Altar Designs and Etchings

Artistic designs for altars and tabernacles, featuring religious figures and themes, depicted through detailed etchings and intricate decorative elements.

Tabernacle with thorns, c. 1658 - 1678 print Tabernacle with Christ's medallion with the crown on the head between two soldiers. Print is part of an album. Antwerp paper etching the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3). tabernacle ~ altar. chalice bearing the Host

Design for a Monstrans; Monstrance. Monstrans with two angels that stop the host. There are the twelve apostles in Nissen. In the mid top the last judgment.

Hoogaltar in the Sint-Pauluskerk in Antwerp, Pieter Verbruggen (II), after Pieter Verbruggen (I), after Theodor Boeijermans, 1670 print The High Altar in the Sint-Pauluskerk in Antwerp. At the top of a niche the saint Paul with sword, flanked by fides (left) with crucifix and chalice, and veritas (right) with the sun, a palm branch and a book. In the middle D decapitation of Saint Paul Antwerp paper etching fixed altar. the apostle Paul of Tarsus; possible attributes: book, scroll, sword. Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. Truth; 'Verití' (Ripa) Sint-Pauluskerk

Tabernacle on altar; Authels et Retables. On the altar is a statue of the Blessed Virgin with the child Christ, at the top hanging a panel with God the Father. In the middle above the letter b. From a second edition of series with altars and tabernacles.

Altar with Maria on her deathbed; Altaren. Design for an altar with a painting by Maria on her deathbed, surrounded by the apostles. Below you have a scene with the burial of Maria. The altar is flanked by four angels with four wings. Putti with garlands and the Ascension of Maria crown the whole.

Design for the Maria Chapel in the Saint -Sulpice in Paris, Antoine Hérisset, Juste Aurèle Meissonnier, 1738 - 1749 print This print is part of an album. paper etching parts of church interior: chapel Saint Sulpice

Tabernacle with thorns, c. 1658 - 1678 print Tabernacle with Christ's medallion with the crown on the head between two soldiers. Print is part of an album. Antwerp paper etching the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3). tabernacle ~ altar. chalice bearing the Host

Tabernacle on altar; Authels et Retables. Decorated with the holy sacrament in a medallion with a large angel on both sides. In the middle above the letter b.

Triumphpoort founded in Antwerp on the occasion of the canonization of Petrus of Alcantara in 1669, 1669 print Triomfpoort founded in Antwerp on the occasion of the canonization of Peter of Alcantara on September 16, 1669. Central Saint with the Holy Theresia of Avila. Completely decorated with banners, candles and putti. At the bottom a glimpse through an open door in a church. Southern Netherlands paper engraving the Franciscan monk Peter of Alcantara; possible attributes: book, crucifix, discipline, dove, pen and ink, skull Antwerp

Tomb of Grotius, in the New Church, at Delft, The Netherlands

Saint Mary (the Blessed Virgin) with the Christ Child, Saint Lucy, Saint Clement (), two female saints, Saint Catherine of Alexandria, a male saint () and Saint Mary Magdalen. Engraving.

Altar from the 16th century. Wit Stwosz's work. Dudrak, Andrzej Jan (1835 1873)

Praal grave of Engelbrecht I van Nassau, B.F. Immink, 1744 print Praal grave of Engelbrecht I of Nassau, against one of the walls of the choir in the Grote Kerk in Breda. The monument commemorates Engelbrecht I of Nassau, his wife Johanna van Polanen, Jan IV of Nassau and his wife Maria van Loon-Heinsberg. At the top left: page 81a. paper etching / engraving grave-building, monumental tomb Big church

Prophet Ezekiel; Prophets from the Old Testament. In an ornamental frame the prophet Ezekiel. Behind him his vision about the resurrection, where life is blown in the dead. The print is part of an album.

Tabernacle with crucifixion and Mary Magdalene; Authels et Retables. At the top right state the letter b.

This 1669 etching by an anonymous artist depicts the fundle for Pope Clemens IX in St. Peter's Basilica, Rome, illustrating papal ceremonies and 17th-century Italian religious engraving.

Altar with a sculptured group of the command by the cross.Altaar with a carved group of the commandment to the cross, paralyzed two angels to a god lamp, under a canopy consisting of four corinthian columns bearing two to bear curved parts of a cornice at which Four vultuts decorated with leaves resting that wear a crown where a lambrequin depends on. The altar, the columns and the crown show alternative solutions on the left and right.

Several people in a chapel, Anonymous, After Jean Lepautre, 1684 - 1711 print A number of believers pray, with the hat in their hands, in a richly decorated chapel. A man and a woman walk past. A boy lifts the woman's tow. paper etching / engraving parts of church interior: chapel. (public) prayer

Etching by Matthäus Greuter from 1610 showing festival decorations on the facade of St. Peter in Rome for the canonization of Karl Borromäus on November 1, 1610.

Preekstoel Met Matteüs de Evangelist, Anonymous, after Franz Xaver Habermann, 1731 - 1775 print Pulled chair with rocaille ornaments, winged putti and matthew the evangelist with book and feather. Publishing number 304. Augsburg paper etching / engraving pulpit, ambo, chancel. the apostle and evangelist Matthew (Mattheus); possible attributes: angel, axe, book, halberd, pen and inkhorn, purse, scroll, square, sword

Long -minded chapel with Dome, Jean Lepautre, 1661 print At the bottom is a burial monument against the wall, the deceased kneels on the coffin. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Tabernacle with worship of the kings, Jean Lepautre, c. 1666 - c. 1693 print At the top left is the letter b. print maker: Franceafter own design by: France (possibly)publisher: Paris paper etching

De Holy Family, Johann Esaias Nilson, after Johann Evangelist Holzer, 1765 - 1770 print The Holy Family on clouds surrounded by Elisabet, John the Baptist as a child, Simeon, Abraham, David and Putti. In addition, a pigeon flies as a symbol of the Holy Spirit. Above the painting two winged putti with a crown. In the foreground is a priest, a nun and three putti. The painting is located in a niche with rocaille ornaments. Augsburg paper etching / engraving Holy Family with others, e.g.: Anna. Holy Ghost represented as a dove (in flames)

Tabernacle with candlesticks; Tabernacles and confessional chairs; Tabernacles et confessionales. Design for a tabernacle with four candlesticks. At the top of the Tabernacle garlandes, a laurel wreath, floral motifs, a book, the stone tablets and winged angel heads in clouds. Publisher number XXXIII.

VIRGEN DE LOS REYES - PRINCIPIOS DEL SIGLO XIX (SEVILLA). Author: TOMAS LOPEZ ENGUIDANOS (1760-1812). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Altaar met Heilige Geest; Altaren.Altar with rocaille ornaments and pigeon in beams as a symbol of the Holy Spirit. Left and right winged putti with garlands. Publisher number 160.

Church organ with three towers, Anonymous, After Franz Xaver Habermann, 1740 - 1745 print Church organ with two low side towers and winged putto on high middle tower, with rocaille ornaments. Publishing number 177. Augsburg paper etching / engraving church organ. rocaille ornament

John Islip, Abbot of Westminster. Etching by J. Basire, 1808.

Design for the altar of the Saint -Aignan d'Orléans, Anonymous, Juste Aurèle Meissonnier, 1738 - 1749 print This print is part of an album. paper etching altar with altar-piece

Design for a "Quarantore" Decoration. Artist: Federico Zuccaro (Zuccari) (Italian, Sant'Angelo in Vado 1540/42-1609 Ancona). Dimensions: 15-5/16 x 11-1/4 in. (38.9 x 28.5 cm). Date: 1540-1609.This carefully drawn scale model provides a design for a liturgical practice that came to be widely celebrated in the late sixteenth century. As shown here, the Eucharist was placed in a small sepulcher where it remained, and was worshiped, for the same forty hours that Christ's body lay in the tomb prior to the Resurrection. Federico has added another level of significance by alluding to the moment of the Transfiguration, when the apostles saw Christ conversing with the Old Testament prophets Elijah and Moses-seen here in the guise of statues-and the voice of God the Father spoke from a cloud, identifying Christ as his "beloved son." This tableau, particularly the illumination and fictive clouds of the celestial realm, anticipates the elaborate theatrical "machines" that would mark the Devotion o

. At the bottom is a grave monument against the wall, the deceased kneels on the coffin.

Cœnotaphiorum (2) 1563 Hans Vredeman de Vries Netherlandish Architectural funerary monument with an altar table meant to be placed against a wall. In the aedicula of the avant-corps above the sarcophagus a kneeling man in harnas and a patron saint (Saint John the Evangelist) have been placed. Below the image is a Latin inscription, made up out of eight lines, divided over two columns.. Cœnotaphiorum (2) 402130

Altar with cross; Altars. Altar with rocaille ornaments, two vases, a cross surrounded by winged putti and the lamb with the book with the seven stamps. Publisher number 300.

Clergymen destroy a desk. Spiritual destroyed a desk with hammers. The performance has been caught in an ornamental list of horns to abundance on either side.

Altar with holy spirit; Altaren.altaar with rocaille ornaments, two angels and pigeon in beams as a symbol of the Holy Spirit. Publisher number 300.

Matter-altar of Saint-Eustache.

Pulpito del Battistero di N. Pisano. Unknown, photographer 1850s-1890s Close view of the pulpit at the Battistero di San Giovanni in Pisa. The stone pulpit stands on several columns, some of which feature a lion at the base. Trefoil arches sit atop the columns and feature carvings of figures from Greek and Roman mythology. Each of the main panels of the pulpit are decorated with biblical figures and show scenes from the life of Christ in relief. (Recto, print) lower center, printed along white border in the negative: "3432. PISA_PULPITO DEL BATTISTERO DI N. PISANO"

Koorstoel, after 1666 - 1709 print Choir chair crowned with angels and a cross. Print is part of an album. Paris paper etching ornaments ~ art. seats of the clergy, choir-stalls

Mausoleum for a queen or princess; Mozole Propre Pour Une Reine OU Princesse; Grave monuments. Pyramid under a canopy, surrounded by four veiled women with a burning torch.

Tabernacle with a Painting of the Ascension; Tabernacoli da Ornare e Abellire di Altari. Tabernacle with a Painting of the Ascension flanked by Kariatides. Print is part of an album.

An etching around 1598 showing occupational architecture in the Basilica San Lorenzo, Florence, for the funeral of Philipp II of Spain, depicting architectural elements and ceremonial setup.

Maria, saints.

Altar with H. Sebastiaan; Altäre.de Saint Sebastian and two angels on an altar with rocaille ornaments. At the top a harness.

Salomon worship an idol. On the right, Salomon kneels on a pillow for a pillar, the top of which cannot be seen. His wife is left and points to the right to the idol.

Praal grave from Michiel de Ruyter in the Nieuwe Kerk in Amsterdam; Grafsteede ahead to be honored by the HR. Michiel de Ruiter, Hartog, Knight, & c. L. Admiral General van Hollandt and Westvrieslandt. Michiel Adriaansz praise. De Ruyter in the choir of the Nieuwe Kerk in Amsterdam. The Lieutenant Admiral General of Holland and West Friesland was buried on March 18, 1677. Links two visitors. Below labeled: p. 1010.

Church of Ss. Giovanni e Paolo, tomb of the Doge Andrea Vendramin, Venice. .

Man in nis, c. 1866 - c. 1900 print The niche is located under a richly decorated arch, against which Mercury leans on the left. paper

Tomb of King Dagobert I (603-639AD) in the Basilica of St. Denis. Handcoloured copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages, Chez Collignon, Metz, 1810.

Altar; Designs for altars.design and map of Altar with Rocaille Ornaments. Publisher Number 34.

Mausolee makes for the service of the Queen in the Church of the Royal Abbey of S (T) -Germain des Prez Lez Paris on the 15th of September. 1683 (IT)

Canonization of Cajetanus van Thiene, Giovanni Battista Falda, c. 1671 print The canonization of Cajetanus of Thiene on April 12, 1671 in the St. Peter's Basilica in the Vatican. Numbers with explanatory text left and right. Print is part of an album. paper etching interior of church. canopy, baldachin. piece of sculpture, reproduction of a piece of sculpture St. Peter's basilica. Vatican CITY

An Architectural Monstrance ca. 1530-40 Anonymous, French, 16th century French. An Architectural Monstrance 386579

Burial chapel by Peter Paul Rubens, Jean Théodore Joseph Linnig, after Franciscus Andreas Durlet, 1843 print paper etching grave, tomb Sint-Jacobskerk

Illumination executed on 29 August 1739 / In the crossroads of St-Denis and ironwork ...

Copper engraving by Elias Wiedemann from 1646 depicting the Castrum Doloris set up for Empress Maria Anna on August 26, 1646, showing ceremonial decorations and figures.

Epitaaf with Christ between Angels; Flat decorations and grave monuments / Father's Niewe Inventien (...). A sarcophagus hangs against a wall whose lid is supported by three cariatides. At the top a triangular frontone awarded a representation of Christ with cross between three angels. Belongs to series consisting of a title page, a text sheet and 14 blades with grotesken with rollerwork, saters, garlands, trophies, animals and fantasy stations.

Design for a Setting of the Exhibition of the Host, Black chalk, brush and gray and black watercolor on laid paper, Vertical rectangle. Eleven steps lead to the apse. It is alternatively suggested to divide them with three separate flights. A large baldachin with the Easter lamb on top stands in the apse. The inclusion of standing angels at left or carrying candlesticks with many arms at right is alternatively suggested. The monstrance stands on top of a high structure consisting of dado sections and steps with candlesticks. Baldachin and apse are profusely decorated with candles. Verso: figures written in chalk., Italy, ca. 1700, architecture, interiors, Drawing, Drawing

Nis with Saint Francis and Saint Dominicus, Anonymous, 1610 A niche with the Holy Francis and the Holy Dominicus left and right. In the middle of Christ with angels. A rule of Latin text in the lower margin. The print is part of an album. print maker: Italypublisher: Venice paper engraving A niche with the Holy Francis and the Holy Dominicus left and right. In the middle of Christ with angels. A rule of Latin text in the lower margin. The print is part of an album. print maker: Italypublisher: Venice paper engraving

Praalgraaf by Willem I van Oranje in the Nieuwe Kerk in Delft. The praise grave of Willem I, Prince of Orange, in the Nieuwe Kerk in Delft. In the foreground a man looking at the grave, next to him a dog. In the middle of the margin a crowned coat of arms with above a sun and under a French lily.

Burial chapel by Peter Paul Rubens, Jean Théodore Joseph Linnig, after Franciscus Andreas Durlet, 1843 print paper etching grave, tomb Sint-Jacobskerk

Praal grave from Michiel de Ruyter in the Nieuwe Kerk in Amsterdam; Grafsteede ahead to be honored by the HR. Michiel de Ruiter, Hartog, Knight, & c. L. Admiral General van Hollandt and Westvrieslandt. Michiel Adriaansz praise. De Ruyter in the choir of the Nieuwe Kerk in Amsterdam. The Lieutenant Admiral General of Holland and West Friesland was buried on March 18, 1677. Links two visitors. Below labeled: p. 1010.

Pulpit with the Holy Spirit and God the Father; Prekchairs with Baldakijn.pulpit with Seed Beads, The Holy Spirit in the Form of A Pigeon, Putti, Angels and God The Father

Illustration of a ceremonial fundule for Cardinal Antonio Barberini in the Jesuit Church in Rome, created in September 1671 by Giovanni Battista Contini as an etching on paper.

Project for an altar, Pencil, pen, black ink, brush and grey water color on light yellow paper, Vertical composition of an altar. The mensa is the inner, lower part of the structure. The front of the sepulchre has the shape of a sarcophagus on lion's feet. In the center is an opening with palm branches. The front of the mensa is supported by volutes with cherubim. The coat of arms of Pope Benedict XIV is featured on the sides. In the middle, the tabernacle is shown with a door with the apocalyptic lamb and dove of the Holy Spirit. A scale is feautred in the middle, along with the plan shown beneath. Another scale is included at the bottom., Italy, 1740-1758, architecture, Drawing, Drawing

Triptych with ivory plates depicting the crucifixion of Christ, photograph, photo, page, photos, photographically illustrated books, height 139 mm, width 98 mm, photographer, 1872 - 1878, photographic paper, photo paper, albumen print, albumine print

The tomb of Stefan Bathory, king of Poland, in the cathedral, Cracow. Date: 1586

Chalk and wash drawing by an anonymous artist showing a grave draft for Clemens VII, with niches containing Peter, John the Baptist, Hieronymus, crowning of Emperor Charles V, and baptism of Christ, executed in brown washes.

Cartouche with faith and love with the Ten Commandments, Jan Caspar Philips, 1736 - 1775 print Landscape with faith and love in a monument on which the tables of the law with the Ten Commandments. The show is caught in a cartouche that is decorated with medallions in which Biblical scenes. Amsterdam paper etching / engraving Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. the ten commandments represented together on stone tablets

John Greig, active 1800-1853, British, Interior of the Church of St. Barts the Great, 1805. Engraving.

Etching by Jean Le Pautre illustrating multiple altars with detailed religious ornamentation, architectural features, and decorative motifs.

Joseph Christ, Saint Augustine's Zealous Love of God Saint Augustine's Zealous Love of God

Altar with bullets; Troisiéme Livre de Trophées (...). An altar with chain balls connected to columns, in the middle the serene title.

St Sebaldus (8th century) - Tombstone of St Sebaldus at the St Sebaldus Church in Nuremberg unknown

FIESTAS EN LA IGLESIA DE SEVILLA POR LA BEATIFICACION DE SAN FERNANDO. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Album # 2; Stained glass project: ornament, medal with the Virgin Gsell-Laurent workshop. Album # 2; Stained glass project: ornament, medallion with the Virgin. Pencil, watercolor, gouache.

Two altar designs; Altar designs in the Roman way; Plusieurs deposits d'Autelz a la romaine. On the left an altar with corinthian pilasters, the dome supported by angels. On the right an altar with a painting under a timpane that is supported by Ionian columns. At the bottom of the floor plans. Print is part of an album.

Imperial court, Augsburg, Wolf, heirs Jeremias, Schübler, Johann Jakob, Johann Jacob Schüblers Eilffte Ausgabe seines vorhabenden Wercks, Worinnen vorgestellet wij Unterschiedliche neue Arte von large and small Kirchen-Altären, Altar with Christ in Clouds, verso - stamped, An altar with two columns on either side. On the altar are two candlesticks, winged putto heads float to the left and right. Above it Christ with a halo surrounded by clouds, holding a globe in his hand. The altar is crowned with winged putto heads, a snake and a pelican with young. In the lower margin a five-line German text., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 292 mm, width 178 mm, print maker, printmaker, 1724 - 1724, paper, papier, etching, engraving, engraving (printing process), Work conception, German, 1689 - 1741, after a design by, Publication (Event), Publication, publisher, granter of privilege

Christ as a man of sorrows.

Cartouche with faith and love with the Ten Commandments, Jan Caspar Philips (Possible), After Jan Caspar Philips, c. 1728 print Landscape with faith and love in a monument on which the tables of the law with the Ten Commandments. The show is caught in a cartouche that is decorated with medallions in which Biblical scenes. paper engraving / etching Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. the ten commandments represented together on stone tablets

A priest doing an office in a church, back. (dummy title)

Church interior. Figures in a gothic church interior. Top right labeled: 54.

Cornelis Cort created a copper engraving in 1576 depicting the coronation of Mary, accompanied by Saints Lauretius, Paulus, Peter, and Sixtus, showing figures, gestures, and religious iconography.

Monuments to Jonas Hanway and others in Westminster Abbey. Coloured aquatint by J. Hamble, 1812, after A. Pugin.

Promotion More Majorum, 1836, Huib van Hove BZ, 1836 print Face in the interior of the Domkerk where a promotion 'More Majorum', a public promotion, takes place, 14 June 1836. Within a colored decorative framework with ecclesiastical ornaments. Part of the series of six unnumbered records of the festivities at the celebration of the second century party (1636-1836) of the Utrechtsche Hogeschool, 12-17 June 1836. This print is part of a cover with eight prints. printer: Rotterdampublisher: Utrecht paper commemoration of the founding of a university. receiving doctor's degree. interior of church Utrecht. Domkerk (Utrecht)

Altar of Our Lady of the Gate of Dawn. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Edwarmay, Louis (fl. 1846-1849), graphic artist, Wilczyński, Jan Kazimierz (1806-1885), publisher

This copper engraving and etching by Richard Collin, created in 1666, depicts a clergyman, showing detailed facial features, clerical attire, and formal portrait composition.

Etching by Stefano della Bella showing the interior of the Church of S. Lorenzo in Florence with mourning decorations for the exequies of Emperor Ferdinand II, 1637.

Reliek of Holy Blood, Bruges, Anonymous, 1855 - 1885 Photograph. visit card Used paper. cardboard albumen print relics ~ Christ. relics (and reliquaries) Used

Daniel Hopfer, Interior of the Church of Saint Katherine with Parable of the Pharisee and the Publican, c 1530 Interior of the Church of Saint Katherine with Parable of the Pharisee and the Publican

La Fuente De La Vida. The Fountain of Grace, painting by Jan van Eyck (1390-1441) was a Flemish painter. Old 19th century engraved illustration from Jesus Christ by Veuillot 1881

HUwelijk van Maria en Jozef, Giovanni Jacopo Caraglio, After Parmigianino, 1515 - 1565 print View in a temple where the marriage of Joseph and Mary is performed by a high priest, in the presence of a large group of men and women. Italy paper engraving marriage of Mary and Joseph, 'Sposalizio': they are married by the high priest

Maria, anonymous, c. 1560 - c. 1573 print Maria standing in a temple of four columns. This print is part of an album. paper engraving upright figures of Mary without the Christ-child

Nehalennia altar, pl. VIII, Tiemen Hooberg, 1843 - 1845 print Altar of the Roman goddess Nehalennia. Leiden paper altar ~ Roman religion. other foreign deities included in the classical Pantheon (with NAME) Zeeland

Saint Mary (the Blessed Virgin): her assumption. Lithograph by C. Schraudolph after C. Eberhard.

LA VIRGEN DE LOS ANGELES VULGO DE LOS NEGRITOS- GRABADO 1803 - (SEVILLA). Location: PRIVATE COLLECTION. MADRID. SPANIEN.

Mausoleum for William III; Grave monuments. In a church there is a large tomb supported by four veiled women. Four rows of candles are in the foreground.

Interior of the Sint-Sebalduskerk in Nuremberg, Gustav Seeberger, after C.F. Mayr, 1850 - 1859 print München paper. interior of church. one person praying Sint-Sebalduskerk

Etching by Giovanni Battista Franco depicting the twelve-year-old Jesus in the temple, created between 1530 and 1561, showing him teaching in the presence of elders and onlookers.

Altar at the canonization of Jacobus de Marchia and Franciscus Solanus, 1726, 1726 print Altar on the occasion of the canonization of the Franciscans Jacobus de Marchia and Franciscus Solanus in 1726, founded in the church of the Franciscaner Minderboeders in Antwerp. With caption of 5 lines in Latin. Antwerp paper etching / engraving fixed altar Antwerp

Haglund, Robert Ludvig, work, Grave monument in a Gothic church, technique text: etching, graphics

The legend of Saint Ursula on the panels of the Ursula Shrine, painted in 1489 by Hans Memling, in the Sint-Janshospitaal, Bruges, Belgium, historical, digitally enhanced reproduction from an original around 1860.

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