Allegorical Prints

Intricate prints featuring mythological and allegorical themes, illustrating concepts like eloquence and nobility with rich details.

The holy water basin is supported by three putti and six cherubs. The backplate is formed by an oval medallion, held by two angels, depicting Christ on the cross, Water Basin Varie inventioni di vasi da acqua benedetta fatti al moderno (series title), print maker: Franz Ertinger, Jean Lepautre, Jean Lepautre, Antwerp, c. 1677 - c. 1692, paper, etching, h 223 mm × w 149 mm

Vase. Artist: After Antonio Fantuzzi (Italian, active France, 1537-45). Dimensions: Sheet (trimmed): 10 1/4 × 7 9/16 in. (26 × 19.2 cm). Date: 1540-45. Museum: Metropolitan Museum of Art, New York, USA.

Plate 26. A Vase from the Galerie Mythologique, A collection of antique vases, altars, paterae, tripods, candelabra, sarcophagi, andc. from various museums and collections, Baber, Henry Hervey, 1775-1869, Moses, Henry, 1782-1870, Engraving, 1811-1814, plate 26, a detail view. This is not an overall view of plate 26.

Rome, Rossi, Giovanni Giacomo de', Vatican City, Raphael, Italy, Bartoli, Pietro Sante, Reliefs in the Loggia of Raphael, Triton Fighting a Sea Monster, A triton, with a naked boy on his back, fighting a sea monster., print, prent, prints, prenten, height 125 mm, width 179 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Work conception, 1483-04-07 - 1520-04-07, after design of, Publication (Event), Publication, 1627 - 1691, publisher

Italy, Schiaminossi, Raffaello, Attributes of the Soul, Honor and Liberty, Two representations of personifications. Left: Honor (Honor) as a woman with the cornucopia. Right: Liberty (Libertas) as a woman with a hat and a scepter. Both representations with two Italian lines of verse in the lower margin., print, prints, height 151 mm, width 235 mm, Italian, 1572 - 1622, print maker, printmaker, 1605 - 1605, paper, etching, etchings, plate tone, Work conception, after own design by

Speculum Romanae Magnificentiae (Mirror of Roman Magnificence). Dated: 1544-1599. Dimensions: overall: 40.4 × 28.6 × 3 cm (15 7/8 × 11 1/4 × 1 3/16 in.). Medium: bound volume of 55 etched and engraved illustrations, including 3 later 16th century plates. Museum: National Gallery of Art, Washington DC. Author: Antonio Lafreri and Various Artists.

Italy, Bonasone, Giulio, Amori sdegni et gielosie di Giunone, Love, anger and jealousy of Juno, Ixion embraces a cloud, recto - stamped, Ixion tried to seduce Juno, the wife of Jupiter. As punishment, Jupiter sculpted her likeness from clouds. The drunken Ixion here embraces a cloud in the shape of Juno. Cupid wraps a cloth around Juno. Under a four-line verse in Italian. The image is set in a decorative frame with putti and female satyrs., print, prints, verso - stamped, height 135 mm, width 105 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Putto with the tables of the law, Crispijn van de Passe I 1594

Master AD, French (active c. 1600), Les divers pourtraicts et figures IV, c. 1600, engraving

Design for Calendar. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Philipp Otto Runge.

Print, Frontispiece, Soleil executé en argent pour les religieuses Carmelites de Poitiers en 1727, Livre d'Orfeverie d'Eglise, Treisieme Livre des Oeuvres de J. A. Messionnier (Silver Sun Made by the Carmelites of Poitiers in 1727); Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); Engraved by B. Audran; France; engraving on white laid paper; 47.8 x 21.9 cm (18 13/16 x 8 5/8 in.)

Man subjects a harpij, 1663 print Leaf with two performances of consoles with naked men, soldiers of Aeneas, sitting on harpijen. The print originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching other architectural details (CONSOLE). Harpies (classical mythology). the (nude) human figure; 'Corpo humano' (Ripa)

Title print for: 'Maegde-Wapen', part of J. Cats, Hovyk, 1642, Experiencers Sillemans, After Anonymous, in Or Before 1642 print Emblem of a pot with a tulip, surrounded by a swarm of bees. The emblem is flanked by two women, whose 'inquisitiveness' symbolizes and the other 'simplicity'. They hold a wreath of thorny rose branches above the emblem. The richly clad inquisitiveness carries a parrot on her hand and an embroidery window. At her feet there is a dressed dog. On the ground are scissors, lace bobbins, a music book and an emblem book, possibly a copy of Cats Hovyck. Simplicity wears more modest clothing. There is a pigeon on her hand, a lamb is next to her. At the top, a putto wears a banderolle with the motto "Lateat Dum Pateeat". Amsterdam paper engraving / letterpress printing flowers: tulip. insects: bee. embroidery (ornamentation). lace-making. training of performing dog. book in which illustrations are essential - MM - book open. printed edition of musical score - CC - out

Etienne Delaune (aka Étienne Delaune) (French, ca. 1519 - 1583). Several Gods of Classical Antiquity (Plusieurs Divinités de l'Antiquiteé Paienne), plate 4, 1578. From Several Gods of Classical Antiquity (Plusieurs Divinités de l'Antiquiteé Paienne. Engraving.

Utrecht, Broedelet, J., Leiden, Luchtmans, Samuel (I), Goeree, Jan, Amsterdam, The true ways of God, Title page for Tajo Hajo van den Honert, The true ways, 1734, Allegory of the power of God, A man sits in a chair and contemplates the power of God. Around him are symbols of religious life (anchor, beehive) and worldly life (money bag, crown, compass, hourglass with wings). Behind him is a wall with the title of the book. In the sky, the All-Seeing Eye of God and the Hand of God. The Hand holds a scale on which Good and Evil are weighed. In the background a teacher instructs a young man., print, engraving, title page, prints, width 147 mm, height, 187 mm, 1670-10-20 - 1731-01-04, print maker, printmaker, 1734 - 1734, paper, papier, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, Dutch, 1685-11-20 - 1757-01-13, publisher, uitgever, Publicatie

A Winged Victory Riding a Chariot; A Winged Victory Crowning a River God, Reno; two roundels, Felice Giani, Italian, 1758-1823, Pen and black ink, graphite on paper, A victory riding upon a chariot toward right. A triangular pylon is shown in the right background. Bottom: a flying female genius holds a wreath over a stream god. Both designs are framed by squares with sides divided into 6 parts each in graphite. Graphite marks; captions: Reno a river, formerly tributary of the Po; fame della guerre, Italy, ca. 1805, figures, Drawing, Drawing

Amsterdam, Bouwens, A., Egmont, Heirs of the Widow Jacobus van, See here, sketched after art, air, water, fire and earth, The four main substances, by which nature must exist;, Attach your understanding with pleasure, oh tender youth! to it, And know in it all that the great creator gave birth, verso - stamped, Sheet with 4 representations of putti with attributes that symbolize the four elements: air, in frames. Under each image a title and four-line verse. Numbered top right: No. 93., print, prent, volksprent, prints, prenten, volksprenten, height 413 mm, width 323 mm, Publication (Event), Publicatie, Nederlands, publisher, uitgever, 1761 - 1804, paper, papier, houtsnede, letterpress printing, boekdruk, print maker, prentmaker

Two trophies with putti; Putti trophies. Each trophy consists of six putti. Leaf 11 from series of 6 blades with on-sided German copies to Louis Testelin. On the leaves are copies to leaf 5 and 6 from the original series.

Peace; Pax; Emblematic figures. Peace (Pax) as a woman sitting on a triumph cart drawn by two dogs. In her hand she holds an olive branch. There are weapons on the floor where the car drives over. Latin text at the top.

Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, à Corn. Title print for the series of prints about the Batavian Revolt: Batavorum cum Romanis bellum, à Corn. Tacito lib. IV & V. : Hist. olim descriptum, figuris nunc aeneis expressum, author Othone Vaenio Lugdunobatava = The Batavian or old Dutch war against the Romans. Otto Vaenius, Antwerp 1612. Text in Latin on the back., print, title print, prints, Frederik Muller History plates, height 165 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1611 - 1611, first quarter 17th century, paper, etching, Work conception, South Dutch, 1556 - 1629-05-06

Blanco medallion and the personifications of moderation, peace and zeal, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. A medallion with a blank front and back. The woman on the left has a toom next to an arrow and has her arm on the head of an elephant. She the personification of moderation. The middle woman is the personification of peace. She is sitting on all kinds of weapons and has an olive branch in her hands. She puts her arm on the shoulder of a man with a cast and lamp. He is the personification of zeal. The print is part of an album. paper engraving medal (considered as a piece of sculpture, regardless of its specific function). Temperance, 'Temperantia'; 'Temperanza' (Ripa) ~ one of the Four Cardinal Virtues. bit. trunked animals: elephant. Industriousness, Assiduity; 'Assiduití', 'Industria', 'Zelo' (Ripa). military clothing and other equipment (uniforms, cap, armour, helmet, etc.)

Woodcut by Albrecht Dürer from around 1515 depicting the Judgment of Paris, showing figures, Venus, Paris, and surrounding mythological elements.

Amsterdam, Schenk, Pieter (I), Netherlands, France, Lepautre, Jean, Ceilings, Quarter ceiling, Ceiling framed by a border with consoles, rectangular panels and garlands of fruit., print, ornament print, prints, ornament prints, height 212 mm, width 145 mm, Work conception, French, 1618-06-28 - 1682-02-02, after a design by, 1655 - 1657, third quarter 17th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1660-12-26 - 1711, publisher

Louis XIV (King of France), Paris, Mariette, Pierre (II), France, Lepautre, Jean, Differents Morceaux d'Ornements à la Romaine, Four rows of friezes, The lower frieze is divided into two sections, both with scrollwork and leaves. Sheet 4 of a series of 6 sheets, each with four rows of friezes, some of which are divided into two sections., print, ornament print, prints, ornament prints, height 273 mm, width 190 mm, Frans, 1618-06-28 - 1682-02-02, print maker, printmaker, 1667 - 1716, third quarter 17th century, derde kwart 17e eeuw, fourth quarter 17th century, vier kwart 17e eeuw, first quarter 18th century, first quarter 18e eeuw, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher, uitgever, 1638-09-05 - 1715-09-01, granter of privilege

Lazio Roma Rome Palazzo Quirinale. Hutzel, Max 1960-1990 Post-medieval: Tapestries. (Also decorative furniture, etc.). General Notes: No information sheet provided by Hutzel, tapestries not mentioned in TCI. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fountain sculpture of a sea horse and putti, Simon Thomassin, 1724 print print maker: Franceafter sculpture by: Versaillespublisher: Parispublisher: The Hague paper engraving / etching sea-horse, hippocamp, 'hippocampus', (horse/fish) (mythological hybrid monster). cupids: 'amores', 'amoretti', 'putti'. ornamental fountain

Aldegrever, Heinrich, Germany, Frisian with leaf tendrils and a child, Frisian with leaf tendrils, behind the stem in the middle sits a child., print, ornamental print, prints, height 34 mm, width 90 mm, German, 1502 - 1561, print maker, printmaker, 1539 - 1539, second quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Shaded background, Frisian with two putti riding seahorses with horns, print maker: Hans Sebald Beham, (mentioned on object), Hans Sebald Beham, (mentioned on object), publisher: anonymous, Germany, (possibly), 1510 - 1544, paper, engraving, h 34 mm × w 99 mm

Coat of arms of Maurits, Prince of Orange, Anonymous, c. 1555 - 1624 print Weapon of Maurits with a crown, held by two putti. In the lower margin two lines of Latin text. print maker: Low Countriespublisher: Amsterdam paper engraving / etching / letterpress printing

A 1544 copper engraving by Sebald Beham depicting two geniuses wearing masks, showing figures, facial expressions, and composition.

The seasons. 1501 - 1600. Anonymous. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Print, Vignettes; Print Maker: Jakob Frey; After Giovanni Passari (Italian); Switzerland; engraving on paper; 11.8 × 13.9 cm (4 5/8 × 5 1/2 in.); 1907-7-8-a

Nuremberg, Dürer, Albrecht, The Little Passion, Fall of Man, Adam and Eve expelled from Paradise, Annunciation, Adoration of the Shepherds, center, at the top left corner of the print bottom right - stamped, The first series of four scenes from the print series 'The Little Passion', here still uncut with 4 images on 1 sheet. Top left: Eve accepts the fruit of the serpent. Top right: Adam and Eve are expelled from Paradise. Bottom left: The angel Gabriel announces the birth of Christ to Mary. Lower right: Mary, Joseph and some shepherds worship the Christ child in a dilapidated stable., print, prent, prints, height 127 mm, width 97 mm, height 352 mm, width 252 mm, German, 1471-05-24 - 1528-04-05, print maker, prentmaker, 1510 - 1510, first quarter 16th century, paper, woodcut

Etienne Delaune (aka Étienne Delaune) (French, ca. 1519 - 1583). Several Gods of Classical Antiquity (Plusieurs Divinités de l'Antiquiteé Paienne), plate 5, 1578. From Several Gods of Classical Antiquity (Plusieurs Divinités de l'Antiquiteé Paienne. Engraving.

The funeral procession of Frederik Hendrik (plate no. 30), 1647, Pieter Nolpe, after Pieter Jansz. Post, 1647 - 1651 print The funeral procession of Stadholder Frederik Hendrik in The Hague on 10 May 1647. Plate no. 30 with the last part of the procession with a few pastors, a burial monument and construction drawings of the body coach. Part of a series of 30 plates and 20 text magazines, intended to be stuck together. print maker: Northern Netherlandsprinter: Amsterdam paper etching cortege, funeral procession. grave-building, monumental tomb. funeral carriages The Hague

Drawing, Sepulchral Monument of the Philosopher Count Alessandro Verri; Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, brush and brown wash, graphite on beige laid paper; Image: 22.1 x 27.4 cm (8 11/16 x 10 13/16 in.)

. Title Print with the title in Latin on a piastal, flanked by the personification of history and hercules. Above the Piestick a globe with trumpets, sword and a belt. In a cartouche under the Piothing a medallion with Zeus and Europe. Title print for a series of hundredsking prints with portraits.

12/31/1905. Fountain of Sciences - cameo by Jacometrezo.

Horizontal Panel with a Siren with Foliage for Legs and Two Children ca. 1520-55 Allaert Claesz. Dutch Panel with a siren at center with a human torso holding the ensd of scrolling tendrils that are in place of her legs. Two children are seated on the foliage at each side of her torso and the child at left is nursing. At far left and right, bull skulls.. Horizontal Panel with a Siren with Foliage for Legs and Two Children 425748

Four Roman emperors, 1653 - 1654 print Four consoles with the ninth to twidden emperor of the Roman Empire. Displayed in front: Vitellius, Vespasian, Titus and Domitian. The text in the cartouches below are verses from the monosticha the ordine imperatorum of the Latin poet Decimus Magnus Ausonius. The print is part of an album. paper engraving

Wood engraving prints, wood engravings

Portrait of Gregorio Barbarigo and the personifications of torment, distinction from good and evil and backbang, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. Then a medallion with the portrait of Gregoro Barbarigo on the front. On the back the female personification of bravery or strength. She leans with her elbow on a column and next to her is a lion. In addition, the text: Iura Ecclesiae Defensa. Three female personifications around the pedestal. The woman on the left is torment with three hammers and a heart in her hands. In the middle is a distinction of good and evil: a woman with a sieve and an Egge. On the right the personification of back shit. This sitting woman with double tongue and weathered clothing pulls a black sheet off her head. There is a Schalmei under her feet and in her hands she has a poignaert or knife with which she can hurt others. The print is part of an album. paper engraving Symbols, Allegories of Peace, 'Pax'; 'Pace' (Ripa). F

Dado (France); Manufactured by Joseph Dufour et Cie. (France); block-printed on handmade paper; W x D: 57 x 216.3 cm (22 7/16 in. x 7 ft. 1 3/16 in.)

Bossuit, Francis van.

Spelend kind met hond.Ornament print with a child who plays with a dog and floral motifs with leafwork in the background on a circular print

Triptolemus receives the car from Ceres; Segetum vsum Triptolemum Docet Ceres; Metamorphoseon Sive Transformationum; Metamorphoses from Ovid.ceres asks triptolemus grain and gives him her car that is drawn by dragons. Title in Latin in undermarge.

Medallion with foolishness and pride; Orgveille et Follie; Dishes. Medallion with a double head: foolishness and pride. The edge is decorated with fantastic beings and the theme of symbols and performances, such as Superbia, a peacock, the whore of Babylon, the fall of Phaëthon, the fall of Marcus Curtius. Sheet from series of 4 magazines with a medallion in a wide edge of grotesken with figures, animals and leaf refrences on a dark distance. The edge around the medallion and the outer edge contain Dutch and French fresh rules.

Tweat Open Cars, Anonymous, After Jean Lepautre, After 1707 - Bausors 1742 print The pour can be left on a base formed by two putti. Page 4 from series of 6 magazines, third edition. after design by: France (possibly)publisher: Paris paper etching

Mars Ares and other figures. Etching by L.P. Boitard.

Nuremberg, Solis, Virgil, Allegories of the Seasons, Triumphal Procession of Autumn, verso - stamped, print, prints, height 52 mm, width 243 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process), etching, plate tone

Minerva visits the muses on the parnassus; Mythological scenes. Minerva walks towards the muses that sit together in the forest and play musical instruments. In the oval frame a peripheral in Latin.

Italy, Raphael, Dente, Marco, Erog, Fox, lion and dragon, verso - stamped, A fox, a lion and a dragon. Above a banderole with the title., print, prints, height 115 mm, width 159 mm, Italian, 1486 - 1527, print maker, printmaker, 1498 - 1532, paper, papier, engraving, engraving (printing process), Work conception, 1483-04-07 - 1520-04-07

Cherubino Alberti, Truth and Justice Truth and Justice

Ceiling Design, History, Abundance in Six Ovals, Sala di Ercole ed Ebe, Palazzo Gessi, Faenza, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash over black chalk on white laid paper, Eight ovals, two rows: 1) winged female figure, in pose of History, writing upon a tablet 2) Abundance supporting cornucopia with both hands 3) Fame running with trumpet and wreath 7) Fame walking with torch in her, right hand, wreath in left 8) Fame dancing toward left, playing trumpet, Italy, Italy, 1813, interiors, Drawing, Drawing

Minerva, Egbert van Panderen, After Bartholomeus Spranger, c. 1590 - 1637 print Cloud cover with Minerva in armor, blowing on a trumpet. Next to her the sleeping Hercules. The show is caught in a round frame. First print from a series of three with goddesses. Antwerp paper engraving (story of) Minerva (Pallas, Athena). (story of) Hercules (Heracles)

Paris, Coypel, Antoine, France, Audran, Benoît (I), Les amours pastorales de Daphnis et de Chloé avec figures, Title page for: Longus, Les amours pastorales de Daphnis et de Chloé, avec figures, 1718, Pan and the Three Graces, verso - stamped, In the foreground Pan lies against a tree. Above him float two angels with a cloth on which the title and date are noted. In the background the three graces are dancing., print, engraving, title page, prints, engravings, height 96 mm, width 75 mm, 1661 - 1721-10-02, print maker, printmaker, 1718 - 1718, paper, papier, etching, etchings, Work conception, French, 1661-04-11 - 1722-01-07, after a design by, Publication (Event), Publication, publisher

Orpheus enchants the animals with his music, Nicolaes de Bruyn, 1594 print A man with a laurel wreath and harp, probably Orpheus, enchants the wild animals with his music. They are listening around him, among them is also a unicorn. Netherlands paper engraving Orpheus playing the lyre: trees and rocks move, beasts and birds are enchanted. unicorn

Depictions of the Seven against Thebes. Tydeus, Amphiaraus, Polynices and Parthenopeus, from an Etruscan cameo 1. Amphiaraus with Eriphyle 1, a genius presents a helmet to Amphiaraus 3, and Alcmaeon threatening Eriphyle 4, from vases owned by Sir William Hamilton. Tideo, Polinice, Amfiarao, Erifile, cc. Handcoloured copperplate engraving by Corsi from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1842.

Roman Emperor Trajan on horseback in battle against a German warrior, in cameo. Trajan in breastplate armour and laurel wreath rides a horse with a lionskin saddle. A naked German soldier defends himself with shield and sword. Traiano in cameo. Copperplate engraving by Giovanni Battista Galestruzzi after Leonardo Agostini from Gemmae et Sculpturae Antiquae Depicti ab Leonardo Augustino Senesi, Abraham Blooteling, Amsterdam, 1685.

Amsterdam, Wolters, Joannes, Huyberts, Cornelis, Netherlands, Blois, Abraham de, Strabonis geographia cum notis Casauboni, Title page for: Strabo, Rerum geographicarum libri XVII, 1707, Allegory of history and geography, verso bottom center - stamped, Allegory with writing woman as personification of History (Historia) and Father Time with globe. Fame standing with trumpet next to the pedestal with the title pointing to the globe. Three children represent the three continents of Europe, Africa and Asia., print, prent, prints, height 288 mm, width 186 mm, - 1717-10-06, print maker, printmaker, 1679 - 1707, fourth quarter 17th century, first quarter 18th century, paper, papier, engraving, engraving (printing process), 1669 - 1712, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Noord-Nederlands, publisher

Four heads, marked A-D, Jan Luyken, 1682 print Amsterdam paper etching head (human). angels

. Above a base - with a book, a document with stamps and a sword - keep the personification of freedom (with the freedom hat and lance) and the personification of prosperity (with the cornucopia) jointly attached a laurel wreath, palm branch and olive branch. A heart floats above the wreath. The personifications of freedom and prosperity are plagued by deception (left), slander (in the air) and envy (right), which are attacked by three putti. In the foreground the Personifications of the Amstel and the IJ, with a heart in their midst. Links Persons of justice and steadfastness and right in the background A group of patriots. In the air the holy three unit, shown as an equilateral triangle in a light wreath with the middle of God's eye. The print is the second part from a series of four prints about the Batavian revolution.

Hechos e historia del concilio ecuménico de Roma, primero del Vaticano (1869-1870), por Victor Frond (1821-1881). San Juan Evangelista. Grabado de 1871.

Atlas, map from 1623, Book title, Germany, digitally restored reproduction from an engraving by Gerhard Mercator, born as Gheert Cremer, March 5, 1512 - December 2, 1594, geographer and cartographer.

Hercules with Iole, Pierres antiques gravées, sur lesquelles les graveurs ont mis leurs noms, Picart, Bernard, 1673-1733, Stosch, Philipp, Baron von, 1691-1757, de Limiers, M., Engraving, 1724

Medallion with Latin text in a wide border with grotesques on a dark fond. Within this border are three medallions with effigies of Roman emperors. Caesar top center, Claudius bottom left and Otho bottom right. Sheet from series of 4 sheets, Medallion with Caesar, Claudius and Otho Praeclarissima / Virtvtvm est / Ivsitia (title on object) Dishes (series title), print maker: Theodor de Bry, (mentioned on object), Theodor de Bry, publisher: Theodor de Bry, (mentioned on object), Netherlands, (possibly), c. 1588, paper, engraving, d 121 mm

The Colossal Statues of Ancient Rome, Historic Rome, Italy, digital reproduction of an original 17th century original, original date unknown, Europe

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