienna in 1683 for 'Relation Succinte et Veritable de Tout Ce S'est Passé Pendant Le Siege de Vienne etc.' Amsterdam paper etching Victory, position was Vienna

Entry of King Henry IV in Paris, 1827 print paper etching march into the conquered place. king. historical persons Paris

Death of sanherib; History of Hizkia and Sanherib; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. While king Sanherib van Assyria knelt down in the temple of his God Nisroch, he is murdered by two of his sons. Under the show a reference in Latin to the Bible text in 2. 19. This print is part of an album.

Lomismo.. Goya, Francisco (1746-1828). 1810. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Peninsular War, 1807-1814 , Atrocities, Axes

A surgeon on the battlefield. Reproduction of a pen and ink drawing by C. Maurer.

Cleopatra on the Nile; unknown, Makart, Hans (1840-1884), Hallberger, Eduard (1822-1892); 1875 (1875-00-00-1875-00-00);

Four performances from classical history, Simon Fokke, 1722 - 1784 print Four performances from the classical history of one album, numbered from LXIX to LXXII and all provided with a caption. At the top left: schoolmaster punished by Camillus. Bottom left: Camillus prevents a shameful peace. At the top right: Curius Dentatus lives voluntarily in poverty. At the bottom right: Postumius in Tarentum mocked. Performances LXIX and LXX at the top right marked: Against page. 102. LXXI and LXXII representations marked at the top right: Against page. 130. Amsterdam paper etching Marcus Furius Camillus has the schoolmaster of Falerii chastised by his pupils: he is stripped and the children drive him back to their city with sticks. (story of) Marcus Furius Camillus. Manius Curius Dentatus, while cooking a simple meal at his hearth, refuses the gifts of the Samnites. (story of) A. Postumius Tubertus - suffering, misfortune of person from classical history

Test of the pests, Jan Luyken, 1708 print On a plain in a city, it is crawling with vermin. People and riders run around and wrap around to get rid of the insects. The print is an imagination of the fourth plague that God brought over Egypt. Amsterdam paper etching the plague of flies which fill the houses of the Egyptians

Nicolas Dorigny's 1693 copper engraving depicts the Triumph of Galathea, showing the mythological sea nymph surrounded by allegorical figures and marine elements.

Allegory on death. A large group of old men who kneels at the entrance to a cave for a skeleton that ceases a book with the inscription: 'Quidquid Latet Apparebit' (from the Dies IRAE). Below the skeleton lies a second skeleton whose skull is touched by a man with beard. A man in the foreground is bent with the head against the ground.

Copper engraving and etching after Nicolas Poussin, dated 1654-1704, depicting the biblical Adoration of the Magi with detailed composition.

David beheaded Goliat, Jan Punt, after Jacob de Wit, after Peter Paul Rubens, 1752 print Goliat is on the floor and David is about to carve his head. Under the rectangular representation a verse in Latin from 1 Sam. 17:51. Amsterdam paper etching / engraving David beheads Goliath with a sword Carolus Borromeuskerk

Abruzzo L'Aquila L'Aquila S. Giusta6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century) Medieval section: all exterior views Hutzel collection: interior views of naves, chapels, frescoes, sacristy and paintings German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Alejandro Blanco y Assensio (Lithographer) (The original work, according to inscriptions, attributed to Rubens, Peter Paul); Anthony Van Dyck (After); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'The Brazen Serpent'. 1832 - 1837. Lithographic aquatint, Crayon lithography, Printing on japon, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

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