Allegorical Women and Virtues

A collection of engravings featuring women personifying virtues like Fortitude and Prudence, depicted in classical attire amidst symbolic elements.

Force (Fortitudo), Jan Saenredam, Franco Estius, 1593

Woman with column as a personification of power (Fortitudo), Anonymous, After Marcantonio Raimondi, 1510 - 1575 print paper engraving Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues

Woman in Roman Costume Picking Fruit from a Tree ca. 1560 Battista Franco Italian. Woman in Roman Costume Picking Fruit from a Tree 371655

Force (Fortitudo), Jan Saenredam, Franco Estius, 1593

Woman as a personification of caution (prudentia) with snake and mask; Seven virtues ..

Francois Tortebat artwork representing the allegory of divine love, executed in stone.

Vrania XII Urania. Mantegna, Andrea, 1431-1506. 1550. Ladenspelder, Johann, approximately 1511-approximately 1580. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Italy, Temperantia, Moderation, verso - handwritten in brown ink, The female personification of the virtue Temperance (Temperantia) standing in a niche and pouring with a flagon., print, prints, verso - stamped, 1.B. = 92., height 112 mm, width 70 mm, print maker, printmaker, 1500 - 1599, paper, papier, engraving, engraving (printing process)

Southern Netherlands, Suavius, Lambertus, Sibyls, Sibyl pointing with her right hand, verso - stamped, A Sibyl standing in a niche with her right hand pointing downwards., print, prints, height 186 mm, width 81 mm, 1514 - 1564, print maker, printmaker, 1520 - 1567, paper, papier, engraving, engraving (printing process)

Arithmetic (aritmetics); Arithmetria; Seven liberal arts. Winged woman as a personification of arithmetics or arithmetic with a writing table with numbers and different measuring instruments such as a measuring status and weights

Personification of service, Arnold Houbraken, 1710 - 1719 print A female figure as a personification of the service in a niche, with a candle holder with a burning candle in her right hand. Print from a series of 41 symptoms. Amsterdam paper etching Sense of Duty, Devotion to Duty. darkness. candle. flame

An allegory of Peace; Peace personified as a woman standing in a landscape holding the left hand of a winged genius. Artist: After Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()). Dimensions: Sheet: 8 11/16 × 4 7/8 in. (22 × 12.4 cm). Engraver: Lorenzo de Musi (Italian, active Venice, ca. 1535). Date: 1530-40. Museum: Metropolitan Museum of Art, New York, USA.

Glistry (Gula), Jacob Matham, After Hendrick Goltzius, 1593 print Personification of gluttony, depicted as a thick female figure with a pie, standing in a niche. Haarlem paper engraving Gluttony, intemperance, 'gula'; 'Gola', 'Ingordigia', 'Ingordigia overo aviditè', 'voracitè (Ripa) ~ Personification of one of the seven deadly sins

Sibille from Samos; Sibylla Samia; Sibilles. Samos sibille is sitting on a rock. A book is open next to her. The print has a Latin caption and is part of a tachy series about the Sibilles.

Italy, Bonasone, Giulio, Minerva, verso - stamped, Minerva with shield and two spears., print, prints, height 238 mm, width 158 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, papier, engraving, engraving (printing process)

Personification of Toorn standing in Nis, Lubertus Teunis van Deth, after Hendrick Goltzius, 1824 - 1875 print Personification of Toorn as a woman dressed in armor standing in niche. In the end margin two lines of Latin text. Netherlands paper engraving Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly Sins

Enious (Invidia), Jacob Matham, After Hendrick Goltzius, 1593 print Personification of the envy, imagining as a female figure with snakes like her, two snakes in her hand, gnawing on a heart. Haarlem paper engraving Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly Sins

Abraham de Bruyn, Moon, 1569 Moon

The Virgin in the Niche. Dated: c. 1518. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: LUCAS VAN LEYDEN.

Anonymous. "Female allegorical figure draped and standing in a niche". Black stone on paper, 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99423-14 16th 16th XVI 16th 16th 16 Center, engraving

The virtues according to Raphael, caution. Seventh issue of a sequence of 7 rooms (Bartsch 392) Marc Antoine Raimondi (1480-vers1534). The virtues according to Raphael, caution. Seventh issue of a sequence of 7 pieces (Bartsch 392). Fight, chisel. 16th century.

Catharina van Alexandria; S. Catarina. The Martelares Catharina of Alexandria with a palm branch and a wheel.

Young woman with Lier standing in Nis, Marcantonio Raimondi, After Rafaël, 1511 - 1520 print paper engraving female sex; woman. lyre, cithara, psaltery

Minerva, Jan Saenredam, after Hendrick Goltzius, 1596 - 1652 print Minerva, with a helmet, a spear and the shield of Medusa. She looks at an owl in the clouds. The print is part of a three -part series with the three goddesses of the judgment of Paris and has a Latin caption. print maker: Northern Netherlandspublisher: Amsterdam paper engraving attributes of Minerva: owl. (story of) Minerva (Pallas, Athena). attributes of Minerva. the Judgement of Paris (without Mercury)

Care; Seven virtues. Personification of care. Woman standing with a banner on which a crane with a stone is shown in the leg. At the top right a coat of arms with a squirrel, above a bird. Under the show a two-legged text in Latin. Seventh print from a series of seven.

The Roman goddess Flora, marble statue from ancient Rome, Italy, digital reproduction of an original from the 18th century, original date not known, Europe

Italy, Titian, Rome, Andreani, Andrea, Triumph of Christ, verso - stamped, Section of the Triumph of Christ with Christ on a chariot drawn by the Church Fathers. Center bottom: E., print, prent, prints, prenten, height 373 mm, width 277 mm, Italian, 1559 - 1629, print maker, prentmaker, 1568 - 1629, first quarter 16th century, second quarter 16th century, paper, papier, ink, inkt, houtsnede, brush, schilder, Work conception, 1488 - 1576-08-27

Woman with jugs and jugs, monogrammist FP (Italy; 16th century), c. 1500 - c. 1599 print A standing woman with a jug in both hands. With one of the jugs she pours water into a jug. Italy paper etching jar, jug (used as drinking-vessel)

Allegory of the abundance thanks to Peace, Gaspare Oselli, After Federico Zuccaro, 1546 - 1576 print Female personification of the abundance with a cornucopia filled with fruits in her left arm and a torch in her right. She stands with her foot on a piece of armor. There are a lamb and a lion next to her. paper engraving Abundantia (abundance) as Roman personification. helmet. torch - BB - torch held upside down. beasts of prey, predatory animals: lion - FF - fabulous animals (sometimes wrongly called 'grotesques'); 'Mostri' (Ripa). lamb

Melpomene. Dated: probably c. 1470. Dimensions: sheet: 16.9 x 9.1 cm (6 5/8 x 3 9/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master of the S-Series Tarocchi.

The Hellespontian Sibyl standing with a banderole in her hands. In the background a landscape. Title and one line of Latin text in lower margin. Numbered lower left: 8., Hellespontian Sibille Sibylla Hellespontica Ten Sibyls (series title) Sibillaru decem (series title), print maker: Raffaello Schiaminossi, (mentioned on object), Raffaello Schiaminossi, (mentioned on object), Italy, 1606 - 1609, paper, etching, h 190 mm - w 129 mm

Marcantonio Raimondi after Raphael, Justice Justice

Silver Statuette of the Risen Christ, from the Wittenberg Reliquaries. Artist: Lucas Cranach the Elder (German, Kronach 1472-1553 Weimar). Dimensions: Sheet: 2 1/4 × 5 1/8 in. (5.7 × 13 cm). Series/Portfolio: Wittenberg Reliquaries; Hortulus Animae. Museum: Metropolitan Museum of Art, New York, USA.

Venice, Republic of Venice, Italy, Parmigianino, Vico, Enea, Proserpina and Ascalaphus as Owls, recto lower right - handwritten in brown ink, Proserpina standing in a landscape, her hand outstretched to Ascalaphus in the guise of an owl. Ascalaphus discovered Proserpina while she was secretly picking pomegranates, whereupon she turned him into an owl as punishment., print, engraving, prints, verso - stamped, 117, height 392 mm, width 274 mm, Italian, 1523 - 1567, print maker, printmaker, 1548 - 1548, paper, papier, engraving (printing process), Work conception, 1503-01-11 - 1540-08-24, after a design by, granter of privilege

A copper engraving by Marcantonio Raimondi from around 1505-1515 showing a classical muse, representing mythological inspiration in Renaissance art.

Depicts the figure of Lukreia, created as a copper engraving print in the first half of the 16th century by Giacomo Francia.

Italy, Schiaminossi, Raffaello, Sibillaru decem, Ten Sibyls, Sibylla Hellespontica, Hellespontic Sibyl, verso sheet - stamped, The Hellespontic Sibyl standing with a banderole in her hands. In the background a landscape. Title and a line of Latin text in the bottom margin. Numbered lower left: 8., print, prent, prints, prenten, height 193 mm, width 131 mm, Italian, 1572 - 1622, print maker, printmaker, 1606 - 1609, paper, papier, etching, etsen, Work conception, after own design by

Woman as a personification of moderation (temperantia) with knitel standing in NIS; Seven virtues.

Lucretia is about to stick a dagger in her belly. Her breasts are bared and she looks desperate., Suicide of Lucretia, print maker: Zacharias Dolendo, (possibly), Leiden, c. 1581 - c. 1601, paper, engraving, h 58 mm × w 45 mm

Woman with a jug on her head, Jan de Bisschop, After Rafaël, After Pieter P. Donker, 1668 - 1671 print A woman with a jug of water on her head and a second jug in her hand runs a staircase to help extinguish a fire. Northern Netherlands paper etching fire-fighting

Christ on the Globe. Sebald Beham; German, 1500-1550. Date: 1546. Dimensions: 71 x 50 mm (image/sheet, trimmed to plate mark). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA. Author: Hans Sebald Beham.

Uneven love. An old man approaches a young woman, holding her hand on a jug. She is wearing a veil in her hair. On the stone column the coat of arms of the Goltzius family.

Kracht (Fortitudo); De zeven hoofddeugden.Standing woman next to a column, in a niche, as a personification of effect.

Master of the S Series Tarocchi, Erato, probably c 1470 Erato

Copper engraving by Jean Duvet after 1512 depicting the apocalyptic woman holding a cornucopia, illustrating imagery from the Book of Revelation in Christian iconography.

Copper engraving by Agostino Veneziano representing the concept of love for fame, showing a figure in symbolic pose with attributes indicating ambition, created in 1528.

Phlegmatic temperament, the four different temperaments, documented on human types. The four temperaments are the sanguine, the choleric, the phlegmatic and the melancholic temperament, 1767, Germany, Historical, digitally restored reproduction from a 19th century original, Europe

Sainte Marguerite (Bartsch 181) Marc Antoine Raimondi (1480-vers1534). Sainte Marguerite (Bartsch 181). Fight, chisel. 16th century.

Juno. Jan Pietersz. Saenredam (Holland, Zaandam, circa 1565-1607)Hendrik Goltzius (after) (Holland, Mülbracht, 1558-1617). Holland, 1596. Prints; engravings. Engraving

"Copper engraving by Hans Brosamer from 1537 depicting a suicide scene, showing figures in dramatic posture and detailed surroundings."

Sebald Beham, Prudencia Prudencia

Logica (Dialectica), Hans Sebald Beham, 1510 - 1550 print Winged woman as personification of logic (dialectics) with a scale and a writrol paper engraving 'Dialectics' (~ trivium); 'Dialectic' (Ripa)

The Seven Virtues: Love, 1510. Hans Burgkmair (German, 1473-1531). Woodcut;

The Month of March ca. 1866 Sir Edward Burne-Jones British Burne-Jones worked with William Morris on decorative projects for more than thirty years. This early design represents March as a young woman carrying a ram, the zodiacal sign for Aries. She stands amid blooming crocuses and blackthorn and is serenaded by a song thrush. The drawing was used to create a painted panel, one of a series dedicated to the months in the Green Dining Room at the new South Kensington (now Victoria and Albert) Museum. The scheme helped to establish the reputation of Morris, Marshall, Faulkner & Company, and the finished room was described in 1875 as one of the pleasantest little picture-galleries in existence.”. The Month of March 340949

Speranza (Hope). Dated: c. 1465. Dimensions: sheet: 17.7 x 10 cm (6 15/16 x 3 15/16 in.). Medium: engraving with traces of gilding. Museum: National Gallery of Art, Washington DC. Author: Master of the E-Series Tarocchi.

Pastorale, Frederic Leighton, 1830-1896, British, 1867, Etching and drypoint on laid paper, Sheet: 10 1/2 x 6 1/8in. (26.7 x 15.6cm)

Maria with Christ child on his lap. Maria is sitting with the Christ child on a stone for a wooden fence. In her hand she holds a fruit. Two angels put her a crown. Left in the foreground A stone marked with "æ 14", the monogram of Albrecht Dürer and the date of his print.

Geduld, Cornelis Massijs, c. 1543 - c. 1544 print The personification of Deugd Patience is chained to a window, while the house is on fire in the background. Antwerp paper engraving Patience; 'Patienza' (Ripa)

Hoogmoed (Superbia), Jacob Matham (attributed to), after Hendrick Goltzius, 1585 - 1589 print The personalized pride; A female figure in rich robe with a mirror in hand, standing next to a peacock. Haarlem paper engraving Pride; 'Superbia' (Ripa) ~ personification of one of the Seven Deadly Sins

Caution (Prudentia), Hans Sebald Beham, 1539 print Winged woman as personification of caution (prudentia) with attributes snake, mirror and a passer paper engraving Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues

The hearing; Five senses. A singing woman is sitting next to a table. She holds a songbook in hand. There are musical instruments on the table (a flute and a violin). Behind her is a harpsichord. In an oval with edge decoration. Under the image the title of the print in Latin, French, English and Dutch. Legal under numbered "2".

Relief with personification of element. Air above bow on the west side of the civil room in the town hall on the dam. Relief with personification of the element air above the left (southern) arch on the west side of the civil room in the town hall on Dam Square in Amsterdam. In her left hand a peacock, in her right hand a chameleon - the animal that, according to Pliny, did not eat or drank, but fed with air (Historia Naturalis 8:33). Legal under numbered: CII. N. 2. Relief with personification of the element air above the left (southern) arch on the west side of the civilian hall in the town hall on Dam Square in Amsterdam. In her left hand a peacock, in her right hand a chameleon - the animal that, according to Pliny, did not eat or drank, but fed with air (Historia Naturalis 8:33). Legal under numbered: CII. N. 2.

Copper engraving by Sebald Beham depicting the allegorical figure of Justice, showing human figure, posture, scales, and symbolic elements.

Heinrich Aldegrever (German, 1502 - 1555-1561), Fortitude, 1528, engraving

Jupiter and semele; Jupiters love adventures. Jupiter appears before semele. He stands between clouds, with lightning bolts in his hand. His eagle is between his legs. Semele is waiting for him on a stone bench. Print from a series of 10 prints that illustrate Jupiter's love life.

The Visitation ca. 1516 Lucas van Leyden Netherlandish. The Visitation 364801

St. Barbara. Artist: Nikolaus Hogenberg (Netherlandish, Munich ca. 1500-1539 Mechelen). Dimensions: sheet: 4 5/8 x 3 1/16 in. (11.8 x 7.8 cm). Date: 1525. Museum: Metropolitan Museum of Art, New York, USA.

Luna. Artist: Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). Dimensions: Sheet: 3 5/16 × 2 1/16 in. (8.4 × 5.3 cm). Date: 1533. Museum: Metropolitan Museum of Art, New York, USA.

Judit, c. 1586 - in or after c. 1600 print Judit with the head of Holofernes in her hand. The sword with which she chopped her head is clamped under her arm. In the background you can see how Judit cuts the head of the army commander Holofernes in his tent. Her maid stands for the tent and keeps watch. In Ovaal with a border script in Latin by Theodorus Schrevelius. Haarlem paper engraving female persons from the Old Testament (with NAME) (not in biblical context)

A veiled woman's figure with a lily in her right hand and her left hand resting on a column as the personal cleanliness. A classic structure in the background. Print from a series of 41 symbols.

Italy, Reni, Guido, Abundance and Peace, recto lower left - handwritten in brown ink, On the left a personification of abundance with a horn of plenty (cornucopia). On the right a personification of peace with an olive branch. On the ground lies a coat of arms., print, prent, prints, verso - stamped, Dg, height 215 mm, width 153 mm, print maker, prentmaker, 1585 - 1692, paper, papier, etching, etsen, Work conception, Italian, 1575-11-04 - 1642-08-18

Saturn. Francesco Bartolozzi (after) (Italy, Florence, 1727-1815). Italy, 1820. Prints; etchings. Etching

. Venus with burning heart in hand, looking down on Cupid next to her. Pigeons in the upper corners, pierced in the border hearts with arrows.

This copper engraving by Sebald Beham depicts the theme of belief, showing human figures, gestures, and symbolic elements in a narrative composition.

Minerva with armor and owl; Gods and muses and young women.

Saints Sebastian, Anthony and Roch n.d. Jean Duvet French. Saints Sebastian, Anthony and Roch 386237

Amsterdam, Coup, Pieter de, Audience of the farewell of the Ambassador to the King of China, Chinese king and his bodyguard, verso - stamped, In a courtyard the king's bodyguard is lined up to receive the Danish ambassador Eberhard Isbrand Ides. At the back, the king is seated in a building with large open doors, a group of musicians and two large drums., print, engraving, book illustration, prints, engravings, topography, height 240 mm, width 145 mm, print maker, printmaker, 1710 - 1710, paper, engraving (printing process), etching, Publication (Event), Publication, publisher

Divitiae, from the cycle: Allegorical figures. Aldegrever, Heinrich (1502-1555/1561), graphic artist

Sitting man with child, Adamo Scultori, After Michelangelo, c. 1585 print Figures from Michelangelo's ceiling painting. Numbered below: 54. Print Maker: ItalyaFter Painting by: Vatican City paper engraving father and child(ren), man and child(ren) (family group)

Visscher, Claes Jansz. (II), Goltzius, Hendrick, Matham, Jacob, Heroes and heroines of the Old Testament, Judith, verso lower left - stamped, Judith with the head of Holofernes in one hand, the sword in the other. In the background the scene in which she decapitates the army commander in his tent, while her maid stands guard., print, prints, height 274 mm, width 167 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1585 - 1589, paper, papier, engraving, engraving (printing process), 1558-01 - 1617-01-01, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1586 - 1652-06-19, publisher

Rhetoric, Hieronymus Cock, after Frans Flower (1), 1550 print Rhetoric with winged hat and caduceus in her hand, walking in a landscape. She makes a gesture with her other hand. Books and a paper roll are on the floor. In the background a landscape with Roman ruins. Antwerp paper etching Rhetoric ',' eloquence '(~ trivium); "Rettorica '(Ripa). Caduceus (Staff with two Snakes, Attribute of Mercury)

Caution (Prudentia), Hans Ulrich Frank, 1613 - 1675 drawing Standing female figure in a landscape, with snake and mirror in your hands: the caution. paper. chalk. ink pen / brush Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues

Dancing Figure. Artist: After Carlo Maratti (Italian, Camerano 1625-1713 Rome). Dimensions: sheet: 16 1/8 x 21 3/4 in. (41 x 55.2 cm)plate: 13 7/8 x 8 3/8 in. (35.3 x 21.2 cm).Drawing with a female dancing figure wearing a classical, draped robe, her arms and legs uncovered. Her head, turned three quarters to her right, is crowned with a wreath of roses and leaves; her curly hair flows behind her. She appears in motion: her weight rests on the left leg, in front, while the right leg is about to leave the ground; her arms float to her left. Museum: Metropolitan Museum of Art, New York, USA.

Calliope (from the Tarocchi series D: Apollo and the Muses, #11), before 1467. Master of the E-Series Tarocchi (Italian, 15th century). Engraving hand-colored with gold; This engraving is part of the Tarocchi group marked with the letter D,” and named Apollo and the Muses. In Greek mythology, the nine Muses (Calliope, Urania, Terpsichore, Erato, Polyhymnia, Thalia, Melpomene, Euterpe, and Clio) were the daughters of Zeus, king of the gods, and Mnemosyne, the Titaness of memory. The Muses were goddesses presiding over different branches of the arts and sciences. Their leader and supervisor was Apollo, the god of light, music, prophecy, and poetry.Here, Caliope (Calliope) is personified as a full-length female figure, playing a long horn. Next to her is a fountain. This symbolizes the Greek Castalian font at Mount Parnassus, sacred to the Muses and believed by poets to be a source of inspiration. Calliope was regarded as the foremost of the Muses and the one prompting epic poetry.

Muze Clio with trumpet and milk squirting out of her chest, swan and putti by her feet, Cornelis van Dalen (I), after Joachim von Sandrart (I), 1644 print Muze Clio stands with her trumpet and a wreath on her head for a niche with title on the arch. Milk sprays out of her chest as a symbol for the inspiration of the poet. There are a swan and three putti at her feet. Amsterdam paper engraving Clio (one of the Muses); 'Clio' (Ripa). inspiration of the poet; 'Furore poetico' (Ripa). water-birds: swan. cupids: 'amores', 'amoretti', 'putti'

This copper engraving by Marcantonio Raimondi, created around 1510-1520, depicts Saint Margaret, showing religious figures and detailed composition in a classical narrative style.

Astrology, from The Liberal Arts Georg Pencz German. Astrology, from The Liberal Arts. The Liberal Arts. Georg Pencz (German, Wroclaw ca. 1500-1550 Leipzig). Engraving. Prints

Lucretia. Dated: c. 1510. Dimensions: sheet (trimmed to plate mark): 26 x 17.5 cm (10 1/4 x 6 7/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jacopo Francia.

Prudence. Raphael, 1483-1520. 1501 - 1534. Raimondi, Marcantonio, approximately 1480-approximately 1534. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Man with a narroller hood. A man with a narroller cap is on the head in a coastal landscape and points to the distant with one hand in the distance and with the other hand. At the bottom of the margin an explanatory text in Latin and Dutch: if the viewer sees crazy game, he should not look far. He is encouraged to take a good look at himself.

Patience, from Virtues and Vices. Artist: Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). Dimensions: Sheet: 2 11/16 × 2 in. (6.9 × 5.1 cm). Series/Portfolio: Virtues and Vices. Date: 1549. Museum: Metropolitan Museum of Art, New York, USA.

The virtues according to Raphael, the temperance. Fifth issue of a sequence of 7 rooms (Bartsch 390) Marc Antoine Raimondi (1480-vers1534). The virtues according to Raphael, the temperance. Fifth issue of a sequence of 7 pieces (Bartsch 390). Fight, chisel. 16th century.

The Prophet Jeremiah. Artist: Sebastiano Conca (Italian, Gaeta 1676 or 1680-1764 Naples). Dimensions: Sheet: 14 5/16 × 9 3/16 in. (36.4 × 23.4 cm). Date: 1718. Museum: Metropolitan Museum of Art, New York, USA.

Fortune Made 1541 Germany. Engraving in black on ivory laid paper . Hans Sebald Beham

St. Anne, The Virgin and Child. Master I.A.M. of Zwolle; Netherlandish, active c. 1470-95. Date: 1480-1490. Dimensions: 265 x 192 mm (plate); 267 x 193 mm (sheet). Engraving in black on paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Master I. A. M. of Zwolle.

The goddess Juno holding a scepter, behind her is a peacock, Juno, print maker: Abraham Bloemaert, (mentioned on object), Northern Netherlands, 1608 - 1612, paper, etching, h 142 mm × w 112 mm

Lucretia. Roger Fenton (English, 1819 - 1869)

Greek hero Heracles taking the Delphic tripod. He holds his club above his head and wears the Nemean lionskin. From an engraved cornelian gem. Hercules Tripodem Auferens in Corneola in Museo Coratio. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Saint Barbara as martyr with tower Sancta Barbara virgo et martyr (title on object), print maker: Schelte Adamsz. Bolswert, (mentioned on object), after: Peter Paul Rubens, (mentioned on object), publisher: Schelte Adamsz. Bolswert, (mentioned on object), 1596 - 1659, paper, engraving, h 385 mm × w 250 mm

Juno wearing belt (or girdle) of Venus Hamilton, Gavin, 1723-1798. still image. Art reproductions. 1928. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Juno (Roman deity), Hera (Greek deity), Peacocks

Israhel van Meckenem after Master ES, Saint James the Less, c 1470 1480 Saint James the Less

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