Ancient Egyptian Reliefs and Artifacts

Historical artifacts from ancient Egypt, including ostraca and reliefs depicting royal figures and battle scenes from the New Kingdom.

archers in action Assyrian, about 700-692 BC From Nineveh, South-West Palace

Papyri Fragments ca. 600 Coptic. Papyri Fragments 479342

Fragment of a terracotta plaque. Culture: Greek, Cretan. Dimensions: 2 7/8 in. x 1 3/4 in. (7.3 cm x 4.4 cm). Date: 7th century B.C..Lower body of a youth in a long garment. Museum: Metropolitan Museum of Art, New York, USA.

Korbeel with key piece, with cut representation of a monk from the monastery in the Oude Hoogstraat in Amsterdam, Anonymous, c. 1550 - c. 1600 Korbeel with oak key. On the consolorous front piece, a monk for a shell is sculpted in relief. The sides show a volute with rolling work. The key piece is decorated with an angelic head. Coming from the monastery in the Oude Hoogstraat in Amsterdam. unknown oak (wood) Korbeel with oak key. On the consolorous front piece, a monk for a shell is sculpted in relief. The sides show a volute with rolling work. The key piece is decorated with an angelic head. Coming from the monastery in the Oude Hoogstraat in Amsterdam. unknown oak (wood)

Facing brick with clowned crowned lion to the left .. lying rectangle on which a recruited lion used to the left. Two facing bricks belong to the stone: KOG-ALS-147-2 with ANNO and KOG-ALS-147-3 with 1663.

The capture of the cities of Arame, son of Gusu.. Birch, Samuel (1813-1885). Photographs, Illustrations. 1880 - 1902. General Research Division. Gates , Assyria, Bas-reliefs , Assyria, Shalmaneser III, King of Assyria, active 9th century B.C. , Palaces

Sogdia. Pre-Islamic Central Asia. Sculptural composition. Clay; colouring. 7th-8th C. Pendjikent, Tajikistan. Temple II. Iwan. The State Hermitage Museum. Saint Petersburg. Russia.

Account of the supervisors for the construction of the chryslephantine statue of the goddess Athena in the Parthenon by the sculptor Pheidias, 438 BC. Acropolis Museum. Athens, Greece.

Naos z boginiami Hathor i Sachmet. unknown, author

The double sided (Two-Dog) palette. Ancient Egyptian 3300-3100 B.C. A ceremonial object carved in relief depicting hunting and animals

Labyrinth stele, 8th-11th centuries, Labyrinth engraved in stone, path of perfection for salvation, Romanesque church of San Pantaleón, Museum of prehistory and archeology (MUPAC), Santander, Cantabria, Spain.

Ancient Greek Vase. Black Figure Style.War Chariots and Hoplite Soldiers.

Fragment with the Head of a Figure 4th-6th century A wonderfully expressive face is all that remains of the figure holding in one hand a phiale, a shallow bowl designed for pouring liquid offerings. In the other hand is a wreath or tambourine. Similar figures are frequently encountered in textiles of the early Byzantine period, generally as part of a raucous procession celebrating the god Dionysos.. Fragment with the Head of a Figure 444090

The campaign in Nairi and capture of Suguni in Ararat (upper row); The siege of Suguni in Ararat (lower row).. Birch, Samuel (1813-1885). Photographs, Illustrations. 1880 - 1902. General Research Division. Gates , Assyria, Bas-reliefs , Assyria, Shalmaneser III, King of Assyria, active 9th century B.C. , Palaces

Painted limestone funerary stele with a seated man and two standing figures late 4th-early 3rd century B.C. Greek A man with ochre flesh and pale yellow garment is seated in the center on a raised stool. In a traditional gesture of farewell, he clasps the hand of a tall woman dressed in a pale chiton and himation. Another man wearing a dark violet himation stands behind him. The background is divided vertically into two areas, grey on the left and violet on the right. The style and subject matter of this quiet, well-balanced scene derive from Greek grave reliefs of the 4th century B.C. Although this stele was found resting against the wall in an underground tomb, its large size and the tenon cut at the bottom suggest that it was originally set in a base, above ground. Listen to experts illuminate this artwork's story Listen Play or pause #1235. Painted limestone funerary stele with a seated man and two standing figures, Part 2 Play or pause #2613. Investigations: Art, Conservation, and

Nereid Monument. Sculptured tomb from Xanthos. Classical period Lycia. Turkey. Soldiers. Secondary Podium frieze. 390-380 BC. British Museum. London. England. United Kingdom.

Relief of slaughtering and attendants moving to the left - see 26.3.353-3 ca. 2051-2030 B.C. Middle Kingdom. Relief of slaughtering and attendants moving to the left - see 26.3.353-3. ca. 2051-2030 B.C.. Limestone, paint. Middle Kingdom. From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Neferu (TT 319, MMA 31), MMA excavations, 1923-25. Dynasty 11

Louis-Ernest Barrias (1841-1905). Small pediment with two loves. Terracotta tinged with plaster adds to the back. 1864-1864. Museum of Fine Arts of the City of Paris, Petit Palais. Front

Terracotta fragment of an amphora (jar) third quarter of the 6th century B.C. Greek, Attic In the car of a chariot, a charioteer holding the reins of the horses; behind him, a warrior wearing a red chiton, holding a shield in his left hand (the shield is seen from the inside); behind the horses, a warrior to right, wearing a helmet, with a round shield and spear, standing in front of an old man. Terracotta fragment of an amphora (jar). Greek, Attic. third quarter of the 6th century B.C.. Terracotta; black-figure. Archaic. Vases

Jorge Oteiza, Open Macla, 1957, black marble, Casa Milà-La Pedrera, Barcelona, Catalonia, Spain.

Medal Commemorating 50th Anniversary of the University of Wisconsin. V.D. Brenner, Sr.; American, born Russia, 1871-1929. Date: 1904. Dimensions: 6.4 × 4.8 cm (2 1/2 × 1 7/8 in.). Silver. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA. Author: Sr. V. D. Brenner.

Runic Stone. Upper area: men with drinking horns. Bottom zone: two men fighting with swords. Probably Odin snatching mead from giant Suttung. Historic museum. Stockholm. Sweden.

Roman altar held in Bath museum. Featuring carvings of Hercules Bibax on the left and Bacchus on the right. The sacrificial altar was the focus for public worship, and a place where priests conducted animal sacrifices and ceremonies. Circa 1st-3rd century AD.

Relief of goats. Relief of goats 248161

Ancient Egyptian carved ivory tablet depicting prisoner with arms tied up, Predynastic Period, Circa 3200-3000 B.C.

Fragment. Dimensions: L 57 cm x W 48 x H 5.5. Date: probably 8th-12th century. Museum: Metropolitan Museum of Art, New York, USA.

Italy, Campania, Paestum. Fresco details of man diving in the Diver's Tomb.

Malowidło ścienne: Obramienie niszy w ścianie północnej zakrystii (kaplicy prothesis). unknown, painter

Estampaż. unknown, author

Aimé-Jules Dalou (1838-1902). "Cat". Terracotta, after 1894. Museum of Fine Arts of the city of Paris, Petit Palais. Ball, cat, sleeping, sleeping, terracotta, animal

Runestone. 11th century. Found on a wall of the South Gate of the city of Stockholm. Medieval Museum. Stockholm. Sweden.

Idol of Corao. Dolmen of Mian (Abamia). Cangas de Onis, Asturias. National National Archaeological Museum. Madrid. Spain.

Mesopotamian art. Neo-Babylonian.Cylinder with cuneiform inscriptions of Nebuchadnezzar II listing building activities. 6th century BC. Ceramic. Metropolitan Museum of Art. New York. United States.

Fresco Fragment. Unknown

Ostracon Depicting the God Sobek ca. 1295-1070 B.C. New Kingdom, Ramesside. Ostracon Depicting the God Sobek. ca. 1295-1070 B.C.. Limestone, ink. New Kingdom, Ramesside. From Egypt, Upper Egypt, Thebes; Probably from Deir el-Medina. Dynasty 19-20

Delphi, Phocis. Greece. North frieze of the Treasury of the Siphnians. Gigantomachy. 530-480BC. Delphi Archaeological museum. Greece.

Plate with figurative and geometric decoration. Painted ceramic. Maya culture. Late Classic Period (600-900 AD). Mesoamerica. Maya region. Museum of the Americas. Madrid, Spain.

Tympanum 500 B.C.-A.D. 300 Indonesia. Tympanum 58419

A dockworker is unloading food suppllies from a boat. Harbor. Ostia. Italy. 3rd century AD. National Roman Museum (Baths of Diocletian). Rome. Italy.

CUENCO - DETALLE CENTRAL - DECORACION DORADA PURPURA SOBRE ENGALBA CON ESGRAFIADOS - SIGLO XII. Location: ARCHAEOLOGICAL MUSEUM. Malaga. SPAIN.

Alberto Giacometti (1901-1966). Swiss sculptor, painter, draughtsman, and printmaker. Bust of Diego (1955). Bronze sculpture. Tate Modern. London. England. UK.

Engaged Capital late 12th century French. Engaged Capital. French. late 12th century. Limestone. Made in Languedoc, France. Sculpture-Architectural

Slab. Transportation of timber (cedars of Lebanon, Phoenician civilization). Men are pulling a load with a rope. Palace of Sargon II, Khorsabad, Iraq. Assyrian Empire. 8th century BC. Louvre Museum. Paris. France.

Relief, Nebhepetre Mentuhotep's wives, shrine ca. 2051-2030 B.C. Middle Kingdom. Relief, Nebhepetre Mentuhotep's wives, shrine. ca. 2051-2030 B.C.. Limestone. Middle Kingdom. From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Temple of Mentuhotep II, Egypt Exploration Fund excavations, 1907. Dynasty 11

PIEZAS DE LA EXPOSICION "ARTE SIN ARTISTAS": BLOQUE GRABADO CON VULVAS EN PIEDRA CALIZA, AURIÑACIENSE. DEL ABRIGO BLANCHARD. SERGEAC, DORDOÑA (FRANCIA).

Terracotta rim fragment of a kylix: eye-cup (drinking cup) last quarter of the 6th century B.C. Greek, Attic Exterior, panther to right, in between two eyes. Terracotta rim fragment of a kylix: eye-cup (drinking cup). Greek, Attic. last quarter of the 6th century B.C.. Terracotta; black-figure. Archaic. Vases

FRAGMENTO DE UNA PINTURA MURAL DE UNA CASA ROMANA - SIGLO III/IV. Location: MUSEO NACIONAL DE ARTE ROMANO. MERIDA. Badajoz. SPAIN.

Provincial Roman milestone from the times of the emperor Caracalla. New red sandstone. Milestones noted the travelling distance in miles, or, as here, in Gallic leagues (2,2 km) to the next major provincial town. 213-217. Badisches Landesmuseum Karlsruhe. Germany.

Stele of Timocrates, "a scribe capable or writing correctly". From Athens. Marble. 2nd century AD. Athens, National Archaeological Museum. Greece.

Subgeometric Plate. Attributed to the Circle of the Crane Painter (Etruscan, about 700 - 675 B.C.)

Vase. Bronze. Chine. Par musée musée malée. 71171-14 Chinese art, bronze, archaging bronze, detail, decorative motif, vase

The tribute of Sangara of Carchemish.. Birch, Samuel (1813-1885). Photographs, Illustrations. 1880 - 1902. General Research Division. Gates , Assyria, Bas-reliefs , Assyria, Shalmaneser III, King of Assyria, active 9th century B.C. , Palaces

Face face Guillaume Boichot (1735-1814). Face face. Feather and ink of China on paper varnished layer. Rubbed at the lead, 1735-1815.

ARTE PREHISTORICO-EDAD METALES. ESPAÑA. Figurilla de hierro o MORILLO procedente de Reillo. EDAD DEL HIERRO. Fechado en el s. I a. C. Museo Arqueológico de Cuenca. Castilla-La Mancha.

Terracotta cylinder describing Nebuchadnezzar's building works. Reigh of Nebuchadnezzar II, 606-562 BC. Babylon, Iraq.

Sumerian pictogram clay stamp for impressing inscriptions on bricks, records Temple of Moon God Sin built by Naram-Sin of Agade, 2280 BC. MESOPOTAMIA.

KYLIX-GRIEGOS COMBATIENDO. S V AC. Author: Haimon. Location: MUSEO ARQUEOLOGICO DE CATALUÑA. Barcelona. SPAIN.

azulejos policromados, siglo XVI, La Ribera, Arkeologi Museoa, museo aqueologico, Bilbao, Bizkaia, Pais Vasco, Spain.

Inkstone with phoenix design. Artist: Attributed to Gu Erniang (Chinese, active early 18th century). Culture: China. Dimensions: L. 5 1/16 in. (12.9 cm); W. 3 3/4 in. (9.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

The Sun God Tablet. Limestone. The scene carved in the relief represents Nabu-aplu-iddina being led by the priest Nabu-nadin-shum and the goddess Aa into the presence of the Sun-god, woh is seated within Ebabbara. Before the god is the solar disc. Middle Babylonian. Neo-Babylonian Dynasty. 860 BC-850 BC. Sippar, Iraq, Middle East. British Museum. London, England, United Kingdom.

Egipto. Tumba 55. Tumba Ramose, situada en la región de las Tumbas de los Nobles, en Abd el-Qurna en la ribera occidental de Luxor.

Mummy of a Man. Egyptian. Date: 200 BC-30 BC. Dimensions: 38.1 × 175.3 × 49.5 cm (15 × 69 × 19 1/2 in.) (appro×.). Linen, cartonage, human remains. Origin: Egypt. Museum: The Chicago Art Institute, Chicago, USA. Author: Ancient Egyptian.

Relief of female attendants and oxen - see 26.3.353-3 ca. 2051-2030 B.C. Middle Kingdom. Relief of female attendants and oxen - see 26.3.353-3. ca. 2051-2030 B.C.. Limestone, paint. Middle Kingdom. From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Neferu (TT 319, MMA 31), MMA excavations, 1923-25. Dynasty 11

Aimé-Jules Dalou (1838-1902). "Epis and flowers". Terracotta, 1897. Museum of Fine Arts of the City of Paris, Petit Palais. Bas-relief, ble, Pepper, flower, terracotta

Islamic period. Gravestone. Marbled limestone. Egypt. 1098-1099. Egypt. The State Hermitage Museum. Saint Petersburg. Russia.

Ceramica with dancing figures around the sun. Xochicalco Museum. State of Morelos.Mexico.

The tribute of Unqu (Patinu).. Birch, Samuel (1813-1885). Photographs, Illustrations. 1880 - 1902. General Research Division. Gates , Assyria, Bas-reliefs , Assyria, Shalmaneser III, King of Assyria, active 9th century B.C. , Palaces

main tomb of Molinilla, middle ages, anthropomorphic sarcophagus in sandstone, Vitoria-Gasteiz Museum of Sacred Art, María Inmaculada Cathedral, Álava, Spain.

Wall painting fragment 1st century A.D. Roman Vine with grapes, and a flowing creeper.. Wall painting fragment. Roman. 1st century A.D.. Fresco. Miscellaneous-Paintings

Imposta de Sant Pere de Rodes, siglo XI.

ESCUDILLA CON PEZ Y PALMETA - PATERNA - SIGLO XIV. Location: INSTITUTO VALENCIA DE DON JUAN-COLECCION. MADRID. SPAIN.

Scene from a Magical Papyrus Scene from a Magical Papyrus, 664-525 B.C.E. Papyrus, ink, Overall: 4 15/16 × 92 11/16 in. (12.5 × 235.5 cm). The standing winged creature seen here is known as the nineheaded Bes figure, a divine protector of the birth of the king and of the sun. This form of Bes was closely associated with the evening and the night part of the solar cycle. He thus also played an important role as guardian of sleeping women and children, particularly against the dangers of the night, represented here by the noxious creatures contained in the oval upon which he stands. The firebrands that surround him represent destructive forces directed at anyone who approaches. Egyptian, Classical, Ancient Near Eastern Art 664-525 B.C.E.

Monument of Fenicians or Carthagen on island of Gozo from other point of view, 1778 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. paper. chalk. watercolor (paint) brush / pen landscape with monument Gozo

Attic Red-Figure Hydria Fragment; Berlin Painter (Greek (Attic), active about 500 - about 460 B.C.); Athens, Greece; about 480 B.C; Terracotta; 2.8 cm (1 1,8 in.)

Menat fragment ca. 1479-1458 B.C. New Kingdom. Menat fragment. ca. 1479-1458 B.C.. Faience. New Kingdom. From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Hatshepsut Hole, Hathor Shrine, MMA excavations, 1922-23. Dynasty 18

Magische Schriftrolle Magic scroll, Ethiopia, 18th century, painting on parchment, MEB, Barcelona, Catalonia, Spain LicenseRF Copyright: xZoonar.com/Tolox 23171417

Saint-Germain-en-Laye, France , 1921 - Seine -et -Oise - Auguste Léon - (June) (French - Saint-Germain-en-Laye , France). Statue, museum, archaeological vestige, sculpture, prehistory, Habitat , Architecture , Art, France, St Germain-en-Laye, Baoussé-Roussé cave. Black human figures in steatitis, the yellow in steatitis also, the lightest (central part at the top) in bone.

AZULEJOS SEVILLANO DE CUERDA SECA Y TEMAS FIGURADOS - SIGLO XV - BAILE DE BUFON Y DAMA - GAITERO. Location: ALHAMBRA-MUSEO-CERAMICA. GRANADA. SPAIN.

Birds in a cage and offering bearers ca. 680-650 B.C. Late Period, Kushite or later Mentuemhat was the virtual ruler of Thebes alongside the concurrent God's Wife during part of Dynasty 25 and early 26. He constructed a large tomb in the Asasif, as did other major figures of late Dynasty 25 and Dynasty 26, most of the others closely associated with the God's Wife. His huge tomb is sometimes referred to as a palace tomb. It is marked at its eastern end by a large brick pylon with an arch. The actual entry is from a gate and descending entry at the northeast corner of a huge sunken open court west of the pylon. A second smaller open court follows. Subterranean rooms and corridors branch off these courts, and descending corridors continue further west to suites of rooms and the burial chamber, Although parts have long been known, this huge edifice has only been recently completely cleared, and the tomb remains under study.While the stone is poor and walls of relief decoration in the tomb

Frieze of the Basilica Emilia depicting episodes of the origins of Rome. 2nd century BC. Roman National Museum. Palazzo Massimo. Rome. Italy.

Fragment of fresco showing young woman, known as 'La Parisienne', from Knossos, Crete, Greece

BOVEDA. Author: SERRANO PABLO. Location: MUSEO DE ARTE ABSTRACTO. BASIN. CUENCA. SPAIN.

Roundel with Human Face 5th century Coptic. Roundel with Human Face. Coptic. 5th century. Linen, Wool (Slip-loop knotted pile). Made in Byzantine Egypt. Textiles-Woven

Egyptian mummy case (Coffin) designed to contain the entire contour of the body of its deceased owner. dated to the Roman Period (1s-2nd centuries AD

Carved marble capital. Caliphate of Al-Hakam II (961-976 AD). Cordoba. White marble piece. Frederic Mares Museum, Barcelona, Spain.

Lazio Roma Velletri Museo Civico di Velletri40. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

Relief Fragment from the Tomb of Neferu or Khety ca. 2030-1640 B.C. Middle Kingdom. Relief Fragment from the Tomb of Neferu or Khety 577165

Roman mosaic of a lion

The capture of Dabigu and other cities of the district of Til-Barsip, 1880 - 1902, London, Publisher, Society of Biblical Archaeology, Gates, Assyria, Bas-reliefs, Assyria, Shalmaneser III, King of Assyria, active 9th century B.C., Palaces

Alexandre Falguière (1831-1900). Naked woman extended to the left side. Terracotta. 1878. Museum of Fine Arts of the City of Paris, Petit Palais. FEMME

Administrative tablet of clay, Mesopotamian/Sumerian, 3100-2900 BC. Artist: Unknown

PIEZAS DE LA EXPOSICION "ARTE SIN ARTISTAS": REPLICA DE LA VENUS DE LESPUGUE, DE LA CUEVA DES RIDEAUX EN LESPUGUE. HAUTE-GARONNE (FRANCIA). ESCULTURA ORIGINAL EN MARFIL DE MAMUT, GRAVETIENSE MEDIO.

Warrior stela. Stone. Late Bronze Age. From Magacela (Badajoz), El Viso (Cordoba) and Fuente de Cantos (Badajoz). National Archaeological Museum, Madrid. Spain.

Fragment of the majolica dish, polychrome, plump Amor or Cupid with an arrow in his hand, plate dish crockery holder soil find ceramics pottery glaze, baked underside covered with pale green lead glaze. Polychrome This Amor is depicted with an arrow in the left hand, the quiver and the arch is missing archeology. Rotterdam decorate food archaeological find in the soil Rotterdam 1941.

The Balawat Gates, three sets of gates from Balawat, an ancient Assyrian Empire, with embossed scenes showing scenes of warfare, the presentation of tribute and hunting of Lions and bulls.

Saint-Germain-en-Laye, France , 1921 - Seine -et -Oise - Auguste Léon - (June) (French - Saint-Germain-en-Laye , France). Museum, picking , hunting, archaeological vestige, sculpture, prehistory, weapon, carved decor, Economic activity, Habitat , Architecture, Art, France, St Germain-en-Laye, Museum: (Arudy) Spiral (engraved point) 47081 Other spiral, 47119 Gourdon, pointe de arche à-lede 48405, Arrow Pointe With Fondue Gourdon, harpon with dible row of barblons 48172. Other to 1 row 49162 Pointe de arche à -lede 46670

World Exhibition , Bacchisches Relief by Carl Kundmann, Vienna No, Oscar Kramer -, photographer, Viennese photographer association, publishing house

Astorga, Asturica Augusta, Roman Museum, Way of St. James, Silver Route, Province of Leon, Castile and Leon, Spain, Europe

Bronze PlaquetteBrittany. Artist: Georges-Henri Prud’homme, French, 1873-1947

Aimé-Jules Dalou (1838-1902). "Monument to catering speakers and publicists". Tinted plaster, between 1896 and 1898. Museum of Fine Arts of the city of Paris, Petit Palais. Wing, allegory, angel, politician, monument, orator, plaster shade, publicist, restoration

Museo de Luxor.

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