Allegorical Wedding Celebrations

Decorative prints illustrating allegories of marriage, with mythological figures and lush details, highlighting love and celebration.

Goeree, Jan, Amsterdam, Virtue leads a couple to the wedding boat, A cartouche with ornaments. The personification of virtue points a couple in love to the wedding boat, lying on the bank of a river. Cupid ties the couple to Virtue with a rope. The boat is prepared by many putti. In the air Juno, the Roman goddess of marriage., print, prints, width 176 mm, height, 134 mm, 1670-10-20 - 1731-01-04, print maker, printmaker, 1716 - 1716, paper, papier, engraving, engraving (printing process), Work conception

Allegorical performance on the occasion of the marriage of William Sterling and Johanna Maria van Rijckevorsel. Allegorical show produced on the occasion of the marriage of William Sterling and Johanna Maria van Rijckevorsel, married in Rotterdam on August 19, 1744. The Wedding God Hymen is at the Temple of Juno and receives the couple and their consequence: Peace, cheerfulness and abundance. In the foreground, the Mercurius trade god is surrounded by packages on which the initials of the couple. The show is surrounded by a cartouche with wine strokes and at the bottom of the coat of arms of the couple.

Allegory on the elevation of William IV, Prince of Oranje-Nassau, to Erfstadhouder, Jan Caspar Philips, 1753 print Allegory on the elevation of William IV to Erfstadhouder, 1747. He is sitting on a throne and receives the State Board from the Dutch Virgin. In the clouds De Vrede and Fama blows on a trumpet with the banner Historia Belgium. In the foreground putti that refer to the Windhandel of 1720. In the background, Minerva and Mercurius are mourning at the tomb of Prince, who died in 1751. In the lower margin, an eighth -line Dutch text. paper engraving / etching prince. personifications of countries, nations, states, districts, etc.

Goeree, Jan, Amsterdam, Virtue leads a couple to the wedding boat, A cartouche with ornaments. The personification of virtue points a couple in love to the wedding boat, lying on the bank of a river. Cupid ties the couple to Virtue with a rope. The boat is prepared by many putti. In the air Juno, the Roman goddess of marriage., print, prints, width 176 mm, height, 134 mm, 1670-10-20 - 1731-01-04, print maker, printmaker, 1716 - 1716, paper, papier, engraving, engraving (printing process), Work conception

Jean Baptiste Massé (designer) and Bernard Lepicie (engraver) after Charles Le Brun, La Prééminence de la France reconnue par l'Espagne 1662 (pl 17), published 1752 La Prééminence de la France reconnue par l'Espagne 1662 (The Preeminance of France Recognized by Spain 1662) pl. 17

Authoritity a Doctrine, Jean Charles Delivosses, 1768 - 1771 print A frame with a lying lion with flags and a shield for a throne with female figures. Below that a frame with a smoking vessel on a pedestal with a snake, there are a mask and agricultural objects such as raking. Print number 75. Paris paper etching ornaments ~ art (+ framing decorations). Authority, Power; 'Dominio', 'Giurisdittione' (Ripa). Doctrine

Allegory on the covenant and peace with Switzerland, David Herliberger, After Bernard Picart, 1727 print Hercules offers the personification of the Republic of Switzerland its club. She is surrounded by personifications of the virtues: caution, unity, freedom, wisdom and fortuna. On the right minerva that drives out harpijen. On the right in the background the Swiss crossbowman Willem Tell who was dedicated to shoot an apple from his son's head after he refused to greet the hat that Landvoogd Gessler had put on a stake on the village square as a symbol for the ruling Habsburg . The performance is framed by two pillars on which a list of Swiss cities and a garland on which coats of arms. In the margin a three -faced caption in French. Amsterdam paper etching / engraving Personifications of Countries, Nations, States, Districts, etc .. Prudence, 'Prudentia'; 'Prudence' (Ripa) ~ One of the Four Cardinal Virtues. Agreement, Unity; 'Concordia', 'unsurpassed Concordia', 'Military Concordia',

Alkoof with Joseph and the wife of Potifar, Jean Lepautre, After 1657 - Before 1716 print Alkoof with Joseph fleeing for the wife of Potifar. On the right are soldiers with shields and lances. Numbered at the bottom right. Third edition. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching Potiphar's wife catches Joseph by his robe, usually while lying in bed; Joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)

The self -sacrifice of pastor Hambroeck on Formosa, 1661, Simon Fokke, 1776 print The self -sacrifice of pastor Hambroeck on Formosa. After having personally transferred the surrender of the Chinese to the Dutch commanders of Fort Zeelandia on Formosa, Hambroeck says goodbye to his daughters and returns to the Chinese Zeerover Coxinga, 24 May 1661. In October 1661 he is murdered by the Chinese . Central performance in which his daughters beg him not to leave, surrounded by four smaller scenes and the vignette of the VOC. Northern Netherlands paper etching asking someone not to leave Fort Zeelandia

. Alcove with Joseph fleeing for Potifar's wife. On the right stand soldiers with shields and lances. Legal education numbered. Third edition.

Foolishness of greed and guy, Dirck Volckertsz. Coornhert, After Willem Thibaut, 1532 - 1590 print A crazy in his office. He gives a well -filled grant to a winged dog. The fool stands on a scale (and thus justifies with feet). Behind him is a demon with an arrow and arch and a blindfold. The demon symbolizes the sinful love of money. A cartouche around the image. The personification of fraud is on the cartouche. She has two faces. With two rods she does people for knowledge (books) and longing for money. The print has a Latin caption that warns of the dangers of greed. paper etching / engraving Covetousness; 'Avaritia' (Ripa) ~ personification of one of the Seven Deadly Sins. Greed, Covetousness, Cupidity; 'Cupidití' (Ripa). fool, simpleton, numskull. Cheat, Deceit; 'Fraude', 'Inganno' (Ripa)

Foolishness of greed and void; Foolishness of human life. A couple in his office. He gives a well-stocked exhibition on a winged dog. The crazy stands on a scale (and acts justice with feet). Behind him there is a demon with an arrow and bow and a blindfold. The demon symbolizes the sinful love for money. A cartouche around the image. The personification of fraud is on the cartouche. She has two faces. With two fishing rods she does people to knowledge (books) and for money. The print has a Latin caption that warns of the dangers of greed.

Etching by Jean Le Pautre in 1653 depicting King Ludwig XIV of France in an allegorical scene worshiping Mary, showing figures, gestures, and symbolic elements.

Neptunus fountain; Seventies and perspectives; VE RSCHIAN SUCTIONS AND PERSPECTIVEN SOO After 't Living if otherwise in' t Coop Gebra GT Doo R Sieuwert van der Meulen. A fountain of Neptune on his car surrounded by water-breathing tritons. Some figures in the garden. The show is framed by columns. In the middle above a monogram with the letter M. on the windowsill a carpet and a peacock.

Allegory on the heavenly Jerusalem; Title page For: the main truths of the natural of God's service, in ten discourses, Leiden 1765. Allegory on the heavenly Jerusalem in cartouche. Female personification with incense vessel sitting at image of the great city of God, held by small angels. On background silhouette of Jerusalem city. Frame with animals such as a lion, snake, squirrel and birds sitting on ornaments derived from plant forms.

Cartouche with allegory on the history of Etruria, Jan Caspar Philips, 1752 print History at a monument on which the map of Etruria and a medallion with the portrait of Pythagoras. In the background Etruscan ruins. On the left in the foreground a Roman who receives all kinds of art treasures from the Virgin of Etruria. Putti on the right in the foreground with medallions in which the portraits of two Etruscan war heroes: Pelopidas and Epaminondas. In the frame of the cartouche a medallion with a Januskop. print maker: Amsterdampublisher: Utrecht paper etching / engraving 'Historia'; 'Historia' (Ripa). personifications of countries, nations, states, districts, etc.. symbolic representations ~ Roman religion. maps of separate countries or regions

Promotional print by Nicolas François van Lorraine, Jacques Callot, 1625 print Nicolas François van Lorraine is in a tree -rich avenue, surrounded by female allegorical figures. Above him, his father François II of Lorraine drives through the air on Pegasus, also surrounded by female personifications, now on triumph cars. At the very top of a coat of arms. Here and there with the figures with Latin texts. The lower part of the print is taken by the printed text of the positions of Nicolas François. This print was published on the occasion of his promotion on August 25, 1625. Nancy paper etching / engraving Chariot, Triumphal Car. Virtuousness; 'Love of virtues',' virtuous action ',' Safe driving of 'real honors',' virtue ',' insurmountable virtue '(Ripa)

Herliberger, David, Amsterdam, Picart, Bernard, L'alliance & la concorde des Suisses, Allegory of the alliance and peace with Switzerland, verso lower left - stamped, Hercules offers his club to the personification of the Republic of Switzerland. She is surrounded by personifications of the virtues: Prudence, Concord, Liberty, Wisdom and Fortuna. On the right Minerva chasing away harpies. On the right in the background the Swiss crossbowman William Tell who was ordered to shoot an apple from his son's head with his bow after he refused to salute the hat that governor Gessler had placed on a stake in the village square as a symbol of the ruling Habsburg. The representation is framed by two pillars on which a list of Swiss cities and a garland with coats of arms. In the margin a three-line caption in French., print, prent, prints, prenten, height 267 mm, width 332 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, intermediary draughtsman, after a drawing by, 1727 - 1727, second quarter 18th

Interior of a dining room with two figures at a table in front of a fireplace with a group of servants. Outside figures surrounding a frozen river. The scene is framed by an ornamental frame with two figures holding a bunch of wood and a torch on either side and at the top the head of Janus., January Suite des Mois de l'Annee (series title) Twelve months (series title), print maker: Etienne Delaune, (mentioned on object), publisher: François Langlois, (mentioned on object), Franse kroon, (mentioned on object), publisher: Paris, France, 1599 - 1647, paper, engraving, h 187 mm × w 253 mm

Woodwater bin with the foot wash; Differens Dessins Pour Faire des Plaques et Eaubenistiers. Left and bottom right originates the upper body of a child from a console. Leaf 4 from series of 6 sheets, first edition.

French crown, Paris, Mariette, Pierre (II), Lepautre, Jean, Alcoves a la Romaine, Alcove, Alcove with a group standing in front of a bed flanked by two terms and two doors with medallions above with emperor portraits. Possibly the story of Titus and Berenice. Numbered 6 at the bottom right., print, ornamental print, prints, ornamental prints, height 147 mm, width 213 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1657 - 1716, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher, granter of privilege

Interior of library with history and father time in frame with medallions that are subjects of literature; Title page for: Richard Steele, the bookzaal der Heeren, Amsterdam 1737; Book hall of the Lords. A scholar is in a library and points to a personification of history (historia) who takes notes of all memorable events, helped by father time and under the watchful eye of Minerva and the truth. The interior is absorbed by an architectural frame that has been decorated with medallions hung on bows. The medallions show topics that are part of suitable men's literature, these are stated on banderoles. This way the theme of love is illustrated with a scene from the story about Hero and Leander and the theme Ledighheydt is linked to the bathing Bathseba in the garden at the Palace of King David.

. Cartouche with art, looking up with a harp, looks like virtue. The message of the show is that art uses her time well if she deals with virtue.

The Founding ofRome. Engraver: Domenico Maria Bonaveri, Italian, 1653-1731 After: Annibale Carracci, Italian, 1560-1609

Reconciliation between the Romans and the Sabines, Louis de Châtillon, After François Tortebat, After Annibale Carracci, 1659 print paper etching / engraving reconciliation of the Sabines and the Romans: the women, some holding their babies, others with their hair loose, and possibly encouraged by Hersilia call for peace in the midst of the two fighting armies

H. Quadratus van Athens, Apologist, Jan Luyken, After Jan Goeree, 1698 print The holy apologist Quadratus of Athens in the company of an owl and an angel. Quadratus is on a pedestal where his torture death has been portrayed on the front. Amsterdam paper etching / engraving male saints (QUADRATUS OF ATHENS)

A horseman and a lady riding side saddle, galloping towards the right, another horseman follows, in an elaborate frame decorated with a mask of a young woman, cherubs, and fruit. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 11 1/16 x 8 3/8 in. (28.1 x 21.3 cm). Date: ca. 1652-57. Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam, Picart, Bernard, Field marshal presented to Honour, verso - stamped, The winged Truth presents a field marshal to the personification of Honour. She holds a lance with crowns in her hand and behind her hang coats of arms., print, prints, height 70 mm, width 72 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1720 - 1720, first quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process)

People at the age of ten, Gerard van Groeningen, 1569 - 1575 print In an oval framework decorated with ornaments, a representation of a mother who breastfeeds her child. Next to her two other children. One of them lets her read something from a book, while the other hits a drum. Children play games in the background. The print has a Latin and French caption. Antwerp paper etching / engraving the first years ~ the ages of man. children's games and plays. nursing, suckling

Engraver: Domenico Maria Bonaveri, Italian, 1653-1731, After: Annibale Carracci, Italian, 1560-1609, The Founding ofRome, Engraving, sheet: 44 × 29.3 cm (17 5/16 × 11 9/16in.), Italian, 18thcentury, Works on Paper -Prints

Tombstone project: Tombeaux de Guilliaume III Roy de la Grande Bretagne; unknown, Marot, Daniel (1661-1752; st.); around 1707 (1663-00-00-1752-00-00);Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, fame (personification), Wilhelm III, (Prince of Oranian - (1640-1702), Angels (iconogr.), Herb cartouches, crowns, Kotars , men, tombstones, panoplia, statues, sculptures, rulers, armor, death

Charm of the portrait; Les Charmes du Portrait / Die Wirkung der Mahlerei. The upper half of a leaf with two scenes. A man shows a woman's miniature portrait. The show is located in a round list surrounded by Rocaille ornaments, a painter with its model and a painting putto.

Alkoof, Jean Lepautre, after 1657 - before 1716 print Alkoof with a group standing in front of a bed flanked by two terms and two doors with medallions with emperor portraits above it. Possibly the story of Titus and Berenice. Numbered at the bottom right. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Subsema with variant for the right half, Jean Lepautre, c. 1660 - c. 1666 print Above the lower bosom there is a small rectangular painting with a main frame above it with a pedestal with a emperor's bust. From series of 6 magazines. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

. A Roman emperor is sitting on his throne, scepter and globe in the hands. A priest brings him offender attributes. In the foreground putti with a painting on which the Colosseum. The performance is caught in a cartouche with medallions in which the portraits of Roman emperors.

Allegory of writing, Simon Fokke, 1745 print The personification of writing is on her lap with a book and points with a writing spring to a shield with the image of father time that a canvas stops and thereby reveals a naked woman. To the right of writing, a putto lifts his club to a devilish figure. An angel with laurel wreath and trumpet flies in the air with a coat of arms. Amsterdam paper etching inspiration of the poet; 'Furore poetico' (Ripa). Father Time, man with wings and scythe. devil(s) and demons. crowning with laurel

Bagnofsi come difse... (Ariostos Orlando Furioso). 1775. David, Giovanni, 1743-1790. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Alcove with baldakine supported by two women; Alkoven. In the bed lies a man who gives orders. From series of 6 sheets.

Paris, Mariette, Pierre (II), France, Lepautre, Jean, Alcoves a la Romaine, Alcove with Joseph and Potiphar's wife, Alcove with Joseph fleeing from Potiphar's wife. On the right are soldiers with shields and lances. Lower right 4 numbered., print, ornamental print, prints, ornamental prints, height 151 mm, width 217 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1657 - 1716, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, 1634 - 1716, publisher

His family is under the central portrait of Philip V, king of Spain. His son Ferdinand VI, likes his successor the commander's staff in his hand. Right rear is Ferdinand's stepmother Elisabetta farnese from Parma, who points to the portrait of her man Philip V of Spain. Her daughters are among her. On the right in the foreground, the church, with papal tiara on the head, and putten one of her sons the bishop's mush. At the top of a cartouche with a French text about the happiness of the queen mother.

Justice surrounded by the four continents, Jacob Gole, 1680 - 1724 print Above: the personification justice, sitting on a throne. Under her the globe on a pedestal with the Indian Ocean in the middle. An angel on either side of the pedestal. Together they keep a drapery up with the title of the book. In the foreground the female personifications of the four continents: left Europe and Africa, Right Asia and America. Amsterdam paper etching / engraving Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. globe. Europe represented allegorically; 'Europa' (Ripa). Asia represented allegorically; 'Asia' (Ripa). Africa represented allegorically; 'Africa' (Ripa). America represented allegorically; 'America' (Ripa). angels

Allegorie op het huwelijk van Willem V en Wilhelmina van Pruisen in 1767 en de geboorte van prins Willem Frederik in 1772.Allegory on the marriage of Willem V and Wilhelmina van Prussen in 1767 and the birth of Prince Willem Frederik on August 24, 1772. Two performances: at the top of an allegory in which the princess standing on a pedestal has given the sealed book of wedding happiness of wisdom (Minerva ). Also the virtue and the city council of The Hague. The princess is crowned by the piety. In a smaller show down dancing seven half-naked women, province layers (), For Prince Willem V on the occasion of the birth of the Prince Willem Frederik. On the leaf under the plate the assignment on the magistrate of The Hague in a verse of fourteen rules.

Allegory in Heavenly Jerusalem, Abraham Delfos, 1758 print A female personification with incense vessel sitting in an image of the great city of God, held by putti. In the background the silhouette of the city of Jerusalem. Around a frame with animals such as a lion, snake, squirrel and birds. Leiden paper etching the New Jerusalem. the all-seeing eye, triangle with eye ~ symbol of God the Father

Allegorie op het 100-jarig jubileum van Nederlands Vrijheid, 1648-1748.The raised personification of peace tricks in the air with an olive branch and a caduceus. Under her, Minerva receives a lance with a liberty hat from a putto. A second putto offers vigilance in the middle a book. Fully links a third putto diabolical figures with a spear in a flame sea. At the bottom the town hall completed in 1648 at Amsterdam in Amsterdam with a portrait of Jacob van Campen and a performance of piling work at construction.

Title print of a series about Roman emperors on horseback, Adriaen Collaert, after Jan van der Straet, 1587 - 1589 print Central to this title print a column with on top of the symbol of Rome, the Wolvin who sits the twins Romulus and Remus. Next to her the personification of the Tiber. Above them an eagle flies, with a cartouche with the title of the series in his claws. At the bottom of the De globe column with the Roman Empire and the portrait of John Stradanus in an oval list of bust to the right. On either side the gods Diana and Mars. In the background the destruction of Troy and the flight of Aeneas with his father on his back and his son in his hand. The print has a Latin caption. This is the title print of a twelve -part series about Roman emperors. Antwerp paper engraving Romulus and Remus are washed ashore and suckled by a she-wolf; 'Lupa Romana'. personification of river Tiber; 'Tevere' (Ripa). 'Pius Aeneas': Aeneas, leading Ascanius, escapes from burning Troy, carrying his

Kerkhoff, Daniël, Noordelijke Nederlanden, Wijsman, Jacobus, Eerzuil voor den Generaal Pichegru, Monument voor generaal Pichegru, 1795, Northern Netherlands, verso - stamped, Allegorical monument for the French general Pichegru. In the center a statue of Liberty, at the top putti with a portrait of Pichegru. On either side cartouches with episodes from the French invasion in 1795: crossing the Waal and entering Utrecht and Amsterdam., print, prent, prints, Frederik Muller Historieplaten, height 450 mm, width 353 mm, Noord-Nederlands, 1768-04-01 - 1827-08-27, print maker, printmaker, 1795 - 1795, paper, papier, etching, engraving, engraving (printing process), 1766-02-05 - 1821-03-05, intermediary draughtsman

Reverse Copy of Allegory of Louis XVI on the Occasion of his Accession to the Throne of France in 1774 after 1775 After Augustin de Saint-Aubin French Louis XVI stands between Themis and Minerva representing Justice and Abundance, trampling Vice. He is being crowned by two putti.. Reverse Copy of Allegory of Louis XVI on the Occasion of his Accession to the Throne of France in 1774 423255

Sculpture group with the Amsterdam city mandatory, river gods and inaugural text in the four-scissors of the town hall on the Dam; Representation de la Premiere Pierre. Sculpture group on the northern wall of the four-scissors in the town hall on Dam Square in Amsterdam. In the middle of the Amsterdam city lag on a base. On her head the emperors crown and an eagle, in her hands the coat of arms of the city and a caduceus, to her feet two lions. To the left of her weapons from Burned Pancras (above) and Sybrant Valckenier (below); On the right the weapons of Jacob de Graeff (above) and Pieter Schaep (below). These four Amsterdam regents, all sons or cousins of the sitting mayors from the year 1648, laid the first stone of the town hall in the same year. On the base the inaugural text, which refers to the Peace of Munster and the firstest assignment. To the left of the base the river god (personification) from the IJ, including a ship's crown, fishing net, anchor and stir. On the right

Vignette with allegorical performance, Claude Duflos, After Nicolaas Verkolje, 1735 print print maker: Francepublisher: Amsterdampublisher: Amsterdam paper engraving / etching symbolic representations, allegories and emblems ~ art; 'Arte' (Ripa). Intellect, Intelligence; 'Intelletto', 'Intelligenza' (Ripa). Pegasus, the winged horse

Mythological figures in a landscape, Jan Goeree, 1712 print A collection of mythological figures in a landscape with ruins. On a jug in the foreground the title of the book. Amsterdam paper engraving gods ~ classical mythology. nymphs (in general); 'Ninfe in commune' (Ripa). cupids: 'amores', 'amoretti', 'putti'. landscape with ruins (+ city(-scape) with figures, staffage). container of ceramics: jar, jug, pot, vase

The Death of Germanicus, from the Spectacle de l'Histoire Romaine 1760-1768 France

Title page for the Schouburgh of the Dutch Changes, opened in SES TOONELEN, 1674, 1674 print Allegorical title page for: Schouburgh of the Dutch changes, opent in Ses Tooneelen, written and published by Romeyn de Hooghe in 1674. The truth, Mercury and time see how a painting is painted in which war is raging in the Dutch garden. Below the title on a stretched sheet. Northern Netherlands paper etching Truth; 'Verití' (Ripa). specific aspects, allegorical aspects of Mercury; Mercury as patron. Father Time, man with wings and scythe. art (+ painting) Netherlands

The house built on a rock, Hendrick Goltzius, 1598 - 1604 print Allegory with the central representation of the house built on a rock surrounded by a frame in which quotes from the Bible are combined with the imagination of certain events from the Bible. print maker: Haarlempublisher: The Hague paper engraving house built upon a rock; house built upon sand ~ doctrine of Christ on love, etc. (Matthew 7:24-27; Luke 6:47-49)

Triumphpoort founded by the brothers of the Onze-Lieve-Vrouwekathedral, 1685, 1685 print Triumphpoort founded by the brothers of the Onze-Lieve-Vrouwekathedral in Antwerp. Part of the illustrations of the decorations founded in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585. Southern Netherlands paper etching triumphal arch Our Lady Cathedral. Antwerp

Monument for the third century festival of reform, 1517-1817, Willem Hendrik Hoogkamer, after Johannes Jelgerhuis, 1817 print Monument for the third century festival of reform, 1517-1817. Allegorical performance with a central monument crowned with a portrait of Martin Luther and a swan. Two performances in the monument. Above the posting by Luther of the 95 positions in Wittenberg on October 31, 1517. Below that burning the papal bull and law books in Wittenberg on December 10, 1520. The fame blows on a trumpet. At the bottom of religion and father time. print maker: Netherlandspublisher: Haarlem paper etching Hunger; 'Report' '' Fame buona '' 'Fame of Chiara' (Ripa). Allegorical representation ~ Religion; 'Religion' 'religion of SS. Mauritio e Lazarus', 'religion True Christian' (Ripa). Monument, statue. Father Time Man with Wings and Scythe. Water-Birds: Swan Wittenberg

. Allegorical title page with the portrait of Gaius Julius Caesar on a medal. Around the portrait two crowned women and an angel with the flame of belief pond above the head. In the foreground Victoria (), With her foot on a armor, and Fortuna (), With her foot on a wheel, holding a chain. In the air fame that blows the trumpet.

Alcohop met jupiter a selleleman, anonymous, after jereian lepautre, after 1628 - UK in 1724 print print maker: Germany (possibly)after design by: France (possibly)publisher: Augsburg paper etching Jupiter kills Semele by coming to her with his lightning and thunderbolts

Almanac for the year 1662 / Birth of Dauphin (TF)

Cartouche with coat of arms of Pope Innocent Xi. Cartouche with various personifications, awarded the coat of arms of Pope Innocent XI. In the middle faith is in the hands with a cross staff. She trambles a Turkish figure. The personification of the Great Britain Monarchy kneels for her. Hercules are behind them, which crushes the envy, caution, a staff with hose in hand and the Christian zeal, with a burning lamp in hand. Fully down the river god tiber in an oval frame flanked by sphinxes.

Grieving minerva and putti at a tomb, Jacob Houbraken (mentioned on object), Amsterdam, 1708 - 1780, paper, etching, h 100 mm × w 145 mm

Fireworks at the celebration of the Peace of Utrecht, 1713, Anonymous, 1713 print Scaffolding with fireworks commissioned by the States of Holland and West-Friesland at the Hofvijver in The Hague at the celebration of the Peace of Utrecht, 14 June 1713. On both sides of the show the title and legend in Dutch. paper etching bonfire, fire-works (+ illumination, fire-works ~ festive activities) Hofvijver

The dubious death by poisoning of Germanicus Julius Caesar in Seleucia, AD 19. On his deathbed surrounded by his wife Agrippina the Elder, children, and his soldiers in a room decorated with signums and a triumphal mural. Germanicus was a popular and prominent Roman general, known for his campaigns in Germania. Mort de Germanicus. Copperplate engraving by Martin Pöltzel from Professor Joseph Rudolf Zappes Gemalde aus der romischen Geschichte, Pictures of Roman History, Joseph Schalbacher, Vienna, 1800. German edition of Abbe Claude Francois Xavier Millots Abrege de lHistoire Romaine.

Föse, Anna Luise.

Marot, Daniël (I), Grafmonumenten, Tombeaux de Guillaume III.me Roy de la Grande Bretagne, Grafmonument van William III in nis, print, prent, ornamentprent, prints, prenten, ornamentprenten, height 279 mm, width 186 mm, Work conception, 1663 - 1752-06-04, after a design by, 1707 - 1800, first quarter 18th century, second quarter 18th century, third quarter 18th century, fourth quarter 18th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publicatie, publisher

Grave monument with personification of death, Johann Balthasar Probst, after Johann Jakob Schübler, 1709 - 1724 print A burial monument in a chapel with two columns and an obelisk. For that there is a winged putto with trumpet to a skeleton with wings, a cloak, a crown with a snake, a writing spring and book in his hands and his foot chained on a ball. In between them, a bird with its leg on an hourglass. In the lower margin a four -line German text. Augsburg paper etching / engraving grave, tomb. needle, obelisk (marking grave). Death as skeleton. cupids: 'amores', 'amoretti', 'putti'

Allegorical performance with Pegasus, Claude Duflos, After Nicolaas Verkolje, 1735 print print maker: Francepublisher: Amsterdampublisher: Amsterdam paper etching / engraving symbolic representations, allegories and emblems ~ art; 'Arte' (Ripa). Intellect, Intelligence; 'Intelletto', 'Intelligenza' (Ripa). Pegasus, the winged horse

. Ornamental drawing with five performances in cartouches. Central a frost on his throne for two parties: right Justitia with rich people, left Christ () With poor people. Above temperantia; Under a woman brought back to her parents by shepherds. On the left a preaching woman and on the right a preaching man. In the background the humiliation of Nebuchadnezzar. These scenes set in a picture frame from mascarons, children and horns of the abundance. Possible design for a print.

Cartouche with a view of antique temple, Jan Caspar Philips, 1732 print Landscape with palm tree and the ruin of an antique temple. In the foreground, Arabs, Persians and Putti have joined a globe. On the left a painting on which the Kaäba in Mecca. On a pedestal the title in Dutch. The show is caught in a cartouche with the portraits of Mohammed and Haly in the upper corners in medallions. Amsterdam paper engraving / etching landscape with ruins. globe. Islam, Mohammedanism. Asiatic races and peoples: Persians. Asiatic races and peoples (with NAME) Mecca

Remus fights the thieves who steal his herd, Louis de Châtillon (Rejected Attribution), After François Tortebat, After Annibale Carracci, 1659 print paper etching / engraving (story of) Romulus and Remus

Allegory on the uplifting of Willem IV to Stadthouder, 1747. By a gate, a solemn meeting can be seen in the courtyard. In the air an angel with laurel wreath flies with the text: Vivat Orange. For the gate hang left and right of the portrait of William IV above each other medallions with pictures of historical events. In the foreground the weapon of Oranje-Nassau is flanked by Minerva with a branch ornaments and a veiled woman above whose head a flame lights up, symbol of belief.

Elephant with an elephant house; Fountains, water wells, chimney jackets, capitals, windows and retabels; Title page and 11 sheets of "Architectura und auftsheilung der V Senln (...)" 1593. The elephant is loaded with monkeys and kornaks, standing in front of a fireplace. One of 20 blades from a series (Architectura. Von Ausztheilung, Symmetria und Proportion of Fünff seul ...) consisting of 193 sheets and 5 title sheets, spread over five books. This is a second, extensive edition of the series described under Orn Cat I-319.

Philip IV Appointing Prince Ferdinand Governor of the Netherlands, plate 25 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand). Theodoor van Thulden (Flemish, c. 1606-1669); after Peter Paul Rubens (Flemish, 1577-1640). Date: 1642. Dimensions: 269 × 334 mm (plate); 556 × 396 mm (sheet). Engraving, with etching and plate tone, in black on cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute, USA.

Figures on Podium, Anonymous, 1659 print A man is strangled on a stage. Behind him lying beheaded men and two more men are waiting for the same execution. On the right is a crying woman with her hands folded and a globe with cross on the head. In front of the stage are spectators and two mourning putti with bubble bladder and a scythe and hourglass on either side of a cartouche with a title. Amsterdam paper engraving death penalty, execution

Monument for Louis XIII, King of France, John Valdor (II) (Attributed to), After John Valdor (II), 1626 - 1670 print Monument for Louis XIII, King of France, with Minerva on the right and Hercules on the left. Paris (possibly) paper etching / engraving grave-building, monumental tomb. specific aspects, allegorical aspects of Hercules; Hercules as patron. specific aspects, allegorical aspects of Minerva; Minerva as patroness

Allegory of mathematics; Mathematics; Sciences. Allegory of mathematics surrounded by a rocaille frame. On the right in a landscape is a woman with a globe. Left next to her holds a putto a mirror. In the undermaster twice a four-line German and Latin text. Publisher number 42.

Schenkkan with two winged horses, Jean Lepautre, 1628 - 1732 print On the jug is a man who is bitten by a snake. From series of 6 magazines. print maker: France (possibly)print maker: Netherlands (possibly)publisher: Netherlands (possibly) paper etching

Halve Koepel in Obelisk, Carl Albert von Lespilliez, after François de Cuvilliés (Sr.), 1745 print Under half a dome is a statue of a standing man in armor, on either side lions and weapons. Above the dome an obelisk surrounded by angels and putti blindly on trumpets. At the top a rocaille frame with the series title, held by an angel and putti. after design by: GermanyParis paper etching other architectural details (CUPOLA). standing figure. armour. weapons. angels. cupids: 'amores', 'amoretti', 'putti'

Honorary column for Hendrik Hooft Danielsz., 1787, Johannes van Dregt, 1787, Allegorical monument to the Amsterdam mayor Hendrik Danielsz. Hooft, fired on November 27, 1787. City maiden of Amsterdam with trumpet at column surmounted by Hooft's coat of arms, on left sunshine, on right lightning, above the All-Seeing Eye., draughtsman: Johannes van Dregt, (signed by artist), Northern Netherlands, 1787, paper, h 360 mm × w 296 mm

Portrait of Hanns Heinrich von Hochberg

Allegory in the province of Noord-Holland, Jan Caspar Philips, 1744 print Departure in which attention and history are in conversation. A putto reaches history a map and the coat of arms of Amsterdam. On a pillar the coat of arms of Holland. In the background a face on Amsterdam and Alkmaar. In the margin a five -line caption in Dutch. paper engraving / etching coat of arms (as symbol of the state, etc.) (+ province; provincial). 'Historia'; 'Historia' (Ripa). Observance, Fulfilment Amsterdam. Alkmaar

Helena, holy.

Vignette with figures on a couch and with a sacrificial column in a landscape, Jan Wandelaar, 1702 - 1759 print On a bank is a woman who is asked to marry a man. Behind them is a man with a ring in his hand who points to two figures with a sacrifice column. A second woman grabs the ring. The show is caught in an ornamental frame. In addition, a representation of the Philemon and Baucis couple. They receive a visit from two strangers on which - despite their poverty - they decide to slaughter their goose. The guests turn out to be Jupiter and Mercury who then fulfill the wishes of the couple as a thank you for their hospitality. North Netherlands paper etching / engraving Philemon and his wife Baucis hospitably entertain Jupiter and Mercury in travellers' guise; possibly a goose, which they try to kill for the occasion, flies to the visitors for refuge. proposal, declaration of love

Print listed at the top left: 1074.

Allegory on the 100-year anniversary of Dutch Freedom, 1648-1748, Simon Fokke, 1748 print The acclaimed personification of peace is in the air with an olive branch and a caduceus. Under her, Minerva receives a lance with freedom hat from a putto. A second putto offers the vigilance in the middle a book. On the far left, a third putto diabolical figures with a spear chases a flame sea. At the bottom the town hall on Dam Square in Amsterdam with a portrait of Jacob van Campen and a performance of Heiwerkings in construction in 1648. paper etching / engraving Freedom, Liberty; 'Freedom' (RIPA) City Hall of Amsterdam (1655-1808)

Triomf gate founded by the brothers of the Onze-Lieve-Vrouweka cathedral, 1685; On the dish through the honorable P.P. Live woman brothers. Triomfpoort founded by the brothers of the Onze-Lieve-Vrouweka cathedral in Antwerp. Part of the illustrations of the decorations established in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585.

Writer and Muse. A writer stands for a muse. In the background Apollo on the Olympus. The show is caught in an ornamental list. Uitgeversvignet van Etienne Néaulme in Utrecht. At the top are motions: Ars Usu Iuvanda.

Men and women in a landscape Illustrations by Les Moissonneurs by Favart (series title), clothes, costume (men's clothes), costume (women's clothes), courting, Pierre Adrien Le Beau (attributed to), 1768, paper, engraving, h 241 mm × w 206 mm

Couple in a naturalia cabinet, Jan van Vianen, after Romeyn de Hooghe, 1706 print A few in an interior with cupboards with books and pots with animals on strong water. Shells and plants on the cupboards. In the foreground allegorical figures with butterflies, reptiles, shells, and books with images of plants. On the left a sitting female figure with multiple breasts, as an allegory on nature, leaning on a natural globe. Amsterdam paper etching / engraving cabinet of curiosities, 'Kunst- und Wunderkammer'. 'Natura' (allegorical figure or scene; or as Diana of Ephesus, with many breasts); 'Natura' (Ripa)

Philip IV Appointing Prince Ferdinand Governor of the Netherlands, plate 25 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand) Published 1642 Flanders. On the occasion of Cardinal-Infante Ferdinandís triumphal entry into Antwerp in 1635, Peter Paul Rubens designed temporary arches and stages to decorate his procession route through the city. Triumphal processions of this kind were common forms of political theater, enacted to consolidate the power of a regent or monarch. The stage in memory of Isabella Clara Eugenia (2015.11) served to reinforce the dynastic transfer of authority from Ferdinandís predecessor, who had governed the southern Netherlands from 1598 until the time of her death in 1633. The central image of the stage in her honor, enlarged in the accompanying print (2015.12), shows Ferdinandís appointment by Philip IV, while the flanking columns represent effects of go

Allegorical show on the occasion of the marriage of Arent Bosch and Eletta Thesingh; TitleVignnet for: Chargers for wedding from (...) Arent Bosch, and (...) Eletta Thesingh, 1718. Allegorical performance on the occasion of a marriage. The couple walks, supervises by Amor, to the wedding god Hymen and the wedding bed. On the left, Venus offers the bride a golden apple and on the right, Hebe, the goddess of youth, offers her a barrel with nectar. The show is caught in an ornamental list. The list is awarded by two putti with the initials of the spouses. In the middle of a cartouche with the motto: Nil Flammis Pulcrius istis.

Josef Klemens, Duke of Bavaria, Elector of Cologne.

Dutch virgin flanked by Mars and Mercury; Histoire des Provinces Unies des Païs Bas; Title page for: Jean Le Clerc, Histoire des Provinces-Unies des Pays-Bas, Tom. II, 1730. Dutch virgin with arrows bundles on her throne, on both sides Mars and Mercury. The Dutch lion is located at her feet.

Astronomia, Simon Fokke, 1745 - 1765 print The personification of astronomy is dressed in a rug with stars and with its elbow supports a drawing of the solar system. There is a halo of stars around her head. She points to a winged devilish figure in the air that a baby carries in his arms. Next to Astronomia is a globe on the right and is a putto with a viewer on the left. In the background, an old man warms his hands above a burning fire. Amsterdam paper etching 'Astronomia' (~ quadrivium); 'Astronomia' (Ripa). devil(s) and demons

Philokles finds comfort in his work. The Philokles sentenced to poverty works on a statue of Jupiter in a cave. There are other sculptures around him. The whole is chattered by a decorative frame with olive branches and at the bottom of a bow. Numbered at the top right: No. III.

Allegorical memorial in memory of Maria Duyst van Voorhout, Simon Fokke, 1754 print Three putti and an angel with the horn of abundance stand under her arm for the memorial of Maria Duyst van Voorhout. On top of the monument there is a bust image that is crowned by the fame with a snake that bites itself in its own tail, symbol of eternity. Figures in the background. paper etching / engraving grave-building, monumental tomb. other memorial structures. 'Cornucopia', Horn of Plenty. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa)

Trees and waterfall; Figures in landscapes; 4 D Morceaux The Caprices à Varves Usages. A landscape with two trees and left a waterfall in the foreground. Around the show a frame with putti.

Schenkkan turned to the right; Modern vases and gift jugs. The foot of the can consist of sea horses that are ridden by Putti with trident.

Ferdinand VI as the successor of Philip V in the middle of his family, Pieter Tanjé, after Louis Fabritius Dubourg, 1739 print His family is sitting under the central portrait of Philip V, King of Spain. His son Ferdinand VI, as his successor, holds the command staff in his hand. Rear right is Ferdinand's stepmother Elisabetta Farnese of Parma, points to the portrait of her husband Philip V of Spain. Her daughters are standing with her. On the right in the foreground, the church, with papal tiara on the head, and Putti offer one of its sons the bishop's litter. Amsterdam paper etching family of the sovereign. crown prince. the Church personified, 'Ecclesia', usually with chalice and banner

Amsterdam, Lescailje, heirs of Jacob, Mulder, Joseph, Title page for: JF Juvenon de La Thuillerie, Hercules and Dianira, tragedy, 1688, Hercules dressed in the tunic of Deïanira, recto on the cover sheet - handwritten, Hercules has put on the poisoned tunic that his wife Deïanira sent him. She believed that the tunic had been smeared with a love potion by Nessus, but the tunic turned out to be poisoned. Jupiter, standing on a pedestal, turns his face away from the tormented Hercules. In the background people look on in horror and Deïanira commits suicide. On the right in the foreground lie the attributes of Hercules: the lion's skin, the club and a laurel wreath. On the clouds angels with trumpets, from which hang banners. On a banner is the beehive, symbol of the Amsterdam theatre., print, engraving, title page, prints, engravings, recto and verso, on mounting sheet - stamped, Hercules. O fierce Flame! ... 5th Act 4th Stage, height 134 mm, width 87 mm, Noord-Nederlands, 1658-01-11 - 1

Negotiations with the German commanders about the departure of the garrison, 1577, Wierix, After Maerten de Vos, 1578 print Negotiations between Liedekercke, Roeck and Bourse and the German commanders about a lump sum payment for the departure of the German garrison, 2 August 1577. Group men standing in consultation, in the background the Citadel. In the clouds the personification of God's punishment. Presentation in a round medallion with ornamental allegorical frame with at the top of the sitting female personifications of generosity (liberalitas) and forgia (Ingratitudo). At the bottom of a cartouche with 2 verses of 6 lines each in French and Dutch. Antwerp paper engraving Generosity, Liberality; 'Generosití', 'Liberalití' (Ripa). Ingratitude; 'Ingratitudine' (Ripa). Punishment; 'Castigo', 'Pena', 'Punitione' (Ripa). negotiations for truce Citadel of Antwerp (16th century)

Two pilgrims in a ruin landscape; Ruins Antiques. In a ruin landscape, a seated pilgrim looks at a standing pilgrim for him who points upwards. Left of them a column with a vase, on the right a statue on a pedestal. There is a church building in the background. At the bottom of the show a Rocaille list. Publisher number 61.

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