Allegorical Trade Representations

Allegorical prints depicting trade and weaving, featuring figures like Minerva, Mercury, and Fortuna, showcasing themes of commerce and protection.

The holy apologist Quadratus of Athens in the company of an owl and an angel. Quadratus stands on a pedestal where his martyrdom is depicted on the front. Print marked top center: II: Part Pag. 171., H. Quadratus of Athens, apologist Quadratus, Bishop of Athens. Uyt Zyn bediening Verstooten, en Wreedely Omgebragt , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (attributed to workshop of), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 275 mm × w 170 mm

. Allegorical performance on trade in woven fabrics. Minerva, as patrones of spinning and weaving, is flanked by justice with scales and caution with mirror. Mercury, the God of trade comes in and Fortuna scatters its riches from a cloud. In the background, a counter purchased and goods are supplied by ships. Around the show a gate with the top left the personification of shipping and at the top right of the city of Amsterdam. Down streamlings. Print made for Jan van Oosterwyk's trade.

Seneca, Lucius Annaeus.

Romulus devotes the loot of the reports King Acron to Jupiter, Louis de Châtillon, After François Tortebat, After Annibale Carracci, 1659 print paper etching / engraving (story of) Romulus and Remus

Allegorical representation on the trade in woven fabrics, Abraham Zeeman, 1737 print Allegorical representation on the trade in woven substances. Minerva, as patroness of spinning and weaving, is flanked by justice with scales and caution with mirror. Mercury, the god of trade is coming to fly and Fortuna sprinkles her riches from a cloud. In the background, a counter is purchased and goods are supplied by ships. Around the show a gate with the personification of shipping and top right the Stedemag van Amsterdam. At the bottom of current gods. Print for the trade of Jan van Oosterwyk. Amsterdam paper etching Minerva as patroness. specific aspects, allegorical aspects of Mercury; Mercury as patron. trade-company. merchant shipping, shipping trade

The covenant between Liedekercke, Roeck and Bourse, 1577; Medallions with the conquest of the Antwerp Citadel in 1577. The covenant between Liedekercke, Roeck and Bourse, to conquer the Citadel of Antwerp, 1 August 1577. Interior in which the three men take an oath. Left faithful (Fiducia) and love (charitas), in the clouds The triumphar of Venus. Presentation in a round medallion with ornamental allegoric frame with the sitting female personifications of torment (tribulatio) and piety (Pietas). At the bottom of a cartouche with 2 verses of 6 rules each in French and Dutch.

Riders with degers and other weapons for architectural frame from empty title field; Title page for: Académie de l'Epée, 1628. Riders with those and other weapons stand for architectural frame from empty title field. Under the airbow sitting goddesses with armor and in the arc field the Holy Michael is shown in battle with the devil. Two men, including Hercules, stand for the columns.

Browne, John .

. In the middle an altar with two burning hearts with the initials o and B. On either side of the altar a sitting woman with coat of arms. The woman on the right holds a ring in her right hand. On the altar the title of the book work. Above the altar a round table with putti that a few (Jacob van Oosterwyck and Anna Bruyn) Show a tapestry where the emblem "Omnia Vincit Amor".

The holy apologist Quadratus of Athens in the company of an owl and an angel. Quadratus stands on a pedestal where his martyrdom is depicted on the front. Print marked top center: II: Part Pag. 171., H. Quadratus of Athens, apologist Quadratus, Bishop of Athens. Uyt Zyn bediening Verstooten, en Wreedely Omgebragt , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (attributed to workshop of), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 275 mm × w 170 mm

Interior of Library with History and Father Time in frame with medallions with topics of literature, François van Bleyswijck, 1681 - 1737 print A scholar stands in a library and points to a personification of history (Historia) that makes notes of all memorable events, helped by father Time and under the watchful eye of Minerva and the truth. The interior is included by an architectural accompaniment that is decorated with medallions hung on bows. The medallions show topics that are part of suitable men's literature, which are mentioned on banderollen. For example, the theme of love is illustrated with a scene from the story about Hero and Leander and the theme Ledigheydt is linked to the bathing Bathseba in the garden at King David's palace. print maker: Leidenpublisher: Amsterdam paper etching / engraving 'Historia'; 'Historia' (Ripa). Father Time, man with wings and scythe. public library. Leander swims across the Hellespont at night, usually guided by a torch reared upon a tower by

Josef Karl Emanuel August, Pfalzgraf and herbesh of Sulzbach.

Grave monument from William III in NIS; Tombeaux de Guillaume III.me Roy de la Grande Brittany; Grave monuments.

Dido writes a letter to Aeneas, Jan van Vianen, after Jan Goeree, 1697 print Dido, sitting at a table, with a letter she wrote to Aeneas for her. In addition to her his armor and for Dido on the table the sword with which she will commit suicide. Amsterdam paper etching / engraving (story of) Dido. lover with love-letter. letter, envelope. hacking and thrusting weapons: sword

Vignette depicting a group of actors within an ornamental frame with musical instruments and masks and two monkeys with fool hoods, holding books and documents with seals. The title of the farce is on a wall below the stage., Title vignette of 'The Quack' The Quack, or Arlequin Hansworst. Tiper play (title on object), print maker: Hendrik Post, (mentioned on object), Hendrik Post, (mentioned on object), 1718 - 1751, paper, etching, h 87 mm × w 66 mm

Buquoy, Karl Bonaventura by Longueval Graf.

De voerman en de Dood; Dodendans.A feeder has his hands in despair. Death has stolen a wheel from his car and his horse has succumbed under the burdens. 26th print from a series of death dance expressions; With a picture frame with democritus and heraclitus.

Titelblad: new book of door tales, and fireplace, Daniël Marot (i), Daniël Marot (i), after 1703 - Before 1800 print In a niche there is a pedestal supported by two terms with a vase with flowers on it and a putto on either side. Copy to sheet from the Nouveaux Liure de Tableaux de Portes series published by Daniel Marot between 1703 and 1712. paper etching

Decoration of wall and chofloss. At the top are a cornice and a balustrade under a cloudy sky.

Grave monument for Johannes Schelhammer; Siste gradum viator (...) Schelhammer i.v.l. Hamb. Tomb monument or epitaaf for German Theologian Johannes Schelhammer in the Evangelisch Lutheran Church at the Lutheran Burgwal in The Hague. A record with Latin inscription in memory of him is the center of an architectural frame. This is awarded a medallion on which the symbol of Christ's suffering is depicted: a pelican feeds her boy with her own blood. Two grieving women accompanied a portrait of Schelhammer.

Table of the Museum Temple, Title, The Alliance of Painting and Poetry, Title of a Suite of 58 Rooms, (Dutuit 36, White 90) Cornelis ii blloert, dit u jeune (1603-1692). Temple of the Temple deson of the alliance in the sea and the poate and the poate and the next of the Suit of the Apulia. Burin, 1655. 19 City of the city, Petit Palais.

Fountain in an architectural garden, Jan Goeree, 1707 print An architectural garden with garden ornaments. In the middle a fountain with the title of the book. The fountain is flanked by flower nymphs and cupido. print maker: Amsterdampublisher: Leiden paper engraving French or architectonic garden; formal garden. nymphs (in general); 'Ninfe in commune' (Ripa). (story of) Cupid, Amor (Eros). garden fountain Great Britain. Ierland

Sibille from cumae; Vault from the Sistine Chapel. Part of the vault painting by Michelangelo in the Sistine Chapel with Sibilles, Prophets and Naked Figures (Ignudi). Central is the Sibille of Cumae. Middle above a cartouche with text in Latin.

Title page for: Huwlykszangen for the union of the lord Jan Walraven. Ms. Margareta old sites. Amsterdam, The Netherlands, Andries van Buysen (Sr.), 1708.

Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck (Bohemian, 1607 - 1677), Old Woman, 1651, etching with border "Time and Eternity"

Paul V., Papa.

Allegorical frame, Gaspar Bouttats, After Lucas Vorsterman (I), After Peter Paul Rubens, 1650 - 1695 print The front of the temple of Janus. At the top of a niche the two -headed bust of Janus. The doors of the temple are open by four figures. On the right is blind anger (with a blindfold and a torch) and another man with a torch. On the left are Discordia (with the head of Medusa) and a man with an ax in hand. At the bottom of the print the seven -member hydra (symbol for heresy) that destroys art and religious artifacts. paper etching / engraving 'hydra'; 'Hidra' (Ripa). (story of) Janus. Janus' head, two-faced head. Disagreement, Discord; 'Discordia' (Ripa). Anger; 'Ira' (Ripa) ~ personification of one of the Seven Deadly Sins

Title page for: panegyricus æternaturæ gloriæ, 1663. Title page for: panegyrus æternaturæ gloriæ, 1663. In a temple, the title - which stands on a lion's skin - is flanked by Hercules and a young woman. At the temple there is a queen with roses in the right hand. She is surrounded by weapons and flags.

Woodcut by Albrecht Dürers workshop from 1515 depicting Emperor Maximilian I and the family tree at the honorary gate, showing genealogical and heraldic details.

Wedding vignette with Hercules and Minerva, print maker: Claude Augustin Duflos, (mentioned on object), Louis Fabritius Dubourg, (mentioned on object), France, 1710 - 1786, paper, engraving, etching, h 235 mm × w 184 mm

Lairesse, Gerard de, Allegory of trade and the Medici family crest, verso - stamped, An allegorical female figure sits by a richly decorated coat of arms with the horn of plenty (prosperity) and the caduceus (peace) in her hands, at her feet lies a pair of scales (justice). Next to her are two putti with a horn filled with money and an olive branch (symbols of prosperity and peace respectively). Behind the female figure stands Mercury, god of trade, with a purse of sticks in his hands. On the left, a ship is moored and looks a river god. In the sky, the Medici family crest is displayed, carried by the trumpet-blowing Faam and two putti., print, prints, height 223 mm, width 157 mm, Noord-Nederlands, 1641 - 1711, print maker, printmaker, 1670 - 1675, paper, papier, chalk, schok, etch, etching

Le Culte des Hommes (The Worship of Men), from Les Sacrifices (The Sacrifices) ca. 1625 Jacques Callot French. Le Culte des Hommes (The Worship of Men), from Les Sacrifices (The Sacrifices). Les Sacrifices. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1625. Etching. Prints

Friedrich Karl, Duke of Württemberg.

Ferdinand VI as the successor of Philip V in the middle of his family, Pieter Tanjé, after Louis Fabritius Dubourg, 1739 print His family is sitting under the central portrait of Philip V, King of Spain. His son Ferdinand VI, as his successor, holds the command staff in his hand. Rear right is Ferdinand's stepmother Elisabetta Farnese of Parma, points to the portrait of her husband Philip V of Spain. Her daughters are standing with her. On the right in the foreground, the church, with papal tiara on the head, and Putti offer one of its sons the bishop's litter. At the top of a cartouche with a French text about the happiness of the Queen mother. Amsterdam paper etching / engraving crown prince. family of the sovereign. the Church personified, 'Ecclesia', usually with chalice and banner

Coat of arms of the Society of Suriname, Bernard Picart, 1720 print The coat of arms of the Dutch colonial company Society of Suriname. He had three participants: the West India Company, the Van Aerssen van Sommelsdijck family and the city of Amsterdam. The coat of arms shows the weapons of these three participants and the Wapen van Suriname. Play putti with Surinamese products, such as cane sugar. Left and right the coats of arms of the members of the management of the Sociëteit van Suriname. Amsterdam paper etching / engraving coat of arms (as symbol of the state, etc.). plantation

Title page of the cycle `Nouveau Livre de Taleaux (sic) de Portres, et cheminée Vtiles aux peintres Enfloeurs...`. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Grandes Cheminees a laRomaine. Artist: Jean Le Pautre, French, 1618-1682

Print, Title Page, Theatrum...Hi; Holland; 1987-90-47

Montelupo, Baccio da.

Frontispiece for 'Angélique des excellences de l'me'. Artist: Charles Audran (French, Paris 1594-1674 Paris). Dimensions: Sheet (trimmed): 8 1/2 × 6 3/16 in. (21.6 × 15.7 cm). Date: 1626.Frontispiece for 'Angélique: Des excellences et perfections de l'immortalité de l'me', written by Dom Polycarpe de La Riviere and published in Lyon by Antoine Pillehotte and Jean Cappin in 1626. Museum: Metropolitan Museum of Art, New York, USA.

Poetry mourns the death of Adriaan de Kramer; Title page for: Adriaan de Kramer, all the works, second part, 1737. Poetry mours the death of the writer Adriaan de Kramer. She is accompanied by putti with attributes that symbolize the arts. In the background the grave monument with the writer portrait. In heaven he is raised, surrounded by muses. In the frame of the cartouche a face on Amsterdam, flanked by two river gods. Putti with Vanitas symbols on the upper corners.

Minerva and Mercury reach the hand each other; Title page for: Frederik van Marselaer, Legatus, Antwerp: 1666. Minerva and Mercury stand on pedestals and reach the right each other. Between them a stone slab with the title of the book. On the plate there is a bust of a woman with a townrwood that symbolizes good governance. Under the plate a cartouche with playing putti.

Antwerp, Rubens, Peter Paul, Ertinger, Franz, History of Achilles, Achilles's Controversy with Agamemnon, verso - stamped, Achilles is about to draw his sword to kill Agamemnon, sitting on his throne. He looks up at Pallas Athena, who stops him from killing him., print, prent, prints, height 319 mm, width 290 mm, 1640, print maker, prentmaker, 1679 - 1679, paper, papier, etching, etsen, Work conception, Zuid-Nederlands, 1577-06-28 - 1640-05-30

Title page for the Hollandsche Mercurius over the year 168 (5). Title page for the Hollandsche Mercurius over the year 168 (5). From the clouds Mercury sees how violence and cruelty controls the scene. Above a lot with a cut head, among other things.

Personified VOC receives gifts; Hedendaegsche History; or nowadays of all peoples, TWede part; Title page for: Thomas Salmon, contemporary history; Or present state of all peoples, II part, 1730.exotic Landscape with the Personalized VOC, Crowned and With Scepter in the Foreground. She Receives Gifts from the Local Population. On the right in the Foreground Two Putti at a map of the sundase islands. In A Framework the Title in Dutch.

Allegorie op de verheffing van Willem IV, prins van Oranje-Nassau, tot erfstadhouder; Titelpagina voor: Pieter Le Clercq, Geschiedenissen der Vereenigde Nederlanden, 1753.Allegory on the uplifting of Willem IV to Erfstadholder, 1747. He is on a throne and receives the Dutch Virgin the state administration. In the clouds peace and blows Fama on a bazard with the banquet from Belgium Belgii. In the foreground Putti who refer to the 1620 wind trade. In the background Minerva and Mercury mourn at the tomb of the prince deceased in 1751. In the undermaster a eighty Dutch text.

Allegorical figures at a triumphal arch; Title page for: J. Oisel, Thesaurus Selectorum Numismatum Antiquorum, 1677. Under a triumphal arch there is an allegorical women's figure with sword, globe and scepter. She is wearing a helmet on the head. Left four figures. In the middle the title with a horizontal wool fin above that feeds romulus and remus. In the foreground a seated river god on the water. At the bottom of two lines in Latin.

Murder on Julius Caesar, Jan Lamsvelt, 1728 print Julius Caesar is murdered by his political opponents during a senate meeting. The performance is explained in the two -way caption. The print is marked left and top right: I. part. - Page: 59. Manufactured in the treors game translated from the French "De Kills of Julius Cezar", written by Marie-Anne Barbier. paper etching (story of) C. Julius Caesar

Allegory in Heavenly Jerusalem, Abraham Delfos, 1758 print A female personification with incense vessel sitting in an image of the great city of God, held by putti. In the background the silhouette of the city of Jerusalem. Around a frame with animals such as a lion, snake, squirrel and birds. Leiden paper etching the New Jerusalem. the all-seeing eye, triangle with eye ~ symbol of God the Father

The Return from Egypt, the Christ child walking between the Virgin and Saint Joseph. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Frans Huberti (Flemish, active 1650-87) ; After Gerard Seghers (Flemish, Antwerp 1591-1651 Antwerp) (floral frame). Dimensions: Plate: 10 13/16 × 7 13/16 in. (27.5 × 19.8 cm)Sheet (Trimmed): 18 5/16 × 13 7/8 in. (46.5 × 35.2 cm). Publisher: Frans Huberti (Flemish, active 1650-87). Date: ca. 1650-87. Museum: Metropolitan Museum of Art, New York, USA.

Allegory on death and transience of life. In a round tent there is a putto bubbles to blow ('gay bulla' - 'man is a bubble' - stands on the edge of the niche in which it is in), flanked by an emperor and a country worker. Above the putto a representation of the last judgment. Above left a cartouche with round representation of the fall; At the top right a cartouche with round representation of the crucifixion. In the foreground there are two corpses (the emperor and the farmer, according to the broken crown extreme front left and the battered shave in front of the top). On the left in the foreground also a vase with flowers; On the right a vase from which smell rises and a broken hourglass. Equipped with explanatory texts that refer to death (which does not distinguish between the positions) and the transience of human life. With Latin caption in the form of four quatrains.

Allegory about the choice between worldly and spiritually good, Jan Goeree, 1722 print A woman with a laurel crown sits on a couch next to the statue of Minerva. She holds the hand of death. There are worldly riches at her feet. On the right, a putto with a whip symbols of the church reveals, hidden under a blanket. Behind the putto a wall with the title of the book and a wall painting of Hercules on the Tweersprong. Part of the zodiac in the background in the air. Amsterdam paper engraving cupids: 'amores', 'amoretti', 'putti'. money. the Church vs. the World. Death as skeleton. (story of) Minerva (Pallas, Athena). zodiac; the twelve zodiacal signs together. Hercules at the cross-roads, 'Herkules am Scheidewege': the choice of Hercules

Isabella Klara Eugenia, Infantin of Spain.

Ornament met churchus als savator munds in twee Engelen; Different kerkelijke voorerpen; Different Drawings invented and delineates by Giovanni Gardened by Forlì.Numberd Top Left: No. 22.

Alkoof, Jean Lepautre, Jean Lepautre, 1657 - 1716 print Alkoof with a group standing in front of a bed flanked by two terms and two doors with medallions with emperor portraits above it. Possibly the story of Titus and Berenice. Under 6 numbered. Paris paper etching (story of) the emperor Titus - love-affairs of person from classical history

Messenger with a frost. A messenger with a letter bows for a frost. The prince has risen from his throne. The performance is caught in an ornamental framework.

Design for a Stained Glass Window or Frontispiece with the Arms of a Cleric mid-17th-early 18th century Johann Heiss German. Design for a Stained Glass Window or Frontispiece with the Arms of a Cleric 334886

Songress on the death of Pieter Paulus, 1796. Allegoric monument to the death of Pieter Paulus on March 17, 1796. He was the first chairman of the first national meeting, opened in The Hague on 1 March 1796. Monument surrounded by grieving allegorical figures, Left for the hope.

Allegory at the marriage of Franciscus Mollo and Anna Maria Ooms, 1674, Romeyn de Hooghe (attributed to), after Romeyn de Hooghe, 1674 print Allegory about the marriage of Franciscus Mollo and Anna Maria Ooms, married on September 30, 1674. The spouses give each other hand for an altar with burning hearts, around many allegorical characters. At the top two verses on six bander rolls. Northern Netherlands paper etching / engraving marriage, married couple, 'matrimonium'

Antwerpen, Galle, Cornelis (II), Lepautre, Jean, Ertinger, Franz, Tabernacoli da ornare e abellire di Altari, Tabernacle with a medallion with chalice and host, Antwerp, Tabernacle with two angels showing a medallion with chalice and host. On the architrave a bust of Christ. The print is part of an album., print, ornament print, album leaf, prints, height 225 mm, width 146 mm, 1640, print maker, printmaker, 1658 - 1678, paper, papier, etching, etchings, Work conception, Frans, 1618-06-28 - 1682-02-02, after print by, after design by, Publication (Event), Publication, South Netherlands, 1615 - 1678-10-18, publisher

Allegory on justice; Title page for: D. Gothofredus, Corpus Juris Civilis, 1627. Title page with the throne justice on a piothing. At her feet attributes that symbolize secular power. Above her head, in a vault, the personnifications of power and caution. A soldier on the left and right. For the Piothing a lion with a banderole with the title in Latin.

Ariane hands over the reins of a horse to Melinte, Abraham Bosse, after Claude Vignon, 1639 print Paris paper etching / engraving Horse. Cupids: 'Amores', 'Amoretti', 'Putti'. gate, entrance

Throwbain, Johann Siegmund.

Dichter in zijn bibliotheek.A poet sits in his library, for him on the ground are musical instruments. Through the window a view of a landscape with swans and the winged horse Pegasus. The performance is caught in an elegant list and surrounded by ten connected medals. PRENT LEFTS AND RIGHT UP HIGHT: III. Part. - Pag: 149.

Profet Jeremiah, Giorgio Ghisi, after Michelangelo, 1530 - 1582 print A lunet with the prophet Jeremiah and naked figures. print maker: Italyafter design by: Vaticaanstadpublisher: Rome paper engraving the book of Jeremiah. prophets (after the Babylonian Captivity)

Alkoof met Pelias, c. 1662 - c. 1670 print Pelias is murdered by his daughters. At the bottom are three lines of text. From series of 6 magazines. paper etching the daughters of Pelias kill their father in his bed; Medea plunges his body in boiling water

Two seated women and a young man sit in a ruined landscape A reclining figure seen from behind looks at the trio Surrounding the representation is an ornamented frame, Two Women and Young Man Figures in Landscapes 10me Livre K Morceaux De Caprices, A Divers Usages , print maker: Johann Gottfried Haid, (mentioned on object), François de Cuvilliés (Sr.), (mentioned on object), François de Cuvilliés (Sr.), Germany, Paris, 1745, paper, etching, engraving, h 357 mm × w 228 mm

Minerva sets up an obelisk, Lambert Visscher, 1672 print Minerva sets up an obelisk while the Paderborn city virgin helps to place a guilande. Fama blows on her praise. paper engraving (Story of) Minerva (Pallas, Athena). Obelisk, Needle. Flowers. Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa)

Title card of the series "Nouveau Livre de Ta taaux (sic) de Portres, et cheminée vtiles aux peintres enfloeurs ..."; Marot, Daniel (1661-1752; st.), Unknown; around 1712 (1707-00-00-1717-00-00);Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, decorations, garlands, herms, title cards, niches (archite. (iconogr.), Vase

Allegory on the complexity of man; HVMANA complexio. Landscape with a naked child, leaning back against a tree. His arm rests on a skull, his legs on a lion. It is surrounded by a lamb, a fox, a snake and a bird. In his hand he has an hourglass (which symbolizes the transience of life). He points to the name "Christ" to heaven, surrounded by rays and cherubs. The show has been caught in an ornamental frame with in the corners of medallions in which the four different life periods of man are depicted: a baby is born in a maternity room (top left), young men engaged in study, music and painting (top right), a family In prayer for meals (bottom left), an old man on his deathbed surrounded by grieving family members (bottom right). Between the medallions cartouches with bible quotes in Latin, and attributes associated with the activities of the different ages.

Maria Theresia, Roman-German Empress Maria Theresia in allegorant framing, allegorical figures show Auif their virtues; Behind the view of the city of Prague (). Copper engraving by Johann Daniel heart.

Cityscape with Domkerk in Utrecht and Allegory with Utrecht city lawyer; Title page for: Elias de Vries, Dissertatio Juridica, the Jure Naturali AC Gentium, Seu Duobus Prioribus Juris Fontibus, 1745 .. A cityscape with the Domkerk in Utrecht is centrally awarded by the alloy of God. On the top left of a cloud is justice and right is history with a book and a writing spring. On the right, the Utrechtse Menderman is standing with a lance and a certificate with Utrecht seal. In addition to her a putto with the coat of arms of Utrecht University. On the left is an allegorical figure with a book on her shot at a burning altar column, perhaps faith or temperance.

Decoration of wall or cove list, After 1657 - Before 1678 print At the bottom of a weapon trophy, in the middle soldiers who receive an emperor and at the top women who wear a medallion with the portrait of a emperor. From series of 6 unnumbered magazines. paper etching

Allegory in the position of Willem III as savior of the homeland, 1672, Jan Luyken, 1690 print William III as savior of the homeland. In the show, the Dutch Virgin is sick in bed. At the foot end, which is decorated with the coat of arms of the seven provinces, the Dutch Lion licks the portrait of Willem III. On the left the praying personification religion. The visiting doctor is probably Constantijn Huygens. Amsterdam paper etching Patient, sick person. Allegorical representation ~ Religion; 'Religion' 'religion of SS. Mauritio e Lazarus', 'religion True Christian' (Ripa). personifications of countries, nations, states, district, etc. Netherlands

Josef II, Roman-German Emperor Stecher: Nilson, Johannes Esaias

Allegory on the death of Prince William IV, 1751, 1752 print Allegorie on the death of Stadholder William IV on October 22, 1751 and his funeral in 1752. Graf monument with a kneeling image of the stadholder between two mourning female figures. In the foreground, the sad Dutch virgin. At the top of the all -sighted eye. Northern Netherlands paper etching / engraving grave-building, monumental tomb

Preacher. Dated: 1651. Medium: etching with border "Democritus and Heraclitus" (Pennington 233A). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

Vignette with Hercules, Adriaen Schoonebeek, 1700 print Hercules is in a mountainous landscape with his club and a lion skin. Different animals of the twelve works with him. Amsterdam paper etching / letterpress printing (story of) Hercules (Heracles). title-page

Title page for New Rome, by F. Desseine, Amsterdam, 1704 Description of New Rome (title on object), The female personification of the city of Rome is on an elevation with its attributes. Next to her is the female personification of religion and another with a dog at her feet. Above her head a medallion with the portrait of Pope Clement XI and under her foot a portrait of Peter and royal attributes. On the basement two allegorical representations and a banner with the book title, cities represented allegorically or symbolically: Rome, Rome, Clemens XI, Hendrik Elandt (mentioned on object), 1704, paper, etching, h 341 mm × w 210 mm

France, Fiorentino, Rosso, Boyvin, René, Vases and jugs, decorated with figurative representations, grotesques, mascarons and garlands, Jug with an ear formed by a satyr, The belly of the jug is decorated with an oval with a river god. Horizontally hatched background. Sheet from a series of 12 sheets., print, ornamental print, prints, ornamental prints, height 189 mm, width 111 mm, French, 1525 - 1598, print maker, printmaker, 1551 - 1580, third quarter 16th century, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, Italian, 1494-03-08 - 1541-11-14, after a design by, Publication (Event), Publication, publisher

Triumphar from Mercury; Title page for Gillis van Limburg, The Hague Mercurius, 1698; The Hague Mercurius. For a triumphal arch the triumphar of Mercury, drawn by Saters. Mercury is in the triumphar. In addition to him Minerva with a standard on which the title of the book work. In addition to the triomfvag the personnifications of music and poetry.

Patow, Agnes Eleonore .

Niche with vase and terms; Nouveaux Livre de Taleaux de Portes, ET Cheminée Utiles Aux Peintres ENFLOURS. A niche is a pedestal supported by two terms with a pitch with flowers and on either side a putto on either side.

Steden virgin of Haarlem, Theodor Matham, after Jan Philipsz. Van Bouckhorst, 1615 - 1676 print Stedenmaag sitting on the Hollandse Leeuw with the Wapen van Haarlem in her hand. Above her head two angels with garlands and a laurel wreath. On both sides twice three coats of arms. At the top a panorama on the city of Haarlem. Northern Netherlands paper engraving / etching personification of a city, town-patron(ess). prospect of city, town panorama, silhouette of city. coat of arms (as symbol of the state, etc.) Haarlem

Polygonal salt barrel in cartouche; Salieres et cartouches. The salt barrel has a Putti pedestal sitting on griffins. From series of 6 sheets.

Perseus and Minerva before a Temple, first third 18th century. Jan Goeree (Dutch, 1670-1731). Pen and brown ink, brush and brown and gray wash, over traces of red chalk, heightened with white gouache; framing lines in brown ink; sheet: 21.4 x 15.8 cm (8 7/16 x 6 1/4 in.); secondary support: 25.5 x 19.7 cm (10 1/16 x 7 3/4 in.).

Allegorical title page with personifications of good governance and abundance, Cornelis Galle (I), after Peter Paul Rubens, 1624 print In the middle a cartouche with the title of the book. On the left a woman with a town crown and a scepter with an eye. Probably a personification of good governance, or in conjunction with the content of the book, Christian governance. On the right a woman with Hoorn in abundance and a crown of corners and poppies, the personification of the abundance, the result of good governance. print maker: Southern Netherlandspublisher: Antwerp paper engraving allegory, personification of good government. Abundance; 'Abondanza', 'Abondanza maritima' (Ripa)

Urban and Taddea Barberini thesis; Blondeau, Jacques (1655-Ca 1698), Westerhout, Arnold Van (1651-1725), Scilla, Agostino (1629-1700); 1684 (1684-00-00-1684-00-00);Barberini (coat of arms), Holy Spirit (iconogr.), Innocent XI (Pope - 1611-1689), Innocent XI (Pope - 1611-1689) - iconography, Jakub Ludwik Sobieski (Polish Prince - 1667-1737), Jakub Ludwik Sobieski ( Polish Prince - 1667-1737) - iconography, Jan III Sobieski (King of Poland - 1629-1696), Jan III Sobieski (King of Poland - 1629-1696) - iconography, Janina (coat of arms), Catholic League (1576-1595), Roma (mitol.), Rzeczpospolita both nations (coat of arms), Istanbul (Turkey), Turks, Capitoline Wilczyca (Mitol.), Wilder, Hieronim (1876-1941), Wilder, Hieronim (1876-1941)-collection, Italian graphics, Herb , Panoplia, popes, Polonica, allegorical portraits, horse portraits, portraits of the rulers, Putta (iconogr.), Philosophical theses, purchase (provenance)

Triumphpoort Founded by the Bishop of Antwerp for the Onze-Lieve-Vrouwekathedral, 1685, 1685 print Triumphpoort founded by the bishop of Antwerp and the chapter for the Onze-Lieve-Vrouwekathedral in Antwerp. Part of the illustrations of the decorations founded in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585. Southern Netherlands paper etching triumphal arch Our Lady Cathedral. Antwerp

Title print with two figures with banderollen, Raffaello Schiaminossi, 1606 - 1607 print Title print with a cartouche in the middle with the title and a coat of arms, flanked by two figures with banderollen. Above the cartouche a cherub, a cross and the Holy Spirit as a pigeon. print maker: Italypublisher: Siena paper etching banderole. cherubs, i.e. children's heads with wings. Holy Ghost represented as a dove (in flames)

Penning cabinet with Mercury and Juno, Andries van Buysen (Sr.), After Nicolaas Verkolje, after Christoffel Beudeker, 1717 print Juno and Mercury show the visitors in a medal cabinet. Mercury shows two visitors tokens. Juno leads a boy around. Three putti sort tokens. paper etching art collection, art gallery. medal (considered as a piece of sculpture, regardless of its specific function). (story of) Mercury (Hermes). (story of) Juno (Hera)

Portal in Mannerist style with decorative elements inspired by war (cannons, armour, arquebuses), engraving by Architectura, Von Ausstheilungs-Symmetry and Proportion der Funff Seulen (Architecture, distribution, symmetry and proportion of columns), Plate 73, by Wendel Dietterlin, 1655, Nuremberg.

Bliżej Kultury unknown

A young man offers his hand to a seated woman, another woman stands between them and a third blows a trumpet behind them, set within an elaborate frame ca. 1540-80 Battista Angolo del Moro Italian. A young man offers his hand to a seated woman, another woman stands between them and a third blows a trumpet behind them, set within an elaborate frame 625449

Coat of arms with bull and female personifications, Pieter de Jode (I), After Francesco Vanni, 1590 - 1632 print Coat of arms with prancing bull. Crowned with a Greek cross. Flanked by female personifications with attributes: on the left a female personification with flowers and a church building in their hands. Above her a pigeon in a jet wreath. On the right a female personification with rooster on her head and a heron at her feet. Italy paper engraving armorial bearing, heraldry. bull. fowl (cock, hen, chicken, etc.). shore-birds and wading-birds: heron

Hudibras frontispiece. 1725. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Title page: vases ou burettes a la romaine; VASES OU BURETTES A LA ROMAINE. The title stands on a drapery that is held up by Putti. Title page from series of 6 sheets, third edition.

Graf monument with the portraits of Paulus Winckler and Dorothea Sophia Wincler, Martin Bernigeroth, 1710 - 1733 print Leipzig paper etching / engraving historical persons. historical persons - BB - woman. armorial bearing, heraldry. Father Time, man with wings and scythe. cupids: 'amores', 'amoretti', 'putti'. grave-building, monumental tomb

Allegory on the complexity of man, Johannes Wierix, After Frans Pourbus (I), After Willem van Haecht (I), After Godefried van Haecht, 1579 print Landscape with a naked child, leaning back against a tree. His arm rests on a skull, his legs on a lion. It is surrounded by a lamb, a fox, a snake and a bird. In his hand he has an hourglass (that symbolizes the transience of life). He points to the name "Christ" in the sky, surrounded by rays and cherubins. The show is caught in an ornamental accompaniment with medallions in the corners in which the four different lifelines of humans are depicted: a baby is born in a maternity room (top left), young men busy studying, music and painting (top right), a family In prayer for meals (bottom left), an old man on his deathbed, surrounded by mourning family members (bottom right). Between the medallions of cartouches with Bible quotes in Latin, and attributes associated with the activities of the different ages. Antwerp paper engraving scenes symbol

Allegorical performance on the occasion of the marriage of Arent Bosch and Eletta Thesingh, Bernard Picart, 1718 print Allegorical representation on the occasion of a marriage. The couple walks, accompanied by Amor, to the wedding god Hymen and the wedding bed. On the left, Venus the bride offers a golden apple and on the right Hebe, the goddess of youth, offers her a barrel with nectar. The show is caught in an ornamental list. The list is crowned by two putti with the initials of the spouses. In the middle of a cartouche with the motto: Nil Flammis Pulcrus Istis. Amsterdam paper etching / engraving (story of) Hymen(aeus). (story of) Cupid, Amor (Eros). betrothal and marriage. (story of) Venus (Aphrodite). (story of) Hebe (Juventas)

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