Ancient Egyptian Hieroglyphic Reliefs

Reliefs depicting scenes of ancient Egyptian life, hunting, and worship, illustrating intricate hieroglyphic writing and detailed figures etched in stone.

Stone Carvings at Luxor Temple, Luxor, Thebes, UNESCO World Heritage Site, Egypt, North Africa, Africa

Mastaba of Ptahhotep and Akhethotep. 5th Dynasty. Old Kingdom. Egyptian viziers. Father and son. Relief depicting the transport of offerings to the Hereafter. Saqqara. Egypt.

Assyrian wall, circa 645-635 BC. From the North Palace in Nineveh.

ASURBANIPAL A LA CAZA DEL LEON - RELIEVE ASIRIO - SIGLO VII AC. Location: BRITISH MUSEUM. LONDON. ENGLAND. SARDANAPALO. ASURBANIPAL. ASSURBANIPAL.

King Nectanebo II (360-343 BC) welcomed by goddess Isis, painted limestone relief, from Serapeum at Saqqara, detail

Relief from a tomb in Saqqara, part of the Memphite Necropolis, UNESCO World Heritage Site, Egypt, North Africa Africa

A photograph taken within the Karnak Open Air Museum, an archaeological museum in Luxor, Egypt. It is located in the north-western corner of the Precinct of Amon-Re at the Karnak complex.

Granodiorite statue of Amenhotep. 18th Dynasty (approx. 1400 BC). From Abydos.

EGYPT, NILE RIVER, KOM OMBO TEMPLE, COLUMN WITH RELIEF CARVING

Frieze from a wall at Palace in Persepolis, a Royal Achaemenid city in the Persian Empire. The palace was built between 6th Century BC-5th Century BC

King Ashurnasirpal 11 and genius 9th century BC Kalchu (Nimrud, northern Iraq) alabaster

Egypt, Island of Philea, Close-up of bas relief in Temple of Isis

The Beth Shean Gate lintel inscribed with the name of Ramesses III. 12th Century BC. Limestone. Rockefeller Archaeological Museum. Jerusalem, Israel.

Estampaż. unknown, author

Tumba de Paheri. Paheri era el nieto de Ahmose hijo de Ebana, y sirvió bajo las órdenes de Tutmosis III. Ostentó varios cargos, fue Intendente de Nekheb, así como Escriba de Amon, Tutor del Príncipe, y Jefe de los sacerdotes de la diosa Nejbet, entre otros.

Relief of the lion deity Apedemak at the lion temple, Naga, Nubia, Nahr an-Nil, Sudan, Africa

Neolithic Period. Temple Period (3600 to 2500 BC). Tarxien Temple Complex. Malta. Built in honour of a mother goddess of fertility. Detail of an architectural fragment decorated with reliefs depicting a procession of animals. National Museum of Archaeology. Valletta. Malta.

Grand Temple de Dendérah (Teutyres), Sculptures de la Façade Postérieure; Haute-Egypte Made 1849-1851 France. Salted paper print, plate 19 from the album Egypte, Nubie, Palestine et Syrie (1852) . Maxime Du Camp

Mesopotamia. Terracotta vase. Probably from Umma. Iraq. Early Dynastic Period. 2330 BC. Document referring to a conflict between the city-states of Umma and Lagash in ancient Sumer. Detail inscripction. Cuneiform. British Museum. London. England. United Kingdom.

Carving of Pharoah on entrance pylon to Temple of Karnak.

Campaigning in southern Iraq. Clerks take notes (scribes) Assyrian, 640-620 BC. Nineveh, South-West Palace, Iraq. British Museum. London.

Hieroglyphics in Egyptian Museum

Egypt, Thebes, Luzor, Temples of Karnak, Talatat wall from the temple of Amenhotep IV

blur in iran persepolis the old ruins historical destination monuments and ruin

Hieroglyphic writing. Relief. New Empire. Temple of Luxor. Egypt.

Scenes from a King's Thirty-Year Jubilee ca. 2575-2551 B.C. Old Kingdom After thirty years on the throne, the pharaoh celebrated a jubilee intended magically to rejuvenate the divine yet vulnerable monarch. This fragmentary relief, which formed part of a series of scenes depicting these complex and enigmatic rituals, was intended for a royal cult structure at a pyramid. In the main preserved register, the goddess Meret chants "Come and bring" to the pharaoh, whose large running figure would have been depicted beyond the broken left edge of the block. The standard-bearer who preceded him remains, and courtiers with their titles inscribed above complete the scene. Like most of the royal Old Kingdom royal reliefs in this collection, this block was excavated at a Middle Kingdom pyramid site where it had been reused in the inner structure. Such blocks can be assigned to the Old Kingdom by their inscriptions or style. Although no royal name identifies the pharaoh here, the straight edges con

Cylinder seal ca. early-mid-2nd millennium B.C. Babylonian. Cylinder seal. Babylonian. ca. early-mid-2nd millennium B.C.. Hematite. Old Babylonian. Mesopotamia

Cylinder seal ca. early 2nd millennium B.C. Babylonian. Cylinder seal. Babylonian. ca. early 2nd millennium B.C.. Hematite. Old Babylonian. Mesopotamia

Mastaba of Mereruka. ca. 2323 BC. EGYPT. Saqqara. Servant with bird. Egyptian art. Old Kingdom. Relief on rock.

Royal Barge at its Mooring. Dimensions: h. 24 cm. (9 7/16 in); w. 54.3 cm (21 7/16 in); d. 3.5 cm (1 3/8 in). Dynasty: Dynasty 18. Reign: reign of Akhenaten. Date: ca. 1353-1336 B.C..A scene at the riverbank is depicted. On the bank at the upper right can be seen a garden, with small squares devoted to different plants. A trellis with wine jars alongside can be seen indicating that grapes were also grown here. A waterbird flies by.A royal barge with a large central cabin is shown below moored to the bank by ropes attached to two stakes at the bottom right. A stepped gangplank leads down to the shore. One sailor stands on the boat, while the second on the land above seems to be dragging the mast with sails to the royal boat.On the boat itself there is a large two-tiered cabin with a uraeus cornice. An open structure is attached to the front. And at the forecastle of the boat is a separate kiosk typical of of royal boats. The small kiosk is decorated with a representation of Akhenaten

Cylinder seal ca. early 2nd millennium B.C. Babylonian. Cylinder seal 327641

Egypt. Necropolis of Saqqara. Mastaba of Kagemni (2350 BC). Chief Justice and vizier of the Pharaoh Teti. Relief. Hunting hippos with spears and ropes. 6th Dynasty. Old Kingdom.

Egipto. Tumba 55. Tumba Ramose, situada en la región de las Tumbas de los Nobles, en Abd el-Qurna en la ribera occidental de Luxor.

18th Dynasty tomb of Paheri, at Elkab,south of Thebes, Egypt. dating from of the New Kingdom in the middle of the 18th Dynasty, under the reign of Thutmosis III. The tomb had already been located by the scholars of the Egyptian expedition in 1799. The titles associated with Paheri are those of nomarch (governor prince) and scribe. He is often called nomarch of Nekheb and Anyt

The Egyptian Goddess Hathor; base of a column at the Temple of Hathor, Dendera, Egypt. The Hathor temple (Temple of Tentyra) has been modified on the same site starting as far back as the Middle Kingdom, and continuing right up until the time of the Roman emperor Trajan. The existing structure was built no later than the late Ptolemaic period. The temple, dedicated to Hathor, is one of the best preserved temples in all Egypt

The Egyptian Museum in Cairo, EMC, Cairo, Egypt

Butcher chopping meat. Roman period relief. Dresden. ITALY.

Egypt, Abu Simbel, Temple of Hathor,

Relief detail of the delegation of nations bringing gifts to Darius on the steps of Apadana Palace, Persepolis, Persepolis, Iran, Asia

Ancient Egypt. Detail. Hieroglyphic. Egyptian Museum of Turin. Italy.

Assyrian Deity/Mesopotamia Near Eastern Art Museum of Baghdad, Baghdad, Iraq

Elam. Moulded clay brick panel: God (bull-man) with palm-trees (symbols of fertiliy. Temple of Inshushinak, Susa, 2000 BCE. Louvre. Paris.

Bas-relief depicting baker's shop, woman grinding wheat and workers kneading flour

Small egyptian hieroglyphs carved on golden wall

Votive stele dedicated by his brother to a man from Ermant, near Thebes. Bas relief carving with eye of Horus at top and various hieroglyphs.

Kom ombos: bas relief. 1860 - 1869. Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Egypt , Antiquities, Hieroglyphics, Temple of Sobek and Haroeris (Ombos), Gods , Egyptian

Relief depicting Senedjemib Mehi a vizier from the fifth dynasty of Egypt. Senedjemib Mehi started out his career under Djedkare Isesi and eventually became vizier under Unas. around 2300 BC. This relief of the Old Kingdom represents a man in the attitude of the march, holding in his left hand a stick and in the right a sceptre of command. He wears a loincloth with a smooth triangular tongue, held by a tied belt. It is adorned with a brace-let at each wrist as well as a wide necklace and a short and curled wig, which clears the goggle; a little beard ome his chin.

Detail of relief depicting king Ashurbanipal on chariot, from Palace of Ashurbanipal, Nineveh, Iraq

Egypt, Cairo, Egypt of the Pharaohs, Egyptian Museum, Narmer Palette commemorates victories, King Narmer smites captive with mace, White Crown, 3000 BC

Egyptian art. Great Temple of Ramses II. 19th Dynasty. New Kingdom. Reliefs depicting Ramses II and the royal cartridges. Abu Simbel. Egypt.

Hieroglyphs, Temples of Karnak, Luxor, Nile Valley, Egypt, Africa

Head of winged genius from Assyria. Ninth century B.C.

Relief depicting a hand with an ankh or crux ansata. Temple of Hatshepsut. Eighteenth Dynasty. New Kingdom. Egypt.

Courtyard of the Temple of Rameses III at Medinet Habu, Egypt. The Mortuary Temple of Ramesses III at Medinet Habu was an important New Kingdom period temple structure in the West Bank of Luxor in Egypt. The temple has inscribed reliefs depicting the advent and defeat of the Sea Peoples during the reign of Ramesses III. Initial excavation of the temple took place sporadically between 1859 and 1899

The Ancient Ruins of Persepolis, Iran

Courtyard of the Temple of Rameses III at Medinet Habu, Egypt. The Mortuary Temple of Ramesses III at Medinet Habu was an important New Kingdom period temple structure in the West Bank of Luxor in Egypt. The temple has inscribed reliefs depicting the advent and defeat of the Sea Peoples during the reign of Ramesses III. Initial excavation of the temple took place sporadically between 1859 and 1899

Greek art. Grave monument of Archippe in the form of a lekythos. About 390 BC. The seated dead woman, a woman (Xeno) with child. Glyptothek. Munich. Germany.

Royal Barge at its Mooring ca. 1353-1336 B.C. New Kingdom, Amarna Period A scene at the riverbank is depicted. On the bank at the upper right can be seen a garden, with small squares devoted to different plants. A trellis with wine jars alongside can be seen indicating that grapes were also grown here. A waterbird flies by.A royal barge with a large central cabin is shown below moored to the bank by ropes attached to two stakes at the bottom right. A stepped gangplank leads down to the shore. One sailor stands on the boat, while the second on the land above seems to be dragging the mast with sails to the royal boat.On the boat itself there is a large two-tiered cabin with a uraeus cornice. An open structure is attached to the front. And at the forecastle of the boat is a separate kiosk typical of of royal boats. The small kiosk is decorated with a representation of Akhenaten smiting an enemy, with the Aten overhead and with Nefertiti and a princess standing behind.. Royal Barge at its

Nubie. Kalabscheh. Sculptures de la Facade postérieure du Temple 1850 Maxime Du Camp French. Nubie. Kalabscheh. Sculptures de la Facade postérieure du Temple 263222

Relief with winded genius. 9th century BC. Neo-Assyrian. Reign of Ashurnasirpal. Nimrud (ancient Kalhu). Northern Mesopotamia. Alabaster. Metropolitan Museum of Art. Ny. USA.

Reliefs on the north gate of the Hittite fortress of Karatepe, Karatepe-Arslantas, Osmaniye Province, Turkey, Asia

Mastaba of Mereruka. ca. 2323 BC. EGYPT. Saqqara. Wheat harvest. Egyptian art. Old Kingdom. Relief on rock.

This carved relief from a tomb in Saqqara shows a slave with gazelle from tomb in Saqqara. This relief of a slave carrying an offering of a gazelle is from the chapel of Raemkai that was originally built and decorated for an official named Neferiretnes. The reliefs in this section show the tomb owner's attendants bringing six steppe animals to their lord. The animal attendants are called Ka-servants, meaning they were employed on the estates that supplied the provisions for the tomb owner's funeral cult. The attendant pictured here was named Ptahshepses and he carries a domesticated gazelle.

Archers attacking a Mesopotamian citadel.

Luxor, Egypt, Africa

South America, Peru, La Libertad, Trujillo, an adobe bas relief from a mural on the Chimu House of the Dragon showing a figure in a headdress, part of the UNESCO World Heritage Listed Chan Chan archeological complex

Dei El Bahari.

Carved stonework details, Temple of Panels, Templo de los Tableros Esculpidos, Chichen Itza, Mayan ruins, Yucatan, Mexico, Central America

Ashur-nasir-pal II on the throne, Ashur is guardian of the heir, was king of Assyria from 883 to 859 BC, historical photography, England

Egipto. Tumba 55. Tumba Ramose, situada en la región de las Tumbas de los Nobles, en Abd el-Qurna en la ribera occidental de Luxor.

Relief Lion fighting with bull, Stairs of the Apadana Palace, Persepolis, Persepolis, Iran, Asia

Egyptian Art. False-door of the Official Gemni-em-hat. From de tomb of Gemni-em-hat at Sakkara. Limestone. 11th-12th Dynasty. c 1990 BC. Middle Kingdom. Hieroglyphs. Ny Carlsberg Glyptotek. Copenhagen. Denmark..

Elaborate carved stone relief with close-ups of pharonic figures in strong evening side-light, at Karnak temple, Luxor, Egypt, Africa

Turkey, Istanbul Archeological Museum. One can see a vast amount of relics, ruins and remains, including parts of the Ishtar Gate and Sarcophagus of Alexander the Great. Editorial Use Only.

Beouf Sacre a Saqqarah Antonio Beato (Italian and British, ca. 1825-ca.1903). Beouf Sacre a Saqqarah, 19th century. Albumen silver photograph, image/sheet: 5 1/8 x 8 7/8 in. (13 x 22.5 cm). Photography 19th century

A bas-relief depiction of Lydian embassy tribute bearers carry present for the king at Apadana, East Stairs, southern part of Persepolis. Fars Province, Shiraz, Iran.

Scene of Ashurbanipal hunting: a wounded lioness, Relief from Royal Palaces of Nineveh, circa 645 B.C.

Hieroglyphs in the Luxor Temple, Luxor, Nile Valley, Egypt, Africa

Hieroglypic carvings on wall at the ancient temple of Medinat Habu, Luxor, Egypt, Africa

Iran, Shiraz, Persepolis. Persepolis aka Takht-e Jamshid or Throne of Jamshid. Bas relief carvings remain one of the highlights of this ruined capital of the Achaemenian Empire started by Darius I.

Relief detail of the delegation of nations bringing gifts to Darius on the steps of Apadana Palace, Persepolis, Persepolis, Iran, Asia

in iran persepolis the old ruins historical destination monuments and ruin

Hieroglyphics on a stone wall in Karnak Temple, Luxor, Eygpt

Ashurbanipal on his chariot. 669 BC - 626 BC. From the Ashurbanipal palace. Assyrian art. Relief on rock. FRANCE. ëLE-DE-FRANCE. Paris. Louvre Museum.

Detail of beautiful natural light on an ancient egyptian drawings inside the Luxor Temple, Egypt, Africa

Antique architectural detail at the archeological site of Tyros, Tyre, Sour, Unesco World Heritage Site, Lebanon, Middle East, West Asia, Asia

Relief of the wall made of mud brick, adobe, ruins of Chan Chan, Trujillo, La Liberdad region, Peru, South America

Iraq, Khorsabad, Relief representing a man bringing as a tribute a little city model, from the Palace of Sargon II (circa 722-705 B.C.), stone

Tiglath-Pileser III was a prominent king of Assyria in the eighth century BC (ruled 745-727 BCE) and is widely regarded as the founder of the Neo-Assyrian Empire. Tiglath-Pileser III seized the Assyrian throne during a civil war and killed the royal family. He made sweeping changes to the Assyrian government, considerably improving its efficiency and security. Assyrian forces became a standing army. Tiglath-Pileser III subjected Babylonia to tribute, severely punished Urartu (Armenia), and defeated the Medes and the Hittites. He reconquered Syria (destroying Damascus) and the Mediterranean seaports of Phoenicia. Tiglath-Pileser III also occupied Philistia and Israel. Later in his reign, Tiglath-Pileser III assumed total control of Babylonia. Tiglath-Pileser III discouraged revolts against Assyrian rule, with the use of forced deportations of thousands of people all over the empire. He is considered to be one of the most successful military commanders in world history, conquering most o

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