Ancient Sculptural Reliefs

Reliefs depicting mythological figures and sacred scenes from antiquity, showcasing intricate carvings that reflect ancient beliefs and artistic skills.

Feuillet en Cinq Paries ("Ivoire Barberini": Empereur Triomphant) - Form in Five Parts Byzantine Art 330 AD-1435 Musee du Louvre, Paris, France

Roma - Villa Albani. Mercurio, Pallade, Apollo e Diana. (Scultura antica) , Antiquities, Bas-reliefs, Gods, Goddesses, Athena Greek deity, Apollo Deity, Diana Roman deity, Mercury Roman deity. Nicholas Catsimpoolas Collection

Relief with the Holy Trinity, 1548 Relief with the holy trinity. Middle part of the tombstone of the Ros family from the Grote Kerk in Wageningen. Gets up sandstone Wageningen Relief with the holy trinity. Middle part of the tombstone of the Ros family from the Grote Kerk in Wageningen. Gets up sandstone Wageningen

Lazio Roma Grottaferrata Museo43. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for a painting, Saint Nicholas saves the city of Myra from famine, draughtsman: Otto van Veen, 1600 - 1610, paper, h 267 mm × w 95 mm

Lazio Roma Rome S. Agnese fuori le Mura25. Hutzel, Max 1960-1990 Medieval: Architecture, architectural fragments, sculptural fragments, sculpture. Post-medieval: Architectural sculpture, fresco painting Object Notes: Erected in 342 by Costanza, daughter or niece of Constantine on the site of the catacombs holding the remains of S. Agnese. Marble staircase dates from 1590. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Apotheosis of Antonio Manoel da Vilhena, Grand Master of Malta. Massimiliano Soldani-Benzi (Italy, Florence, 1656-1740). Italy, circa 1725-1729. Sculpture. Wax relief on modern synthetic support in glazed, ebonized frame

Henri II and Catherine de Medicis' Lineage 1580.

Feuillet en Cinq Paries ("Ivoire Barberini": Empereur Triomphant) - Form in Five Parts Byzantine Art 330 AD-1435 Musee du Louvre, Paris, France

Umbria Perugia Bevagna Convento dell'Annunziata0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sarcophage de Naplous, Imperial Ottoman Museum, Constantinople , Antiquities, Sarcophagi. Nicholas Catsimpoolas Collection

Abruzzo Alanno Madonna delle Grazie. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, frescos (16-17th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Teramo Teramo S. Agostino2. Hutzel, Max 1960-1990 View of Baroque facade built in the 19th century. General views of the interior include: an organ, dome, pulpit, two stone side altars, confessionals, and wall paintings. The coverage emaphasizes the main altar (16th century) which is silver and depicts a scene of the Last Supper. In the Oratory are frescoes of the Four Evangelists in the dome pendentives, a ceiling fresco, and wall paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for a Frieze in Fontainebleau Style. Artist: Anonymous, French, 19th century. Dimensions: sheet: 10 11/16 x 16 5/8 in. (27.2 x 42.2 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

. Moses stands with raised staff to the right of the waterfall, which deposit from the rock. Behind him a progressive man, which drinks, left a kneeling woman, who catches one of the two rays in a scale. Behind Moses three men and some tents; Behind the kneeling woman a standing woman, wearing a glitter on the shoulder. The bottom of the relief is chamfered to an elongated panel.

Detail of door of La Madeleine. Hippolyte Bayard (French, 1801 - 1887)

Lazio Roma Rome S. Gregorio Magno6. Hutzel, Max 1960-1990 Medieval: Sculpture, mosaics. Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, stucco Object Notes: Completely renovated/restored in 16th and 17th centuries in Baroque style, church (on Monte Celio) contains hardly any indication of paleo-Christian/medieval style of its origins. 173 prints are accounted for and filed; 182 + 83 negatives are accounted for and filed--leaving 117 negatives unaccounted for. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site compl

Relief funéraire , Stelae, Sculpture, Antiquities. Nicholas Catsimpoolas Collection

Mount Cavalry ca. 1520 Dutch. Mount Cavalry. Dutch. ca. 1520. Copper. Metalwork-Copper

Martyrdom of saint Peter of Verona, relief on Facade of Sant Anastasia Church in Verona, Italy Martyrdom of saint Peter of Verona, relief on Facade of Sant Anastasia Church in Verona, Italy Copyright: xZoonar.com/ZvonimirxAtletix 20638773

Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head. Artist: Attributed to Giulio Campi (Italian, Cremona 1502-1572). Dimensions: Sheet: 10 1/2 x 8 3/4 in. (26.7 x 22.2 cm). Date: 1535-45. Museum: Metropolitan Museum of Art, New York, USA.

Jacobi, CH, Venice, Ongania, Ferdinand, Relief of two saints and angels from San Marco in Venice, recto - printed, This print is part of a cover with 79 prints on 53 sheets and 2 text sheets., photomechanical print, photographs, photographically illustrated books, 230, L.2, L.13., height 395 mm, width 309 mm, photographer, 1880 - 1885, paper, collotype, cliché maker

Fireback Hercules with two women and Jupiter, text Virtus Hercules Volupt Jupiter, fire place hinge 107.0, cast Rectangular arch at the top. On top of lion's head flanked by dolphins Wide edge between frame and pearl necklace decorated with fruit-eaters In the middle picture of Hercules with club and sheepskin On his right side an old one on his left young woman Above the three cloud with Jupiter sitting on an eagle On the cloud: JVPITER; below: Virtus Hercules Volupt Jupiter living environment interior heating mythological figure mythology Hercules Jupiter Groenendaal Rotterdam City Triangle Originating from the building ad Groenendaal Zuidzijde N ° 42 Rotterdam.

Fonton double to the weapons of the city of Angers with two loves Fronton lined with weapons of the city of Angers with two loves. 1854-1862. Photograph of Delmaet, Duandelle.

Ghiberti Lorenzo (1387-1455), Baptistery, Florence. East portal Porta del Paradiso (without date): Detail east portal (paradise door) bronze door with relief presentation Abraham and the sacrifice of Isaak, 2nd field from above, right side. Photo, 23.6 x 32 cm (including scan edges)

Lazio Roma Velletri Museo Civico di Velletri38. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

Umbria Terni Narni S. Giovenale, Cathedral90. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Campania Napoli Naples S. Lorenzo Maggiore88. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Woodcut by Albrecht Dürer depicting the F tower scene number 1 of the honorary gate for Emperor Maximilian I, featuring a dome, created on pear wood in 1515.

Miracle in the Life of St. Francis of Paola 18th century French. Miracle in the Life of St. Francis of Paola. French. 18th century. Wax, fabric, glass, foil, terracotta, wood, paper. Sculpture-Miniature

Lazio Frosinone Boville Ernica S. Pietro Ispano2. Hutzel, Max 1960-1990 Medieval: Palaeochristian sarcophagus from 4th century, with relief of Nativity and Adoration of the Magi. Mosaic by Giotto. Post-medieval: Architecture, sculpture, frescoes. Structure of romanesque origin, but renovated in the 16th-17th centuries. Statues in niches of S. Peter and S. Paul, by Andrea Bregno. Marble relief of the Holy Family in the manner of Bregno (end 15th century). Frescoes from the end of the 16th century. General Notes: There were two sets of prints now integrated into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. I

Madonna and Child with Angels. Dated: c. 1475. Dimensions: overall (with finial and suspension loop): 13.3 x 8.9 cm (5 1/4 x 3 1/2 in.) overall (inner field): 9.6 x 7.6 cm (3 3/4 x 3 in.) overall (height without suspension loop): 12.5 cm (4 15/16 in.) overall (height without finial and suspension loop): 10.8 cm (4 1/4 in.) gross weight: 227 gr (0.5 lb.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Paduan 15th Century.

Plague relief at Holy Trinity plague column in front of Matthias Church in Budapest, Hungary Plague relief at Holy Trinity plague column in front of Matthias Church in Budapest, Hungary Copyright: xZoonar.com/ZvonimirxAtletix 21118024

th, Karlskirche, relief on a triumphal column, Gerlach , Wiedling Buch- und Kunstverlag, publishing house

Ontwerp voor een hoekstuk van een plafond met zittende figuren, putti en buste van een sater. Vier delen van een plafondontwerp (series title). Draughtsman: Mattheus Terwesten. Intermediary draughtsman: Augustinus Terwesten (I). Dating: 1680 - 1757. Measurements: h 626 mm × w 509 mm. Museum: Rijksmuseum, Amsterdam.

Still Life With Plaster Casts. Baron Armand-Pierre Séguier (French, 1803 - 1876)

Architectural ornament panel mid-16th century Spanish These panels display a distinctively Spanish version of the "grotesque" ornamental style seen in the more Italinate carvings that embellish the patio from Vélez Blanco of which this stairway is a part.. Architectural ornament panel 193206

Campania Salerno Salerno-S. Matteo, Cathedral40. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Velletri Museo Civico di Velletri85. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

ADORACION DE LOS MAGOS. Author: MORETO JUAN. Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN.

The Raising of Lazarus, c. 1725-50. Italy, Rome, 18th century. Gilded terracotta; overall: 49 x 79.4 x 17 cm (19 5/16 x 31 1/4 x 6 11/16 in.).

Caradosso Foppa, A Triumph A Triumph

Tuscany Grosseto Montemerano S. Giorgio1. Hutzel, Max 1960-1990 Post-medieval: 15th century architecture; baroque additions to interior; wall and ceiling frescos; paintings on canvas and panel; polychrome wooden altar; wooden sculpture; tabernacle. Object Notes: Hutzel photo campaign date: November 29, 1984. There are two sets of notes with different numbering systems, indicating the possibility of two campaigns. However, the photos are virtually identical. The numbered series (undated) was originally matched to the negs. The "A" series (dated 1984) was renumbered, more negs. have been found and the series has been integrated into the undated series. General Notes: Apse and transept date to the 14th century, but they are not illustrated in these photographs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art histori

Power, Adam.

Columbus Undergoing an Examination Before the Council of Salamanga. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol

Baccante base di Candelabro - Palazzo dei Conservatori , Antiquities, Bas-reliefs, Candelabras. Nicholas Catsimpoolas Collection

Lazio Viterbo Barbarano Romano Municipio. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, with re-used ancient fragments. Views of medieval town, including retaining walls and towers. Owner: Museo Antiquities: Sarcophagi, cippi General Notes: Includes photographs from two separate campaigns German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Jean Duvet, French (1485-c. 1570), The Winepress of the Wrath of God, 1546-1556, engraving

Atget, Eugène (Jean Eugène Auguste Atget, dit) (n.1857-02-12-D.1927-08-04), the seven works of Mercy, School of Fine Arts, 6th arrondissement, Paris (dummy title), 1885. Draw on albumin paper. Carnavalet museum, history of Paris.

Detail, bronze main door of Milan Cathedral with scenes from the life of Mary, sculptor Lodovico Pogliaghi, city centre, Milan

Lazio Roma Rome S. Paolo83. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

CRISTO ATADO A LA COLUMNA - 1562 - RELIEVE DEL RETABLO DE LA REDENCION PROCEDENTE DE LA IGLESIA DE SANTA CATALINA DE ARACENA. Author: GIRALTE JUAN. Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. Sevilla. Seville. SPAIN.

Laurana Luciano (1420-1479), Palazzo Ducale, Urbino. Kaminfries (without date): View detailed Kaminfries with arabesques acanthus tendrils and predatory bird motifs and egg stabilizer. Photo on paper, 22.2 x 29.2 cm (including scan edges)

Domenico Beccafumi: the sacrificial ahabs, detail of the floor in the cathedral of Siena. .

Design for a corner piece of a ceiling with seated figures, putti and bust of woman Four parts of a ceiling design (series title), draughtsman: Mattheus Terwesten, intermediary draughtsman: Augustinus Terwesten (I), 1680 - 1757, paper, h 625 mm × w 527 mm

The Admiral in chains. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol

Campania Napoli Naples S. Lorenzo Maggiore51. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Emilia-Romagna Ferrara Ferrara S. Francesco12. Hutzel, Max 1960-1990 Medieval: Sculpture, tomb monuments. Post-medieval: Architecture, architectural sculpture, sculpture, ceramics, frescoes, painting Specific Location: Via Savonarola Object Notes: Ferrarese Franciscan Archive was burned by soldiers in 1494; Founding date today is set at 1227. General Notes: Includes second set of 17 post-med photos with same numbering system. These have been labeled "B". German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Virgin and Child. Dated: 15th century. Dimensions: overall (irregular oval): 8.7 x 4.9 cm (3 7/16 x 1 15/16 in.) gross weight: 114 gr. Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: Paduan 15th Century.

Ghiberti Lorenzo (1387-1455), Baptistery, Florence. East portal Porta del Paradiso (without dat.): Detail east portal (paradise door) bronze door with relief presentation crossing the Jordan, 4th field from above, right side. Photo, 23.4 x 32.2 cm (including scan edges)

De Gulden Middenweg, Anonymous, 1556 drawing On the left a female figure with goat's legs, in the middle a man with a headpiece and a sater on the right. Antwerp prepared paper. paint (coating). ink pen / brush

Panel with Scenes featuring Unknown Saints 19th century European (Medieval style). Panel with Scenes featuring Unknown Saints 464270

Gypsum model for the sculpture "intellectual work and manual work" by Georges Dielt at the Louvre Palace. Share of meeting of the Tuileries at the Louvre 1852-1857, album 1.

Design for a wall covering with three putti. Draughtsman: Jacob de Wit (follower of). Dating: 1705 - 1804. Measurements: h 283 mm × w 132 mm. Museum: Rijksmuseum, Amsterdam.

Roman Sarcophagus depicting the anecdote of Phaedra and Hippolytus, Camposanto Monumental Cemetery, Pisa. Tuscany, Italy. Europe. Drawing by Chapuis. Travel through Tuscany 1881 by Eugene Muntz (1845 - 1902) Le Tour du Monde 1886

Arch de L'Etoile - west 4. S.. Attributed to André H. Orange (French, active Paris, France 1850s)

Anonymous, model of the bas-relief of the back of the monument to Victor Hugo (dummy title), 1898. Gelatino-argentic draw on paper. House of Victor Hugo - Hauteville House.

Plaque with the Fountain of Youth ca. 1320-40 French The lower scene depicts three episodes in the progress of an amorous relationship. Beneath trefoil arches a woman recoils from the advances of her lover at the left; she has a more tentative response in the center; and on the right she embraces him as he chucks her chin. Above, under an identical arcade, is the fountain of youth, an image rarely represented in art during this period but known from romance literature. At the left, a bearded, old man with a walking stick enters the raised fountain's flowing waters, which are already inhabited by two smiling, youthful couples.In addition to devotional statuettes, diptychs, and triptychs, which survive in large numbers, Parisian ivory carvers supplied their clients with combs, boxes, mirror cases, and other objects frequently decorated with secular themes. This plaque was undoubtedly made to be the cover of a set of wax writing tablets. The ivory leaves would have been held together by a

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)53. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Saint Julien cathedral, Le Mans, France. 16th century relief in the sacristy. Resurrection

Lazio Roma Rome Palazzo del Commendatore7. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, fresco painting. Object Notes: The palazzo is the seat of the president of the hospital of Borgo S. Spirito; built inbetween 1567-71 after design of Nanni di Baccio Bigio; linear facade; fantastic clock of 1827. Hospital was founded in 1198 by Pope Inncenzo III. Frescoes in salons, c. 1,000 square meters. 53 negatives have already been filed away. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Border (USA); block-printed; 52.5 x 27 cm (20 11/16 x 10 5/8 in.)

Apotheosis of Symmachus, Prefect of Rome, 401 AD. Marble.

Athènes - Grèce. Musée National. Plaque en bronze trouvée à Olympie. (Style gréco-oriental du VII siècle a. C.) , Antiquities, Bas-reliefs. Nicholas Catsimpoolas Collection

Textile, Medium: cotton Technique: printed by engraved roller on cotton plain weave., An historical event happening in the hall of a castle. In ocher (unusual color)., France, early 19th century, printed, dyed & painted textiles, Textile

Design for a Funeral Monument early 16th century Italian, Lombardy This highly detailed study of a classically-inspired wall tomb may have served as a modello - a presentation drawing to be shown to a patron - or as a drawing of a finished monument. The portrait in the center, inspired by Roman models, probably represents the deceased, whose epitaph was intended to be inscribed on the blank cartouche at the bottom. The eight square scenes portray Prophets and Sibyls, while the upper pair of roundels portrays the Annunciation. The lower roundels illustrate the Creation of Adam and Eve, the latter inspired by Michelangelos Sistine Ceiling, completed in 1512.. Design for a Funeral Monument. Italian, Lombardy (early 16th century). Italian, Lombard. early 16th century. Pen and ink in two shades of brown, brush and brown washes.. Drawings

Sarcophage dit 'd'Alexandre' , Antiquities, Sarcophagi, Alexander Sarcophagus Sidon, Lebanon. Nicholas Catsimpoolas Collection

Lazio Roma Velletri Museo Civico di Velletri3. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects o

Relief with two men in the cathedral of Aix-en-Provence, c. 1875 - c. 1900 photograph Aix en Provence cardboard. photographic support albumen print sculpture (+ relief ~ sculpture). fantasy ornament. interior of church Aix en Provence

Plaque with the Last Supper 15th century () British or French (). Plaque with the Last Supper 467477

Birth with the shepherds. Relief of alabaster with birth with the shepherds. The bottom of the object proceeds in an obliquely placed cartouche on which the monogram: HVH.

Plaque with Enthroned Virgin and Child 850-875 Carolingian This carving showing the Virgin and the Infant Jesus reuses an ivory plaque that might have once served as a furniture mount. The plaque, originally carved in Egypt one hundred years earlier, depicts on its back a tree flanked by birds. The recarving of pagan ivories with Christian subjects, probably to adorn a Gospel book, occurred in a workshop associated with the emperor Charles the Bald (r. 840-77), the grandson of Charlemagne. The reuse of ancient ivory plaques, not unusual in the 800s, was due to the rarity of African elephant ivory in Europe.. Plaque with Enthroned Virgin and Child. Carolingian. 850-875. Ivory. Made in northern France. Ivories

Emilia-Romagna Modena Nonantola Abbazia di Nonantola1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Peter Flötner, Allegory of Wrath, c 1535 Allegory of Wrath

A pen and bister ink drawing by Johann Wolfgang Baumgartner depicting St. Antonius with white heightening on bluish paper, emphasizing figure, gesture, and composition.

EXODO(REPRESENTA LA HUIDA DE GIBRALTAR)-TERMINADO HACIA 1970. Author: ORTEGO BRU. Location: AYUNTAMIENTO. SAN ROQUE. Cadiz. SPAIN.

Design for a corner piece of a ceiling with seated figures, putti and bust of a Sater; Four parts of a ceiling design.

Drawing, Design for a Ceiling Decoration; Designed by Giuseppe Maria Rolli; Italy; black chalk, pen and ink, brush and watercolor on paper

Relief sculpture of Madonna, Florence Cathedral. Fratelli Alinari (Italian, founded 1852)

Mary, Joseph and Three Angels, Adriaen van Wesel, c. 1475 - c. 1477 On a strongly rising ground and for a raised wall, three to the left kneel -oriented angels kneel: one lets both hands slide over the double row of keys of an open Klavichord and seems to sing; The angel in the front left, pleasantly watchful, holds a female against the shoulder; The third leans forward with joyful curiosity and plays the lute. Behind them, Joseph bends forward with serious interest, while holding the right hand to the head for taking a headgear (which was lost). He is dressed in a monk, the hood of which has fallen back; The angels wear given alben. Utrecht oak (wood) the Bosch On a strongly rising ground and for a raised wall, three to the left kneel -oriented angels kneel: one lets both hands slide over the double row of keys of an open Klavichord and seems to sing; The angel in the front left, pleasantly watchful, holds a female against the shoulder; The third leans forward with joyful curiosity

Album # 2; Vitrail project for Rouen: Transfiguration Gsell-Laurent workshop. Album # 2; Stained glass project for Rouen: Transfiguration. black stone.

, Michaelerplatz - Michaelerkirche - Interior view - lead relief, Josef Wlha -, photographer

Relief the triumph of Marcus Aurelius in the Capitoline museums in Rome, Italy, Fratelli Alinari, 1852 - 1900 photograph Rome cardboard. paper albumen print art (+ relief ~ sculpture). triumph of Marcus Aurelius, the Roman emperor Capitoline Museums

RELIEVES DEL SEPULCRO DEL PRINCIPE JUAN REALIZADO EN 1511 - MARMOL - ESCULTURA RENACENTISTA - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60. Author: DOMENICO FANCELLI. Location: CONVENTO DE SANTO TOMAS. AVILA. SPAIN.

The Entombment. Dated: late 15th - early 16th century. Dimensions: overall: 10.2 x 6.7 cm (4 x 2 5/8 in.) gross weight: 141 gr. Medium: bronze//Medium brown patina (much rubbed). Museum: National Gallery of Art, Washington DC. Author: MODERNO.

Collection of the most beautiful and moving architectures examples in European cemeteries

Zygmunt Bell (St. Zygmunt) Zygmuntów Tower, Wawel Cathedral, Krakow Beheem, Hans (FL. 1520)

th, Karlskirche, relief on a triumphal column, Gerlach , Wiedling Buch- und Kunstverlag, publishing house

Scharbausaal, dormitory of the Franciscan monks, remodelled in 1618 - 1619 and furnished with ornate oak shelves as a library hall, carving by a donor: M ADAMUS HELMS

Umbria Terni Narni Santuario Madonna del Ponte4. Hutzel, Max 1960-1990 Medieval: Frescoes (12th century). Post-medieval: Architecture (c. 1724), painting (18th century), frescoes (14th century), sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sleeping Ariadne, Vatican Museums , Antiquities, Sculpture, Sleeping, Ariadne Greek mythological character. Nicholas Catsimpoolas Collection

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