Allegorical Prints of Autumn and Beauty

A collection of intricate prints depicting allegories of autumn, Bacchus surrounded by satyrs, and classical themes with flowers, figures, and ornate frames.

Bocholt (Germany), Meckenem, Israhel van, Ornamental flower with wild men and women, verso lower left - stamped, A large flower with six wild men and two wild women between the leaves. Left and right banderoles with Latin text in Gothic letters. On top of the flower two insects., print, ornamental print, prints, height 208 mm, width 139 mm, German, 1440 - 1517, print maker, printmaker, 1490 - 1500, fourth quarter 15th century, paper, engraving, engraving (printing process)

Herfst; Herbst / L'Automne; Vier jaargetijden.Allegory of autumn. Bacchus with his thyrsus and a jar with wine surrounded by Saters and Panthers. In the underwear twice a four-line text in German and French.

Susanna and De Elders, 1631 - 1699 print Around medallion with Susanna and the elders. Around a grotesque frame. At the bottom two terms with a wreath above a pelican that feeds his boy. paper etching / engraving Susanna bathing, usually in or near a fountain and sometimes accompanied by two female servants

Bocholt (Germany), Meckenem, Israhel van, Ornamental flower with wild men and women, verso lower left - stamped, A large flower with six wild men and two wild women between the leaves. Left and right banderoles with Latin text in Gothic letters. On top of the flower two insects., print, ornamental print, prints, height 208 mm, width 139 mm, German, 1440 - 1517, print maker, printmaker, 1490 - 1500, fourth quarter 15th century, paper, engraving, engraving (printing process)

Incense burner with winged tritons, flowers, a woman and four dolphins, 1714 print Numbered in the top left: no. 57. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching censer. triton(s). dolphin ~ ornament

Venus and Amor in a rectangular frame; Gods and Goddesses. At the bottom is a Latin text. From series of 16 partly numbered sheets with flat decorations of gods and goddesses in a picture frame of grotesken with fantastic beings, animals, garlands and mascarons.

Candlestick with winged tritons, putti, lions and eagles, 1714 print Numbered in the top left: no. 67 print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching ornament ~ candelabrum. chandelier, candelabrum. candle. triton(s). cupids: 'amores', 'amoretti', 'putti'. beasts of prey, predatory animals: lion. predatory birds: eagle

Twee Vrouwen puts Parasol, Carl Albert von Lespilliez, After François de Cuvillés (Sr.), 1745 print Two women are sitting in a landscape next to a waterfall. A boy protects the woman on the right with a parasol against the sun. Around the show an ornamented frame. after design by: GermanyParis paper etching / engraving sitting figure - AA - female human figure. parasol, sunshade

Boaz speaks to the supervisor, Caspar Luyken, 1705 print The image of Boaz is caught in an ornamental frame with floral motifs and objects that relate to agriculture. Amsterdam paper etching Boaz questions his servant concerning Ruth. agricultural implements

Resurrection in a rolling work frame, Virgilius Solis, 1568 print Nuremberg paper engraving scrollwork, strapwork ~ ornament. events immediately after the Resurrection

Vesta en Minerva.Two cartouches with bust of goddesses. Links Vesta with smoke and flower wreath. Turn right minerva with lance and painting palette. Publisher number 56.

Shows decorative designs featuring human figures, produced as a woodcut by Giovanni Antonio da Brescia at the end of the 15th century and first half of the 16th century.

Architecture fantasy with the fall of Bellerophon, 1565 - 1571 print Left and right lies on a pedestal with a sphinx under a canopy. From series of title page + 16 magazines with cartouches or architecture fantasies with a performance in a frame of grotes' with fable being, animals, garlands, trophies and mascarons. Netherlands (possibly) paper etching suffering, misfortune of Bellerophon

Vases and Ornament, nos. CCCCLX-CCCCLXVIII ("Designs for Various Ornaments," pl. 69) 1801 After Michelangelo Pergolesi These designs for vases and ornament, numbered CCCCLX to CCCCLXVIII, were published by Dulouchamp in 1801. The latter was a bookseller who inherited Pergolesi's series of ornament designs published in London between 1777 and 1792 and added to them. The series has no title page, but a prospectus of ca. 1786 described the group as: "A great variety of original designs of vases, figures, medallions, friezes, pilasters, panels and other ornaments, in the Etruscan and grotesque style." The earlier set contains 67 plates numbered 1-66 (two are numbered 56), with designs within the plates irregularly numbered 1-435 (in both Roman and Arabic numerals).. Vases and Ornament, nos. CCCCLX-CCCCLXVIII ("Designs for Various Ornaments," pl. 69). After Michelangelo Pergolesi (Italian, active from 1760-died 1801). 1801. Etching. Dulouchamp (British, active ca. 1801)

Boaz speaks to the supervisor. The depicting of Boaz is caught in an ornamental frame with floral motifs and objects that relate to agriculture.

Pendant with winged Herme flanked by two peacocks, Dietrich Meyer, c. 1600 print At the top two foxes run, at the bottom are the lion, the fox and the donkey that went hunting together. Zurich (Stad) (Possibly) paper etching

Ornamental Panel ca. 1514-36 Agostino Veneziano (Agostino dei Musi) Italian. Ornamental Panel. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). ca. 1514-36. Engraving. Prints

Panel with Apollo and Daphne in medallion, Jean Lepautre, c. 1655 - c. 1657 print Panel in frame of oak leaves and a mask between concoles at the top. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Imperial court, Augsburg, Merz, Johann Georg, Götz, Gottfried Bernhard, Wangner, Jakob, Four seasons, Herbst, L'Automne, Autumn, verso - stamped, Allegory of autumn. Bacchus with his thyrsus and a goblet of wine in his hand is surrounded by satyrs and panthers. In the lower margin twice a four-line text in German and French., print, ornament print, prints, ornament prints, height 298 mm, width 195 mm, German, 1703 - 1781, print maker, printmaker, 1714 - 1762, paper, etching, etchings, engraving, engraving (printing process), Work conception, 1708 - 1774, after a design by, Publication (Event), Publication, 1694 - 1762, publisher, granter of privilege

Tobias and Ango; Le Pautre, Jean (1618-1682), Mariette, Pierre (1634-1716; m.); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Louis XIV (king of France), Louis XIII (king of France), Paris, Leblond, Jean (I), France, Lepautre, Jean, Large cartouches, Large cartouche, At the bottom right is a river god. From a series of 6 sheets, each with a variant for the right half., print, ornamental print, prints, ornamental prints, height 300 mm, width 219 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1628 - 1666, second quarter 17th century, tweede kwart 17e eeuw, third quarter 17th century, derde kwart 17e eeuw, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1594 - 1666, publisher, uitgever, 1601-09-27 - 1643-05-14, verlener van privilege, 1638-09-05 - 1715-09-01

Two putti with a garland, Bernard Picart (workshop of), After Bernard Picart, 1683 - 1733 print Amsterdam paper etching / engraving / letterpress printing Cupids: 'Amores', 'Amoretti', 'Putti'. Ornament ~ feston, garland

Two Satyrs and a Child Attacking a Dragon which is Held by a Panther. Fialetti, Odoardo, 1573-1638. 1601 - 1700. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Aarde, in or after 1729 - 1800 print Allegory of the Earth element in a frame of flowers, baskets and shepherd's hats and staff. A woman is under a fruit tree and catches the fruits that a man picks in the tree. Children collect the fallen fruit on the ground. Twice a four -line German and French text in the lower margin. paper etching 'Terra', 'Carro della terra' (Ripa). shaking down, tossing down the fruit. picking fruit

Ornamental Panel Surmounted by an Eagle and the Motto NATOS ET NOSTRA TUEMUR, plate 7 from the Livre de Diverses Grotesques peintes dans le Cabinet et Bains de la Reyne Regente, au Palais Royale, Michel Dorigny, 1617 - 1665, Simon Voüet, 1590 - 1649, etching with engraving on laid paper, France, France, ca. 1647, ornament, Print, Print

Garland of fruit; Garlands of fruit, flowers and leaves; Neu inventirte festons von Früchten und Blumen Mit Leaub und Bandel-Werck. Arabesk ornament with a garland of acanthus leaves and various fruits and ribbons.

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Eichel, Emanuel, Rocailles with putto and owl, verso - stamped, Five rocaille ornaments, with a putto with owl in the middle. Publisher number 98, print, ornamental print, prints, ornamental prints, height 297 mm, width 195 mm, 1717 - 1782, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Romulus in Bij Remus of Wolvin, Louis de Châtillon (rejected attribution), after François Tortebat, After Annibale Carracci, 1659 print paper etching / engraving Romulus and Remus are washed ashore and suckled by a she-wolf; 'Lupa Romana'

bekend, Augsburg, Engelbrecht, Martin, Baur, Johann, Degmair, Philipp Andreas, The four elements, Rocaille with waterfowl, unknown, verso - stamped, The element water. Ducks and other waterfowl are in the water that flows down from the rocaille. At the top birds and insects. Numbered at top right 138., print, ornamental print, prints, ornamental prints, height 235 mm, width 179 mm, 1711 - 1771, print maker, printmaker, 1719 - 1749, paper, papier, etching, etchings, German, 1701 - 1800, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1684-09-16 - 1756-01-18, publisher, uitgever van privilege

Depicts an unknown coat of arms by Augustin Hirschvogel as an etching from the mid-16th century, showing heraldic design with shield and emblematic symbols.

Various Designs for Rocaille Ornaments, Plate 3 from an Untitled Series of Rocaille Ornaments for Frames. Artist: After Carl Pier (German, active Augsburg, ca. 1750). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Engraver: Jacob Gottlieb Thelot (German, Augsburg 1708-1760 Augsburg). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Ornament print with designs for rocaille ornaments, including one large ornament forming the top right corner of a frame or arch, and four loose rocailles. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. Museum: Metropolitan Museum of Art, New York, USA.

H. Jacobus Major Virgil, 1524 - 1562 print paper engraving

Right half of panel with cartouche. In addition to the cartouche, two putti float, the upper holds an open crown.

Jozef assigned the grain to save and Joseph's brothers tell Jacob that lives Joseph. Two performances on a leaf, vice versa relative to each other. Presentation 1: Jozef gives the Egypt undercine opportunity to harvest and save the grain. Middle above a reference to the Bible text in Gen. 41:48. The performance is caught in an ornamental list of hybrid animals. Presentation 2: Joseph's brothers tell their father Jacob that Joseph is still alive. Jacob does not believe this in the first instance. Middle above a reference to the Bible text in Gen. 45:25. The performance is caught in an ornamental list of putti and crabs.

The summary of civil wars campaigns from 1620 to 1628, by Michel Asinius, 1927 equestrian statue of Louis III

The Last Judgment, Virgilius Solis, 1524 - 1562 print paper engraving Last Judgement

Drawing (Italy)

Oval medallion with wine-drinking children; Oval medallions with children playing. Unnumbered leaves from series of 10 sheets with designs for jewelry.

Ornament with Owl Mocked by Day Birds ca. 1435-91 Martin Schongauer German Martin Schongauer concealed a sinister narrative within this lively pattern of Gothic leaves. Six birds tucked throughout the ornament caw in derision at an owl, which carries a small bird in its beak. During the late fifteenth century in northern Europe, the carnivorous owl was often associated with negative concepts, such as sin and greed.. Ornament with Owl Mocked by Day Birds 336197

Letter D with King David, 1595 print Ornamental letter D with King David on the right with harp and letter in his hands. On the left a naked woman with a snake, probably the imagination of evil and referring to the affair of King David with Batseba. At the bottom of the letter D is a winged putto and centrally a trophy with spears and banner. The letter is further decorated with birds, flowers, bunches of fruits and a fish. Under the putto an ornament with arrow and arch and arrow case. Verso verses in Latin and German. Print is part of an album. Frankfurt paper engraving / letterpress printing David, from the roof (or balcony) of his palace, sees Bathsheba bathing (+ variant). David (not in biblical context); possible attributes: crown, harp. devils in the form of (fabulous) animals. ornamental birds. fruits and vegetables ~ ornament. ornament ~ grotesque

Judgment of Midas. King Midas points to Pan as the winner in the music competition between Pan and Apollo. The linked Apollo gives Midas for punishment donkey ears. The show is caught in an ornamental list.

In the middle hangs an oval with a figurative performance, Hans Sibmacher, after Jacques Androuet, c. 1525 - 1594 print Leaf from series with architecture fantasies and grotes' with fable areas, garlands, candelabers and mascarons. print maker: Germany (possibly)after print by: France (possibly)publisher: Netherlands (possibly) paper etching

Bound Volume, Frontispiece for Book 4, in Eight books of Ornament, 1741-47; William Delacour (French, 1741 - 1767); Engraved by François Vivares (French, 1709 - 1782); France; engravings on white laid paper, bound in half-calf and marbled boards; Open: 41.4 x 48.1 x 11.7 cm (16 5/16 x 18 15/16 x 4 5/8 in.)

Copper engraving by Barthel Beham depicting a coat of arms featuring a rooster with heraldic ornamentation and Renaissance detail.

Vase, draughtsman: anonymous, J.S. Hildt, Augsburg, c. 1743, paper, pen, brush, h 170 mm × w 140 mm

Young man with grapes and thyrsus on a rocaille; L'Automne / der Herbst; The four Seasons. On the Rocaille a young man with the attributes of Bacchus and a wine carafe as an autumn personification. The Rocaille is decorated with fucks, a hunting horn and a falcon with tilt. At the front a gun, a hunting dog and a dead hare. Around insects and fruit. At the top right 153 numbered.

Letter D with King David; Ornamental alphabet; Nova alphati effictio. Ornamental letter D with the right king David with harp and letter in the hands. On the left a naked woman with a snake, probably the imagination of evil and goal on the king David's affair with Batseba. At the bottom of the letter D is a winged putto and centrally a trophy with spears and banner. The letter is further decorated with birds, flowers, bunches of fruits and a fish. Under the putto an ornament with arrow and bow and arrow sleeve. On verso verses in Latin and German. Print is part of an album.

Cartouche in which peace with two horns of abundance, Anonymous, After Crispijn van de Passe (I), 1601 print Vertenguirlandes hang along the cartouche. Both at the top left and top right, a child is on the rolling work. Leaf from series of 8 sheets with cartouches in a frame of rolling work with grotesken, garlands and mascarons. Netherlands (possibly) paper engraving

Medea cooks magical herbs in a kettle for Aeson, René Boyvin, After Léonard Thiry, 1563 print The whole is framed by an ornamental list of putti, sphinxes and lions. paper engraving Aeson is laid down before Medea; she brews a potion in a bronze pot (an old and dry olive-branch becomes green when stirred in it). the story of the Argonauts: the quest for the Golden Fleece

Print, Ceiling, from "Nouveaux Ornemens ou Plaffons"; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper; 14.4 × 20.4 cm (5 11/16 × 8 1/16 in.)

Sater and man who is bitten by lion, anonymous, after polifilo giancarli, c. 1655 - c. 1657 print The lower body of the man who is bitten ends in a leaf vank with flowers. after design by: Italy (possibly)publisher: Paris paper etching beasts of prey, predatory animals: lion

Moncornet, Balthazar, Son, Nicolas de, Callot, Jacques, Lefebure, Francois, Livre de fleurs & de feuilles pour servir a l'art d'orfeverie, Goldsmith's bouquet with tendrils, recto lower right - handwritten, With a number of figures at the bottom after Jacques Callot. In the middle at the top an insect sits on an iris, a butterfly flies at the left and right at the top. From a series of 6 sheets., print, ornamental print, prints, ornamental prints, verso lower left - stamped, Calot fe., height 199 mm, width 158 mm, French, 1600 - 1668-08-11, print maker, printmaker, 1635 - 1635, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, after a design by, 1592-08-21 - 1635-03-24, Publication (Event), Publication, publisher

Allegory on the return of Great Britain to the Catholic faith. Ornamental performance with various personifications, in the form of an image on a pedestal. In the middle faith and truth. Religion is fed up by them. Father time holds a drapery behind them. Right behind them a soldier who chased the discord and deceit with raised hand. Among them the beheaded Hydra of Lerna. At the top of the weapon of Great Britain.

Two awards with cartouches; Sixty Different Sorts Of Ornaments (...). Two half designs of concisals with rocaille ornaments, leaf motifs and cartouches. Right awarded a face.

Leaf -shaped cartouche with a putto, sitting on a cloud, Christoph Jamnitzer, 1573 - 1610 print The putto holds a bird with a very long beak in its arms. Leaf from a series of flat decorations with grotesken, cartouches, oval, mascarons, putti and fantastic creatures. The series consists of three title magazines, two text magazines with the assignment and the preface and 60 magazines, spread over three books. Germany (possibly) paper etching

Plafon designs; Le Pautre, Jean (1618-1682), Sandrart, Susanna Maria von (1658-1716); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Bound Print, Cartouche with Two Putti and a Mermaid, Livre de Cartouches à divers usages (Book of Cartouches for Different Uses); Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Franz Xaver Andreas Jungwierth (German, 1720-1790); Germany; etching and engraving on paper; 28 × 18.7 cm (11 × 7 3/8 in.)

Two putti with a garland, Bernard Picart (workshop of), After Bernard Picart, 1683 - 1733 print paper etching / engraving / letterpress printing Cupids: 'Amores', 'Amoretti', 'Putti'. Ornament ~ feston, garland

Classical Ceiling Moldings with Floral Ornament 1776-79 Attributed to Thomas Hardwick British. Classical Ceiling Moldings with Floral Ornament 367187

Print, Grotesque with Deities. Plate 04 Juno,” 2nd state; René Boyvin (French, 1525 - 1625); After Léonard Thiry (Flemish, 1550); France; black ink on white paper; Sheet: 29.3 x 18.8 cm (11 9/16 x 7 3/8 in.) Platemark: 17.4 x 10.7 cm (6 7/8 x 4 3/16 in.); 1945-70-8

Aarde, Philips Galle (attributed to workshop of), after Marcus Gheeraerts (I), 1547 - 1622 print The personification of earth, surrounded by ornamental decorations. She has a city crown on her head and a key in her hand and is flanked by all kinds of animals. In the four corners of the print the personifications of the four continents. The print is part of a series about the four elements. print maker: Antwerpafter design by: Brugespublisher: Antwerp paper engraving ornament ~ arabesque. earth (one of the four elements). continents represented allegorically

Print, Grotesque Ornament with Satyrs, from a set of twenty ornament panels; Published by Antonio Salamanca (Italian, ca. 1500 - 1562); Print Maker: Agostino Veneziano (Italian, ca. 1490 - after 1536); Italy; engraving on laid paper; 20.2 × 14.4 cm (7 15/16 × 5 11/16 in.)

Esau sells his birthright and the birth of Esau and Jakob, Cornelis Cort, after Frans Floris (I), 1563 print Ornaments for dish edge. Top half: Jakob and Esau are sitting on the floor in front of a house. Esau eats the plate of lentil soup and thereby sells his first -birth law. Bottom half: The birth of Esau and Jakob. Rebekka is located in childbirth. On the right the midwives with the ignited babies. In the foreground a swing cradle. With Latin text in cartouches. print maker: unknownpublisher: Antwerp paper engraving Esau, returning hungry from the hunt, sells his first birthright to Jacob for a pottage of lentils. birth of the twins: Jacob clutches Esau's heel. ornament ~ cartouche. cradle, crib

Design for a Cartouche with Two Putti Heads inside a Shell, Atop of an Arch 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Design for a Cartouche with Two Putti Heads inside a Shell, Atop of an Arch 340721

Coat of Arms with Cock ca. 1502 Albrecht Dürer German. Coat of Arms with Cock 384647

Frankfurt, Bry, Johann Israel de, Johann Theodor de, Nova Alphati Effictio, Ornamental alphabet, Letter H with Holofernes, verso of print - stamped, Ornamental letter H with the Assyrian general Holofernes in the center with a wine cup in his hand. A putto at the top left. The letter is further decorated with trophies of arms, bunches of fruit, a squirrel and a bird. Verses in Latin and German on the verso. Print is part of a album., print, ornamental print, album leaf, prints, height 216 mm, width 163 mm, South Netherlands, 1561 - 1623, print maker, printmaker, 1595 - 1595, paper, papier, engraving, engraving (printing process), letterpress printing

Flat decoration with grotesken, in the middle is a candelabé; Europe. Two blindfolded figures with fish tails are tied to the foot of the candelab. There are two peacocks above that.

Two Salt Cellars 16th-17th century René Boyvin. Two Salt Cellars. René Boyvin (French, Angers ca. 1525-1598 or 1625/6 Angers). 16th-17th century. Engraving. Prints

Four rows of Frisians, Jean Lepautre, After c. 1667 - Before 1716 print The upper Frisian consists of two parts of both sides of a round medallion, without displaying the dividing line. Page 2 from series of 6 blades, each with four rows of Frisians, usually divided into two to four compartments. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Hungary; La Hongrie; F Vases and Hautur; Nouvelle iconology Historique Ou Attributs Hierogliphyques (...). An ornamented vase with two female attachment figures and rams caps. Below it a square table with weapons, a water stream, a sword, a cornucopia, the papal tiara and burning hearts. Print number 49.

Bacchus is surrounded by Saters for a niche with sidebows; Molding change of cavity of cavity (...) Libro Primo. At the top is a women's figure on a stage with stairs between two children with bazuinen. Leaf I from series of 12 sheets, numbered A-M with flat decorations of grotesken with rolling, Saters, garlands, trophies, animals and fantasy stations

Rinceaux Pattern, 1515, Engravings, 2 3/8 x 1 9/16 in. (6 x 3.9 cm), Paper / Sheet 2 5/8 x 1 3/4 in. (6.7 x 4.5 cm), Cream laid

Jonas Haas (1721-1775), Vignette with Rigsvaaben, 1720 - 1775

Pacifical with Resurrection Lucas Cranach the Elder German. Pacifical with Resurrection 624981

Plat decoration: Frisian with animals and electricity god, 1557 print Above a narrow frieze with animals is a power god with its jug and a horn of abundance. He sits with his feet in a stream in which fish and a dolphin swim. Latwerk is attached between the dods that grow out of his head on which birds and other animals are. On the left is a seat of rolling work in which a woman who blows on a shell; On the right a seat with a man with a trident in his hand. Belongs to series consisting of a title page, a text top and 14 magazines with grotesken with rolling work, saters, garlands, trophies, animals and fantasy scenes. Netherlands (possibly) paper etching ornaments ~ art. river-gods

Panel of Ornament with Two Sirens 1528 Lucas van Leyden Netherlandish. Panel of Ornament with Two Sirens 364714

Bird on an ornamental monument.

Design for Cartouche with Large and Small Compartments, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723-1796, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, Etching and engraving on off-white laid paper, In the upper compartment, two boys fishing., Germany, 1745, ornament, Print, Print

Decoration of a chimney; Furniture; Small cart shower to example in Fontainebleau. Square cartouche with a presentation of Victoria surrounded by soldiers, flanked by two hermen. Possible from series of 52 sheets.

Heinrich II, King of France.

Man plays on Lier and sits on the back of dolphin in calm sea in frame with ornaments and extinguished torches, François van Bleyswijck, 1681 - 1746 print Emblem with a man, possibly Arion, who plays on a winch and sits on the back of a dolphin in calm sea. The show is included in a round frame with banderol with motto mediis tranquillat in undis (calm in the middle of the wild bars). Leiden paper etching swimming mammals: dolphin. lyre, cithara, psaltery. Arion rides on a dolphin, holding his lyre

Cartouche of floral and cosse-de-pois ornaments around landscape with sitting figures. Cdep n.b.

Louis XIV (King of France), Paris, Loir, Nicolas Pierre, France, Divers Ornemens, Trophées et Panneaux, Two winged women with medallions, The women are seated on a pedestal and holding a medallion with a figure of victory. Sheet 11 from a series of 12., print, ornamental print, prints, ornamental prints, height 157 mm, width 114 mm, French, 1624 - 1679-05-06, print maker, printmaker, 1660 - 1670, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Augsburg, Hertel, Johann Georg (I), Schmahl, J. Matthaeus, Rocaille ornaments and window frame, verso - stamped, Rocaille ornaments with branches and leaf motifs. On the right the left part of a rocaille window frame. Publisher number 241., print, ornament print, prints, ornament prints, height 186 mm, width 255 mm, print maker, printmaker, 1705 - 1775, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Medea Kills her Two Children. Artist: René Boyvin (French, Angers ca. 1525-1598 or 1625/6 Angers); After Leonard Thiry (Netherlandish, active Fontainebleau ca. 1536-1550). Dimensions: sheet: 7 5/8 x 11 1/2 in. (19.3 x 29.2 cm)plate: 6 1/4 x 9 3/16 in. (15.8 x 23.4 cm). Series/Portfolio: Jason and the Golden Fleece. Date: 1563. Museum: Metropolitan Museum of Art, New York, USA.

Leer half of panel with Herme. On the right is a vase on a pedestal, next to it, a putto holds a garland from leaves.

Catéchisme des gens mariés. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

Dish with Arion, Adriaen Collaert, c. 1580 - Before 1618 print Arion is on the dolphin and plays the winch. In the edge there are music -making Neria and Tritons. Bottom left side. A water turtle. No 1 from series of 4 numbered sheets with shaded background Netherlands (possibly) paper engraving Arion rides on a dolphin, holding his lyre

Vices: Anger (Hollstein 126) Heinrich ALDEGREVER (or ALDEGREVER - 1502-V.1555 / 1561). Vices: Anger (Hollstein 126). Burin, 1552. Museum of Fine Arts from the city of Paris, small palace.

Title page: Escusons, Ou Entrees De Cerures et Autres Orders Serudants A Embelir La Cerurie; Escusons, Ou Entrees De Cerures et Autres Orders Serudants A Embelir La Cerurie. Decorated key holes hanging on a ribbon, middle is the title in a cartouche.

Europa; De vier werelddelen.The horse is under an arch of seed beads. Next to cannonballs and a ton, possibly a powder keg. The bow is surrounded by different birds, flowers and weapons. Mid above 33 and at the top left 161 numbered.

Plate 4: a cartouche formed by a tiger skin and flanked by two centaurs, from 'Nouvelles inventions de Cartouches'. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: sheet: 6 1/8 x 4 15/16 in. (15.5 x 12.6 cm). Series/Portfolio: 'Nouvelles inventions de Cartouches'. Date: ca. 1647. Museum: Metropolitan Museum of Art, New York, USA.

Designs for a Ceiling 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Designs for a Ceiling 340135

Copper engraving 'Coat of Arms with Mask, Held by Two Geniuses' by Lucas Hugensz. van Leyden, 1527, depicting coat of arms, mask, and figures.

Vase in cartouche; Vases and cartouches. Vase with bouquet of flowers in oval list with a variant for the right half. From second edition.

Two panels with putti and sitting women, Jean Pelletier, After Juste Nathan François Boucher, 1772 - 1779 print Two panels. Upstairs with an acclaimed portrait and profil in a round medallion, surrounded by a helmet, two putti, two shields, flags and a mask. With two sitting women in a round arch on either side of a vase. Print number 242. Paris paper etching / engraving ornament ~ medallion. cupids: 'amores', 'amoretti', 'putti'. helmet. sitting figure - AA - female human figure. vase ~ ornament

Fantastic fountain with a fisherman and a hunter and dogs in battle with a tie. One of five fantastic fountains from the series for the first book by Dietterlins Architectura (1595).

Cartouche with a performance of the Roof by Proserpina, Pieter van der Heyden, After Jacob Floris, 1566 print Half of a Herme is visible at the two ends of the leaf. Shaded background. Leaf from series consisting of a title page and 15 of the 16 magazines with cartouches with biblical and mythological representations in a frame of rolling and grotesken. Netherlands (possibly) paper engraving

Cartouche: Perseus frees Andromeda; ANDROMEDA. Cartouche with Perseus, seated on the Pegasus horse, the sea monster. On the right andromeda chained to the rock. Oval cartouche in frame of figures and sea monsters against shaded background.

Nuremberg, Sandrart, Jakob von, Germany, Heckenauer, Leonhard, Susanne Maria von, Neues Romanisches Laubwerck Büchlein, Woman with drapery and young man with festoon, On the left a half shield with a cherub on a pedestal, on the corner of the pedestal sits a woman with a drapery over her legs and a dolphin at her feet. On the right a half cartouche on a pedestal, on the pedestal sits a young man supporting a festoon of fruit. Sheet 4 from a series of 6 sheets, two compositions per sheet., print, ornamental print, prints, ornamental prints, height 179 mm, width 241 mm, German, 1658-08-10 - 1716-12-20, print maker, printmaker, 1668 - 1708, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, etching, etchings, Work conception, 1650 - 1704, after a design by, Publication (Event), Publication, 1630-05-31 - 1708-08-15, publisher

Paris, Boucher, Juste Nathan François, Kollmann, Arabesques, Five scenes with arabesques, verso - stamped, standing women and vases., print, ornament print, prints, ornament prints, height 231 mm, width 160 mm, 1700 - 1799, print maker, printmaker, 1746 - 1800, paper, papier, etching, etchings, Work conception, 1736 - 1782-01

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