Ancient Figurines

Diverse figurines from different cultures, including Egyptian and Chinese, displaying intricate designs and historical significance.

Pre-Columbian art. Tamalameque culture (200-600 / 16th century). Clay anthropomorphic figure. 114 x 26, 5 cm (diameter). From Colombia. Private Collection.

Figurine of Osiris Rodowo Egyptian workshop

Funeral Figure of a Squatting Lady. Graffigure of pottery, painted in red, white and black. The image is in the form a lady in squatted attitude, the legs wide, the right arm along the outside of the right leg, the left arm along the inside of the left leg. The rug with a dark red trim along the V-neck is spread behind her.

Kneeling Woman, 1st Century BC - 1st Century. China, Western Han dynasty (202 BC-AD 9) - Eastern Han dynasty (25-220). Painted earthenware; overall: 33.7 x 25 cm (13 1/4 x 9 13/16 in.).

Palefrenier ". Terracotta. China, Tang dynasty. Paris, Cernuschi museum. 72691-43 Chinese art, standing, tang dynasty, man, palefrenier, statuette, terracotta, back view, hat

Reader by Jacques Lipchitz, 1891-1973

Worker Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: h. 11.9 × w. 4.2 × d. 3.3 cm (4 11/16 × 1 5/8 × 1 5/16 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Statuette of a Nude Youth. Unknown

Pre-Columbian art. Tamalameque culture (200-600 / 16th century). Clay anthropomorphic figure. 114 x 26, 5 cm (diameter). From Colombia. Private Collection.

Bronze warrior. Culture: Greek. Dimensions: H. 6 7/8 in. (17.5 cm). Date: second half of the 8th century B.C..The warrior stands on a base that is fastened with dowels to a thinner sheet of bronze. This evidence indicates that the figure belonged to a tripod and probably stood next to one of the large ring handles. Museum: Metropolitan Museum of Art, New York, USA.

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period See 25.3.19.. Worker Shabti of Henettawy (C), Daughter of Isetemkheb 591002

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period See 25.3.19.. Worker Shabti of Henettawy (C), Daughter of Isetemkheb 591034

Seated Figure. Egypt, Predynastic Period (4000 - 2687 BCE). Sculpture. Limestone

Fragment of Roman sculpture, terracotta. Museum: MUSEO DE MATARÓ.

Celestial Figure. Thailand, Ku Bua (), Mon-Dvaravati, Ku Bu, 7th-8th century. Sculpture. Stucco

Capital with Winged Lion

Dwarf Artist's working dates 618 CE-906 CE China. Earthenware .

Italy, Arezzo Province, Cortona, Bronze statue of God Culsans

Furniture element: bull-man with Hathor-style curls ca. 18th century B.C. Old Assyrian Trading Colony This figure belongs to a group of carved ivories, mostly furniture elements, probably found at the site of a palace at Acemhöyük in central Anatolia. Most of the ivories depict imagery borrowed and transformed from Egyptian sources, but this piece takes the form of a bull-man, a typically Near Eastern supernatural creature combining a human head and frontal nude torso with the lower quarters of a bull shown in three-quarter view (note the tail visible at left along the curve of the flanks). The bull-mans face resembles others from Acemhöyük, with its face-framing locks ending in curls, large nose, and wide eyes hollowed to receive inlays, now missing. He wears a belt and bracelets on both arms. The red color of the ivory indicates that iron oxides are present on the surface. Since the broken areas of the piece are also stained, it was probably not intentionally colored but picked up t

Limestone statuette of a beardless male votary with a wreath of leaves 310-30 B.C. Cypriot The young man wears a short chiton and a himation that is draped over the left shoulder and falls under the left wrist. A double wreath of leaves surrounds the head. On the front of the plinth is an inscription of six syllabic signs interpreted as (I belong) to the god Lenaios.”. Limestone statuette of a beardless male votary with a wreath of leaves 241891

DAMA DE IBIZA - ESTATUA FEMENINA VESTIDA CON UNA TUNICA DEL SIGLO IV/III AC PROCEDENTE DE LA NECROPOLIS DE PUIG DES MOLINS (IBIZA). Location: MUSEO ARQUEOLOGICO / MUSEO DE PUIG DES MOLINS. IBIZA. SPAIN. TANIT DIOSA PUNICA.

Female Figure. Western Iran, Iron Age II-III, about 1000-650 B.C.. Sculpture. Bronze, cast

Stand of a funeral figure in the shape of a woman with a flute, anonymous, c. 220 - c. 589 Wooden pedestal from later date. China wood (plant material) painting Wooden pedestal from later date. China wood (plant material) painting

New Guinea Housepost Figure Primitive Art Wood

Statuette of the Goddess Isis Holding the God Horus 1069 BCE-332 BCE Egypt. Copper alloy . Ancient Egyptian

Osiris 664-30 B.C. Late Period-Ptolemaic Period Osiris, foremost of the Egyptian funerary gods and ruler of the underworld, stands upright in a close-fitting mummiform garment. The garment has a stiff upper edge along the back of the neck, a feature that occurs with some regularity on this garment, but one with an unclear meaning. Here the high collar emphasizes the figures squat neck. The god holds the royal crook and flail with his hands poised asymmetrically.In general, Osiris statuettes were some of the most abundant temple offerings in Egypt by the first millennium B.C., reflecting both the gods importance and changing cult practices that spurred the wide-scale dedication of deity statuettes. Many statues of Osiris were offered in temples and shrines belonging to him, but they have also been found in other contexts, for example near temples and shrines honoring other prominent deities or in animal necropoleis.. Osiris 570657

Worker Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: h. 12.1 × w. 4.3 × d. 3.1 cm (4 3/4 × 1 11/16 × 1 1/4 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period. Worker Shabti of Henettawy (C), Daughter of Isetemkheb 625476

Onuris 664-30 B.C. Late Period-Ptolemaic Period Onuris is depicted here, recognizable by his short hair and distinctive garment, which comprises a long patterned kilt, in this case combined with a finely detailed feathered or scaled cuirass. His crown comprises four tall feathers, represented flat and side-by-side, and he has a triple-strap suspension loop on the back. Onuris was a fierce god, known for capturing enemies in battle or hunting dangerous animals. His right arm is raised in the act of spearing a defeated enemy or animal, or holding a rope, which presumably he used to snare his prey. In this role, he personified good conquering and controlling forces of chaos and disruption.. Onuris. 664-30 B.C.. Cupreous metal. Late Period-Ptolemaic Period. From Egypt

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period See 25.3.19.. Worker Shabti of Henettawy (C), Daughter of Isetemkheb 591068

Amulet of the God Anubis. Egyptian. Date: 664 BC-332 BC. Dimensions: 7.8 × 1 × 1.91 cm (3 1/16 × 3/8 × 3/4 in.). Faience. Origin: Egypt. Museum: The Chicago Art Institute, Chicago, USA. Author: Ancient Egyptian.

Figure on Platform 13th-early 16th century Veracruz. Figure on Platform 319548

Seated Male Figure

Amulet of the God Thoth. Egyptian. Date: 664 BC-332 BC. Dimensions: 4 × 1.25 × 1.25 cm (1 9/16 × 1/2 × 1/2 in.). Faience. Origin: Egypt. Museum: The Chicago Art Institute, USA. Author: Ancient Egyptian.

Amulet of the Goddess Tawaret (Toeris) 1070 BCE-656 BCE Egypt. Faience . Ancient Egyptian

Worker Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: h. 12.1 × w. 4.4 × d. 3.3 cm (4 3/4 × 1 3/4 × 1 5/16 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Standing warrior. Dimensions: H. 41 cm. Date: ca. late 3rd millennium B.C..Standing with arms bent and extended, this figure has distinctive elongated proportions, a pointed head with long braided hair, and a bearded oval face with large eyes (originally inlaid). He once held weapons in his hands, perhaps a spear and mace, and wears a knee-length kilt and a wide belt with long tassel ties. The feet have sandals and the tangs on the bottom served to attach the figure to a stand or other furniture, perhaps in a temple. The figure may represent a hero or even a deity, although he does not wear distinguishing headgear such as horns or a crown. The statuette is impressive for its size, larger than most bronze examples of its type.The style of the figure is related to early third millennium bronzes found near Antioch in Syria, and it may be a later example in the same tradition. Museum: Metropolitan Museum of Art, New York, USA.

Isis and Horus Amulet 664-30 B.C. Late Period-Ptolemaic Period. Isis and Horus Amulet 552663

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period. Worker Shabti of Henettawy (C), Daughter of Isetemkheb 625478

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period See 25.3.19.. Worker Shabti of Henettawy (C), Daughter of Isetemkheb 591007

Pre-Columbian art. Pre-Incan. Tumaco-Tolita culture. Region of the Pacific Colombo-Ecuadorian coast from 300BC-600 AD. Ceramic object. Clay human figure. 60 x 40 x 12 cm. From Ecuador. Private collection.

Osiris-Iah. Dimensions: H. 20.9 cm (8 1/4 in.); W. 5.9 cm (2 5/16 in.); D. 9.4 cm (3 11/16 in.)H. (with tang): 22.7 cm (8 15/16 in.). Date: 664-332 B.C..Osiris-Iah is a form of Osiris specifically linked to the moon, a feature made explicit in this figure through the crown, which represents the moon disk resting on the crescent moon, thereby encompassing the moon in all of its phases. The statuette conforms to the standard iconography for this deity in which he is shown with the moon crown, seated and wearing an enveloping garment, and holding the crook and flail. This figure is further elaborated with bracelets, visible where the cloak opens on the chest. Osiris-Iah can also be shown striding and wearing a short kilt, such as on 04.2.452. The god Osiris is linked to the moon because, as the moon changes from crescent to full from month to month, it recalls Osiris' continual rebirth and regeneration. Museum: Metropolitan Museum of Art, New York, USA.

Mortuary Figure of the Zodiac Sign: Hare (Cancer), 500s. China, Northern Wei dynasty (386-534). Gray earthenware with traces of slip; overall: 22.6 cm (8 7/8 in.).

Head of Horus for attachment 664-30 B.C. Late Period-Ptolemaic Period The head of the falcon god Horus is shown here wearing the double crown of Egypt. This royal crown symbolizes the union of Lower and Upper Egypt, and highlights Horus role as the legitimate ruler of the entire land. The craftsmanship of this piece is easily visible, not just in the details of the wig, face, and crown, or the gilding. The red crown fits over a cylindrical flange extending from the top of the falcon head. The white crown has a flange extending from its underside that is inserted into the top of the red crown. It is stabilized by an extension running through the red crown and into the hollow interior of the falcon head. For another complex crown construction technique, see 04.2.445. The head is an attachment that would have been part of a larger piece of cult equipment.. Head of Horus for attachment. 664-30 B.C.. Cupreous metal, precious metal leaf. Late Period-Ptolemaic Period. From Egypt

Female Figure with Missing Feet; Possibly the Kontoleon Master (Cycladic, active 2700 - 2600 B.C.); Cyclades, Greece; 2700-2600 B.C; Marble; 49 × 9.9 × 6.6 cm (19 5,16 × 3 7,8 × 2 5,8 in.)

Appliqué for a funeral couch. Unknown

Vessel Foot in the Shape of a Siren. Unknown

Terracotta plaque with a female figure holding a tympanum 7th century B.C. Greek, Cretan Excavated at Praisos, on Crete. Terracotta plaque with a female figure holding a tympanum 254747

Warrior Figure. Culture: Moche (Loma Negra). Dimensions: H. 3 11/16 x W. 2 3/8 x D. 7/8 in. (9.3 x 6.1 x 2.2 cm). Date: 390-450. Museum: Metropolitan Museum of Art, New York, USA.

Worker Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: h. 11.9 × w. 4.2 × d. 3.7 cm (4 11/16 × 1 5/8 × 1 7/16 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Worker Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: h. 11.8 × w. 4.6 × d. 3.4 cm (4 5/8 × 1 13/16 × 1 5/16 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Worker Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: h. 11.9 × w. 4.3 × d. 3.6 cm (4 11/16 × 1 11/16 × 1 7/16 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Male figure ca. 3300-3100 B.C. Predynastic, Naqada III. Male figure. ca. 3300-3100 B.C.. Ivory. Predynastic, Naqada III. From Egypt

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period. Worker Shabti of Henettawy (C), Daughter of Isetemkheb 625529

Enthroned deity ca. 14th-13th century B.C. Canaanite. Enthroned deity 322598

Terracotta statuette of an actor late 5th-early 4th century B.C. Greek, Attic Fourteen of these figures are said to have been found together in a burial in Attica. They are among the earliest known statuettes of actors and are superbly executed and preserved. Originally they were brightly painted. They document the beginning of standardized characters and masks, indicating the popularity not of a specific figure but of typesthe old man, the slave, the courtesan, etc.that appeared repeatedly in different plays. By the mid-fourth century B.C., Attic examples or local copies were known throughout the Greek world, from Southern Russia to Spain.. Terracotta statuette of an actor. Greek, Attic. late 5th-early 4th century B.C.. Terracotta. Late Classical. Terracottas

Individual holding a Maat bust on a stand 664-30 B.C. Late Period-Ptolemaic Period. Individual holding a Maat bust on a stand. 664-30 B.C.. Bronze or cupreous alloy. Late Period-Ptolemaic Period. From Egypt

Arhat (Luohan). Culture: China. Dimensions: H. 19 1/8 in. (48.6 cm); W. 7 in. (17.8 cm). Date: 16th-17th century.This sculpture epitomizes the merging of religious and secular imagery in later Chinese Buddhist sculpture. With his shaven head and elongated earlobes, the figure resembles a luohan (one of the Indian disciples of the Buddha), but his refined facial features, dignified posture, long-sleeved robe, and pointed shoes--all attributes associated with Confucian scholar-officials--identify him unmistakably as a youthful monk.The sculpture's tendency toward abstraction and stylization--the contours of the head, body, and robes are conveyed through the buildup of simple, curved forms--recall thirteenth-century images, but a radiocarbon date suggests that the piece dates to between A.D. 1324 and 1617. Museum: Metropolitan Museum of Art, New York, USA.

Worker Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: h. 11.6 × w. 4.3 × d. 3.3 cm (4 9/16 × 1 11/16 × 1 5/16 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Statue of a scribe with a baboon ca. 1295-1070 B.C. New Kingdom, Ramesside This small figure of a scribe may lack the sculptural quality of the Museum's statue of Haremhab 23.10.1, but it does also emphasize the close relation of the depicted official with the god Thoth, deity of all things scribal. While the god features in the Haremhab statue prominently in the inscriptions, Thoth is here shown as a baboon who sits on the scribe's back. The most important example of this motif is the statue representing the 20th dynasty High Priest of Amun Ramessesnakht in the Egyptian Museum, Cairo (CG 41262), found in the "Cachette" of the temple of Karnak.. Statue of a scribe with a baboon. ca. 1295-1070 B.C.. Granodiorite. New Kingdom, Ramesside. From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna. Dynasty 19-20

Shrine Figure (misi or mishi), late 1800s-early 1900s. Africa, Central Africa, Democratic Republic of Congo, pre-Bembe style or Boyo-style maker. Wood and cotton; overall: 48.6 x 15.6 x 17.2 cm (19 1/8 x 6 1/8 x 6 3/4 in.).

Figure, 1900s. Central Africa, Democratic Republic of the Congo, Luba, 20th century. Ivory; overall: 10.2 cm (4 in.).

Italy, Tuscany, Monte Falterona, Bronze statue depicting figure making offering

Winged deity ca. 14th-13th century B.C. Hittite This sculpture is a rare representation of a winged god in the Hittite pantheon. Less than two inches in height, the bronze deity wears a round cap, covered partially with gold leaf, and a short kilt. He has long hair and upturned feet or shoes. In his right hand he holds a rod, partly destroyed, which could have terminated in the curve of a scimitar or a hieroglyphic symbol. Emerging from the god's shoulders are sickle-shaped wings, the left broken at what is possibly the place of an ancient repair. The figurine belongs to a group of miniature representations of Hittite deities, including the weather god, the sun goddess, and war gods. Made of bronze, gold, and silver, they may have been amulets to be worn or votive dedications to be placed in shrines. Among Hittite texts are lists of offerings to deities during local festivals, which include small statuettes, some described as winged and holding hieroglyphic symbols. The best evidence f

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period. Worker Shabti of Henettawy (C), Daughter of Isetemkheb 625501

Kouros (youth). Etruscan, Late 7th-early 6th century B.C.. Sculpture. Bronze, cast

Amulet of the Goddess Isis 1070 BCE-656 BCE Egypt. Ceramic . Ancient Egyptian

Dwarf Artist's working dates 618 CE-906 CE China. Earthenware .

Fragment of a limestone group of wrestlers 6th century B.C. Cypriot The figure, whose short torso is painted red, leans forward, with his weight on his advanced left leg.. Fragment of a limestone group of wrestlers 242116

Seated Figure

Kurier Czerwony z cyklu "Satyry Warszawskie". Broniewska, Janina (1886-1947)

Plakieta przedstawiająca boginię Demeter () z koszem owoców i świnią. unknown, author

Madrid, M.A.N. 55479. Arte Edad Media. Fuste de columna con tres apóstoles, Andrés y Pablo (con filactelia) y Pedro (con la llave). Con inscripciones en nimbos. Caliza. s.XII. San Payo de Antealtares, Santiago de Compostela.

Boat; around 1295 1186 BC ; New State, 19 dynasty (-1300-00-00--1181-00-00);Scenes.gal.eg., painted decorations, grave figurines, hieroglyphs

Bronze figurine of Monthu, falcon god of war

Female Head. Unknown

Demonic figure, anonymous, 800 - 900 Fragment Van Durga Mahishasura Mardini (Een Buffeldemon) Middle Java andesite Fragment Van Durga Mahishasura Mardini (Een Buffeldemon) Middle Java andesite

Worker Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: h. 12.3 × w. 4.4 × d. 3.2 cm (4 13/16 × 1 3/4 × 1 1/4 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Goldweight Figure Carrying an Axe, 19th-20th century, 2 3/4 x 11/16 x 1 1/2 in. (6.99 x 1.75 x 3.81 cm), Brass, Ghana, 19th-20th century

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period. Worker Shabti of Henettawy (C), Daughter of Isetemkheb 625477

Worker Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: h. 12 × w. 4.3 × d. 3.7 cm (4 3/4 × 1 11/16 × 1 7/16 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Kriophoros (Ram-Bearer), Statuette, 650-600 BC. Greece, Crete, 7th century BC. Terracotta and polychrome; overall: 17.5 x 9.6 x 8 cm (6 7/8 x 3 3/4 x 3 1/8 in.).

EXVOTO IBERICO PROCEDENTE DE COLLADO DE LOS JARDINES-SANTA ELENA (JAEN). Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period See 25.3.19.. Worker Shabti of Henettawy (C), Daughter of Isetemkheb 591776

Horned Female Figure. Western Iran, Iron Age II-III, about 1000-650 B.C.. Sculpture. Bronze, cast

Court Lady with Tall Headdress: Tomb Figurine, c. 700-750. Norht China, Tang dynasty (618-907). Earthenware with polychromy; overall: 30.8 cm (12 1/8 in.).

Ceramic whistle representing a noblewoman from Campeche, Mexico. Dated 600-900 AD.

Female Figure. Western Iran, Iron Age II-III, about 1000-650 B.C.. Sculpture. Bronze, cast

Male Palace Attendant. Culture: China. Dimensions: H. 24 3/4 in. (62.9 cm); W. 4 1/2 in. (11.4 cm); D. 3 1/4 in. (8.3 cm). Date: early 6th century.The elongation of the body and somewhat childish features exhibited here typify works produced in the capital at Luoyang in the first three decades of the sixth century. This distinctive style is understood to reflect an awareness of and appreciation for Chinese aesthetics on the part of the foreign rulers of the Northern Wei dynasty. Museum: Metropolitan Museum of Art, New York, USA.

Reclining Eros 3rd century B.C. or later Cypriot The figurine is mold-made and solid. The back is handmade and roughly finished. Eros reclines on his left side.. Reclining Eros 241296

Shabti Coffin of Thutmose IV New Kingdom ca. 1400-1390 B.C.

Standing female figurine. Culture: Cypriot. Dimensions: H. 6 3/4 in. (17.1 cm). Date: end of the 6th century B.C..The figurine is mold-made, solid, and flat at the back. Her arms and belly were reworked by hand. Museum: Metropolitan Museum of Art, New York, USA.

Head of Shiva. India, Uttar Pradesh, Mathura, 4th century. Sculpture. Terracotta

Standing Female Deity 3rd-2nd century B.C. North India Such small goddesses were produced in vast quantities and likely were used for personal devotion. This figures outstretched arms and wide hips recall the goddesses in the ring stone exhibited nearby. Her face and the rosettes in her hair were produced with molds, while handmade coils were used to craft the earrings, necklace, and girdle.. Standing Female Deity 38431

Warrior late 6th-7th century China. Warrior. China. late 6th-7th century. Glazed earthenware. Northern Qi (550-577) or Sui (581-618) dynasty. Tomb Pottery

Terracotta statuette of an actor. Culture: Greek. Dimensions: H. 4 1/8 in. (10.5 cm). Date: late 5th-early 4th century B.C..Fourteen of these figures are said to have been found together in a burial in Attica. They are among the earliest known statuettes of actors and are superbly executed and preserved. Originally they were brightly painted. They document the beginning of standardized characters and masks, indicating the popularity not of a specific figure but of types--the old man, the slave, the courtesan, etc.--that appeared repeatedly in different plays. By the mid-fourth century B.C., Attic examples or local copies were known throughout the Greek world, from Southern Russia to Spain. Museum: Metropolitan Museum of Art, New York, USA.

Figurka boga Ozyrysa. unknown, author

Wooden Doll. Dated: c. 1940. Dimensions: overall: 51 x 36.1 cm (20 1/16 x 14 3/16 in.) Original IAD Object: 29" high; 6" wide. Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Lionel Ritchey.

Indian terracotta statuette of a monkey, 1st century BC. Artist: Unknown

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period See 25.3.19.. Worker Shabti of Henettawy (C), Daughter of Isetemkheb. ca. 990-970 B.C.. Faience. Third Intermediate Period. From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb MMA 60, Chamber B, Burial of Henettawy C (4), MMA excavations, 1923-24. Dynasty 21

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