Allegorical Prints of Mythical Figures

Prints illustrating allegories centered on love and beauty, featuring mythological characters in expressive poses and rich symbolism.

3326. Roma Farnesina, Photo reproduction of fresco Psyche returns from Venus, Loggia di Psiche, Villa Farnesina, Rome, 3326. Roma. Psiche va da Venere. Farnesina, photograph, photo, photos, height 258 mm, width 198 mm, photographer, 1870 - 1880, third quarter 19th century, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print

Nemesis (The Great Fortune) ca. 1501 Albrecht Dürer German. Nemesis (The Great Fortune) 391110

Andromeda chained aan de Rots, Abraham Blotling, 1652 - 1690 print Andromeda, the daughter of an Ethiopian king, is chained to a rock by the sea, as a sacrifice to a sea monster. Scene from the metamorphoses of Ovidius. Amsterdam paper Andromeda chained to the rock

Allegory of Eer, Pieter van den Berge, 1686 - 1737 print Allegory on the honor with a putto with a laurel wreath, a palm branch and an olive branch in the hand. On a table are a crown, coins, a pearl necklace and a chain. Amsterdam paper engraving Pride; 'Superbia' (Ripa) ~ personification of one of the Seven Deadly Sins. crown (symbol of sovereignty). insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral). pearl; pearl necklace (+ women's clothes)

3326. Roma Farnesina, Photo reproduction of fresco Psyche returns from Venus, Loggia di Psiche, Villa Farnesina, Rome, 3326. Roma. Psiche va da Venere. Farnesina, photograph, photo, photos, height 258 mm, width 198 mm, photographer, 1870 - 1880, third quarter 19th century, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print

Hercules is struggling with Antaeus, Andrea Mantegna (School of), 1500 - 1550 print Italy paper engraving the giant Antaeus is lifted in the air and crushed to death by Hercules

TwoGenii. Artist: Unknown

Pencil figure study of two classical figures, possibly Aphrodite and Cupido, by Emerich Alexius Swoboda, recorded in a sketchbook between March 14 and July 14, 1877.

Lazio Roma Rome Gesu08. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Jacopo Zanguidi, called Bertoia, Christ in Gethsemane, 1560s Christ in Gethsemane

Slow, Anonymous, After Pierre Prud'hon, c. 1810 - C. 1880 print Paris paper. spring, 'Ver'; 'Primavera' (Ripa)

Naked woman in the clouds. .

Ornament met meisje van achteren gezien; Ornamenten en grotesken; Ornament o grottesche.A leaf ornament with a girl (a nymph), Seen on the back, holding a hare above her head so that the dog cannot reach the ground. Above a second dog.

Marches Pesaro e Urbino Urbino Museo del Duomo "Albani"3. Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A partly naked bacchante holding a disk in her left hand and raising her garments with right, set against a black background inside a rectangular frame. Artist: Engraved by Vicenzo Feoli (Italian, Rome ca. 1760-1827 Rome); Intermediary draughtsman Domenico del Frate (Italian, Lucca 1765-1821 Rome). Dimensions: Sheet: 16 5/16 × 12 3/8 in. (41.5 × 31.4 cm)Plate: 13 1/16 × 9 3/4 in. (33.1 × 24.8 cm). Publisher: Agapito Franzetti (Italian, active Rome, last quarter 18th century-first quarter 19th century). Series/Portfolio: Wall paintings from Herculaneum. Date: ca. 1795-ca. 1820.From a series of engravings depicting wall paintings from Herculaneum, made by various engravers and intermediary draughtsman, all pulblished by Agapito Franzetti. Museum: Metropolitan Museum of Art, New York, USA.

Personification of Astrology, Lucas Kilian, 1640 - 1708 print paper engraving The Liberal Arts, 'Liberal Arts'. 'Astronomy' (~ quadrivium); 'Astronomy' (Ripa). 'Astrology' (Ripa)

Winged figure holding glass in upraised hand, Jean-Robert Ango, French, active in Rome 1759 -1770, d. 1773, Red chalk on paper, Winged figure with glass in upraised hand. Figure stands in contrapposto position and holds a glass above her head with her right hand. She looks up at it. Her wings are high on her body., France, ca. 1759-70, figures, Drawing, Drawing

Night Carrying Sleep and Death 1601-1899 Italy. Pen and black and red ink, with brush and watercolor and graphite, on tan wove paper . Domenichino

Eduard von Engerth depicted Orpheus playing a string game under the stars using brown and gray ink and chalk on paper on canvas.

Hagar and Ishmael in the wilderness. Ink drawing by J.H. Lips, 1785.

The Meeting of a Family in Heaven, from "The Grave," a Poem by Robert Blair March 1, 1813 After William Blake British. The Meeting of a Family in Heaven, from "The Grave," a Poem by Robert Blair 383672 Artist: Luigi Schiavonetti, Italian, Bassano del Grappa 17651810 London, Artist: After William Blake, British, London 17571827 London, Publisher: Rudolph Ackermann, London, The Meeting of a Family in Heaven, from The Grave, a Poem by Robert Blair, March 1, 1813, Engraving, plate: 9 1/4 x 5 1/4 in. (23.5 x 13.3 cm) sheet: 10 13/16 x 6 in. (27.5 x 15.2 cm). The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1917 (17.3.2392)

Pencil study by Josef von Führich examining the figure of a creator or divine subject, focusing on composition and posture.

The Angel of the Annunciation , 1470-75. Martin Schongauer (German, c.1450-1491). Engraving;

Death Defeated. Discover More, William Strang (Dumbarton, Scotland, 1859 - 1921) 1888

Venus and Amor; Paintings by Francesco Albani. The goddess Venus and Amor. Venus has the arrow and bow of amor. Decoration of a pendentive.

Gray brush and laved chalk draft by Eduard Bitterlich titled 'The Day' for the Vienna Opera auditorium, showing figures and spatial composition.

Vénus Anadyomène , Goddesses, Supernatural beings, Aphrodite Greek deity. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

The Vigil, 1816. Pierre Guérin (French, 1774-1833). Lithograph;

Lazio Frosinone Arpino S. Michele4. Hutzel, Max 1960-1990 Post-medieval: Exterior views; general views of interior. Interior remodelled in the 18th century, with stucco decoration and paintings (documented with close-up views), wooded crucifix from the 16th century German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Time Clipping the Wings of Love. James McArdell (Irish, c. 1728-1765); after Anthony van Dyck (Flemish, 1599-1641). Date: 1760-1770. Dimensions: 458 x 352 mm (image); 508 x 354 mm (plate); 556 x 412 mm (sheet). Mezzotint on ivory laid paper. Origin: Ireland. Museum: The Chicago Art Institute, USA.

Episode from the Ossian: The Spirits of Malvina and Oscar, The Spirits of Malvina and Oscar, draughtsman: Anne-Louis Girodet-Trioson, 1816, paper, h 310 mm × w 240 mm

Vénus Anadyomène , Goddesses, Supernatural beings, Aphrodite Greek deity. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Photo production of an illustration of Horace with gods and muses in the clouds, Anonymous, c. 1851 - in or before 1855 photograph paper albumen print Fame ~ writer, 'poeta laureatus'. journey to heaven, pathway to heaven. angels

. The naked Venus, with the apple of Paris in her hand. She looks at Amor, holding down arrow and bow. In the air two turtle doves as a symbol of love. The print is part of a three-part series with the three goddesses of Paris judgment and has a Latin caption.

Personification of peace with Lelietak and Pigeon.

Nemesis Made 1501-1502 Germany. Engraving in black on ivory laid paper . Albrecht Dürer

Rebels in hell; The Rebels in Hell. In the foreground Lucifer, sitting, surrounded by flames. He hides his head in both arms. At the rear left he another reitchents. The landscape is rocky.

Allegorical female figure with wings. Allegorical figure of a naked woman with wings and with a burning torch and a banner. She stands on a radiant star in the clouds, upstairs landscape.

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Abruzzo Pescara Penne S. Domenico02. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (13-17th century), sculpture. Also views of Piazza Luca da Penne German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Vignette: Angel blowing long Trumpets each with a "W" on a Flag attached, undated. Engraving.

Lighting. The personification of the lighting shines its light on Europe.

Lazio Roma Rome S. Maria degli Angeli5. Hutzel, Max 1960-1990 Several exterior views of church facade, formed from exedra of calidarium of Roman baths (Terme di Diocleziano). Interior, designed by Michelangelo from fromer tepidarium and renovated by Vanvitelli (1749), is extensively documented. Views of vestibule, nave, altars, sacristy, chapels, frescoed ceilings, paintings, sculpture, courtyard. Antiquities: Sarcophagus; fragments of antiquities on exterior wall. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Three cherubs in a cloud, draughtsman: Cornelis Schut (I), 1607 - 1655, paper, h 166 mm × w 100 mm

Melencolia. Artist: Hans Sebald Beham, German, 1500-1550

Florence, Collection Bardini, Painting of female angel, recto - printed, photomechanical print, photos, Pl. 113, height 357 mm, width 266 mm, maker, manufacturer, 1875 - 1930, paper, collotype, photoprint, picture, painting, female angels

Luis Paret y Alcázar / 'Evangelic Wisdom'. 1785. Grey-brown wash, Pencil on laid paper. Museum: Museo del Prado, Madrid, España.

Fresco Fragment with Winged Female on Black Ground; Boscoreale, Italy; 50 - 79; Plaster and pigment; 91 × 56 × 5 cm (35 13,16 × 22 1,16 × 1 15,16 in.)

Study for Figure of Fame. Dimensions: sheet: 25.9 x 41.5 cm (10 3/16 x 16 5/16 in.) mount: 30.5 x 45.5 cm (12 x 17 15/16 in.). Medium: pen and brown ink and brown wash with white heightening; (group of putti) black chalk with white heightening. Museum: National Gallery of Art, Washington DC.

Design for a statue: victory; Victory; Designs for the monument to the national party for celebration of the peace of 17 December 1799..

3321. Roma Farnesina, Photo reproduction of fresco Amor and Psyche in the Loggia di Psiche, Villa Farnesina, Rome, 3321. Roma. Amor e Psiche. Farnesina, photograph, photo, photos, height 257 mm, width 200 mm, photographer, 1870 - 1880, third quarter 19th century, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print

Vase with Fenix; Vase Contenant Six Setters, Mesure de Prague (...); Illustrations De Tableaux Topographiques, picturesques, Physiques, Historiques, Moraux, Politiques, Littéraires de la Suisse et de l'Italie. Crystal vase with an ear in the form of a woman. At the top is a phoenix in burning fire. At the top right of No 197.

Drawing, Design for a Ceiling; France; pen and ink, red crayon, graphite on paper; 46 × 17.1 cm (18 1/8 × 6 3/4 in.)

Reni, Guido, Frey, Jacob (der Ältere), Archangel Michael and the Dragon, verso - stamped, With caption in Latin., print, prints, height 518 mm, width 320 mm, 1681 - 1752-01-11, print maker, printmaker, 1734 - 1734, paper, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Italian, 1575-11-04 - 1642-08-18

Perseus with the head of Medusa, Giovanni Gallo, after Marco Pino, c. 1535 - 1599 print Perseus keeps the head of Medusa up. At his feet is her beheaded body. On the left the winged horse Pegasus that sprouted to her dead body. In the air signs of the zodiac. Italy paper Perseus beheading Medusa, with Pegasus, and possibly also Chrysaor, the warrior with the golden sword, springing from the blood of Medusa's head. Leo (zodiacal sign of July). Gemini (zodiacal sign of May)

Faam shows a book and blows the praise, Bernard Picart (workshop or), After Bernard Picart, 1716 print Amsterdam paper etching / engraving Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa)

Depiction of an angel seated to the right, shown with wings and flowing garments, painted on gray-primed paper using paintbrush and chalk techniques.

Coat of Arms with a Skull by Albrecht Dürer; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 21.5 x 15.5 cm (8 7,16 x 6 1,8 in.)

Venice, Ribera, Jusepe de, Pitteri, Giovanni Marco, Saint Francis of Assisi and the Angel, verso - stamped, Saint Francis of Assisi lies half-naked on a pile of branches. An angel appears above him., print, prints, height 320 mm, width 412 mm, Italian, 1702-05-24 - 1786-08-04, print maker, printmaker, 1712 - 1786, paper, papier, engraving, engraving (printing process), Spanish, 1591 - 1652

Sitting naked man, right. Sitting naked man, right

Lazio Roma Rome S. Ignazio di Loyola6. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusca

Lazio Roma Rome S. Croce in Gerusalemme0. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Trade Card for William Sharp, Engraver 18th century William Sharp This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as tradesmen’s cards,” tradesmen’s bills,” or shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.. Trade Card for William Sharp, Engraver. William Sharp (British, London 1749-1824 London). 18th century. Engraving

Chalk and pen drawing with gray wash on brown paper by Giacomo Cavedone depicting the risen Christ, with a cross-shaped crease and rounded upper cut.

Lazio Viterbo Bagnaia Villa Lante. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fun, Anonymous, After Pierre Prud'Hon, 1813 - 1874 print Paris oil paint (paint). paper painting cupids: 'amores', 'amoretti', 'putti'. voluptuousness, pleasure, 'Voluptas' ~ one of the seven gifts of the body

Coat of Arms with a Skull by Albrecht Dürer. Édouard Baldus (French, born Germany, 1813 - 1889)

Study forMercury. Artist: Elihu Vedder, American, 1836-1923

Photo production according to illustration of horace, gods and muses in the clouds.

In Memoriam. Elliott & Fry (founded 1863, dissolved 1963)

Putto with cross, anonymous, after rafaël, 1493 - 1570 print Putto with a large cross on a cloud party. paper engraving Cupids: 'Amores', 'Amoretti', 'Putti'

Allegory on the peace of Amiens, 1802; Peace. Allegory on the peace of Amiens, on March 27, 1802, which put an end to the war between Great Britain and the French Republic, Spain and the Batavian Republic. Centrally, peace floats through the clouds with an olive branch in hand. At the bottom two putti (commerce and abundance) with a horn of abundance, right a city destroyed by the war. In the caption a four-line verse in English and the weapon of the foundation. A statement belongs to the print.

Putto on a dolphin, anonymous, after rafaël, 1493 - 1570 print A naked putto sitting on a dolphin. Italy paper etching cupids: 'amores', 'amoretti', 'putti'. swimming mammals: dolphin

Study of an Angel Giovanni Francesco Barbieri Guercino (1591-1666 Italian) Windsor Castle, London

Engraving by Andreas Geiger depicting a portrait of a woman, showing facial features, attire, and posture.

Flight of Angels, Two Holding a Large Feather. This is a design for a wall painting in a spandrel - the space at the side of an arch - in a church or chapel in Rome. Whether the design was ever executed is uncertain. The bodies of the naked cherubs are carefully outlined. The figures have a sense of plasticity - they seem almost sculpted - which was achieved using a combination of brown wash and white highlights.

Archangel Gabriël with Lelie, Anonymous, After Marcantonio Raimondi, 1500 - 1575 print paper engraving the Archangel Gabriel

Day. John G. Unnevehr (American, born Denmark, 1822 - 1893)

Etching by Christian Gottfried Schultze showing Ganymede carried by Zeus, created around 1770.

Woman in Stralenkrans, David Pièrre Giottino Humbert de Superville, 1780 - 1849 drawing paper. ink. pencil pen

Paris, Stella, Claudine, France, Jacques, Bouzonnet, Françoise, Second Livre de Vases, Wall arm from the front and side, Putto emerging from a console holding two candlesticks in its hands. Sheet 49 from a series of 25 sheets, numbered: II (formerly 26), 27-50., print, ornamental print, prints, ornamental prints, height 278 mm, width 200 mm, 1638 - 1691-04-18, print maker, printmaker, 1667 - 1667, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, French, 1596 - 1657-04-29, after a design by, Publication (Event), Publication, 1636 - 1697-10-01, publisher

Campania Caserta Caserta Palazzo Reale58. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cupid 1755 Jean Daullé. Cupid. Jean Daullé (French, Abbeville 1703-1763 Paris). 1755. Engraving. Prints

The Choleric personality was impatient and thought to be caused by the dominance of the humor black bile. It is personified by a young woman, with and eagle and a lion, is surrounded by flames. She holds a torch and a heart pierced by an arrow. Engraving by Virgil Solis (German, 1514-1562).

Painter with two naked woman by Mihaly Zichy, watercolor and white colour on cardboard, 1861, 1827-1906, Russia, St. Petersburg, State Hermitage, 14, 5x10, 3

Lazio Roma Rome Gesu35. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

St Michael and the Dragon by Guido Reni. Michael came to represent the triumph of light over darkness as interpreted by the Christian Church, in the teachings of which he came to embody the triumph of Christ over anti-Christ.Guido Renis resplendently theatrical depiction here of St Michael slaying the dragon shows Michael as part Roman soldier, part ballet dancer. It was painted in 1635 and can be seen in the church of Santa Maria della Consolazione in Rome. The picture is a beautiful example of Renis late style, which was repeatedly admired by his contemporaries for what they called grazi

The Overthrow of Apollo and The Pagan Gods c. 1815, Pen & Watercolor William Blake 1757-1827/ British The Huntington Library, Art Collections, and Botanical Gardens, San Marino, California, USA

Flying genius with shield and helmet by Joseph Heintz the Elder, executed in reddish chalk between 1585-1587, showing figure, pose, and attributes.

The jealousy of Media still image. Prints. 1852. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Medea (Greek mythology), Sculpture , England

A partly naked bacchante playing a tambourine, set against a black background inside a rectangular frame. Artist: Engraved by Vicenzo Feoli (Italian, Rome ca. 1760-1827 Rome); Intermediary draughtsman Domenico del Frate (Italian, Lucca 1765-1821 Rome). Dimensions: Sheet: 16 5/16 × 12 3/8 in. (41.5 × 31.4 cm)Plate: 13 1/8 × 9 13/16 in. (33.4 × 25 cm). Publisher: Agapito Franzetti (Italian, active Rome, last quarter 18th century-first quarter 19th century). Series/Portfolio: Wall paintings from Herculaneum. Date: ca. 1795-ca. 1820.From a series of engravings depicting wall paintings from Herculaneum, made by various engravers and intermediary draughtsman, all pulblished by Agapito Franzetti. Museum: Metropolitan Museum of Art, New York, USA.

Marches Pesaro Fossombrone Cathedral1. Hutzel, Max 1960-1990 Medieval: Details of original parts of the church. Post-medieval: Neoclassical architecture (18th century): almost complete reconstruction of the much older Bededictine church; badly damaged frescos from c. 1600; paintings on canvas; elaborate marble altars and pavement; fresco, 14th century; wooden sculpture (17th century); carved wooden altar; organ, 18th century. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Allegory on the Peace of Amiens 1802. Draughtsman: Jacques Kuyper (mentioned on object). Dating: 1802. Place: Netherlands. Measurements: h 515 mm × w 401 mm. Museum: Rijksmuseum, Amsterdam.

Looking into the hand mirror No. 3, circa 1905, by Mary Cassatt, Auguste Deltre.

Die Domini. From the portfolio: The Work of E. Burne-Jones., 1880, Great Britain, by Edward Burne-Jones, The Berlin Photographic Company.

Dalziels' Bible Gallery - The Days of Creation - The First Day,1900. After: Sir Edward Burne-Jones (d.1898). Publisher: Berlin Photographic Company. Large orb, with representations of darkness and light.

Atlases on the Wallpavillon of the Dresden Zwinger. Dated: 1880. Dimensions: sheet: 32.3 x 24.4 cm (12 11/16 x 9 5/8 in.). Medium: graphite with stumping, on wove paper with a ribbed or laid pattern. Museum: National Gallery of Art, Washington DC. Author: ADOLPH MENZEL.

Allegory of August. Projects for the "eternal calendar in paintings", part I, 1881-1901 (Immerwährender Bilderkalender); Thoma, Hans (1839-1924); 1881-1901 (1911-00-00-1911-00-00);Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, votan (mitol.), Astrology, illustrations, calendars, mythology, Nordic mythology, personifications (iconogr.), Seasons, August (allegory), zodiac signs

Trade Card for W. Sharp, Engraver 19th century Anonymous, British, 19th century. Trade Card for W. Sharp, Engraver. Anonymous, British, 19th century. 19th century. Engraving

Saint Philip, from the series Christ and the TwelveApostles. Artist: Master F. P., Italian, active 16th century After: Parmigianino, Italian, 1503-1540 Artist, formerly attributed to: Andrea Schiavone (Andrea Meldolla), Italian, ca. 1510-1563

Man and woman with sword and mirror. A standing, half-naked man with a sword and a mirror in his hands. A woman with helmet behind him, who also holds the sword.

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