Ancient Ruins and Landscapes

Etchings of historical sites and ruins, depicting architectural remnants and serene landscapes with figures exploring the scenes.

Forum Van Nerva Te Rome, Luigi Rossini, 1819 print View of the remains of the Nerva forum in Rome. Title in Italian in STUDMARGE. Rome paper etching city-view, and landscape with man-made constructions. ruin of a building ~ architecture. piece of sculpture, reproduction of a piece of sculpture. column, pillar ~ architecture Nerva forum

Ruins of the trophies of Marius in Rome, Etienne Dupérac, 1575 View of the remains of the trophies of Marius, a nymphaeum on the current Piazza Vittotio Emanuele in Rome. Caption in Italian. Print is part of an album. maker: Italypublisher: RomeVaticaanstadItaly paper engraving / etching Rome View of the remains of the trophies of Marius, a nymphaeum on the current Piazza Vittotio Emanuele in Rome. Caption in Italian. Print is part of an album. maker: Italypublisher: RomeVaticaanstadItaly paper engraving / etching Rome

Landscape with a blacksmith, Thomas Wijck, 1626 - 1677 print paper etching smith, blacksmith

Giovanni Battista Piranesi, Rovine d' antichi Edifizj, published 1743 1744 Rovine d' antichi Edifizj

Roman ruin; Roman ruins (series 1). Right a ruin in a landscape, left two figures. Print from a series of Roman ruins.

Ruins with a draftsman and a man who records sizes, Virgilius Solis, After Jacques Androuet, After Léonard Thiry, 1550 - 1562 print Nuremberg paper etching draughtsman at work. draughtsman studying classical remains - CC - out of doors. draughtsman at work - CC - out of doors. measuring

Landscape with ruins and shepherd with cattle, Carl Friedrich Holtzmann (Possible), 1750 - 1811 print Dresden paper etching landscape with ruins. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. cattle driving, cattle driver

This on Dander Sijde signed by Herman Saftleven is Buiten Catrijnnepoort DT: () 1674.

Forum Van Nerva Te Rome, Luigi Rossini, 1819 print View of the remains of the Nerva forum in Rome. Title in Italian in STUDMARGE. Rome paper etching city-view, and landscape with man-made constructions. ruin of a building ~ architecture. piece of sculpture, reproduction of a piece of sculpture. column, pillar ~ architecture Nerva forum

Nimf Corsica mishandeld door een satyr.Illustration for "il pastor fido" from Guarini. The Nymph Corsica is dragged to her hair through a Satyr.

Interieur Van de Tempel Van Hercules Victor Te Tivoli, Giovanni Battista Piranesi, 1748 - 1778 print Face in the temple of Hercules Victor (called Villa Maecenas) in Tivoli. Title and text on Epitaaf in the middle. Rome paper etching ruin of a building ~ architecture. temple, shrine ~ Roman religion Tivoli. Temple of Hercules Victor

Colisei prospectus. View of the ruins of Colosseum from within, under the arcade a one-horse cab; on the left, an embracing couple.. Galle, Theodor (1571-1633), graphic artist, Galle, Philips (1537-1612), graphic artist, Cleve, Hendrick van, III (ca 1525-1589), draughtsman, cartoonist

Three figures on a riverbank near a castle. Ninth print of a series of sixty prints with landscapes, divided into five parts of twelve prints each, Figures at a castle near a river Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 135 mm × w 200 mm

Landscape with antique ruins and fisherman; Landscapes. Landscape with antique ruins and river. In the foreground a man who gestures to a fisherman (feminine) Who pulls a fishing net on the shore.

Italiananizing landscape with antique buildings and figures.

Antwerp, Cock, Hieronymus, Doetechum, Johannes or Lucas van, Roman Ruins, 1561, View of the Colosseum, verso - stamped, View of the ruins of the Colosseum from the Palatine. Groups of people are walking over the ruins. With caption in Latin., print, prints, height 245 mm, width 325 mm, print maker, printmaker, 1561 - 1561, etching, engraving, engraving (printing process), Work conception, Southern Netherlands, 1518 - 1570-03-10, after a design by, Publication (Event), Publication, publisher

Leeuw, Govert van der, Italian landscapes, Ruin in a landscape, recto - blind embossing, A ruin in a landscape, overgrown with plants and shrubs. The print is part of a nine-part series of prints depicting Italian landscapes., print, prints, verso - stamped, height 110 mm, width 138 mm, 1645 - 1688-07-03, print maker, printmaker, 1655 - 1688, paper, papier, etching, etchings

Artist: Giovanni Battista Piranesi, Italian, 1720-1778, Altra Veduta del tempio della Sibilla in Tivoli (Another View of the temple of the Sibyl in Tivoli), from Vedute diRoma, Etching, platemark: 62.4 × 44 cm (24 9/16 × 17 5/16 in.), Italian, 18thcentury, Works on Paper -Prints

Landscape with Roman ruin; Roman ruins (series 2). In a landscape lie on the right of a hill Roman ruins side by side. On the left a wall and two shepherds with their goats. Print from a series of Roman ruins, consisting of copies to a pictures of Willem van Nieulandt.

Landscape with Ruined Monuments, from Vedute. Canaletto; Italian, 1697-1768. Date: 1735-1744. Dimensions: 141 x 215 mm (image); 147 x 219 mm (plate); 431 x 587 mm (sheet). Etching in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Swanevelt, Herman van, Paris, Diverses veuës dedans et dehors de Rome, Title page and twelve views of Rome and surroundings, Parte delle terme Antoniano, View of the Baths of Caracalla, A portion of the ruined Baths of Caracalla is shown. On the path near the complex some walkers can be seen., print, prints, height 114 mm, width 180 mm, Northern Netherlands, 1604 - 1655, print maker, printmaker, 1652 - 1652, paper, etching, etchings, Work conception, after own design by

Paul Sandby, Ruins by a River with a Man in a Boat, 1758 Ruins by a River with a Man in a Boat

Roman Edifices Artist's working dates 1700-1799 Italy. Pen and black ink over graphite, on cream laid paper, laid down on ivory laid paper . Unknown artist

Landscape with antique ruins. Draughtsman: Cornelis Saftleven. Dating: 1625 - 1626. Measurements: h 215 mm × w 347 mm. Museum: Rijksmuseum, Amsterdam.

Rome, Piranesi, Giovanni Battista, Di due spelonche ornate dagli antichi alla Riva del Lago Albano, Two decorated grottoes near Lake Albano, Dimostrazione in grande di quella parte di sustruzion, Landscape with buildings in the Alban Hills, verso - stamped, Landscape with buildings along a road. According to the title, which refers to another print from the same series, it concerns the foundations of the Villa of Clodio in the Alban Hills, later owned by the Barberini family. Title lower right. Numbered upper right: Tav. X., print, prints, height 161 mm, width 287 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1762 - 1762, paper, papier, etching, etchings, Work conception, after own design by

Villa Sachetti, Jean François Janinet, After Hubert Robert, 1778 print The fountain in the park of the Villa Sacchetti, a number of people and animals around the basin. Capacity loosened. Paris paper villa. garden fountain Villa bags

Girl with two buckets under a city gate, Johannes van Lexmond, in or before 1826 - 1833 print Dordrecht paper milkmaid. container of metal: bucket, can, canister, drum, tin. city-gate

View of the remains of the Thermen of Diocletian in Rome, Giovanni Battista Pittoni (I), After Hieronymus Cock, 1561 print View of the remains of the Thermen of Diocletian in Rome. For the ruin two fleeing figures that are being chased and beaten by two other figures. Title in Latin at the top left. Numbered at the top right: XIII. paper etching ruin of a building ~ architecture. landscape with ruins. public baths - AA - in the open air Thermen from Diocletianus

Attributed to Antonio Francesco Lucini, Landscape with Ruins, 17th century Landscape with Ruins

Landscape with antique ruins, sculpture and obelisk; Landscapes with ruins. Landscape with a semicircular antique theater ruins and an obelisk in the background. Two couples in antique clothing in the foreground. On the center plan on the right there is an antique sculpture, stripped of arms. On the right is an island in the sea visible with dome temple and Obelisk.

Print, Les Fruits de L'Automne; Print Maker: Charles-Nicolas Cochin the elder (French, 1688 - 1754); After Jacques de Lajoüe (French, 1687-1761); France

Two views on the card: 81. Pyramide about Sia Sepolcro di C. Cestio; Accanto La Porta S.Paolo, 82. Sepolcro di Cecilia Metella, Fuori La Porta S. Sebastiano; Unknown, Raffaella, Giacomo (1753-1836); 1800 (1800-00-00-1800-00-00);

Rome from Monte Testaccio, John Byrne, 1796-1847, British, after Joseph Mallord William Turner, 1775-1851, British, 1818-1820, Etching and engraving on medium, smooth, cream, wove paper, with cream, chine colle, Sheet: 11 × 14 inches (27.9 × 35.6 cm), Plate: 9 × 11 7/8 inches (22.9 × 30.2 cm), Chine collé: 8 3/4 × 11 1/4 inches (22.2 × 28.6 cm), and Image: 5 5/8 × 8 1/2 inches (14.3 × 21.6 cm)

Landscape with ruins of a palace; Landscapes; Varia Marci Ricci Pictoris Prestantissimi Experiment (...). A landscape with ruins of a plea with a view of a view of a sitting goddess. In the foreground an image of a sphinx. Different figures between the ruins. Assignment in undermarge.

Ruin van de Thermen van Caracalla, Anonymous, After Willem van Nieulandt (II), 1594 - 1685 print The overgrown ruins of the Thermen of Caracalla in Rome. In the foreground two shepherds with a herd goats. In the background the city of Rome. Print is part of a series of Roman ruins and coastal landscapes to prints by Willem van Nieulandt. This series is a copy of the series, which Claes Jansz Visscher made to Van Nieulandt. paper etching landscape with ruins (+ city(-scape) with figures, staffage). herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc. Rome

The Equestrian Monument, from Vedute 1735-1744 Italy. Etching in black on ivory laid paper . Canaletto

Vuë de ce qui reste encore des Murs A. de l ancienne Ville de Pesto … (View Showing the Remains of the Ancient City Walls A. of Paestum … ), from Différentes vues de … Pesto (Different Views of … Paestum). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Rome, Piranesi, Giovanni Battista, Vedute di Roma disegnate ed incise da Giambattista Piranesi architetto Ve(nez)iano, Views of Rome, Veduta degl'avanzi del sepolcro della famiglia Plauzia sulla via Tiburtina vicino al ponte Lugano due miglia lontano da Tivoli, Tomb of Plautius Lucanus, verso - stamped, View of the remains of the Tomb of Plautius Lucanus at the Ponte Lucano on the Via Tiburtina (the road between Rome and Tivoli). Title on block center bottom., print, prints, height 462 mm, width 625 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1748 - 1778, paper, papier, etching, etchings, Work conception, after own design by

Ruins at the Forum Romanum, draughtsman: anonymous, intermediary draughtsman: anonymous, 1598 - 1608,

'Scene at the Fountain with a Statue of Muse Euterpe'. From the Album No 1 "Souveni d'Italie". 1785. Dimensions: 27,4x37,6 cm. Museum: State Hermitage, St. Petersburg. Author: Jean François Thomas de Thomon.

Antique city at the foot of a mountain; Small landscapes to Titian; The temptation of Christ. Copy in mirror image. Landscape with an impacted antique city, on the dome of a Christ building and a devil.

Print, Femme dressée sur un piédestal orné de bas-reliefs (Woman Standing on a Pedestal Decorated with Bas-Reliefs); Etched by Jean-Laurent Legeay (French, ca. 1710-86); France; etching on cream laid paper; Sheet: 31.4 x 22.4 cm (12 3/8 x 8 13/16 in.) Platemark: 20.2 x 17.3 cm (7 15/16 x 6 13/16 in.)

La Caffarella (ou Grotte d'Egerie). Artist: Jean Morin (French, Paris ca. 1605-1650 Paris); After Cornelis van Poelenburch (Dutch, Utrecht () 1594/95-1667 Utrecht). Dimensions: sheet: 7 1/4 x 9 13/16 in. (18.4 x 25 cm)image: 5 11/16 x 8 1/4 in. (14.4 x 21 cm). Museum: Metropolitan Museum of Art, New York, USA.

Environs of Venice -13' by Marco Ricci, created in 1743. Etching with a plate mark measuring 9 13/16 x 13 3/4 inches (25 x 35 cm), on cream laid paper

Round Tower on a River, Jan van de Velde (II), 1639 - 1641 print Two conversing gentlemen on a path and a galloping rider at a round tower in a river landscape. On the horizon sailing ships. Sixteenth print of a series with 36 prints of landscapes, spread over six parts. Northern Netherlands paper. ink etching / brush / pen river. landscape with tower or castle. riding a horse, ass, or mule; rider, horseman. galloping horse

Triumphal Arch. Dated: 1759. Dimensions: plate: 11.3 x 14.5 cm (4 7/16 x 5 11/16 in.) sheet: 11.9 x 15 cm (4 11/16 x 5 7/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Jacques de Boissieu.

Pejzaż - Vicin'al circo di Caracalla. Reinhart, Johann Christian (1761-1847), graphic artist

A coffee in Asia Minor, painting by Decamps. engraving 1855

Ruin of the caracalla thermal baths; Roman ruins and coastal landscapes (series 2). The overgrown ruins of the caracalla thermal baths in Rome. In the foreground two shepherds with a herd of goats. In the background the city of Rome. Print is part of a series of Roman ruins and coastal landscapes to the prints of Willem van Nieulandt. This series is a copy of the series, who made Claes Jansz Visscher to Van Nieulandt.

Three women, on a yard busy with barrels and other material, Three women with barrels and other material, draughtsman: Jean Baptiste Lallemand, 1726 - 1803, paper, h 312 mm × w 417 mm

Egyptian Street Scene. Charles François Eustache; French, 1820-1870. Date: 1842-1847. Dimensions: 453 × 305 mm. Black Conté crayon, with red chalk, graphite and stumping, on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Rome, Piranesi, Giovanni Battista, Vedute di Roma disegnate ed incise da Giambattista Piranesi architetto Ve(nez)iano, Views of Rome, Avanzi del Tempio del Dio Canopo nella Villa Adriana in Tivoli, Canopus in the Villa Adriana in Tivoli, verso - stamped, View of the ruins of the Canopus in the Villa Adriana in Tivoli. Title and list with explanatory letters in the bottom center., print, prints, height 455 mm, width 587 mm, Italian, 1720-10-04 - 1778-11-09, print maker, 1748 - 1778, paper, etching, Work conception, after own design of

Drawing, Figures on Road; Carlo Marchionni (Italian, 1702-1786); Italy; pen and ink, brush and watercolor on paper

No. 81. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Print, Baths of Trajan; Giovanni Battista Piranesi (Italian, 1720-1778); Italy; etching and engraving on off-white laid paper; 49.1 x 71.5 cm (plate mark), 55.2 x 76.8 cm (paper); 1950-11-2

Veduta dello stato attuale del Ponte Molle, anticamente Ponte Milvio, 1828from Views of Rome. circa 1827-1828. Penna, Agostino. circa 1827-1828 See Le Gallerie nazionali italiane: notizie e documenti, 4, for untitled suite by Agostino Penna. Anna Laetitia Pecci-Blunt collected prints, published works, drawings and paintings thematically focused upon the city of Rome. Her collection included views, plans, maps of Rome and depictions of the inhabitants of the city in popular costume. As intense urban development under Mussolini transformed Rome in the 1930's, interest in the city's past grew among certain circles in Rome. Pecci-Blunt's collection came to be known as "Roma Sparita" because of its nostalgic focus on the Rome of a bygone era. Pecci-Blunt marked many of the prints in her collection with her collector's marks. Small, circular marks found on the recto of the prints, typically in the lower right corner, display Pecci-Blunt's family coat of arms, a comet, encircled with the text

Les Soirées de Rome: L'Escalier aux quatre bornes, 1763. Hubert Robert (French, 1733-1808). Etching; Derived from his own pen-and-ink drawings, this suite of etchings features fictional characters situated near recognizable buildings and statues in Rome. On the title page, Robert dedicated the suite to Marguerite Le Compte, who visited Rome in 1764 in the company of the wealthy author and art enthusiast Claude Henri Watelet. Both Le Compte and Watelet were amateur etchers, and they socialized with a group that included artists and printmakers centered at the academies in Italy. Roberts dedication was likely motivated by the hope of future patronage from Le Compte. She may be the generous woman with a hand muff depicted in The Ancient Temple, the fifth scene in this series.

Ruins of the Thermen van Caracalla, Bartholomeus Breenbergh, 1638 - 1642 print paper etching landscape with ruins Thermen from Caracalla

Feast of the Nativity. Dürer, Albrecht (1471-1528), graphic artist

Landscape with Catacombs 1530-40 Domenico Beccafumi Italian. Landscape with Catacombs. Domenico Beccafumi (Italian, Cortine in Valdibiana Montaperti 1484-1551 Siena). 1530-40. Pen and ink, brush and brown wash, over black chalk. Drawings

Elevazione e prospetto d'un'altra piscina esistente nella vigna de' PP. della Compagnia di Gesù a Castel Gandolfo , Archaeological sites, Reservoirs. The Antonio Cardinal Tosti Collection

Escape by Hugo de Groot in the book box from Loevestein Slot, 1621, c. 1752 - 1789 print Face locked Loevestein with the escape of Hugo de Groot in the book box in the book box, March 22, 1621. Men drag the coffin on a rope. Amsterdam paper etching law and jurisprudence (+ escape from prison). castle Slot Loevestein

Two designs for a garden view with fountain and garden tools in the foreground. Draughtsman: Dionys van Nijmegen (possibly). Dating: 1715 - 1798. Measurements: h 166 mm × w 207 mm. Museum: Rijksmuseum, Amsterdam.

Underground corridor system in the Sint Pietersberg in Maastricht, Alexander Schaepkens, c. 1859 print paper. etching cave, grotto Sint-Pietersberg

Adsumto Puero Ejusq Matre Fuge in Aegyptum, Johann Esaias Nilson, German, 1721 - 1788, Etching on paper, Germany, 1721-1788, Print, Print

Capriccio with RomanRuins. Artist: Johann Georg Hertel, German, active 1750-1760

A 1655 drawing by Adriaen van der Cabel depicts a wall fountain set among bushes, with hikers and dogs drinking from it, executed in black chalk and gray tones.

Autre vue de la Façade du Pronaos, dessiné et décrit dans la planche V (Another View of the Pronaos Façade Drawn and Described in Plate V ), from Différentes Vues de Pesto (Different Views of Paestum). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

January: VissCène (Waterman); Ianuarius; The twelve months (part 2). Landscape that represents the month of January. River landscape with ruins. In the foreground people around a fire. In the background a figure in a rowing boat. In the middle above the symbol for the zodiac sign Aquarius.

Frederick Landseer Maur Griggs, 1876-1938, British, Sellenger, 1917. Etching.

The Round Tower, from 'Carceri d'invenzione' (Imaginary Prisons). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 24 13/16 x 19 1/2 in. (63 x 49.5 cm)Plate: 21 7/16 x 16 5/16 in. (54.5 x 41.5 cm). Publisher: Giovanni Bouchard (French, ca. 1716-1795). Date: ca. 1749-50.A native of Venice, Piranesi went to Rome at age twenty and where he remained for the remainder of his life. Rome was the inspiration for and subject of most of his etchings that number over a thousand. Piranesi studied architecture, engineering and stage design, and his first plans for buildings reflect his training combined with the tremendous impact of classical Roman architecture. The fourteen plates depicting prisons - probably Piranesi's best-known series - were described on their title page as 'capricious inventions.' These structures, their immensity emphasized by the low viewpoint and the diminutive figures, derive from stage prisons rather than real ones. Actual p

Ruins of the baths of Caracalla, Rome. Draughtsman: Gerard ter Borch (I) (mentioned on object). Dating: c. 1609. Place: Rome. Measurements: h 197 mm × w 250 mm. Museum: Rijksmuseum, Amsterdam.

Cascata e Ponte di San Rocco a Tivoli, 1795, Collection ou Suite de Vues Pittoresques de l'Italie (plate 56), etching on laid paper, plate: 37.3 x 28.1 cm (14 11/16 x 11 1/16 in.), sheet: 49.2 x 39.2 cm (19 3/8 x 15 7/16 in.), Albert Christoph Dies (artist) Austrian, 1755 - 1822

City on a river, Claes Jansz. Visscher (II), After Willem van Nieulandt (II), 1618 print View of a hilly landscape with a city with round towers on a river. Amsterdam paper etching outskirts of city. river. water tower

Landscape with ruin and draftsman. Possibly shown Rome

THE GROTTO, IN HAWKSTONE PARK, 1854

Landscape with Ruins. Dated: 18th century. Dimensions: overall: 18.5 x 26 cm (7 5/16 x 10 1/4 in.). Medium: pen and brown ink with brown wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Italian 18th Century.

Landscape with draftsman at Ruin, Nicolas Perelle, 1613 - 1695 print Paris paper etching landscape with ruins (+ city(-scape) with figures, staffage). artist at work, in his workshop - BB - out of doors

February: cityscape with Serenade (fishing), Antonio Tempesta, 1575 - 1613 print Landscape that depicts the month of February. Cityscape with musicians who bring a woman on a balcony a serenade. Two ladies on horseback on the street. Above the symbol for the constellation fishing. print maker: Italyafter own design by: Italypublisher: Rome paper etching landscape symbolizing February. city-view, and landscape with man-made constructions. serenade to the beloved

Rome, Rossini, Luigi, Vaduta degl' avanzi d' uno de' principali ingressi del Colosseo, The Colosseum in Rome, verso - stamped, View through an arch in the Colosseum in Rome., print, prints, height 452 mm, width 359 mm, Italian, 1790-12-15 - 1857-04-22, print maker, 1819 - 1819, paper, etching, etchings, Work conception, after own design by

Madrid, Brambila, Fernando, Galvez, Juan, Ruinas de Zaragoza, Ruins of Zaragoza, Ruinas del interior de la Yglesia del Carmen, Ruins of the Iglesia del Carmen in Zaragoza, verso - stamped, Title in bottom margin., print, prints, images, height 450 mm, width 276 mm, Spanish, 1774 - 1847, print maker, printmaker, 1808 - 1814, paper, aquatint, etching

Louis Joseph Le Lorrain, Architectural Fantasy with an Obelisk and Arcade, 1750 Architectural Fantasy with an Obelisk and Arcade

Hadrian's Villa: The Canopus (Avanzi del Tempio Dio Canopo nella Villa Adriana in Tivoli) ca. 1769 Giovanni Battista Piranesi Italian. Hadrian's Villa: The Canopus (Avanzi del Tempio Dio Canopo nella Villa Adriana in Tivoli) 363894

Aux Iles Borromeo Lago maggiore (On the Borromean Islands Lago Maggiore). Dated: c. 1870. Dimensions: plate: 15.6 × 23.7 cm (6 1/8 × 9 5/16 in.) sheet: 32.7 × 50 cm (12 7/8 × 19 11/16 in.). Medium: etching on buff laid paper. Museum: National Gallery of Art, Washington DC. Author: Giberto Borromeo.

Corinth Temple of Neptune Made 1845 France. Etching on ivory China paper, laid down on white wove paper . Théodore Caruelle d' Aligny

Giovanni Battista Piranesi, The Arch with a Shell Ornament, published 1749 1750 The Arch with a Shell Ornament

Antique Ruins of an Amphitheater Made 1650-1655 Holland. Etching in black on ivory laid paper . Herman van Swanevelt

Bernhard Zaech after Jonas Umbach (German, active c. 1650), Goats before Ruins and a Pyramid, c. 1650, etching on laid paper

Grafombe van de reviewing familiar; Sepolcrale camera a few distant steps from that lia one described the family of L. Arrunzio none vines (...); Vondsten Archeology in En RONT ROMA; The roman antique. Gezicht in by grafombe van de hitting familie. TITTA en Tekst in onDermany. GENUMMERD BOVEN: TOM. Ii. / Xvi.

Ruines 18th century Quentin Pierre Chedel. Ruines. Quentin Pierre Chedel (French, Chlons-en-Champagne 1705-1763 Chlons-en-Champagne). 18th century. Etching. Prints

Tomb of the Scipios, plate 18 from Some Views of Triumphal Arches and other arches Published 1748 Italy. Etching on ivory laid paper . Giovanni Battista Piranesi

Shepherd at ruin. Draughtsman: Jan Smees. Dating: 1705 - 1729. Measurements: h 185 mm × w 144 mm. Museum: Rijksmuseum, Amsterdam.

Temple of Janus, plate 11 from Some Views of Triumphal Arches and other monuments. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1747-1748. Dimensions: 130 x 261 mm (plate); 344 x 460 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

A Romanesque Ruin 1650-1651 Netherlands. Five drawings (1961.378-1961.382) were once bound in a small sketchbook of approximately 200 pages. Because it was light and portable, Jan van Goyen could tuck it into his pocket while walking in search of inspiration. Sketchbooks allowed the artist to quickly delineate sand dunes and architectural structures in the vicinity of his residence in The Hague and farther afield. These landscape sketches in black chalk and ink wash relateódirectly and indirectlyóto compositions the artist later realized in oil paintings.. Black chalk, with brush and gray wash, on ivory laid paper . Jan van Goyen

Sailors on the Kade, Thomas Wijck, 1626 - 1677 print Sailors and merchandise on the quay. A boat is moored on the other side of the river. paper etching merchant, salesman

Venetian scene. Artist: Anonymous, Italian, first half of the 18th century. Dimensions: 8-1/2 x 11 in. (21.6 x 27.9 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Italianizing landscape with shepherds and cattle, Abraham Delfos, after Nicolaes Pietersz Berchem, 1741 - 1820 print paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. cattle. landscape with ruins

Architectural painting of an Ionic portico, with a cornice decorated with dolphins and tritons, and an entablature with vase. Perhaps a Coenaculum, the upper room on a country house. Vignette below shows a parrot pulling a cricket in a chariot. Copperplate engraved by Tommaso Piroli from his own "Antichita di Ercolano" (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.

Reverse Copy of Le Patre et les Ruines (The Shepherd and the Ruins), from Les Caprices Series A, The Florence Set 17th century Anonymous. Reverse Copy of Le Patre et les Ruines (The Shepherd and the Ruins), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Anonymous. 17th century. Etching. Prints

The gradient scaurie you Rome, Tobias Verhaecht, 1571 - 1590 drawing paper. chalk. graphite (mineral). ink pen / brush public road. arcade ~ architecture Gradient scale

Drawing by Ferdinand Boberg. Uppland, Oland's hd., Öster-Lövsta sn., Lövsta Nordic

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