Anatomical Illustrations of Skeletons

Detailed historical engravings of human skeletons, showcasing various aspects and features of skeletal anatomy.

A detailed illustration of a human skeleton, showcasing the anatomical structure with all bones clearly labeled. The skeletal system is depicted in a standing position, emphasizing the intricate details of each bone, including the skull, ribcage, spine, limbs, and joints. This educational representation highlights the alignment and proportions of the human skeletal frame, making it a valuable resource for studying human anatomy. The backdrop is plain, allowing the skeleton to stand out prominently. Text at the bottom indicates the title Skeleton of Chimpanzee, suggesting its reference point in understanding primate anatomy.

Foetal skeleton at the time of birth. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Sue from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

Dictionnaire universel d'histoire naturelle, Paris, Chez les editeurs MM. Renard, Martinet et cie, rue et Hotel Mignon, 2 (quartier de l'École-de-Médecine), 1847-1849. Skeleton, Natural History, Human, Dictionaries, A detailed anatomical illustration depicting a complete human skeleton, labeled with letters from A to J to identify various bones and skeletal features. The primary skeleton is shown in an upright position, showcasing the intricate structure of the skull, ribcage, spine, pelvis, and limbs. Additional smaller illustrations surrounding the main figure highlight specific bones or regions, such as the hand, foot, and skull, providing a comprehensive look at human skeletal anatomy. This illustration serves as a reference for understanding the composition and arrangement of the bones in the human body.

Anatomy of the human skeleton. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

A detailed illustration of a human skeleton, showcasing the anatomical structure with all bones clearly labeled. The skeletal system is depicted in a standing position, emphasizing the intricate details of each bone, including the skull, ribcage, spine, limbs, and joints. This educational representation highlights the alignment and proportions of the human skeletal frame, making it a valuable resource for studying human anatomy. The backdrop is plain, allowing the skeleton to stand out prominently. Text at the bottom indicates the title Skeleton of Chimpanzee, suggesting its reference point in understanding primate anatomy.

Human female skeleton from the front, with ostrich skeleton by William Cheselden. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Sue from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

Skeleton with Spade, Anonymous, After Jacob van der Gracht, 1636 - 1649 drawing Different parts of the skeleton are numbered and literate, with the explanation on Verso. Numbered in the bottom right: B2. Low Countries paper. ink. pencil brush / pen (human) skeleton

Human Skeleton with Hourglass, Caspari Bauhini Basileensis Theatrvm anatomicum: novis figuris oeneis illustratum et in lucem emissum opera and sumptibus Theodori de Bÿ p. m. relicta viduæ and filiorum Ioannis Theodori and Ioannis Israelis de Brÿ, Bauhin, Caspar, 1560-1624, Bry, Johann Israel de, d. 1611, Bry, Johann Theodor de, 1561-1623, Engraving, 1605

A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl: Human Skeleton, Posterior View. Date/Period: 1795 to 1806. Drawing. Pen with iron gall ink, and graphite on cream, thin, slightly textured, wove paper laid down on cream, moderately thick, moderately textured, wove paper. Height: 460 mm (18.11 in); Width: 283 mm (11.14 in). Author: George Stubbs.

Skeletons of a man and an ape(). Line engraving by J. Cole, 17--

George Stubbs, 1724-1806, British, Human Skeleton, Posterior View (Finished Study for Table II), 1795 to 1806. Graphite on moderately thick, slightly textured, cream wove paper.

Anatomical study man, seen from behind. .

Agile gibbon skeleton, Hylobates agilis. Engandered. Le grand gibbon. Copperplate engraving by Baquoy after an illustration by Jacques de Seve from Georges-Louis Leclerc, Comte de Buffon's Histoire Naturelle, Imprimerie Royale, Paris, 1766.

Man, anatomical study, seen from the back, print maker: Edward Fisher, England, 1732 - 1800, paper

A human skeleton, seen from the front, resting the bones of his left forearm on a spade handle, after Vesalius. Engraving by Benard, late 18th century, after a woodcut, 1543.

The human skeleton Date: 1794

Skeleton; Fundaments of drawing; Instructions et fund's the Bien Pourtraire. Skeleton, standing, seen from the front. The print is part of a thirteen partner about the foundations of drawing.

Frame of a Pad, Jan Luyken, After Cornelis van Dyk, 1680 print Print at the top right marked: fol: 136. Amsterdam paper etching animals (+ skeleton of an animal). tailless amphibians: toad

Skeleton, 1589 print Skeleton, standing, seen from the front. The print is part of a thirteen -part series about the foundations of drawing. paper engraving anatomical model of the skeletal system

History of medicine: XVI century. Anatomic drawing from 'De humani corporis fabrica libri septem' ('On the fabric of the human body in seven books') by Andreas Vesalius (1514-1564), 1543

Print at the top right labeled: fol: 54.

Skeleton of a woman: anterior view. Line engraving by A. Bell after J.-J. Sue, 1798.

Anatomical model of a human skeleton. An hourglass in his left hand. In addition to him a grave. At the top right numbered T. 87.

Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table), George Stubbs, 1724-1806, British, 1795 to 1806, Graphite on thin, slightly textured, cream wove paper, Sheet: 17 5/8 x 11 inches (44.8 x 27.9 cm), Mount: 22 x 16in. (55.9 x 40.6cm), and Frame: 23 1/4 x 17 1/4 x 1 1/8in. (59.1 x 43.8 x 2.9cm), anatomical study, anatomy, figure study, man, nude, ribs, groin, side, skeleton, study (visual work)

Anatomical study of a man, Edward Fisher, 1732 - 1785 print Front view. Numbered in the top left: Tabula II. England paper engraving physiology and anatomy

Human skeleton viewed from the rear, in a sorrowful pose. Copperplate engraving by Robert Benard after an illustration by Andreas Vesalius from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

Illustrations by Govard Bidloo, from the anatomy textbook 'Ontleding des menschelyken Lichaams'. (Amsterdam 1690).Govard Bidloo was born in Amsterdam in 1649 and became professor of anatomy at The Hague from 1688 to 1694

W. Cheselden, Ostoegraphia, or the anatomy of bones

Human skeleton viewed from the front, leaning on a spade. Copperplate engraving by Robert Benard after an illustration by Andreas Vesalius from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

A human skeleton, seen from behind, bent forward, hands clasped at the skull, after Vesalius, Historical, digitally restored reproduction from a 19th century original

Side view of human skeleton and horse skeleton. Copperplate engraving by Edward Mitchell after anatomical illustrations by Bernhard Siegfried Albinus and George Stubbs from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail), George Stubbs, 1724-1806, British, Between 1795 and 1806, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 21 1/2 x 16 inches (54.6 x 40.6 cm), anatomical study, anatomy, man, nude, running, side, skeleton, study (visual work)

A human skeleton, seen from the back, bent forward with his hands clasped to his skull, after Vesalius. Engraving by Benard, late 18th century, after a woodcut, 1543.

Foetal skeleton at six months with scythe 1, at three months 2 and at ten weeks 3. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Sue from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

A standing écorché figure, seen from behind, showing the skeleton. Crayon manner print by J. Gamelin after himself, 1779.

Cette planche représente le dernier ordre de muscles, Pl. 6 Muscle placement on the human skeleton. Prints, Scientific illustrations. 1773. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Human anatomy

Jan Wandelaar, Musculorum Tabula VIII, 1742 Musculorum Tabula VIII

Skeleton with left arm extended, front view, and skull bones. Line engraving by A. Bell, 1771/1783.

The seated skeleton of Laocoön, wrestling with a snake. Pencil drawing by C.H.M. Kerr, 1882.

Skeleton and Large Limb Bone.

skeleton with a bended arm Date: Circa 1760

Male skeleton seen from behind, with left arm extended: two figures (one an outline drawing). Line engraving, ca. 1850.

Bones of the upper leg: two figures. Lithograph by Martelli after C. Squanquerillo, 1840.

An anatomical figure (skeleton) in a classical landscape. Drawing by A. Joron.

Human Skeleton, Anterior View, Right Arm Outstretched.

Standing skeleton, seen from the left side holding its left arm forwards, with a smaller sketch of a walking skeleton seen below. Pencil and white chalk drawing by J.C. Zeller, ca. 1833

Skeletons of a man, Homo sapiens, and endangered lar gibbon, Hylobates lar (Simia lar). Lithograph from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.

W. Cheselden, Ostoegraphia, or the anatomy of bones

Skeleton of an elephant: six figures including a side view of the skeleton, with details of the bones of the limbs and feet. Etching by R. Vinkeles 1787/1800 (), after P. Camper, 1786.

Tabula A "Darstellung des Knochenbaues von dem menschlichen Korper", J. M. Fischer, 1806

Skeleton of the Rock Hyrax (Procavia capensis), sometimes also called Wuestenschliefer or Klippdachs, Historic, digitally restored reproduction from an 18th century original

Skeleton at a tomb. Landscape with a skeleton, seen from behind, for a tomb.

Cat skeleton, lateral view, drawing.

Skeleton seen from the left hand side. Date: Circa 1760

George Stubbs, 1724-1806, British, Human Skeleton, Posterior View, 1795 to 1806. Graphite on moderately thick, slightly textured, cream wove paper with traces of platemarks.

Front view of the human trunk skeleton including spine, ribs and pelvis. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Suefrom John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

Bones and muscles of the lower leg: two figures of écorché legs and feet. Lithograph by Martelli after C. Squanquerillo, 1840.

Anatomical drawing of an Ostrich by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).

Skeletal structure of the 'Borghese Gladiator' statue. Pencil and chalk drawing by J.C. Zeller after J.G. Salvage, ca. 1833.

Anatomical illustration from 'De corporis humani fabrica libri septem' (Basel: Johannes Oporinus, 1543); By Andreas Vesalius (1514-1564),

Skeleton of the Asian Elephant, Historical, digitally restored reproduction from an 18th century original

George File, Skeleton Marionette, c 1936 Skeleton Marionette

Human skeleton viewed from the side. Copperplate engraving by Robert Benard after an illustration by Andreas Vesalius from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

George Stubbs, 1724-1806, British, Human Figure, Posterior View (Outline drawing for a key figure showing the final stage of dissection), 1795 to 1806. Graphite on cream, thin, smooth, wove paper.

A human skeleton, seen from the back, bent forward with his hands clasped to his skull, after Vesalius. Engraving by Benard, 1779, after a woodcut, 1543.

Elizabeth Brownrigg: her skeleton displayed in a niche at Surgeons' Hall, Old Bailey, London. Engraving.

Jan Wandelaar, Musculorum Tabula IV, 1742 Musculorum Tabula IV

Skeleton of Norway rat, Historical, digitally restored reproduction of an original from the 19th century, exact original date not known century

MONTAíA DE MONSERRATE, Bernardino (1480-1588). Spanish doctor. Professor of Valladolid University and doctor of Charles V. Human's anatomy book'. Printed in 1551 in Valladolid by Sebastian Martinez. Illustration depicting human front bones. Engraving. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Tab. XVIIII No. 1. Annotated standing ecorche.

Human Skeleton, Lateral View, George Stubbs, 1724-1806, British, 1795 to 1806, Ink with traces of graphite on thin, slightly textured, cream wove paper, Sheet: 17 3/4 x 14 inches (45.1 x 35.6 cm), anatomical study, anatomy, figure study, man, nude, running, side, skeleton, study (visual work)

Bones of the arm and hand: figures. Pencil and wash with bodycolour, 18--.

$Netherlands, Weissenbruch, Isaac, Human pelvis with a fracture in the bone, print, prints, height 100 mm, width 63 mm, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure$

Illustrations by Govard Bidloo, from the anatomy textbook 'Ontleding des menschelyken Lichaams'. (Amsterdam 1690).Govard Bidloo was born in Amsterdam in 1649 and became professor of anatomy at The Hague from 1688 to 1700

Metatarsus and toes of the dodo, Raphus cucullatus 1-5, foot of the yellow-footed green pigeon,Treron chlorigaster 6, stock dove, Columba oenas 7 and partridge pigeon, Geophaps smithii 8. Lithograph by Tuffen West rom Hugh Edwin Strickland and Alexander Gordon Melville's The Dodo and its Kindred, London, Reeve, Benham and Reeve, 1848.

William Bullein, Skeleton, in "Bulwarke of defence against all sickness..."

Bones of the pelvis, lower legs and feet. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1759.

Lying skeleton with crown and scepter, Richard Nicolaüs Roland Holst, 1878 - 1938 drawing cardboard. ink. chalk pen (human) skeleton. the corpse. ruler, sovereign

Tibia bones: three figures. Pencil drawing, ca. 1809.

Seen skeleton on the back., 1589 print Skeleton: standing, seen on the back. The print is part of a thirteen -part series about the foundations of drawing. paper engraving anatomical model of the skeletal system

A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl: Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned). Date/Period: 1795 to 1806. Drawing. Graphite on thick, slightly textured, cream wove paper with traces of a platemark. Height: 483 mm (19.01 in); Width: 378 mm (14.88 in). Author: George Stubbs.

Skeleton of a foot, Jan l'Admiral, 1709 - 1773 drawing paper. gouache (paint) brush tarsus and metatarsus, parts of the foot

Illustration from 'Tashrih-i badan-I insan Anatomy of the Human Body' a Persian medical text (ca. 1390); by Mansur ibn Muhammad ibn Ahmad ibn Yusuf ibn Ilyas. this illustrated treatise, often called Mansur's Anatomy (Tashrih-i Mansur-I), was dedicated to the sultan Ziya' al-Din Pir Muhammad Bahadur, grandson of Timur, known to Europeans as Tamerlane

Skeleton of the european bison (Bison bonasus) or European bison, Historical, digitally restored reproduction from an 18th century original

Skeleton of a foot. Draughtsman: Jan l'Admiral. Dating: 1709 - 1773. Measurements: h 239 mm × w 375 mm. Museum: Rijksmuseum, Amsterdam.

anatomical study by Jacques Gautier d'Agoty 'Anatomie générale des viscères' Paris 1752.

Osteographie ou Description iconographique comparee du squelette et du système dentaire des Mammifères recents et fossiles, Paris, J.B. Baillière et fils, 1839-1864, Henri Marie Ducrotay, A detailed illustration of a human skeleton in a seated position, showcasing the skeletal structure from a side view. The bones are meticulously labeled with anatomical names, highlighting the ribcage, spine, pelvis, and limbs. The figure is depicted in a relaxed pose, with arms raised and hands positioned as if engaging in a gesture. This depiction emphasizes both the complexity and elegance of human anatomy, making it a valuable reference for anatomical studies. Surrounding the skeleton are technical notes and references that may provide additional context or classification details.

Anatomical studies of the skeletons of fetuses, in the different stages of growth. At the top right numbered T. 100.

A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl: Human Skeleton, Lateral View. Date/Period: 1795 to 1806. Drawing. Ink with traces of graphite on thin, slightly textured, cream wove paper. Height: 451 mm (17.75 in); Width: 356 mm (14.01 in). Author: George Stubbs.

Skeleton of a giant lazy prehistoric times compared to the skeleton of a modern lazy, vintage engraved illustration. From the Universe and Humanity, 1910.

Skeleton of APATOSAURUS (also known as Brontosaurus excelsus) found in the Rocky Mountains

Old book, vintage and anatomy study of skeleton body parts in latin literature, manuscript or ancient scripture against a studio background. Historical novel, journal or drawing of human bones

Old book, vintage and anatomy or study of bones, human body parts or latin literature, manuscript or ancient scripture against a studio background. History novel, journal or research of skeleton

Human skeleton. Vector

Skeleton of a newborn child with arms and legs of the same length, vintage engraved illustration. From the Universe and Humanity, 1910.

Hand drawn humerus, ulna and hand bones

Art-Anatomy Michel Angelo. Original is available at the National Museum. Types of Leonardo da Vinci.

Osteographie ou Description iconographique comparee du squelette et du système dentaire des Mammifères recents et fossiles, Paris, J.B. Baillière et fils, 1839-1864, Henri Marie Ducrotay, This illustration features the detailed anatomical structure of a skeleton belonging to a mammal, showcasing the intricate arrangement of bones. Highlighted on the left side, the skull exhibits prominent features such as the nasal cavity, eye sockets, and jaw structure. The ribcage is clearly defined, displaying the curve of ribs that interconnect with the vertebral column, emphasizing the skeletal framework's support function. Additional bone structures, including limb bones and pelvic components, are presented alongside, providing a comprehensive view of the organism's skeletal anatomy. Intricate labeling indicates different sections, which facilitate an understanding of the skeletal system's complexity and importance in the overall biology of the species.

Anatomical drawing by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).

Skeleton of a mammal. Lithograph after J. Dinkel.

of 2