Allegorical Trade Representations

Allegorical prints depicting trade and weaving, featuring figures like Minerva, Mercury, and Fortuna, showcasing themes of commerce and protection.

The holy apologist Quadratus of Athens in the company of an owl and an angel. Quadratus stands on a pedestal where his martyrdom is depicted on the front. Print marked top center: II: Part Pag. 171., H. Quadratus of Athens, apologist Quadratus, Bishop of Athens. Uyt Zyn bediening Verstooten, en Wreedely Omgebragt , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (attributed to workshop of), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 275 mm × w 170 mm

Allegorical figures at a medallion for the National Schouwburg, Reinier Vinkeles (I), 1751 - 1816 print On a staircase there are three allegorical figures at a medallion for the National Schouwburg. In the middle the city virgin of Amsterdam and next to her two women with attributes such as a crown, a trumpet and a mask. Amsterdam paper etching / engraving mask. cities represented allegorically or symbolically. crown (symbol of sovereignty) Amsterdam

Allegory on the golden wedding of Pieter van Loon and Agneta Graswinckel, Jan Goeree, 1722 print A triumphal arch in honor of the golden wedding of Pieter van Loon and Agneta Graswinckel. The gate is decorated with tokens in honor of the anniversary. Several putti in the gate opening that make and keep up. In the middle of the gate opening two personifications, Trouw and Eendracht, on either side of a Dutch inscription. Amsterdam paper engraving Triumphal Arch. Cupids: 'Amores', 'Amoretti', 'Putti'. Golden Anniversary. Nymphs (in General); 'Nymph in Commune' (Ripa). Ornament ~ Medallion. Agreement, Unity; 'Concordia', 'unsurpassed Concordia', 'Military Concordia', 'Concordia di Pace', 'Civil Union' (Ripa). Frankness, Loyalty; 'Lealtè', 'Realtè' (Ripa)

Leeuwarden, Heringa, Hauke Egberts, Brakenburg, Richard, Amsterdam, Luyken, Jan, Title page for: J. van Holst, Voorprereydingen tot den Messias, komen in het vleesch, 1680, Bijgaankomst van oudetestamentische cijfers, verso - stamped, Moses, Aaron, David and other Old Testament figures have gathered in a room and are pointing to two niches in the background in which the proclamation to the shepherds and the presentation in the temple are depicted., print, engraving, title page, prints, engravings, height 145 mm, width 89 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, engraving maker, 1680 - 1680, paper, papier, etching, etchings, Work conception, 1650-05-22 - 1702-12-28, after a design by, Publication (Event), Publication, publisher

Monument with the Portrait Catharina de 'Medici, surrounded by the four Gratiën, Claude Mellan, After Antonio Gregori, 1630 print publisher: SienaItalyItaly paper engraving historical persons. the Four Cardinal Virtues

Title page of a collection bundle of classic authors under edition of M. Zuerius van Boxhorn, Willem Outgertsz. Akersloot, 1632 print In the middle a vellum with the title of the book, above the canvas is a goddess with a horn of abundance and a lobster in her hands. Next to her is a vase with Korenaren. Under the Vellum is a river god with horn of abundance and palm branch. Next to him a dog and a lizard. To the right of the Vellum a pillar with an owl, on the left a woman with twins on her arms and a crown that floats between the twins. Leiden paper engraving 'Cornucopia', Horn of Plenty

Chlothar I, King of Franconia.

Antwerp, Rubens, Peter Paul, Ertinger, Franz, History of Achilles, Thetis receives weapons for Achilles from Vulcan, verso - stamped, Vulcan offers Thetis, the mother of Achilles, a shield for her son. Achilles stands between the arms of his mother. In the background two men are forging weapons, and other parts of the armor are being brought. In the foreground an Atalant and Caryatide and attributes of a blacksmith., print, prints, height 319 mm, width 342 mm, 1640, print maker, printmaker, 1679 - 1679, paper, papier, etching, etchings, Work conception, South Netherlands, 1577-06-28 - 1640-05-30

Architectural niche with bookcases. On a Piothing stable on which the title in Dutch troughs steadfastness. She points to heaven. The Piothing is flanked by poetry and justice. In the foreground putti at a globe.

Theater with Apollo on the Parnassus, 1594, 1594 Theater with Apollo on the Parnassus. With the horse Pegasus and nine muses that make music, on the left Mercury, Centraal de Bron or Fontein Castalia. Scaffolding of the Brussels Rederijkerskamer Den Boeck. Festive entry of Archduke Ernst as Governor of the Netherlands held in Brussels on January 30, 1594. Part of the description of this entry descriptio et explicatio Pegmatum, Arcuum Spectaculorum Quae Bruxellae Brabant. Pridie Cal. Feb. AO. 1594 Exhibita Fuere, Sub Ingressum ... Ernesti ... Archiducis austriae ... Pro Philippo II. Belgicae Ditionis Gubernatore, J. Mommaert, Brussels 1594. Numbered: 8. print maker: Southern Netherlandspublisher: Brussels paper engraving Brussels Theater with Apollo on the Parnassus. With the horse Pegasus and nine muses that make music, on the left Mercury, Centraal de Bron or Fontein Castalia. Scaffolding of the Brussels Rederijkerskamer Den Boeck. Festive entry of Archduke Ernst as Governor of the N

Conversation between Aleksej Petrovich and Peter II van Russia, Anonymous, 1730 print Father and son Aleksej Petrovich and Peter II of Russia sit opposite each other. In the background the Veerman Charon on the boat. Stated at the top: September / 1730. paper etching conversation, dialogue; conversation piece. Charon, the ferryman

HECTOR VAN Troye, 1582 - 1635 print Hector van Troye, a famous antiquity, on horseback with a banner in hand on the battlefield. He is part of the nine best. Under the performance an assignment in Latin. The show is caught in a frame with curling ornaments and various animals such as a cat lurking to a mouse, monkeys and rabbits on which two boys hunt. This print is part of an album. paper engraving Hector (one of the nine worthies). frequently used ornamental compositions

Monstrans in cartouche, Jean Lepautre, after 1628 - before 1666 print At the top of the richly decorated cartouche, two angels hold a blower. From series of 6 magazines, first edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Personification of the county of Hainaut Henegouwen Belgium, Jean de la Barre, 1648

Apollo with other gods and muses, print maker: Cornelis van Dalen I, Jan van Duisberg, 1657

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), funeral of the emperor Ferdinand II, interior of the church (A. de Vesme 76. Dutuit 52) (Main title), 1637. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Minerva receives letters and books, Bernard Picart, 1722 print Putti bring books and letters to Minerva. In the middle of the weapon of The Hague. Amsterdam paper etching / engraving specific aspects, allegorical aspects of Minerva; Minerva as patroness. ornaments ~ art. coat of arms (as symbol of the state, etc.) The Hague

Perseus with the head of Medusa, Gerard de Lairesse (Rejected Attribution), 1682 print Perseus flies on horseback above the sea and holds the chopped head of Medusa on the Snakesharen. In front of him is a sea monster, andromeda are chained to a rock on the left in the background. The mythological scene is framed with foliage. To the left of this, the fame De Bazuin blows, three putti make music on either side. At the bottom of the print is a three -faced caption in French. Amsterdam paper etching Perseus Shows Andromeda The Head of Medusa Mirrored in the Water. Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa). Cupids: 'Amores', 'Amoretti', 'Putti'

Allegorical representation with the coat of arms of the French Kroon, Pierre Alexandre Aveline, 1712 - 1760 print Two angels flank a coat of arms. To the right of them, a putto blows on a horn. On the ground, in addition to a horn of abundance, objects that refer to literature, hunting, sea shipping and warfare. At the top a fountain in the form of two dragon heads from which water sprays. France paper etching armorial bearing, heraldry. angels. 'Cornucopia', Horn of Plenty

Title print with text, women with branches, coat of arms, ornament and putti, Gaspare Oselli, 1569 print Italy paper engraving cupids: 'amores', 'amoretti', 'putti'. ornaments ~ art. coat of arms (symbol of sovereignty)

Rotterdam, Willis, Arnold, Picart, Bernard, Amsterdam, Apollo, Minerva and Mercurius together, verso - stamped, Minerva and Mercurius point to Apollo enthroned on a cloud. Above the representation the motto: Junctam Mercurio Pallada Phoebus Amat., print, book illustration, prints, height 68 mm, width 102 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1725 - 1725, second quarter 18th century, paper, papier, etching, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

In an oval frame decorated with ornaments a depiction of an old man admonishing two young people In his hand a stick and a rosary The two youths are holding cobs and running towards a frozen river On the left in the background is an owl The print has a Latin and French caption, Man at Eighty Years of Age Ten Ages of Man , print maker: Gerard van Groeningen, Gerard van Groeningen, Hugo Favolius, (possibly), Antwerp, 1569 - 1575, paper, etching, engraving, w 240 mm × h 202 mm

Marchande de la Halle. To Gavarni ..

The portrait bust of Karel van Mander is honored by a trumpet-blowing putto with the symbol of eternity, a snake biting its own tail Beside the base on which the statue stands, Father Time sits with a scythe To the right, Minerva points a putto at the bust of Van Mander, Portrait of Charles van Mander honored by putto, print maker: Simon Fokke, (mentioned on object), Simon Fokke, (mentioned on object), Amsterdam, 1764, paper, etching, h 162 mm × w 100 mm

Funerary Monument Project for Henry II. (TF)

Bassin with putto flanked by two sphinxes, Jean Lepautre, 1628 - 1682 print print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Composition with a relief and images of different figures, Anonymous, 1700 - 1799 print The objects are numbered from Fig. 1 to Fig. 5. The whole is numbered at the top right: tab. X. paper etching / engraving ornament ~ medallion. sculpture (+ relief ~ sculpture). piece of sculpture, reproduction of a piece of sculpture. coin. goat

An etching from 1705 showing a house in Austria with the location of Antan Letician House No. 1163, depicting architecture, surrounding landscape, and details of the building.

Almanac for the year MDCCXVI (IT)

Medallion in which Venus with the paris apple in her hand and amor by her side, Adriaen Collaert, 1570 - 1618 print Medallion in frame of grotesken, tibs with flowers and birds. Shaded background. Part of series of 6 magazines with medallions in a frame of grotesken with flowers, garlands, animals and mascarons. Netherlands (possibly) paper engraving (story of) Venus (Aphrodite)

Cartouche with allegory in Jewish history, Jan Caspar Philips, 1743 print The Jewish Virgin is attacked by three soldiers. In the background the destruction of Rome. Two putti on the left in the foreground, one with the Turkish crescent in hand, who depict the rise and fall of the world rich (the partic, Persian and Syrian Empire). In the frame of the cartouche medallions with biblical performances. Amsterdam paper engraving / etching personifications of countries, nations, states, districts, etc.. the empires of the world. destruction of conquered city. violent death by weapon Rome

Title page for J. van Vondel's translation of P.O. NASO, Herschepinge, Amsterdam 1671, Abraham Blotling, After Philips Koninck, 1671 print Two Roman field lords stand next to a table entitled of the book. Above the table an image of the Olymp with a collection of the gods. Under the table a face on a city, probably Rome. Amsterdam paper etching / engraving Olympus. city-view in general; 'veduta' Rome

Mercury and his children, Anonymous, Hans Sebald Beham, 1510 - 1550 print The children of Mercury are intelligent, ingenious and mathematically constructed: they are traders and scholars. In the 16th century, the painters and sculptors were also counted as the children of Mercury, to indicate that they too had these qualities. paper Mercury and his children ('Planetenkinder'). sculptor at work. painter at work, in his studio - CC - out of doors

Carnot, Ivo .

Three decorations for lists; Bordures the tableau a la romaine. Decorations for the center of the top or bottom of lists. From first edition.

Title print with assignment to and weapon of Cosimo II De'Medics and representations of justice, caution, fame and generosity, Antonio Tempesta, 1613 print print maker: Italypublisher: RomeRomeItalyItaly paper etching cupids: 'amores', 'amoretti', 'putti'. coat of arms (symbol of sovereignty). Prudentia (Prudence) as Roman personification. Fama as Roman personification. Justitia (justice) as Roman personification. Generosity, Liberality; 'Generosití', 'Liberalití' (Ripa)

Amphion was so skilful a musician that he was able to build the city of Thebes, making the stones dance into place as he played

Morus, Thomas Saint.

A LA MUY ANTIGUA NOBLE Y CORONADA VILLA DE MADRID - HISTORIA DE MADRID Y DE SU ANTIGÜEDAD, NOBLEZA Y GRANDEZA - 1629. Author: JERONIMO DE LA QUINTANA (1576-1644). Location: SENADO-BIBLIOTECA-COLECCION. MADRID. SPAIN.

. Announcement of the promotion of Aegidius Le Maistre and the defense of his dissertation "Concepts Logicae et Ethicae", at the Collège d'Harcourt on August 29, 1663. The French politician Pierre Séguier sits on a throne and points to a roll of paper on which a text indicates With an assignment in Latin. Justice kneels for him. Above fame with bazuin flags on which coat of arms. On columns the portraits of members from the Séguier family. At the top right a wisdom in battle with injustice and the monster of discovery. At the bottom of a summary of the twenty views to defend in Latin. Bye and two putti who wear the coat of arms of Gilles III (Aegidius) Le Maistre, Seigneur de Ferrières,.

Amsterdam, Schley, Jacob van der, Putti with two coats of arms, verso - stamped, In front of a crowned pedestal, with a mercury staff on it, stand two putti, both with a coat of arms with a monogram. The coats of arms are surrounded by symbols of love; censers, doves and a burning heart with an arrow., print, prints, height 70 mm, width 113 mm, Noord-Nederlands, 1715-07-26 - 1779-02-12, print maker, printmaker, 1746 - 1746, paper, papier, etching, etchings, engraving, engraving (printing process)

Fugger of Kirchberg and Weissenhorn, Hieronymus Graf.

Pan Herme with flower wreath; Premier liures des paisages du sieur vendrecable; Landscapes with sheep shepherders. Pan Herme with flower wreath; in the foreground a shepherd with his herd; In the background a man flowers offering a standing woman.

Arms of the Ludovisi Family Surrounded by Four Allegorical Figures 17th century Jean Couvay French. Arms of the Ludovisi Family Surrounded by Four Allegorical Figures 645759

Lazio Roma Rome S. Maria degli Angeli19. Hutzel, Max 1960-1990 Several exterior views of church facade, formed from exedra of calidarium of Roman baths (Terme di Diocleziano). Interior, designed by Michelangelo from fromer tepidarium and renovated by Vanvitelli (1749), is extensively documented. Views of vestibule, nave, altars, sacristy, chapels, frescoed ceilings, paintings, sculpture, courtyard. Antiquities: Sarcophagus; fragments of antiquities on exterior wall. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The child and death, Wenceslaus Hollar, After Abraham van Diepenbeeck, after Hans Holbein (II), 1651 print A child who sits around a fire in their house with his parents is taken by death. The parents look desperately. 30th print from a series of 30 death prints; With a frame with time and eternity. paper etching dance of Death; Death together with one or more human beings. Father Time, man with wings and scythe. Eternity, 'Aeternitas'; 'Eternití','Eternití o Perpetuití' (Ripa). death of a child

Allegory of Leopold V, Archduke of Austria mid 16th-mid 17th century Matthaeus Greuter. Allegory of Leopold V, Archduke of Austria 692328

L'Heure du Midi, from a set of the hours of the day, Antoine Aveline, French, 1691 - 1743, Jean Mondon, French, fl. 1736 - 1745, Engraving and etching on paper, In a rocaille framing. An unidentified coat of arms bottom center., France, 1740, Print, Print

Mercury half lying on a stone against which two warriors confirm a inscription, Jan Luyken, 1694 print Mercury half lying on a stone at which two warriors confirm a inscription. Behind Mercury is the freedom -timbered on the left, two warmen on the right. Above this performance two scenes in which a city is besieged. At the bottom of two imaginations of a bombing of a port city through warships. Amsterdam paper etching (story of) Mercury (Hermes). Freedom, Liberty; 'Libertà' (Ripa). attack ~ siege

War and Peace, Petrus Clouwet, After Abraham Van Diepenbeeck, 1654 print In the middle of the print a cartouche with a coat of arms and below the title of the work. Next to the cartouche the goddess Minerva (right) and the goddess Pax (left). Two angels fly above the two goddesses, each wearing a medallion. Above Pax is the medallion of the Pax Augusta (an antiquity term for long -term peace). Above Minerva, the medallion is hanging with Mars Ultor (the Relegend War). Among the two goddesses are objects that are characteristic of their state: peace goes together with music (instruments) and knowledge (the caduceus, the globe, the passer), while under war, flags and arms are located. paper engraving (story of) Minerva (Pallas, Athena). Pax as Roman personification. cupids: 'amores', 'amoretti', 'putti'. symbols, allegories of war; 'Guerra' (Ripa) (+ weapons). the liberal arts represented otherwise, e.g. by emblems, symbols (+ plagiary ~ sciences)

Alkoof with soldiers who kill man in bed, Jean Lepautre, c. 1665 print The wall is decorated with coupled Corinthian pilasters, in between there is an image of a man on a pedestal. From series of 6 magazines. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Asclepius; Title page for: S.N., Pharmacopoea Leidenis, Amplissimorum Magistratum Auctoritate Instaurata, 1770. Image of Asclepius on a title with title. In his left hand he holds an escula monkey. Two putti with the weapon of Leiden above him. In the background the interior of a pharmacy.

Allegory of Avarice, or Fraud 16th century Dirck Volckertsz Coornhert Netherlandish. Allegory of Avarice, or Fraud 357076

Rectangular cartouche between two Hermen, caught in rolling, anonymous, c. 1500 - c. 1600 print From series of 17 magazines. France (possibly) paper etching

Mantua, Facchetti, Pietro, Vatican City, Michelangelo, Italy, Ghisi, Giorgio, Paintings in the lunettes above the windows in the Sistine Chapel, Prophet Ezekiel, A lunette with the prophet Ezekiel with a scroll and nude figures., print, prints, height 565 mm, width 438 mm, Italian, 1520 - 1582-12-15, print maker, printmaker, 1549 - 1549, paper, engraving, engraving (printing process), Work conception, 1475-03-06 - 1564-02-18, after a design by, Publication (Event), Publication, 1535 - 1619-02-27, publisher, uitgever

Etching on paper by an unknown artist depicting an allegorical-emblematic dedication sheet with an equestrian portrait of Emperor Charles VI, created around 1725.

Alleory met mineerva, Jacob van the sleer, after h. nieuinulysen, 1751 - 1779 print Minerva sitting with the Bible in hand points to the city of Vlissingen in the distance. Behind her a column with medallions with portrait and weapon of Stadholder Willem V. On the right the weapon of Zeeland with the Wapen van Vlissingen underneath. There are three putti with books, an olive branch and a winch. Amsterdam paper etching / engraving (story of) Minerva (Pallas, Athena). cupids: 'amores', 'amoretti', 'putti'. prospect of city, town panorama, silhouette of city - II - ideal city

A Shield Bearing a Mask Supported by Two Genii, 1527. Lucas van Leyden (Dutch, 1494-1533). Engraving;

The Virgin Surrounded by Sven Medaillons Representing the Seven Joys of the Virgin Lucas Cranach the Elder German

Three women with attributes for Minerva, Reinier Vinkeles (I), after J. van der Hey, 1764 print Amsterdam paper etching / engraving (story of) Minerva (Pallas, Athena). compasses. beasts of prey, predatory animals. book

Allegory on the victories of Willem III in 1676; Schoules of the events AO. 1676 With the Princlyke Almanach, on Jaer MDCLXXVII. Allegory on the victories of Willem III in the year 1676. At the top of a portrait of Willem III stopped by the Fatherland at the top of a staircase, here is several allegorical figures including Fortuna and time. On the stairs of the stairs the victories and events from the year 1676. On the left an obelisk with conquered fortresses. At the bottom of the sloped almanac in black and red, with women in armor (including personifications of Germany and Denmark) with portraits of Emperor Leopold I, the Spanish king Charles II, the Keurvorst of Brandenburg, the Duke of Lüneburg and the Danish king Christiaan v . Under the almanac floor plans of five fortresses.

Ecce Homo, from the Circular Passion 1509 Lucas van Leyden Netherlandish. Ecce Homo, from the Circular Passion 364740

Children around a viewing box, S. Dejour, 1878 print Seven boys and girls have gathered around a viewing box with a man on top with a hump. Behind the cupboard is the owner. A portfolio with prints leans against a chair in front of the viewing box. paper peep-show

Mercurius en Natura geven hun gaven aan het Talent; Titelpagina voor: S. Pietrasanta, De symbolis Heroicis, Antwerpen, 1634.There are three figures for an altar. Mercury, as the representative of the arts, gives brushes to a winged geni that is behind the altar. The right is the personification of nature, a woman with multiple breasts and a flower wreath. She holds the hand of the winged figure. The winged man stands for the talent that can draw on the arts and nature.

Design for a Fountain, Plate 119 from Dietterlin's Architectura 1598 Wendel Dietterlin, the Elder German. Design for a Fountain, Plate 119 from Dietterlin's Architectura 399731

Ornamental panel in frame, Jean Lepaut, c. 1650 - c. 1666 print Panel with variant for the right half, on the left Neptune and a sea horse, a griffin on the right. From series of 12 magazines, first edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Portrait van Johann Carl Löffelholz von Colberg, Bernhard Vogel, After Georg Blendinger, 1714 - Before 1737 print print maker: Augsburgafter painting by: Neurenberg paper engraving historical persons. helmet. armorial bearing, heraldry

Duke with personification of a city Title page for: Placcaeten ordonnantien (...), 1648, A duke on a throne. There are various symbols on the canopy above the throne. The duke is flanked by a statue of Justice (Justitia) and of Caution (Prudentia). With his right hand he hands over a paper (with title) to a female personification of a city. She is crowned with a wall crown. A lion with the coat of arms of the dukes of Brabant is at her feet., Justitia (justice) as Roman personification, Prudentia (Prudence) as Roman personification, personification of a city, town patron (ess), ruler, sovereign, Pieter de Jode (II) (mentioned on object), Antwerp, paper, engraving, h 295 mm × w 174 mm

L'Heure du Matin, from a set of the hours of the day, Antoine Aveline, French, 1691 - 1743, Jean Mondon, French, fl. 1736 - 1745, Engraving and etching on paper, In a rocaille framing. An unidentified coat of arms bottom center., France, 1740, Print, Print

Tomb monument for Diderik Munter. A grave monument for Diderik Munter, civilmaster of Amsterdam. On a stone sarcophagus there are a portrait bust and a stone needle with the weapon of Munter. On the left is an image of justice, right caution with mirror and snake. On the Sarcophagus a inscription and the weapon of Amsterdam.

Allegory over the victories of Willem III in 1673, 1673 - 1674 print Allegory over the victories of William III in 1673. The young prince with commandostaf standing next to the young Hendrik Casimir. For this, commanders who won victories in 1673: Michiel de Ruyter, Cornelis Tromp, Adriaen Banckert, Johan Maurits, Paulus Wirtz, George Frederik van Waldeck, Rabenhaupt and Graaf Willem van Hornes. Around this medallions and cartouches with victories. At the top left the portrait of Montecuccoli and on the right Monterrey. At the bottom of an almanac for the year 1674 printed in black and red. Prisoners chained on either side of the Almanac. In the plate under the Almanak a verse in two columns in Dutch aimed at the prince. print maker: Northern Netherlandspublisher: Amsterdam paper engraving / etching / letterpress printing military glory. prince. commander-in-chief, admiral. commander-in-chief, general, marshal

Cartouche in which humility with shepherd's staff and LAM, Anonymous, After Crispijn van de Passe (I), 1601 print On the cartouche there is an angel with a cross in hand both at the top left and right. Leaf from series of 8 sheets with cartouches in a frame of rolling work with grotesken, garlands and mascarons. Netherlands (possibly) paper engraving

Juno and Mars; Love, anger and jealousy of Juno; Amori Sdegni et Gielosie di Giunone. Juno is under a tree. Amor stands between her legs. Right is Mars. Under a four-line verse in Italian. The show is caught in a decorative frame with putti, dogs and birds. The show is also interpreted as Juno that Mars Baart.

Rome, Papal court, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Old Testament battle scenes, Title print with dedication to and coat of arms of Cosimo II de'Medici and representations of Justice, Prudence, Glory and Generosity, verso - stamped, print, title print, prints, height 210 mm, width 287 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1613 - 1613, paper, papier, etching, etchings, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher, uitgever van privilege

Allegory on the conquest of 's-Hertogenbosch by Frederik Hendrik, 1629, 1629 print Allegorie on the conquest of 's-Hertogenbosch by Frederik Hendrik on September 17, 1629. On a stage, the Stadholder Frederik Hendrik is married by the Bishop Ophovius to the city-contest of Den Bosch. Behind the Stadzensmaag is the Governor of Grobbendonck, as the father of the bride. The columns on either side of the stage decorated with weaponry and medallions with earlier military conquests under the policy of the stadholder. At the top hangs a cloth with a map of the siege of Den Bosch. On the left portraits of Palatgraaf Frederik van Bohemen, Frederik Hendrik and Ernst Casimir, on the right the portraits of their spouses. Completely printed from three plates. Northern Netherlands paper engraving civil marriage ceremony. capture of city (after the siege) the Bosch

Tytel print of the action stall or front court of Quincampoix. (Ti)

Crossing with ornamental frame, Jacob Cornelisz van Oostsanen, 1513 print Printed from two blocks. Ornamental frame around show with cross -support. Wood block with cross -carrier already used for a series about the life of Maria. paper Simon the Cyrenian compelled to help Christ to bear the cross. ornaments ~ art (+ framing decorations)

Tri tezisa, posviashchennye Kossovskomu, Iavorskomu i Lennitskomu. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Women personifying the continents of Europe, Africa and Asia, are protected by Father Time, while a woman personifying antiquity points to the value of ancient coins. Engraving by M. van der Gucht after P. Berchet.

Letter above, flanked by intertwining rinceau. A Popoe in pontificalibus is seen seated in the act of blessing. Date: ca. 1830. Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Rome door de Faam gekroond; Titelpagina voor P. Scriverius, Respublica Romana, 1626.On a piédstal decorated with a garland from fruits and leaves, Rome is crowned by the fame. At the foot of the Piéstal two eagles that flank the wolvia with Remus and Romulus. Fasces on either side. At the top of the title of the work, at the bottom of the imprint.

Rostaing, Antoine de .

Tobias heals the blind tobit; History of Tobias. The blind Tobit is in a chair. Tobias is behind him and lubricates the bile of the fish. On the right is Anna kneeling. The angel is on the left. Tobias dog in the middle of the show a peripheral in Dutch and in Latin.

A Reconstruction of the Castellum Aquiae Martiae (above) and a View of the Ruins (below) before 1704 Jan Goeree Dutch. A Reconstruction of the Castellum Aquiae Martiae (above) and a View of the Ruins (below) 336116

Copper engraving by an anonymous artist from the early 16th century depicting the Madonna positioned within a triumphal arch, emphasizing architectural and religious elements.

Fontein with three floors, Anonymous, After Jean Lepautre, After 1661 - Before 1706 print At the bottom are two river gods, at the top is a fruit basket. after design by: France (possibly)publisher: Augsburg paper etching

Northern Netherlands, Title print for the Nederlantsche Oorloghen by Pieter Bor, 1621, Upper half of the title print for the 1621 edition of Pieter Bor, Nederlantsche Oorloghen. Personification of the Spanish Inquisition with snake hair has taken the place of Justice sleeping in chains, on the left Freedom is chased away and Truth is stabbed. On the right Spanish soldiers plunder the treasure chest with privileges. In the background executions. At the top in a medallion the portraits of Philip II and Charles V. At the bottom a motto of 2 lines in Dutch. The lower half of the print with the title cut off., print, prent, titelprent, prints, prenten, Frederik Muller Historieplaten, height 169 mm, width 165 mm, print maker, prentmaker, 1619 - 1621, first quarter 17th century, paper, papier, engraving, engraving (printing process)

A city view with Dom church in Utrecht is central in frame with goddess Minerva in company of three virtues: prudence, temperance and justice The frame is crowned with personifications of truth and fidelity on either side of two putti with a shield bearing the coat of arms and motto of Utrecht University, Cityscape with Dom Church in Utrecht and allegory with Minerva and virtues, print maker: François van Bleyswijck, (mentioned on object), Gerard Melder, (mentioned on object), publisher: Johannes Broedelet, (mentioned on object), print maker: Leiden, publisher: Utrecht, c. 1681 - c. 1746, paper, etching, h 242 mm × w 181 mm

Design for a stained glass window with an unknown family crest with vanitas symbol: crowned skull Hope and Faith erection of copper snake, Design for a stained glass window with a weapon, the figures Fides and Spes, and Moses and the copper snake., draughtsman: anonymous, 1500 - 1600, paper, pen, h 303 mm × w 221 mm

Title page: Mobile Water fountains and water basins in cartouches, Jean Lepautre, c. 1650 - c. 1657 print Bassin and mobile water fountain in cartouche with variant for the right half. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Atys (Attis). Musical tragedy in a prologue and five acts. Music by French composer Jean-Baptiste Lully (1632-1687), based on a libretto by Philippe Quinault (1635-1688) in 1676. Illustration for the frontispiece of the play. Drawing by François Chauveau (1613-1676), engraved by Jacques Lalouette. Published in Paris, chez Christophe Ballard, 1676. XVIIme siècle: lettres, sciences et arts, France 1590-1700 (17th century: letters, sciences and arts), by Paul Lacroix. Published in Paris by Librairie de Firmin-Didot et Cie, 1882.

Copper engraving from 1547 by Nicolas Beatrizet depicting Compassion, showing figures expressing care and empathy.

Portrait of Elisabeth Christine van Brunswijk -Bevern, Johann Esaiaas Nilson, after Antoine Pesne, 1731 - 1788 print Augsburg paper engraving / etching historical persons - BB - woman. insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral). city-view, and landscape with man-made constructions. mirror - AA - (for) women. umbrella. 'Cornucopia', Horn of Plenty Slot Schönhausen

Job on the Dung Hill. Werner Kuebler the Elder (Swiss, 1555 - about 1586)

Portrait of Ferdinand II. Allegorical portrait on the death of Ferdinand II.

Albrecht Dürer (German, 1471-1528), The Annunciation, c. 1502-1504, woodcut

Vatican City, Clement XI, Italy, Pietri, Pietro Antonio de, Rome, Frezza, Giovanni Girolamo, Paintings by Francesco Albani, Title print with portrait of painter Francesco Albani with angels and the personification of painting, verso - stamped, print, title print, prints, height 361 mm, width 281 mm, Italian, 1659 - 1748, print maker, printmaker, 1704 - 1704, paper, engraving, engraving (printing process), 1663-02-20 - 1716-12-20, intermediary draughtsman, after a drawing by, Work conception, after a design by, 1649-07-22 - 1721-03-19, granter of privilege

Oliver Cromwell on horseback, S. ThaySses, 1671 print Oliver Cromwell as commander on horseback with the decapitation of Charles I of England in the background. The performance is caught in a frame with Cartouches with texts in Latin above and below. Along the sides of the frame of ten circles with texts in Latin within it. print maker: Northern Netherlandspublisher: Leiden paper engraving riding a horse, ass, or mule; rider, horseman. violent death by beheading

DELIMBIC SIBILLE; Paintings in the Lunetten above the windows in the Sistine Chapel. A lunet with the Delfic Sibille with a text stream and bare figures.

Bliżej Kultury unknown

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