Allegorical Religious Prints

Intricate prints depicting biblical scenes and personifications, showcasing detailed artistry and religious themes in decorative frames.

Titelpagina Voor: Bartolomé de los Ríos and Alarcón, Margarita Evangelica, Cornelis Galle (i), after erasmus quellinus (II), c. 1624 - c. 1650 print Allegorical title page with two standing saints on either side of a stone table with the title of the book. Above Christ, God the Father and the Holy Spirit in the form of a pigeon in the clouds. Under kneeling Mercury with the weapon of Cardinal-Infante Ferdinand of Austria and three angels play with banners on which the names of Christ and Mary are standing. print maker: Southern Netherlandsprint maker: Antwerp paper engraving saints. Trinity in which God the Father and Christ are represented as persons, the Holy Ghost as dove. (story of) Mercury (Hermes)

Sheet with two sibylls and two biblical scenes; Sibyllen. From series of seven sheets. Print, printed from several blocks, forms one whole through ornamental picture frame. Top left Madonna on the crescent moon, at the top right of Christ decreases in hell. At the bottom left of the Persian Sibylle with accompanying text, the bottom right of the Libysche Sibylle with accompanying text. In framed personification of charity (Caritas) and greed (avaricia).

The abbot and death; Dance dance. Death persists an abbot by clinging to his habit. Thirteenth prints from a series of killing people's exprents; With a picture frame with Minerva and Hercules.

The Holy Trinity; The credo. Printed of two blocks. Ornamental picture frame around show with holy three unity and saints.

Youth of Christ; Allegorical scenes from the life of Christ. The Christ child sitting on a base in a fountain or water basin, personifications around him. Around the show a frame with various scenes from the early life of Christ combined with allegorical elements. In the margin down two Latin lines. This print is part of a series of six allegorical scenes from the life of Christ.

Christ Testifying his Mission ca. 1520 Daniel Hopfer German. Christ Testifying his Mission 372993

Moses, Aaron, David and other Old Testament figures have come together in a room and point to two niches in the background showing the proclamation to the shepherds and the presentation in the temple.

The passion of Christ: Christ in front of Herod. Seventh issue of a sequence of 21 pieces. (Passavant 115) Master at the S.. The Passion of Christ: Christ in front of Herod. Seventh issue of a sequence of 21 pieces. (Passavant 115). Burin. 1500.

Prayer card with the image of the Maria in Antwerp, 1734; This is the waerish degree of the H. Mother Godts Maria Resting Bin 'Cast' t'Antwerpen. Bid card with a number of people kneeling for an image of Maria with the Christ child in the clouds, according to the title resigned in the castle in Antwerp, 1734. At the bottom of a two-time fresh.

Titelpagina Voor: Bartolomé de los Ríos and Alarcón, Margarita Evangelica, Cornelis Galle (i), after erasmus quellinus (II), c. 1624 - c. 1650 print Allegorical title page with two standing saints on either side of a stone table with the title of the book. Above Christ, God the Father and the Holy Spirit in the form of a pigeon in the clouds. Under kneeling Mercury with the weapon of Cardinal-Infante Ferdinand of Austria and three angels play with banners on which the names of Christ and Mary are standing. print maker: Southern Netherlandsprint maker: Antwerp paper engraving saints. Trinity in which God the Father and Christ are represented as persons, the Holy Ghost as dove. (story of) Mercury (Hermes)

The last Supper; The round passion. From series of twelve prints. Christ at the table with his twelve disciples. Round show ornamental frame. Down frame with text in Latin. Printed of multiple blocks.

Vision of the Paschal Mystery of Jesus Christ in the editorial office of the Evangelists unknown

Give thirsty to drink, 1577 print Giving drinking to the thirsty as one of the seven works of mercy. In the middle men who give thirsty to drink. In the background the wedding in Kana where Christ's water turns into wine and Christ and the Samaritan woman in the well. Around performances of Bible stories that have to do with drinking to the thirsty. In the top left of Rebekka who brings the servant of Abraham to drink, at the top right of the angel who points Hagar a source, below a drinking man and at the bottom left of Moses who hits water out of the rock. Left King Solomon and on the right Marcus. In the performance various Bible texts in Latin. Under the show a four -line verse in Latin. This print is part of an album. paper engraving giving the thirsty to drink, 'sitiens potatur' ~ one of the (seven) Acts of Mercy. the marriage-feast at Cana (John 2:1-11). Christ and the woman of Samaria: sitting at Jacob's well he asks her for a drink from her jug. the meeting at the well: Eliez

Allegorical representation on the principalities of the world, Adriaen Matham, after David Vinckboons, 1621 print A portrait of Maurits, Prince of Orange, flanked by two female personifications. On the left in a niche the personification of the church, on the right that of politics, in imperial clothes with sword and government apple. Around four personifications of Europe, Asia, America and Africa. At the top and at the bottom a row with five images of kings and emperors. Title page for Pierre d'Avity, World Spiegel, 1621. Amsterdam paper engraving continents represented allegorically. government, the State; 'Politica', 'Auttorití o Potestí' (Ripa). emperor. ruler, sovereign. the Church symbolized

Annunciation; Youth of Christ. In the middle the proclamation to Mary. To the left of it Moses, the prophet Isaiah and King David and the right King Solomon and the prophets Jeremiah and Haggai. They each hold a tablet. Extremely left and right landscapes with symbols for the immaculate conception and purity of Mary. Among other things, a closed garden, lilies, a source and a closed gate. In the middle of God the father and pigeon of the Holy Spirit. Angels worshiping on the clouds. The print is part of an album.

Innozenz X., Pope.

Copper engraving and etching by an unknown artist from 1580-1720 depicting the four Latin church fathers, showing figures, attributes, gestures, and ecclesiastical symbolism.

Ascension of Elia, Anonymous, After Lucas van Leyden, 1525 - 1530 print Fragment of a leaf from a Biblia pauperum. Printed from two blocks. Elijah sitting on the floor and sitting in a car with fire in the sky while his cloak falls. Frame with two prophets. paper a chariot, horses of fire and a whirlwind appear and Elijah is carried up into heaven; Elijah's cloak falls (or he hands it over to Elisha). other groups of prophets

Petrus and Paul; Title page for: Franciscus Costerus, Catholiicke Sermoons on all Heylichdaghen des Iaers, 1616. For an architectural setting, Peter with key and Paul with sword on either side of the title. Umbrella bazuin blowing angels in the monogram IHS in beams. On the bottom is Maria with a child.

Clovio, Giulio, Rome, Cort, Cornelis, Adoration of the Magi, bottom center in the margin - engraved, Adoration of the Magi in architectural frame with putti and angels making music. On the right Joseph and Mary with the Child on their lap in front of an ancient building. The three kings offer gifts. The king in front is kneeling, the other two are standing. Behind them is a procession of riders and camels. In the frame is a plaque with the presentation of Christ in the temple., print, prints, verso - stamped, DON JULIO CLOVIO DE CROVACIA INVE, bottom right - engraved, 1567, Aurum, tus, myrrham regiq. hominiq. deocq;, Dona tulere magi extremis orientis ab oris., Ignaros duxit quos stella viaeq; location

Copper engraving by Aegidius Sadeler the Younger depicting the Adoration of the Kings, created in 1590. The print shows biblical figures presenting gifts.

Title page for: SS. Apostolorum et evangelistorum icones, Jean Baptiste Barbé; SS. Apostolorum et evangelistorum icons. Title in architectural picture frame decorated with ornaments.

Matteüs de evangelist; Mattheus Apostel en Evangelist, Vanden Tol ten Apostel geroepen.The Evangelist Matthew with a book under his arms, besides him an angel. Matthew stands on a base from which his calling has been shown by Christ on the front. PRENT In the mid top labeled: fol: 315.

H. Gregorius van Nazianze de Jongere, kerkvader.The sacred church father Gregory of Nazianze the younger, standing on a base. On the front the scene in which he looks up his friend Basil from Caesarea in Kluisschap.

Saint celebrations in October, Jaspar de Isaac, 1667 print print maker: Francepublisher: Paris paper engraving feasts of saints (and their relics). saints. October ~ other concepts

Pelican who feeds his boy with his own blood; Title page for: D. van Baarsdt, Tapytje der Geestelijcke and the world tarty ruling, 1661. The symbol of the suffering Christ, the pelican that feeds her boy with her own blood, is surrounded by a wreath and is flanked by Personifications of love (left) ) And Science (right). Above the pelican stands within a cartouche's depicting of Christ who makes himself known to his disciples during the meal. One of the diciples drinks the blood from the side of Christ. Below the wreath is a four-line verse in Dutch.

Moses with the Tables of the Law, 1575 - 1585 print Moses with a staff and the dining of the law in frame, around which ten scenes and texts from the Old Testament, to illustrate the ten commandments. Low Countries (possibly) paper engraving Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law

Requesting St. Antonius, Pieter Huys (attributed to), after Pieter Huys, c. 1560 - c. 1580 print St. Antonius is kneeling for a hut, at a round table on which an open book and crucifix. In front of him, a woman with deer meadow and snake tail appears on the head, a jug in hand. On the left the boar. A burning city in the background. At the top of three frameworks three scenes from his life. At the bottom of a caption in Latin in a cartouche. paper engraving the erotic visions of St. Antony Abbot: he is tempted by (naked) women, but drives them off by praying, or by showing them a crucifix. St. Antony Abbot tormented by devils, attacking him on the ground or carrying him aloft

Title print with figures and angels around the cross, Gabriel Huquier, Jacques Gabriel Huquier (Possible), After Claude Gillot, 1705 - in Or Before 1732 print print maker: Parisprint maker: Franceafter design by: Francepublisher: Parispublisher: ParisFrance paper etching venerating the cross

Saint Francis of Assisi on a cloud with cherubs; giving the cords of his robes to the Virgin on a pedestal and to a crowd of people. Engraving by Agostino Carracci, 1586 ().

Master IB, Emblem with Hope, Tribulation, Envy, and Tolerance, 1529 Emblem with Hope, Tribulation, Envy, and Tolerance

Prayer card with the image of the Maria in Antwerp, 1734, 1734 print Prayer card with a number of people kneeling for an image of Mary with the Christ child in the clouds, according to the title resigned in the castle in Antwerp, 1734. At the bottom of a two -line verse. Southern Netherlands paper engraving Madonna (i.e. Mary with the Christ-child) in the air, or on the clouds. Mary devotion Antwerp

Emblem with worship of holy Francis of Assisi who lived in virtue, Anonymous, After Boëtius Adamsz. Bolswert, 1649 print The Holy Francis of Assisi is honored with palm branches. Man must follow his example and live in virtue to know peace in the heart and to be given. paper engraving founder of the Order of Friars Minor (Franciscans), Francis(cus) of Assisi; possible attributes: book, crucifix, lily, skull, stigmata. the life of man

Four different altars, Jan Luyken, 1690 print Print at the top left numbered: 1074. Amsterdam paper etching altar

Saint Begga. Saint Begga with an abdisstaff in the right hand and a Bible in the left. Two putti fly above her head and crowns hair with three crowns. Around the image seven shows with the seven churches of Rome. The print has various Latin captions.

Blad with two sibyles and two scenes, Jacob Cornelisz van Oostsanen, after Lucas van Leyden, 1528 - 1532 print From series of seven magazines. Print, printed from multiple blocks, forms one whole through ornamental frame. At the top left the resurrection of Christ, at the top right the coronation of Maria. Bottom left the Phrygic Sibylle with banner and accompanying text, below the personification of Christianity with accompanying text. In framing personification of power (Fortitudo) and laziness (Accidia). paper Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers. assumption of Mary combined with her coronation. sibyls (with NAME). the Church personified, 'Ecclesia', usually with chalice and banner. Sloth, Indolence, 'Acedia', 'Desidia'; 'Accidia' (Ripa) ~ personification of one of the Seven Deadly Sins. Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues

Hoiding water; VARIE INVENTIONI DI VASI DA ACQUA BENEDETTA FATTI AL MODERNO. The hoiding water bin is supported by three putti and six cherubs. The back plate is formed by an oval medallion, held by two angels, with Christ on the cross. From series of 6 sheets.

H. Dionysius de Areopagiet.Saint Dionysius The Areopagite stands with a book and a command post in the hands. At his feet an owl and a bishop's mushroom. Dionysius is on a base where his conversion to Christianity has been shown on the front.

The holy church father Irene of Lyon stands with an opened book in his hands. Beside him, an angel rests on a sword tucked into a bishop's mitre. Irene stands on a pedestal where his beheading is depicted on the front., St. Irene of Lyon, Church Father, print maker: Jan Luyken, print maker: Zacharias Chatelain (II), intermediary draughtsman: Jan Goeree, Amsterdam, 1698, paper, etching, engraving, h 274 mm × w 171 mm

Sheet with three biblical performances with title. Above a medallion with the likeness of the sower (matte 13: 1-9). In the middle a show with the two unequal brothers. Under a shepherd with a sheep; A scene from the parable of the lost sheep. This print is an illustration of 'outsy belsche storyen, to a reading book for the youth'.

H. Gregorius van Nyssa.The Saint Gregory of Nyssa seeks an angel who sits on the back of a devil beast and holding it with chains. Gregorius is standing on a base. On the front the scene in which he prays with his deacon to God while they are beated by Roman soldiers.

Dressing the nudes, Philips Galle, 1577 print Dressing the nudes as third of the seven works of mercy. The show is caught in an architectural frame with arch. Above, in Cartouche, the title. In the foreground, some arms are provided with clothing. On the second plan, left, in a departure, the generation of Tabitha by Peter; Right, in landscape, the preaching of John the Baptist and, in the background, the return of the lost son. In the frame on the left a prophet with text from Isaiah 58 and Ezekiel 18; Tobit on the right with text from Tobit 4 about giving alms. In the four extreme corners scenes from the O.T. and N.T. They refer to the dressing of nudes: Adam and Eve are driven out of paradise and get clothes from God the Father; Jozef gives new clothes to his brothers, Tobit gives alms to the poor; Jonathan gives his cloak, his rug and his arrow and bow to David as a sign of covenant. With explanatory texts from O.T. and N.T. Under the performance four lines of Latin. This print is

. Blazoen van de Rederijkerskamer de Pellics in Haarlem. In the middle Christ on the cross, surrounded by an oval cartouche with two allegorical figures with a few beaten hands and pigeons as attributes at the top of each other. At the bottom of the cross the pelican that feeds his boy by poking in his own breast. In the background Aeneas that his father wears anchees from the burning troy.

Moses, Christ and Portrait Maarten Luther, Unknown, After Frans Brun, 1780 print In the middle a portrait of Maarten Luther with the book title above it. Moses and John the Baptist are on both sides. On the bottom three biblical scenes: Moses receives the stone dining, the Last Supper and the baptism of Christ by John the Baptist. Above the title The Lamb of God with an open Bible. paper engraving / etching Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law. John the Baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff. Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38). Moses on Mount Sinai with the tables of the law (Exodus 24:9-18, 31:18). baptism of Christ in the river Jordan: John the Baptist pouring out water on Christ's head: the Holy Ghost descends

. Two angels with banners are kneeling on either side of the cross with Christ's passions around around. At the top of the title of the series.

H. Basilius van Caesarea, kerkvader.The sacred church father Basil from Caesarea, standing on a base. On the front the scene in which Basilius performs food to the poor.

Returning Christ, Johann Sadeler (I), After Marcus Gheeraerts (I), 1560 - 1600 print Christ rises from his grave. Around him a cloud with cherubies. The soldiers who lie around the grave wake up and flee. In standing oval with ornament. The twelfth print of a thirteen -part series of ornament prints about the passion of Christ. unknown paper engraving Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers. ornaments ~ art

St. John Chrysostom, Church Father, Jan Luyken, Zacharias Chatelain (II)

Filippo Neri in ecstasy after forty hours of praying, 1630 - 1641 print Filippo Neri in ecstasy after forty hours of praying (1559). Print no. 1 in a series of 44 prints with scenes from the life of the Holy Filippo Neri. paper engraving the founder of the Congregation of the Oratory (Oratorians) Philip Neri; possible attributes: lily, rosary

Cartouche with title flanked by two angels holding crown over burning heart; Iconographia Magni Patris Avrelii Avgvstini Hipponensis Episcopi, et Ecclesiae Doctoris Excellentissimi; Life of Saint Augustine. An oval cartouche with a title is flanked by two angels with palm branch and olive branch. They hold a crown above a burning heart.

Worship of the Lamb on Mount Sion and three proclaiming angels, Adriaen Collaert (attributed to), after Jan Snellinck (i), 1585 print The lamb on the mountain Sion surrounded by people. God the Father on His throne, surrounded by the four beings and the elders. In the middle three angels: the first holds the eternal gospel and announces the day of judgment, the second the fall of Babylon. The third angel warns against the worship of the beast and the image, for as a punishment one will have to drink the wine of God's anger. In the margin a four -line caption in Latin. Sixteenth print from a series of twenty -four with the revelation of Johannes on Patmos. Antwerp paper engraving adoration of the Lamb on Mount Sion by the 144-thousand ~ Apocalypse (+ angel(s) floating in the air). the three angels proclaiming the day of judgement

Fillip is sent to an eunuch by an angel; Annunciation; The message from the angel Gabriël to Mary. An angel appears for Philip and sends the apostle to the abandoned road between Jerusalem and Gaza. Used here as an image of the annunciation. Above the show a title. There are six fresh rules and a reference to Luke 1: 26-28. The print is part of an album.

Title page for: Jan Luyken, consideration of the world, 1708. Title page with an angel and three women who point to the globe.

Different saints in a landscape. Different saints and biblical figures are placed in a landscape. Above Elia and John the Baptist on either side of a cave. The Saints Paul and Antonius are in the cave. In addition to a canvas with the title of the book, four women, personifications of: prayer, decay, silence and self-discipline. Under two female holy. On the left the H. Euphrosina and on the right a naked woman with long hair. This may be the H. Eugenia or the H. Maria van Egypt.

Maria with child and saints, monogrammist am (print maker 16th century), 1500 - 1599 print The playing Mary with the Christ child, with the Saints Ursula and Marcus on the left and the saints Peter and Catharina on the right. At the bottom of the circumcision of Christ and in the corners the four evangelists. Italy (possibly) paper 'Sacra Conversazione'. the virgin martyr Ursula of Cologne; possible attributes: arrow, banner with red cross, cloak of ermine, crown, ship. Mark (Marcus) the evangelist, and bishop of Alexandria; possible attributes: book, (winged) lion, pen and inkhorn, scroll. the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara. the virgin martyr Catherine of Alexandria; possible attributes: book, crown, emperor Maxentius, palm-branch, ring, sword, wheel. the four symbols of the evangelists inspiring (or assisting) them. circumcision of the Christ-child by the priest in the temple (L

School van Athene, 1740 print The school of Athens, used here as an image of the priest who sent the king of Assyria back to Samaria to teach the rules of God. There are letters with different parts of the show. A title above the show. Below six verses and a reference to 2 kings 17: 27-28. The print is part of an album. paper letterpress printing Paul in Athens: on the Areopagus he discusses with philosophers (in front of the temple of Mars). scholar, philosopher. an Israelite priest, deported to Assyria, is sent back to Bethel where he teaches the people how to worship God

Christ appears to the apostles for the last time. Christ appears on the apostles while they are eating. He blames them their unbelief and stubbornness and bears them up through the world. In the six circles above the content of the gospel is depicted. In the background you can see how Christ is included in heaven. With various elements from the show are letters. The print is part of an album.

Portrait of Martin Moller and Joachim Coppen at the age of 53, Anonymous, 1671 print Two portraits in oval with a putto between the portraits. At the top of the outpouring of the Holy Spirit. paper engraving historical persons. Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and/or representatives of the nations present (Acts 2:1-4). cupids: 'amores', 'amoretti', 'putti'. cherubs, i.e. children's heads with wings

H. Dionysius the Areopagite, Jan Luyken, Zacharias Chatelain (II), Jan Goeree

Saint Dominic with other saints Title page for: Augustine Galaminio Brasichellensi, vita et miracula S.P. Dominici, Antwerp, 1611, Saint Dominic is kneeling on the floor between two pillars. He holds up nine portraits of important Dominican saints (Saint Peter Martyr, Saint Thomas of Aquino, Saint Hyacinth, Saint Catherine of Siena, Saint Agnes, Saint Raimondus, Saint Vincentius Ferrer and Saint Anthony). The print is the title page for a book about the life of Saint Dominic., Dominic (us) Guzman or Calerueja, founder of the Order of Preachers (or Dominican (Black) Friars, possible attributes: book, dog with flaming torch, lily, loaf of bread, rosary, star, the virgin and Dominican Tertiary, Catherine of Siena, cross, crown of thorns, crucifix, demon under foot, heart (with cross), plague-stricken, ring, stigmata, male saints (with NAME), the Dominican theologian, 'Angelic Doctor' Thomas of Aquino, (chain with) sun, dove, girdle of chastity, model of church, monstrance (or chalice) ),

Christ shown to the people, 1576 - 1650 print Pontius Pilatus shows the fascinated Christ after his scourge to the Jewish people. People call for his crucifixion. Oval within a rectangular frame, a flower in each corner. The print is part of an album. paper engraving Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

Bible figures reveal the portrait of Moses, Gilliam van der Gouwen, after Willem Goeree, after Philip Tidemann, 1690 print In the middle a pedestal with the portrait of Moses in an oval list. On the pedestal the title of the book. Around the pedestal some figures from the Bible such as Christ, Aaron, the prophet Jeremiah and the Prophetes Ester. On the left is the personification truth, a sun on her chest and with a bunch of keys and a scythe as attributes. An angel in the background. paper engraving female persons from the Old Testament (with NAME) (not in biblical context). Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law. Aaron (not in biblical context); possible attributes: attributes of Aaron: censer, dressed as high priest or bishop, ointment jar, rod or flowering wand. Jeremiah (not in biblical context); possible attributes: book or scroll, 'the seething pot'

Norbert von Xanten, saint.

The capture of Simson and David on the flight of Saul, Jacob Cornelisz van Oostsanen (Circle of), 1518 - 1522 print Lower part of a magazine, from series of twelve prints. Printed from multiple blocks. Two scenes from the Old Testament, prefigurations of the capture of Christ: on the left the capture of Simson, underneath references to Bible texts, on the right King David fleeing Saul, below it references to Bible texts. Two prophets in the middle. paper Samson wakes up and finds his hair and strength gone; he is taken prisoner. David's wanderings

From Heilige Philippus Rore from my Mount Senario, Antonio Tempesta, 1591 print Saint Philippus celebrates the Mass at Monte Senario. He stands for an altar with a host and angels. Text in Latin in STUDMARGE. Numbered below: 6. Print Maker: Romevatican City paper etching prior general of the Order of the Servites, Philip Benizzi of Florence; possible attributes: book, cross, lily, tiara at his feet. sermon ~ Holy Mass. angels

Vines with scenes from old and New Testament; Title page for: David Pareus, Operum TheologicoRument Partes Quatuor, 1647. Vines with seven scenes from the old and New Testament: the fall, the Jacob ladder, the circumcision of Isaak, the Offerlam during the Passover Festival, the Last Supper, the Baptism of Christ and the channel change of Christ. In the middle the title. At the top and bottom are in groups of three the prophets Isaiah, Jeremiah, Ezekiel and Daniël, the four evangelists and the Kerkvaders Ambrosius, Augustine, Hieronymus and Gregory. Middle above a pigeon in beams as a symbol of the Holy Spirit.

H. Dionysius van Alexandrië, kerkvader.The sacred church father Dionysius of Alexandria is offered by an angel the bishop's mushroom. Dionysius is standing on a base. On the front the scene in which he is placed on a donkey by four elders to bring him to the Libyan desert.

Crucifixion with Maria and Johannes, Jacob Matham, 1600 print Crucifixion with Mary and John, in Oval Cartouche with four performances in medallions: at the top of the resurrection, on the left the outpouring of the Holy Spirit, on the right the coronation of Mary and at the bottom of the birth of Christ. Around four angels with passion instruments and the Veronica cloth. Haarlem paper engraving crucified Christ with Mary and John on either side of the cross; Holy Rood. 'Arma Christi'

Life of Saint Albert, Anonymous, After Francesco Vanni, 1604 print Saint Albertus standing with a lily and book. Around this performance sixteen smaller performances with scenes from Albertus' life. after design by: Italypublisher: ItalyVaticaanstad paper engraving / etching male saints (with NAME)

H. Gregory of Nazianze de Jeroere, church father; Gregory of Nazianzen, Bishop of Constantinople Besakt Bazilius in Woestyn.The Sacred Church Father Gregory of Nazianze The Younger, Standing on a base. On The Front The Scene in Which HE Looks Up His Friend Basil from Caesarea in garbage. Print In The Mid Top Labeled: III. Part. PAG. 369.

Worship of the Holy Trinity and the eight Blessed Talks, Anonymous, 1560 - 1599 print The trinity is worshiped by people and angels. God the Father and Christ are sitting on a cloud, above them the pigeon of the Holy Spirit. Angels and Old Testament figures on the clouds around them. The central performance is framed by numbered scenes that depict the eight savings. Above: Presentation of Christ in the Temple (no. 4) and the Annunciation (no. 6). Left, from top to bottom: the stoning of Stefanus (no. 8), David and Abigaïl (no. 7) and Mozes' authority disputed by Mirjam and Aaron (no. 2). On the right, from top to bottom: Tobit shows mercy (no. 5), Christ anointed by Maria Magdalena (no. 3) and Job hears the bad news of four messengers. Under each performance is the blessing talk in Latin. Entirely at the bottom of a cartouche a four -line inscription in Latin. Antwerp paper engraving beatitudes of the sermon on the mount as series (Matthew 5:3-12). Trinity in which God the Father and C

The Annunciation, from The Life of the Virgin, Latin Edition, 1511 n.d. Albrecht Dürer German. The Annunciation, from The Life of the Virgin, Latin Edition, 1511 388014

Outpouring of the Holy Spirit, Zacharias Dolendo, Robert de Baudous, c. 1599

Saint Antonius. Saint Antonius with a book and a pig in an oval with Sint Antonius crosses, calling and flames. Four lines of Dutch text in a framework. Completely in an ornamented picture frame with arabesque, cherubs, birds and fruits.

Last Supper, Antonie Wierix (II), After Maerten de Vos, 1582 - 1586 print Christ and his students sit around a table. Christ holds the wine chalice and makes a blessing gesture. The performance is caught in an ornamental frame that is decorated with personifications of the three Divine Virtues and the Chalice with Hostie. print maker: Antwerppublisher: Amsterdam paper engraving the episode of the Last Supper. chalice. the Three Theological Virtues

Christ preaches to his disciples; The Sermone Domini in Monte; Vitae Passionis et Mortis Jesu Christ ..

Confessional chair with Petrus, Georg Lichtensteger, after Johann Jakob Schübler, in or after 1724 print An ornamented confessional, crowned with bust of Peter and two keys. A priest takes the confession of the man on the right. On the left a standing man and kneeling woman, both folded with hands. A five -line German text in the lower margin. print maker: Neurenbergpublisher: Augsburg paper etching / engraving confessional ~ part of the confession. the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara

Man van Smarten in an ornamental frame, Anonymous, Hans Schäufelein, 1520 - 1526 print paper Man of Sorrows, 'Imago Pietatis', 'Erbärmdebild', 'Schmerzensmann'; the upright Christ showing his wounds, usually bearing the crown of thorns, and accompanied by the instruments of the Passion, standing or sitting in his tomb

Engel announces birth of Christ to Mary; Annunciation; Life of Mary.

Bible figures reveal the portrait of Moses, Gilliam van der Gouwen, after Wilhelmus Goeree (I), after Philip Tidemann, 1690 print In the middle a pedestal with the portrait of Moses in an oval list. On the pedestal the title of the book. Around the pedestal some figures from the Bible such as Christ, Aaron, the prophet Jeremiah and the Prophetes Ester. On the left is the personification truth, a sun on her chest and with a bunch of keys and a scythe as attributes. An angel in the background. Amsterdam paper engraving female persons from the Old Testament (with NAME) (not in biblical context). Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law. Aaron (not in biblical context); possible attributes: attributes of Aaron: censer, dressed as high priest or bishop, ointment jar, rod or flowering wand. Jeremiah (not in biblical context); possible attributes: book or scroll, 'the seething pot'. angels

A priest, seen from behind, displays the host at the altar. Above the altar a statue of Mary with child. In the foreground kneeling believers. Below the scene a banderole with three lines of French. Bottom right the number 30. La celebration de la Ste Messe , print maker: Franz Ertinger, (mentioned on object), Paris, (possibly), 1650 - 1710, paper, etching, engraving, h 143 mm × w 87 mm

Sacrament of the anointing of the sick, 1576 print The sacrament of the anointing or last carament. In the middle a representation of a man who is anointed by a priest on his sickbed. In the background the apostles that ill about the sick with oil and heal them. Around performances of four consilions on which decisions have been made about the operation of the anointing of the sick. Left and right church father Augustinus and Johannes Chrysostomus. In the performance various Bible texts in Latin. Under the show a four -line verse in Latin. This print is part of an album. paper engraving extreme unction ~ the last of the seven sacraments. the archbishop of Constantinople, John Chrysostom; possible attributes: beehive, dove

Allegorical show with truth, a catholic, a heretic and a pastor; Title page for: Nicolaus Romaeus, Iohan Calvini Noviodunensis Nova Effigies, 1622. Truth is on a throne and holds a mask for a portrait of Calvin. With her there are a Catholic, a heretic and a minister. On the left in the background the last judgment, right Christ as a fountain of life. At the bottom a scene with a lying calvin is surrounded by philosophers such as Plato and Aristotle. At the top, two putti holds a cloth with the title.

Augustine en Athanasius met de Vier Evangelistensymbolen Cornelis Galle (1), after Peter Paul Rubens, 1628 print The two church fades Augustinus (left) and Athanasius (right) next to an ox skin with the title of the book. The ox, the lion, the eagle and the angel symbolize the evangelists. The evangelist Lucas is above the oxhead and receives a chain of the personification of the truth. Under the weapon of Emperor Ferdinand II. print maker: Southern Netherlandspublisher: Antwerp paper engraving title-page. Augustine, bishop of Hippo; possible attributes: arrows piercing his breast, book, child with spoon, flaming heart, heart (pierced with arrows), pen. Athanasius the Great, bishop of Alexandria; possible attributes: book, heretic under feet, scroll. the four symbols of the evangelists, 'the apocalyptic beasts'. Truth; 'Verití' (Ripa)

Christ passes through the closed door of the temple, Caspar Luyken, 1705 print The image of Christ is contained in an ornamental frame with floral motifs and Christian symbols. Amsterdam paper etching Christ stepping through the closed temple-door

H. Dionysius of Alexandria, church father, Jan Luyken, after Jan Goeree, 1698 print The Holy Church Father Dionysius of Alexandria is offered the bishops smies by an angel. Dionysius is on a pedestal. On the front the scene in which he is put on a donkey by four elders to take him to the Libyan desert. Amsterdam paper etching / engraving male saints (DIONYSIUS OF ALEXANDRIA). riding a horse, ass, or mule; rider, horseman

Holy Family, John Baptist Jackson, After Paolo Veronese, 1745 print paper Holy Family, and derived representations

Forgiveness of sins; Title page for: D. van Baarsdt, Soundraem to convert Saligheyt, 1662. A figure in a pie has shielded his eyes to the sins written on paper that hangs behind him in a stall do not have to see. He is raised by an angel. The figures on the right behind him have sinned but thanks to their repentance and penance due to Christ. Christ with a cross in his hands in the air, from the wounds in his side and hand flows down blood on the figures that he has donated his forgiveness. Left and right of the central show represent persons of sin and conversion. At the bottom hangs a cloth with a eight-line Dutch verse. To the left of the verse is an image of two sinners, on the right a depicting of two penalty.

. In an oval list the title of the book. On either side of the list the personification of the Vita Contemplativa (left) and the Vita assets (right). Both look at the Christ child suggested above the title. In every corner of the prints of the portraits of the popes that were important in the life of the Saint Norbertus: Innocenti II, Honorius II, Calixtus II and Gelasius II.

Béla II, the blind king of Hungary.

Mary as Queen with Christ child, 1661 - 1684 print Maria, standing in a niche, with a crown on the head and scepter in hand, the Christ child on her arm. Putti wear a garland of fruits. Under the show a text in Latin. Print is part of an album. Antwerp paper engraving Madonna: Mary standing (or half-length), Christ-child close to her bosom. 'Regina Coeli', 'Regina Angelorum', 'Maestí' ~ Madonna. (children or putti) blowing bubbles, 'Homo Bulla' ~ scene symbolizing 'Vanitas'. garland, wreath

Woodcut 'Saint Trudbert' by an anonymous artist around 1500, using red ink or brush technique, depicting the saint in religious iconography.

In the middle a globe with the title of the book work. The personification history is behind the globe and reveals it. In the foreground fame, dressed in a robe is printed with eyes, the portrait of Christopher Columbus. In the background the peoples from all over the world.

Allegorical representation with figures from the Old Testament, Bernard Picart, 1720 print Allegorical representation with figures from the Old Testament. Left Adam and Eva, Isaac and Abraham and Noah. On the right Moses and Aaron and King David. Christ travels on a cloud in heaven, surrounded by the symbols of the four evangelists. Above his head, the flame of troubles burns. He trampled death (as a skeleton). In heaven a tetragram as a symbol of God the Father. Under the show in a cartouche with the motto of Picart in Latin the title and the impress in French. Have a two -way Bible quote in the margin. 11:13 in French. Amsterdam paper etching / engraving Adam and Eve (not in biblical context). the sacrifice of Isaac (Genesis 22). the dove returns with an olive-branch ~ story of Noah. Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law. Aaron (not in biblical context); possible attributes: attributes of Aaron: censer, dresse

Last judgment with prefigurations; L'Opere della misericordia. Scene with the final judgment under an arch with prefigurations in ornamental lists on both sides in ornamental lists and the apostle Johannes and Lucas de Evangelist in Niches.

New Year's Sprent of the Haarlem Christmas Guild, 1606. New Year's spring from the Haarlem Christmas guild or holy Christmas guild, 1606. Child worship through the shepherds, in cartouche with assignment in the randboard. With caption of 9 lines in Dutch.

The Annunciation, pl. 5 from the series Beatae intactae semper Virginis Mariae Vita (The Life of theVirgin). Publisher: Adriaen Collaert, Flemish, 1560-1618 After: Stradanus (Jan van der Straet), Flemish, 1523-1605

Worship by the shepherds, monogrammist HSD (Possible), after Pieter van der Borcht (I), after Georg Pencz, c. 1570 - c. 1610 print Worship by the shepherds. Part of a Prentalbum with title print and 56 scenes from the New Testament. Each performance mounted in an engraving with ornamental cartouches in which a window is cut and provided with handwritten Bible passages. paper engraving adoration of the Christ-child by the shepherds; Mary and Joseph present

Titelpagina Voor: J. Tirinus, Commentary on the Old and New Testament, Antwerp, M. Nutius, 1632, Cornelis Galle (1), after Peter Paul Rubens, 1632 print On a cartouche that is decorated with the evangelist symbols is the title of the book. The apostles Peter and Paul on both sides. Below Moses and Aaron. In Heaven Mary and God, Christ and the Holy Spirit in the form of a pigeon surrounded by angels and Biblical figures. print maker: Southern Netherlandspublisher: Antwerp paper engraving the four symbols of the evangelists, 'the apocalyptic beasts'. the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara. the apostle Paul of Tarsus; possible attributes: book, scroll, sword. Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law. Aaron (not in biblical context); possible attributes: attributes of Aaron: censer, dressed as high priest or bishop, oi

Title print of the third series about the saints of Bavaria with the personifications Mercy and truth, Raphaël Sadeler (II), After Johann Mathias Kager, 1627 print In the middle of the print the title of the series on a canvas. The canvas is flanked by the personifications of mercy (left, with an olive branch) and truth (right, with a compass and a sun). In the foreground two putti with the Bavaria coat of arms. Above the title the personification of justice with two putti. The first print of a 25-part series on the subject of the saints of Bavaria. München paper engraving Cupids: 'Amores', 'Amoretti', 'Putti'. Mercy, Compassion; 'Compassion', 'Mercy' (Ripa). Truth; 'TRAPE (RIPA). Justice, 'Justitia'; 'Divine justice' (Ripa) ~ One of the Four Cardinal Virtues

Seth and Sem In addition to two obelisks and an altar with sacrificed goats, Claude Mellan (attributed to), 1655 - 1659 print France paper engraving story of Seth. obelisk, needle. altar. he-goat, billy-goat

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