Allegorical Prints of History

Elegant prints portraying allegorical scenes and historical figures, infused with rich symbolism and complex narratives surrounding governance and culture.

Rome, Aelst, Nicolaus van, Italy, Beatrizet, Nicolas, Tempesta, Antonio, Mary with Child on throne with Saint Dominic and Saint Catherine of Siena, verso - stamped, Mary sits on a throne with the Christ Child on her lap. Both hold a rosary in their hands. Kneeling before the throne are Saint Dominic and Saint Catherine of Siena and other clergy. The image is surrounded by a border with fifteen small images from the lives of Christ and Mary, each with a caption in Latin on a banderole. In the middle below a coat of arms and a dedication in Latin., print, prints, height 495 mm, width 352 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1590 - 1590, paper, papier, etching, etchings, Work conception, French, 1515 - 1565, after a print by, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher, uitgever

The city maid of Haarlem takes the oath Charters of the city of Haerlem (title on object), The Haarlem city maid is kneeling in front of a throning woman and takes the oath. She wears the armor of Minerva and is supported by a shield with the city arms of Haarlem. An angel blowing a trumpet flies in the air and holds a laurel wreath over the head of the Virgin. Around the show is an arched ornamental frame, decorated with medals with portraits of historical figures, allegorically or symbolically represented (with NAME) - personification of a city, town-patron (ess), swearing an oath (with two fingers raised), Haarlem, Jacob Folkema (mentioned on object), 1712 - 1767, paper, etching, h 295 mm × w 186 mm

Maria Stuart hands Willem III de Commandostaf, Jacobus Baptist, 1696 - 1700 print Maria Stuart hands over Willem III a commandosta. They are, with the result, a fireplace with the weapon and the arms spell of the Oranges. In the foreground are mythological figures on the right and left. Amsterdam paper etching / engraving

Knelted woman in a group of nobles and Chinese, Simon Fokke, 1722 - 1784 print Presentation from national history. A richly dressed woman kneels with a handkerchief in her hand for a group of nobles and Chinese. This central performance is surrounded by four small images of historical events in which the Chinese people play a role. Amsterdam paper etching kneeling figure. weeping. Chinese

Rome, Aelst, Nicolaus van, Italy, Beatrizet, Nicolas, Tempesta, Antonio, Mary with Child on throne with Saint Dominic and Saint Catherine of Siena, verso - stamped, Mary sits on a throne with the Christ Child on her lap. Both hold a rosary in their hands. Kneeling before the throne are Saint Dominic and Saint Catherine of Siena and other clergy. The image is surrounded by a border with fifteen small images from the lives of Christ and Mary, each with a caption in Latin on a banderole. In the middle below a coat of arms and a dedication in Latin., print, prints, height 495 mm, width 352 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1590 - 1590, paper, papier, etching, etchings, Work conception, French, 1515 - 1565, after a print by, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher, uitgever

Allegory on the Netherlands, Jacobus Harrewijn, 1786 print In the middle is a personification of the Netherlands with a sword and a helmet with seventeen arrows (the seventeen provinces) on the head. Behind her is the Dutch Lion. To the right of her is a woman with Hoorn of Abundance. Left of her three personifications. At the bottom are personifications of the rivers De Schelde, the Maas and the Rhine. Mercury flies on the right in the background. paper etching / engraving personifications of countries, nations, states, districts, etc. Low Countries. Scheldt. Mesh. Rhine

Ghent city stir and four allegorical terms, Anonymous, 1677 print The Stedsmijnd van Gent is playing with a banner and a cartouche with a title in hand. The Ghent lion lies at her feet. The Stedensmaag is flanked by four female terms; On the far left and right are two women are blindfolded and wear a sword and scale in their hand (they may personify justice), left front a woman with cartouche is shaking hands, front right a woman with burning heart and child on the arm (possibly (possible (possible (possible (possible (possible (possible (possible (possible (possible (possible (possible (possible ( Loved ones) love). Above the throne a crowned coat of arms and six portrait medallions of rulers. paper engraving personifications of countries, nations, states, districts, etc.. pedestal of a piece of sculpture (perhaps in the form of a herm) Ghent

Mazarin, Jules.

. Melpomene (torrent game) and euterpe (music, lyyric) open the tone cloth together. On the scene a woman sucks her child, left and right of her two children. The arm of the woman leans on a beehive, symbol for the Amsterdamse Schouwburg. In the distance the winged horse Pegasus.

Allegorie op Groot-Brittannië; De Tegenwoordige Staat van Groot Brittannie; Titelpagina voor: Thomas Salmon, Hedendaagsche historie of tegenwoordige staat van Groot Brittannie, 1754..History writes the history of Great Britain. She looks at a throne king surrounded by worldly and spiritual leaders. In a look out an image of Minerva with freedom hat as a personification of the wisdom and freedom of the English government. In the foreground, books, a map of the British islands, instruments used for maritime and merchandise. In the background a face on London.

Title page for: Michel Ange de la Chausse 'Le Grand Cabinet Romain', 1706..

Cardinal Portocarrero and the Battle of Malplaquet, 1709, Johann Jakob Kleinschmidt, After Paul Decker (I), 1712 - 1715 print Cardinal Portocarrero and the Battle of Malplaquet, 1709. A performance of the battle between the Allies and the French on 11 September 1709 put in an architectural frame with various allegorical figures. Centrally, the reclining Cardinal Portocarrero (who is seen as the instigator of the war), at the front of the front, death paints a portrait of the cardinal that dies 3 days after the battle on September 14, 1709. Augsburg paper etching / engraving battle (+ land forces). Death as skeleton

Maria Antonia, Princess of Bavaria.

Title page for the Hollandsche Mercurius for the year 1669. Title page for the Hollandsche Mercury for the year 1669. Mercury and Minerva sitting next to each other with the weapons of Holland and Zeeland respectively. Upper father time for a landscape with volcano eruption and ships at sea. At the bottom of a battle.

David appointed as bodyguard of King Achis, Simon Fokke, 1766 print The King Achis, which is sitting on a throne, hands David a rolled up document that appoints David as his regular bodyguard. Around the throne are servants and soldiers of the king talking to each other and point to the pair. The print is part of a series about the story of David and Saul. Amsterdam paper etching David appointed life-guard of Achish

Louis XIII on his deathbed La Mort de Louis XIII (title on object), Interior with bedstead in which Louis XIII. Courtiers stand on his deathbed around Louis XIII. On the left in the foreground a servant who puts a candle on a table., Louis XIII (King of France), Wouter Jongman (mentioned on object), Amsterdam, 1712 - 1744, paper, letterpress printing, h 139 mm × w 90 mm

Appointment of Maurits van Saksen as the new Elector of Saksen, 1547, Jan Luyken, 1701 print Appointment of Maurits van Saksen as the new Elector of Saxony. The Elector is sitting on his throne and a man bends in front of him and kisses his hand. In the background a woman on a throne. print maker: Amsterdambookseller: The Haguebookseller: The Hague paper etching ceremonial celebration of installation of a ruler

La Mariane"". Tragedy in verse in five acts composed by French playwright Tristan L'Hermite (1601-1655). It premiered in the spring of 1636 at the Theatre du Marais in Paris and was published on 15 February 1637. Illustration for the frontispiece of the play. Mariane (Mariamne I) standing on the right before Herod and his court at top center, accused of poisoning her husband. Engraving by Abraham Bosse (c. 1604-1676). Paris, chez Augustin Courbe, 1637. XVIIme siecle: lettres, sciences et arts, France 1590-1700 (17th century: letters, sciences and arts), by Paul Lacroix. Published in Paris by Librairie de Firmin-Didot et Cie, 1882.

Hooghe, Romeyn de, Netherlands, Allegorical representation with enthroned woman in armor, Allegorical representation with enthroned woman in armor and liberty cap on her staff. At her feet a lion with sword and book. Behind her the letters SPQV (a reference to Venice)., print, prints, height 189 mm, width 148 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1677 - 1690, third quarter 17th century, fourth quarter 17th century, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Receipt of Cornelis de Bruyn as a new member of the Bentvueghels, 1674. Reception of Cornelis de Bruyn as a new member of the Bentvueghels, December 22, 1674. The company with the head as a priest with sword in hand and crowned with a laurel wreath, surrounded By members of the Bentvogels, the group of Dutch artists in Rome. In the foreground the new member (Cornelis de Bruyn) with a friend and a Swiss soldier. Signature at the top right: A.

Galle, Philips, Favolius, Hugo, Groeningen, Gerard van, Antwerp, Ten ages of man, Man at the age of sixty, verso bottom center - stamped, In an oval frame decorated with ornaments a representation of an elderly man giving alms to a beggar woman. In the background a church. The print has a Latin and French caption., print, prints, width 241 mm, height, 195 mm, South Netherlands, 1515 - 1599, print maker, printmaker, 1569 - 1575, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after a design by, North Netherlands, 1523-08-12 - 1585-08-10, writer, Publication (Event), Publication, 1537 - 1612-03-29, publisher

Artist: Antoine Dieu, French, 1662-1727, Design for aFrontispiece, Pen and ink with wash over chalk, 51.4 × 37.5 cm (20 1/4 × 14 3/4in.), French, 17th-18thcentury, Works on Paper - Drawings andWatercolors

Coat of Arms of the Empire and of the City of Nuremburg, 1521, Albrecht Dürer, German, 1471-1528, 9 11/16 x 6 5/8 in. (24.61 x 16.83 cm) (image), Woodcut, Germany, 16th century

Trunk Historia with Mars and Peace. History Tront on a stone altar. In her hands a book and a torch. In addition to the free field for the title of the book, the Personifications of War and Peace are. At the bottom left a river god that symbolizes the Scheldt. At the bottom right a woman with a townrwood that leans on a lion. This is Belgica's personification of the Southern Netherlands. Proof of proof for a title page.

this family adored by the angio; Le Pautre, Jean (1618-1682), Mariette, Pierre (1634-1716; m.); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Allegorie op de macht van de Republiek der Zeven Verenigde Nederlanden als zeemogenheid.Neptunus donates his trident, who symbolizes the dominance of the world's rule, to the personification of the Republic of the Seven United Netherlands. She handles a lance with freedom hat and is surrounded by the personnifications of the East India Company (VOC) and the West Indian Compagnie (WIC). On the right, Mercury points to his caduceus on the world map rolled out by a putto. A four-line French text in the undermarge.

Romulus, Numa Pompilius en Julius Caesar.Pedestal with portrait medallion of Numa Pompilius. To the left of the pedestal is Romulus, right Julius Caesar state. At the top are personal days of the day and night on either side of a Januskop. On the underside an empty cartouche with horns toopia.

Truth describes the lives and deeds of Dutch painters, Pieter Tanjé, After Louis Fabritius Dubourg, 1750 print The truth, a woman with a sun above her head, describes the lives and deeds of Dutch painters and tramples the envy and the laziness. Minerva, the god of wisdom, assists her. Faam blows the praise. The stone relief shows a painter who is attacked by father Time and the sleeping laziness. In addition, Venus as the beauty and geometry to encourage him to make good art. Amsterdam paper etching / engraving Truth; 'Verití' (Ripa). (story of) Minerva (Pallas, Athena). Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). (story of) Venus (Aphrodite). Father Time, man with wings and scythe

Wszyscy Święci w MNK Spierite, François (1639 1681), Ferri, Cirie (1634 1689)

The smell; Odoratus / l'Odorat / der Gerüch; The senses. Allegorical performance with regard to smelling. In the lower margin twice a four-line French and German text.

Titelpagina voor: Jean Francois Niceronis, Thaumaturgus optic, or admirable optices, the radius of direct (...), 1646, audran, after Simon vouve, 1646 print print maker: Francepublisher: Paris paper engraving / etching historical persons

Title print for part 2 of 'Spiegel van Staat' by Romeyn de Hooghe, Romeyn de Hooghe, 1707 print Classic temple in which there are various classical figures, including Perseus with Medusa on his shield, Mercury with his winged hat, a electricity god and a saat. Here and there in the performance Symbols of the Rebelse Nederlanden: Freedom Hood, Pijlenbundel, Lion with arrow bundle, spell 'Concordia res parvae crescunt'. Haarlem paper etching / engraving personifications of countries, nations, states, districts, etc.. (story of) Mercury (Hermes). river-gods. (story of) Perseus. satyr(s) (in general) Dutch Republic

Design for a Funeral Monument (Preparatory Drawing for a Print). Artist: Johann Jakob Schübler (German, Nuremberg 1689-1741 Nuremberg). Dimensions: Sheet: 10 13/16 x 6 11/16 in. (27.5 x 17 cm). Date: 1724-41.This drawing is a preparatory sheet by Schübler for a print in a series devoted to designs for funerary monuments. The current design presents a funerary monument placed in a deep niche decorated with draperies lined with ermine fur. The monument rests on top of a platform which has two steps on which candles and incense burners have been placed. The base of the monument is U-shaped and is decorated with draperies. A tomb is placed on top and carries a crowned coat of arms and a panel for an inscription. Two mourning putti are placed on either side. Rising over the tomb is a tapered column decorated by a trophy with symbols of good rulership and crowned by a bust of a Roman emperor. Museum: Metropolitan Museum of Art, New York, USA.

The New Metamorphosis: Frontispiece, Vol.1 1724 William Hogarth British. The New Metamorphosis: Frontispiece, Vol.1 396284

Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck, Miser, 1651 Miser

Stadholder-king William III on horseback with allegorical figures, rejected design for the frontispiece of: Lukas Brent Goose, Wilhem The Third (Amsterdam 1698), draughtsman: Philip Tidemann, Gerard de Lairesse, (rejected attribution), draughtsman: Jan Luyken, (rejected attribution), before 1698, ink, pen, brush

Schenkkan on the foot of three tritons, Jean Lepautre, 1669 - 1693 print Neptune is in his chariot on the body of the KAN. From series of 6 magazines. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Portrait of Charles Bonaventure de Longueval, Count of Bucquoy. De Longueval made a career as a military commander in the armies of the Spanish king and the emperor of the Holy Roman Empire. He died in harness in 1621. This print commemorates the deceased count: the two upside down torches symbolize death. This is a proof impression, the text of which is not yet engraved, but written by hand.

Albrecht I, German king.

Passion Set: Title Page, 1596-98. Zacharias Dolendo (Dutch, 1561-1604). Engraving;

Throning personification of the Republic of the Netherlands, The personification of the Republic of the Netherlands sits on a throne, in her hands a scepter and a coat of arms with the image of three crowns. Around the throne are Mercury and Neptune on the left and personifications on the right that want to offer gifts to the throne Republic. In the foreground are a blacksmith with a hammer at an anvil and two putti with a scale., Personifications of countries, nations, states, districts, etc. (with NAME), (story of) Neptune (Poseidon), (story of) Mercury (Hermes), handicrafts, craftsman at work, Netherlands, Jacob Folkema (mentioned on object), 1736, paper, etching, h 195 mm × w 151 mm

Vignet with a wedding couple in a landscape. A wedding couple is in a landscape. For them, a winged youth is in a sacrifice scale on a standard where he places a burning heart. Behind them float two putti and amor at Mercury and, probably, Venus. Left front is a flow god. Around the show an ornamental picture frame with garlands, fruits and pigeons. Middle Upstairs are a goat and the weapons of Mars as symbols of masculinity between two cartouches with monograms.

The doctor and death; Dance dance. A doctor is in his study. Death comes to bring a bladder with moisture. Eighteenth print from a series of death dancing people; With a picture frame with democritus and heraclitus.

Karl VI., Roman-German Kaiser.

Rubens, Peter Paul, Southern Netherlands, Galle, Cornelis (I), Historia Enthroned with Mars and Peace, verso - stamped, Historia enthroned on a stone altar. In her hands a book and a torch. Next to the open field for the title of the book are the personifications of War and Peace. Bottom left a river god who symbolizes the Scheldt. Bottom right a woman with a city crown who leans on a lion. This is Belgica the personification of the Southern Netherlands. Proof for a title page., print, title page, prints, height 290 mm, width 180 mm, South Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1623 - 1623, paper, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30

Marot, Daniël (I), Netherlands, Tombeaux de Guillaume IIIme. Roy de la Grande Bretagne, Tombstone for William III, Prince of Orange, 1702, verso lower right - stamped, died on 19 March 1702. Unexecuted design with William III lying in armor on his coffin, weeping British and Dutch Maidens, and the Fame. In the foreground two writing angels., print, prints, Orange portraits, verso lower left - stamped, height 279 mm, width 188 mm, print maker, printmaker, 1702 - 1702, paper, etching, etchings, Work conception, 1663 - 1752-06-04

Copper engraving by Hendrick Goltzius from 1604 depicting an allegory of the true and false church, showing symbolic figures and gestures.

Emblem with hope, adversity, envy and tolerance. A cartouche hanging on a column, with the Personifications of Spes (hope), tribulatio (adversity), Invidia (envy) and tolerantia (tolerance). They forge a heart while it rains.

Allegorical show with Justitia, Mercury and Minerva for the aldermen room; Title page for: Bernardus Mourik, name roller of lawyer and historic schryvers (...), 1741. Minerva sits on a throne in front of the door of the aldermen. She looks at Mercury, next to whom Justitia is on a pedestal. A putto in the foreground holds a ship model. In the foreground are packages and barrels with the brands of VOC and WIC and a few documents. On a table, books with on the back are the names of the aldermen.

Tomb of a Bishop. Dated: 1540s. Dimensions: plate: 36 x 25.7 cm (14 3/16 x 10 1/8 in.) sheet: 36.2 x 25.8 cm (14 1/4 x 10 3/16 in.). Medium: etching with engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Battista Angolo del Moro after Parmigianino.

Picart, Bernard, Amsterdam, Portrait of Horace, verso lower left - stamped, Medallion with the portrait of the Roman poet Quintus Horatius Flaccus. Apollo and Poetry laurel and toast him. Pan points to the glass of wine in Apollo's hand. In the foreground Venus and Amor, accompanied by two doves., print, prent, prints, prenten, height 145 mm, width 85 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, prentmaker, 1708 - 1708, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design by

Antwerp, Rubens, Peter Paul, Ertinger, Franz, History of Achilles, Achilles kills Hector, verso - stamped, Achilles, with his armor forged by Vulcan, kills Hector with his spear and with the help of Pallas Athena. In the foreground two fighting cocks., print, prent, prints, prenten, height 321 mm, width 341 mm, 1640, print maker, prentmaker, 1679 - 1679, paper, papier, etching, etsen, Work conception, Zuid-Nederlands, 1577-06-28 - 1640-05-30

Allegorical performance with Asclepius; Title page for: Ludovicus Nonnius, Diaeteticon Sive de Re Cibaria Libri IV, 1645. Diana, Ceres, Bacchus and Neptunus bring sacrifices to God Asclepius sitting on a pedestal with the title.

Janus, the two-faced Roman god of beginnings, gates, time and change. He is shown seated on a plinth with key and sceptre in front of an altar. Copperplate engraving from Andrew Tookes The Pantheon, Representing the Fabulous Histories of the Heathen Gods, London, 1757.

King, Turkish commander and Willem III and Maria Stuart; Title page for: Dirck Pietersz Press, Romeynschen Adelaer, 1689.Crowned Frost and Turkish Commander. In The Background Willem III and Maria Stuart On The Throne. Above the show A cartouche with the depicting of the landing of Willem III in England.

Alsogoria Portren Van Giulio Raimondo Mazarino, François de Poilly (I), after Giovanni Romanelli, 1632 - 1693 print On a pedestal is the portrait of Cardinal Mazarin, in a round list of laurel wreath, held by Fama and other winged female figure. paper engraving Historical Persons. Cardinal. Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa). Envy (Envy) as Roman Personification

Schenk of Castell, Marquard.

Francken, Ambrosius (I), Southern Netherlands, New Year's greeting for Archduke Matthias, 1580, from the provosts of Antwerp for the year 1580. Allegory with Justice and Peace embracing, at their feet symbols of war. On the left David with the head of Goliath, on the right Judith with the head of Holofernes. At the top in a cartouche a text of 6 lines in Latin, at the bottom 2 verses of 2 and 9 lines each in Dutch and French., print, picture, New Year's greeting, propaganda print, prints, pictures, Frederik Muller Historieplaten, height 286 mm, width 237 mm, print maker, printmaker, 1579 - 1580, fourth quarter 16th century, paper, engraving, engraving (printing process), 1544 - 1618-10-16, intermediary draughtsman

Enea Vico (Italian, 1523-1567), The Loves of Mars and Venus, engraving

Les Baignets. Dated: probably 1782. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Nicolas Delaunay after Jean-Honoré Fragonard.

Justice teaches the laws of Utrecht, Jan Goeree, 1709 print The German emperor shows the personification justice a sign entitled of the book. In addition to the board, the Stadzensmandag Utrecht and the personification caution. In the background the Dom van Utrecht print maker: Amsterdampublisher: Utrecht paper engraving emperor. Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. Dom Van Utrecht

Allegorie op de meetkunde; Titelpagina voor: Pomponius Mela en Abraham Gronovius, Pomponii Melae de situ orbis libri III, 1782.Under a map of the world, geometry, with drawing and measuring instruments in the hands and a map. A man signs a map on the right behind the world map. In the foreground is a woman with chunks of classical antiquity.

Display of the Earth's budding, 1648, Salomon Savery, After Isaac Isaacsz, 1649 print Display of the earth. Part of the impressions staged on June 23, 1648 on the Schouwburg in Amsterdam following the conclusion of the Peace of Munster. The fourth representation shows how the earth and the abundance recover after the war, the virtues return from the gods heaven (with Apollo) to the earth. In the caption a verse of 8 lines in Dutch. Amsterdam paper etching theatre, theatrical performance. festivities on events of national importance. the Seven Virtues (symbolized) Schouwburg Keizersgracht (1637-1772)

Daniel Nikolaus Chodowiecki, Diana, 1787 Diana

Allegory on the trial of the Jew Aron Abrams, 1737, 1737 print Allegory in which a man with a fox sheet is flooded around his waist (the Amsterdam Jewish deceiver Aron Abrams or Abrahams). In the background the rightfulness, in the foreground, the truth reveals the deception. On the leaf under the plate in the caption a verse in two columns. Northern Netherlands paper etching / engraving / letterpress printing instruments of torture, execution or punishment. torture

Amsterdamse Stedensmaag at a coat of arms, Simon Fokke, 1749 print The crowned Amsterdam city of Amsterdam with the weapon of Amsterdam in her hand holds the Caduceus for a coat of arms with the image of a two -headed eagle, crowned with crowned axes. On the other side of the coat of arms, a Putto de Bazuin blows. Amsterdam paper etching personification of a city, town-patron(ess). double-headed eagle. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa) Amsterdam

Petr I s allegorich. figur., rab. Nakhtglassa' Peter the First with allegorical figures, work of Iakob Nachtglass.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

. Venus, with amor on her side, receives baskets with flowers and fruits of the nymphs. A Sater brings a basket with poultry. At the bottom of the margin two tweedle verses in Latin.

Idomeneus and Mentor, standing in front of a table and easel with painting, looking at floor plans. The scene is framed by an ornamental frame with olive branches and a bow at the bottom. Numbered top right: No. II. Mentor shows Idomeneus regulating the arts and the police at Salento, print maker: Jean-Baptiste Tilliard, (mentioned on object), intermediary draughtsman: Charles Monnet, (mentioned on object), publisher: Pierre Didot, print maker: France, intermediary draughtsman: France, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, 1785, paper, etching, engraving, h 314 mm × w 240 mm

Juno persuading Athena to nurse the young Hercules, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno'. Artist: Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576). Dimensions: sheet: 5 3/8 x 3 15/16 in. (13.7 x 10 cm). Series/Portfolio: Amori sdegni et gielosie di Giunone (Loves, Rages and Jealousies of Juno). Date: 1531-76. Museum: Metropolitan Museum of Art, New York, USA.

Allegorische voorstelling met Minerva, Mercurius, Neptunus en Hercules; Titelpagina voor: Olfert Dapper, Morea en de na bygelegene Eylanden soo buyten als binnen de Golf van Venetien, 1688.A woman with tablet with title is on a capital. To the left of her stand Minerva with Lans and Schild and Mercury with Caduceus. On the right is Neptune along the water with its trident. On the left between four columns Hercules stands with the polypy snake Lerna. Upstairs an angel flies (possibly fame) with a portrait medallion. Juno with a peacock is in the clouds. In the background boast ships at sea.

Title page: fottenines et cuuettes; Fonteines et cuuettes. Fountain with basin of the front viewed in an outdoor space and surrounded by figures.

Figures kneel before enthroned emperor and empress, Adolf van der Laan, 1730

Migazzi of Wall and Sonnenthurm, Christoph Anton Graf.

Triumph of Juno; Love, anger and jealousy of Juno; Amori Sdegni et Gielosie di Giunone. Juno is sitting on her chariot and is surrounded by women. There is a peacock on her shoulder. Under a four-line verse in Italian. The performance is caught in a decorative frame with putti and owls.

Conversation between Aleksej Petrovich and Peter II of Russia; Den Czaaroqits Alexio Petrowits, and son Petrus Den II, Keyser van Ruslandt. Father and son Aleksej Petrovich and Peter II of Russia are opposite each other. In the background the ferryman Charon on the boat. Stated at the top: September / 1730.

Masinissa biedt Sophonisba de gifbeker aan; Titelpagina voor: Corneille, Pierre. Sophonisbe. Tragedie, 1663.On the left is Masinissa with its soldiers. He offers his wife Sophonisba, who is opposite him, to the poison cup to escape from Roman domination. Behind her stand trifuted servants. Above theater curtains and a cartouche with the title.

Depiction of a Roman imperator court hearing by Hendrik Pola, executed in brown pen, showing figures in the court, architectural features, and seating arrangement, with upper corner damage.

P. 1, before title pageP. 1, before title page

Conversation between Maximilian II Emanuel and Karel de Stoute; Maximilian Maria Emanuel, Keurvorst van Beyeren, and Carel de Stoute, Duke of Burgundeen. Second consultation. Charlemagne Seen the naughty in Harness on the back is next to Maximilian II Emanuel. In the background a ruin landscape. At the top listed: September / 1727.

Giorgio Ghisi after Michelangelo, The Prophet Jeremiah, early 1570s The Prophet Jeremiah

Triumphal of Willem van Oranje, plate B; Currus Triumphalis Illustris / Triumphal of Willem van Oranje. Sodcomber representation of the virtues of Prince Willem van Oranje. Sunner trailer in which the prince is sitting, driving through a hairprint of loomed work, drawn by 3 elephants. On the elephant the personification hope; In addition to her other personnifications of virtues. Explanation in Latin above figures, Dutch translation at the bottom.

Gabriel Jacques de Saint Aubin, La colere de Neptune, 1767 La colere de Neptune

Titelpagina voor of all the near Europe, Asia, Aphric, America habit, Abraham Bruyn, 1577 The title of the picture book is in the middle of the print, between two pillars. Next to the two pillars is on the left Neptunus (with a sea horse) and on the right Minerva (with an owl). Above the title Jupiter, seated on his eagle. Next to him two armed cents. Along two sides under the title two armed riders. Under the title, in an oval medallion, Perseus beats a sea monster on a pagasus. Cologne paper engraving The title of the picture book is in the middle of the print, between two pillars. Next to the two pillars is on the left Neptunus (with a sea horse) and on the right Minerva (with an owl). Above the title Jupiter, seated on his eagle. Next to him two armed cents. Along two sides under the title two armed riders. Under the title, in an oval medallion, Perseus beats a sea monster on a pagasus. Cologne paper engraving

Lucii Scipionis Statua.. Prints. 1683. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Sculpture, Armor, Pottery, Relief (Sculpture)

Minerva embraces bust of Laurens Jansz. Coster. Minerva embraces a bust of the Haarlem printer Laurens Jansz. Coster is raised by a bazing angel. Left is a pillow with a weapon. Through the arc shaped view, left and right decorated with medallions, the interior of a printing company. Under the show a four-line caption in Latin.

Rostaing, Jean Comte de.

Love couple in Temple of Juno, Jan Punt, 1739 print A love couple is in the temple of Juno, the goddess who watches over marriage. Two putti present them a basket filled with flowers and fruit. Around the altar behind them are faithful (with dog), steadfastness (with column), who symbolize the marital virtues, and the wedding god Hymen. In the air, Amor, accompanied by two putti, flies one with the attributes of Mercury, the other with a flower basket. paper etching / engraving Juno Iuga, Juno Pronuba, Protectress of Marriage. Temple, shrine ~ Greek Religion. Couple of Lovers. Carefulness, Diligence; 'diligenza' (ripe). Perseverance, resolution, determination; 'Perseverenza' (ripe). (Story of) Hymen(AEUS). (Story of) Cupid, Amor (Eros)

City Virgin of Haarlem, Jacob Folkema (Possible), 1702 - 1767 print The Stedsmijd van Haarlem is under the Wapen van Haarlem with a staff with Banderol in her hands. The Banderol says: Salus Publica, General Welfare. She lets her hand rest on a pedestal with the words: deo et patriae. For the Putti Throne with papers and books, passer and ruler and a globe. Allegorical performance in which the city of Haarlem is presented as a promoter of science and the arts. paper etching / engraving personification of a city, town-patron(ess). cupids: 'amores', 'amoretti', 'putti'. symbolic representations, allegories and emblems ~ science, 'Scientia'; 'Scienza', 'Studio' (Ripa). sailing-ship, sailing-boat Haarlem

Title page of 'Complete Nederduitsch and French Dictionary', Gideon Quineau, 1717 print Title page of 'Complete Nederduitsch and French Dictionary' with Father Time and two writing women in the foreground. On the left a number of busts and there are many books on the ground. Netherlands paper engraving Father Time, man with wings and scythe. book - MM - book open

. History at a writing table. She looks up at Venus and Amor, as a personification of love. Mercury brings her an envelope. In the background a knight with lady on horseback riding a carriage. A burning church in the distance.

Jean de Thevenot talking to a Turk, Jan Luyken, 1682

Amsterdam, Wit, Frederik de, Netherlands, France, Lepautre, Jean, Alkoven, Alkoofgesloten door door balustrade, On the left and right is a chained prisoner before a trophy of arms., print, ornament print, prints, ornament prints, height 148 mm, width 213 mm, Work conception, French, 1618-06-28 - 1682-02-02, after a design by, 1665 - 1690, third quarter 17th century, fourth quarter 17th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1631 - 1706, publisher

Bliżej Kultury unknown

Portrait of Margaret Lucas, print maker: Pieter van Schuppen, Abraham van Diepenbeeck, 1645 - 1673

Passio Christi, from the Allegorical Scenes from the Life of Christ n.d. Hendrick Goltzius Netherlandish. Passio Christi, from the Allegorical Scenes from the Life of Christ 398424

Herders bij monument; Titelpagina voor: Guidubaldo Bonarelli en Katharina Johanna de With, Fillis van Scirus, Herder-spel, 1728.Two shepherds with staff, dogs and goat for a monument with the title of the book. Above there is an allegorical female figure with a wreath or ring in hand. On the right in the background a dome building.

Design for title print by Horti medici Amstelodamensis rariorum (...). Draughtsman: Philip Tidemann. Draughtsman: Pieter van den Berge (rejected attribution). Dating: 1697. Measurements: h 362 mm × w 227 mm. Museum: Rijksmuseum, Amsterdam.

. The poet Juvenalis kneels for Melpomene, the muse of the mourning game. On the right in the background Venus and Amor, death, envy and a veiled woman. From heaven a woman shifts the contents of a cornucopia on the poet. Bystanders watch. In the margin the title in Dutch.

Amsterdam, Damme, Andries van, Goeree, Jan, Baptist, Jacobus, Title page for Wilhelmus Goeree, Introduction to the general art of drawing, Amsterdam 1705, Drawing school, verso middle - stamped, Lessons are given in a drawing school. Two boys practice perspective, a man draws a model, plaster body parts hang on the wall., print, prints, height 157 mm, width 105 mm, Noord-Nederlands - 1704-05-20, print maker, printmaker, 1705 - 1705, first quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), 1670-10-20 - 1731-01-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Nederlands, publisher

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