Angels and Cherubs in Art

A collection of 19th-century prints featuring angels and cherubs in various scenes, including divine appearances and musical performances, created in intricate etching styles.

Photo production of an engraving of Moses and the bronze snake by Schelte Adamsz. Bolswert, to the painting by Peter Paul Rubens, Jean Louis Bargignac, After Schelte Adamsz. Bolswert, after Peter Paul Rubens, c. 1853 - in or before 1858 photograph Brussels photographic support albumen print the brazen serpent (Numbers 21:4-9)

Engel appears to wife, Charles Rochussen, in or before 1841 print An angel appears to a woman who is shocked in her chair. Around various scenes with knights on horseback. The Hague paper. angels. appearances

Photo production of an engraving of Moses and the bronze snake by Schelte Adamsz. Bolswert, to the painting by Peter Paul Rubens, Jean Louis Bargignac, After Schelte Adamsz. Bolswert, after Peter Paul Rubens, c. 1853 - in or before 1858 photograph Brussels photographic support albumen print the brazen serpent (Numbers 21:4-9)

Drie Musicerende Amors, Louis Félix de la Rue (Le Jeune), After François Boucher, 1741 - 1765 print Numbered at the top right: 4. Paris paper etching Cupids: 'Amores', 'Amoretti', 'Putti'

This etching by Bartolomeo Pinelli depicts historical views and daily life in Rome, created in 1817. The work emphasizes urban architecture, streets, and civic activities.

Photo production of an engraving of a party in the house of Simon de Phariseeër by Michel Natalis, to the painting by Peter Paul Rubens, Jean Louis Bargignac, after Michel Natalis, after Peter Paul Rubens, c. 1853 - in or before 1858 photograph Brussels photographic support albumen print meal at the house of Simon the Pharisee (Luke 7:36-50)

Landscape with a kneeling woman in a few, c. 1843 - c. 1864 Leaf 15 Recto from a compilation album with 32 sheets. Amsterdam paper. ink pen sitting figure. kneeling figure. dog. couple of lovers

Etching by Giovanni Domenico Tiepolo from the 18th century depicting a worker saved from death by the scapular, with an angel delivering the scapulation, showing religious figures and symbolic composition.

Four men around a table / horse in the meadow. Two prints on a leaf; Links a representation of four smoking men in an interior and on the right a representation of a horse.

Lithograph by François Séraphin Delpech from 1800-1825 depicting a post-carriage, showing the carriage structure, wheels, horses, and travel scene.

Etching by Antonio Tempesta from 1575-1630 depicting a wild boar hunt, showing hunters, boars, and outdoor landscapes in detailed composition.

The Death of Prince Józef Poniatowski. unknown, graphic artist, Vernet, Horace (1789-1863), painter

Print, LE JEU DE LA TOUPIE / LESCARPOLETTE; Print Maker: Jacques Bacheley (French, 1712 - 1781), François Chéreau, the younger (French, 1717 - 1755); After Hubert-François Gravelot (French, active England, 1699 - 1773); France; etching on paper

Etching by Louis de Châtillon created between 1669 and 1761 showing the biblical scene of Paul's conversion, with figures and religious symbolism.

Indian prince and Indians on Elephant, Abraham de Bruyn, 1576 - 1596 print Two prints on a magazine, with German caption and Latin inscription. Left: Horse and rider to the left. The horse is in step. The rider is an Indian prince. Right: war solififififant to the right. The beast is in step. Seven Indians are on the elephant. Most have spears or arches. Cologne paper engraving warfare; military affairs (+ cavalry, horsemen). folk costume, regional costume. military clothing and other equipment (uniforms, cap, armour, helmet, etc.)

Etchings by Joseph Fischer from 1790-1822 focusing on human head and figure studies, showing anatomy, posture, and expression.

Etching by Jan van Ossenbeeck depicting Christ with the disciples caught in a sea storm, created between 1639 and 1674.

Saint Joseph and other saint with cello playing Engel, Carlo Cesio, After Giovanni Lanfranco, 1636 - 1686 print Saint Joseph and another saint on clouds. They are surrounded by angels, one of which plays on a cello. print maker: Italyafter drawing by: Italyafter painting by: Rome paper engraving / etching Joseph (not in biblical context). angels. saints. angels singing, making music

Worker who sweeps sweat from his forehead, Johannes Josephus Aarts, 1881 - 1934 print A standing man wipes with his left -hand underarm along his forehead. In his right hand he holds his hat and a spade. Behind him six more workers, some machines and trees in a hilly landscape. paper. pencil engraving working class, labourers. sweating, perspiration. resting - BB - out of doors

Floating people, fantasy scenes and cats, Johannes Josephus Aarts, 1881 - 1934 print Among them a flat landscape with on the left buildings and a river in the middle. paper etching movement in the air. surrealia, surrealistic representations. cat

Personification from Liguria; Numismata virorum illustrium ex Barbadica Gente. A console with a hearted woman with a medusa head on her kuras and a shield, sitting on the rocks. She keeps her right hand up. An eye has been placed there. In the left hand she has a palm branch. Other attributes are a ship's door and the two arrows on the right. The print is part of an album.

Allegorical astronomical performance, approx. 1702; La Sphere Royal; Les Forces de l'Europe, Asie, Afrique et Amerique, Ou Description des Principales Villes Avec Leurs Fortifications. Dessignées PAR LES MEILLEURS Engineers, private party Celles Qui Sont Sous La Domination de la France (...) Et Ornées the plusieurs Superbes Edifes. Allegorical astronomical performance with centrally an armillarium (sky globe with degrees and the signs of the zodiac), at the top of a woman with a telescope. Plate No. 1 In the picture in the context of a total of 276 numbered plates of renowned strong cities and fortresses in the context of the Spanish Succession War. For most part, these plates have been copied to the anonymous French plates: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the framework of the nine-year war. Titles in French.

Portrety Pugacheva Portraits of Emel'ian Ivanovich Pugachev, d. 1775. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

400 / The name Batavieren is lost, Johan Huizinga, 1893 - 1895 drawing Four surprised Batavieren standing in a landscape, in the year 400. Part of the folder with 18 drawings reproduced in Johan Huizinga's 'Keur van Memberswijkige scenes from the Pader's History' from 1950. Netherlands paper. pencil. ink pen extinct, 'historical' peoples (with NAME)

Willem van der Leeuw created an etching between 1623 and 1624 showing a wolf hunt with hunters, wolves, and hunting dogs in a natural setting.

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Brotherhood of St. Łukasz (artistic grouping - 1925-1939), Prometheus (mitol.), Inter -war 20th anniversary, grotesque, mythology, vulture (iconogr.), Purchase (provenance)

Still life with falling and broken objects, Willem Bastiaan Tholen, 1870 - 1931 print With caption. paper etching still life of miscellaneous objects. 'Vanitas' still life. breaking something (household accident)

Print (France)

Poland's situation in 1773 (royal church); Nilson, Johann Esias (1721-1788), Le Mire, Noël (1724-1801), Moreau, Jean-Michel (1741-1814); 1773 (1773-00-00-1773-00-00);

Two compositions: 1) Ukasz; 2) Matthew; Le Febre, Valentin (1642-1680), Veronese, Paolo (1528-1588), Camen, Jacob Van (1595-1657); 1682 (1682-00-00-1682-00-00);

Miss Jaksch, Amalie Jaksch, dancer title page of Die Bomb , László frecskay -, Caricaturist, Carl Angerer -, Engraver

Saint John The Baptist in Prison visited by Salome. Salome visits John the Baptist in prison. PRENT Nr. 18 on Leaf 10 in the album 'Raccolta di Soggetti Pittorici', a print album with 42 numbered etchings on 28 pages of Luigi Sabatelli (i) itself and from students to his design.

Four performances of successively a man who stabs a child with a knife, two putti, a vase and a woman at a sleeping angel, Richard de Saint-Non, after Jean Honoré Fragonard, After Carlo Cignani, After Nicolas Poussin, After Francesco Albani, 1771 print paper etching Violent Death by Dagger, Knife. Cupids: 'Amores', 'Amoretti', 'Putti'

Study sheet with four soldiers' heads, after the Column of Trajan (design for a plate in ''Recueil de différents caractères des testes dessinées d'apres la Colonne Trajane'', etched by J.B. Hutin, published by Gabriel Huquier), draughtsman: François Boucher, (signed by artist), anonymous, 1760 - 1770, paper, counterproof, h 357 mm × w 258 mm

Ruiter and Walker, Johann Friedrich Gottlieb Unger, 1763 - 1804 print paper human types

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

God de Vader, Simon Guillain (II), After Annibale Carracci, 1646 print print maker: Parisafter painting by: Parisafter drawing by: Romepublisher: Romeprinter: RomeItaly paper etching God the Father Our Lady of the Sacred Heart

Nymphs, Saters and Putti between the trees, Gustav Eilers (Possibly), After Peter Paul Rubens, 1844 - 1911 print paper etching / letterpress printing nymphs (in general); 'Ninfe in commune' (Ripa). satyr(s) (in general). cupids: 'amores', 'amoretti', 'putti'. 'Cornucopia', Horn of Plenty

Print

Writer and his muse near Paris, Bernard Picart (workshop or), After Bernard Picart, 1728 print Ornamental cartouche with a performance of the city of Paris and a writer, presumably Nicolas Boileau-the spréaux, who leaves the city with his muse. Amsterdam paper etching / engraving ornaments ~ art. writer, poet, author. (story of the) Muses; 'Muse' (Ripa) Paris

Etching by Jacob Männl from 1674-1712 depicting Samson and Delilah with Philistines, highlighting figures, gestures, and 17th-18th century biblical composition.

Descent from the Cross. Ugo da Carpi (Italy, Emilia-Romagna, Modena province, Capri, active 1468/70-1532)Sanzio Raphael (1483-1520). 1518-1520. Prints. Chiaroscuro woodcut from three blocks

Etching by Domenico Maria Bonaveri dated 1697 showing an apostle with four boys, depicting figures, gestures, attire, and interactions in a religious scene.

1. Fête dans le harem. 2. Cheikhs de Kournon.. Denon, Vivant, 1747-1825. Prints, Illustrations. 1829. Rare Book Division. Egypt , Description and travel, Clergy , Egypt, Harems , Egypt

Philatelic 'cover' envelope, Mulready caricature - 'Ladies School', 1840, London, by J.W. Southgate Library, George Madeley.

Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls Under the Bull), Plate 26 from Latauromaquia. Artist: Francisco Goya, Spanish, 1746-1828

Sky; Aer; Four elements. Presentation of the element. Air in the shape of a naked man with wings on the head, seated on clouds. In the background a number of falconers with their dogs busy hunting. In the undermaster a two-key Latin text. Reconstructed from three fragments.

Two portraits and the Ascension of Elijah. Three drawings of Moses ter Borch stuck side by side on a leaf.

Kaulbach Friedrich August (1850-1920), Fries in the staircase of the new museum in Berlin (approx. 1900): Continuous children's frieze with the ironic relativization of monumental world history. Photo on paper, 16.4 x 32.1 cm (including scan edges) Kaulbach Friedrich August (1850-1920): Fries im Treppenhaus des Neuen Museums, Berlin

Vignette with winch, burning heart, shield, freedom hat and sun.

Print (France)

Ink and feather drawing by Franz Barwig the Older showing a peasant dance with multiple figures, gestures, and spatial arrangement.

Neptunus. Romano, Giulio, 1499-1546. 1825. Pinelli, Bartolomeo, 1781-1835. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Bliżej Kultury Czapski Hutten, Marian (1816 1875), Busse, Michał (1810 1881), Żupański, Jan Konstanty (1804 1883)

Copper engraving and etching by Franz Ertinger from 1685 depicting a bacchanal scene with mythological figures and festive composition in dotting manner.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Arion. Twenty-fifth number of a series of 52 pieces. (A. de Vesme 541; Dutuit 116) (Main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Gerhard Ludvig Lahde (1765-1833), Svaevendende Engel, 1765 - 1833

Harvest Trophy 19th century Charles Monblond French. Harvest Trophy 346897

Mariano Ceballos driving on a bull, Francisco de Goya, 1811 - 1816 print The Torero (bullfighter) Mariano Ceballos, seen from the side, drives a bull in Madrid's Arena. This is heading for another bull. Spain paper etching / drypoint bullfight. rodeo Madrid

Study Sheet with Four Soldiers' Heads, after the column of trajan (design for a flat in '' Collection of different characters drawn from the trajane column '', etched by J.B. Hutin, Published by Gabriel Huquier), François Boucher , after anonymous, 1760 - 1770 drawing paper. chalk counterproof head (human). the soldier; the soldier's life. helmet

Zeemerman with the arm of Barbarigo; Numismata virorum illustrium ex Barbadica Gente. A console with a marine man. The man holds up a crown and has a shield with the arm of the Barbarigo family beside him. The two command stores and hat may refer to Agostino Barbarigo, commander during the sea battle at Lepanto. The print is part of an album.

Lying Hercules surrounded by mourning figures, Louis Surugue, After Charles Le Brun, After Jean -Marc Nattier, 1691 - 1767 print paper engraving / etching (story of) Hercules (Heracles)

$His other shawls in the same arena (Otra Locura Suya en la Misma Plaza); Calcograph \ '\ ia Nacional (Madrid; 1789-), Agua, Perez (Flow. Ca 1905), Ríos, Ricardo de Los (1847-1929), Goya, Francisco de (1746-1828); 1905 (1905-00-00-1905-00-00);Spain, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, bulls, Corrida$

Sibille van Delphi / Sibille of Persia, 1653 - 1654 print Two performances on an album magazine. On the left the Sibille of Delphi, Ten Halven Lijve, with book. With her left hand, she points to an inscription in stone. On the left the Sibille of Persia, again with a book. She wears a turban on her head. She points up with her left hand. In the lower margin of both performances, a text line in Latin and Dutch. The magazine is part of an album. paper etching / engraving sibyls (with NAME). Persian sibyl

Husarz;

Mme kindly tasted Achille Deveraia (1800-1857). Ms. Amable Tastu. Graphite pencil on paper. 1827. Paris, Victor Hugo House.

Ma Goutte. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, circa 1876. Prints; etchings. Etching

Marc Anthony over the body of Julius Caesar. Sir John Joscelyn Coghill, photographer (Irish, 1826 - 1905) about 1850s A painting depicting Marc Antony standing over the body of Julius Caesar. Caesar is wearing a crown of laurels and is draped with a sheet. Marc Antony is wearing armor and a helmet and has one arm extended. (Recto, mount) upper right, pencil: "69"; lower right, pencil: "Marc Anthony sic over the body of Julius Caesar";

N ° 23. / But especially the treats at any time of day and night ... (title registered (letter)) | The beautiful nick. (Title of all)

Putti a monkey ridting; Pope tapers; Tapezzer the dad. A large guirland is a monkey with a piece of wrapped putto. On the right a putto with a fruit in hand and on the left a putto with a rattle. On the ground a snail, a turtle and a butterfly.

Woman who takes prints from a standard and a sleeping woman, 1898 print. book cover Two images on the inside of a book cover. paper letterpress printing print, e.g.: engraving, etching, lithograph. sleeping in chair

Sleeping man and rider, c. 1620 - c. 1630 print Ninth print from a series of nineteen with faces on the Amsterdam area. In a landscape a sleeping man and a rider with a horse. Three walking figures in the background. paper etching / engraving (traveller) resting in the open air

Frieze with eleven birds, at the left end of the frieze is a tree, print maker: Pieter Serwouters, Hans Collaert I, Marcus Geeraerts, c. 1607

Campania Caserta Carditello Plazzo Reale44. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Der Tod des Oedipus (The Death of Oedipus) 1806 Franz Hegi. Der Tod des Oedipus (The Death of Oedipus) 698599

Study of a mirror. Czachórski, Władysław (1850-1911), draughtsman, cartoonist

The 1580-1638 copper engraving and etching by Matthäus Greuter depicts the biblical Ascension of Elijah, showing the prophet, chariot, horses, and celestial elements in European print.

Triumph from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate V. First edition. Artist: Max Klinger (German, Leipzig 1857-1920 Großjena). Dimensions: Overall: 18 5/16 x 26 in. (46.5 x 66 cm). Printer: Printed by F. Felsing. Series/Portfolio: First edition. Date: 1881. Museum: Metropolitan Museum of Art, New York, USA.

Men's and women's heads, 1826 - c. 1888 Five pasted sketches with caricatures of men and women. Presumably Tavrate sent it to Canta. A men's head on the Verso side of the sketch on the right in the middle. Page 43 Verso from a sketchbook and album with 59 magazines. paper. ink pen head-gear: hat (+ women's clothes). head (human). adult man. adult woman. head-gear: cap (+ men's clothes)

Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846 ca. 1846 J. J. Grandville. Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846. J. J. Grandville (French, Nancy 1803-1847 Vanves). ca. 1846. Wood engraving. Prints

Dansend Nar, Johann Friedrich Gottlieb Unger, 1763 - 1804 print paper human types

Sunflowers for a meadow landscape with horses and mill, Philip Zilcken, 1890 - 1930 print paper drypoint flowers: sunflower. windmill in landscape. horse

Photo production of a fresco in Pompeii of a half -naked woman, anonymous, 1860 - 1900 photograph This photo is part of an album. photographic support albumen print painting, drawing and the graphic arts. (almost) naked ~ ascetic life Pompeii

Edelfelt, Albert, work, Sketch book, drawing, 21.5 cm x 17 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Figure (recto and verso), from Premier livre de figures d'Academies gravées en Partie par les Professeurs de l' Académie Royale. Charles-Joseph Natoire (French, 1700-1777); Collin de Vermont (French, 1693-1761); printed by Gabriel Huquier (French, 1695-1772); published by Jombert Père (French, 18th century). Date: 1737. Dimensions: 282 × 189 mm (recto plate); 187 × 273 mm (verso plate); 294 × 232 mm (sheet). Etching (recto and verso) on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Etching by Maria Anna Angelika Catharina Kauffmann from 1794 showing Virgil writing his epitaph, depicting figure, gesture, writing tools, and classical attire.

Woodcut by Sebald Beham showing an old man and a young man, depicting figures, gestures, and interaction in the first half of the 16th century.

Masks and hats. 1688. Mitelli, Agostino, 1671-1696. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Bliżej Kultury Verlag of Ferdinand Schenk in Vienna

"In Time All the World Likely to be Cossack or All Republican" - Napoleon I (published in "Time") originally published 1889-90 Thomas Nast. "In Time All the World Likely to be Cossack or All Republican" - Napoleon I (published in "Time"). Thomas Nast (American (born Germany), Landau 1840-1902 Guayaquil). originally published 1889-90. Relief print and electrotype. Time Publishing Co. (American, active 1889-90). Prints

Three performances of working characters: Trunk trunk is going; Cooking in a cauldron hung over the hearth; Spinning on the reel. Printing House of the Jagiellonian University, Unknown

Print (France)

Mariano Ceballos driving on a bull, Francisco de Goya, 1876 print The bullfighter (Torero) Mariano Ceballos, seen from the side, drives a bull in the Arena of Madrid. This is heading for another bull. Numbered at the top right: 24. print maker: Spainpublisher: Paris paper etching bullfight. rodeo Madrid

Puck on Pegasus. George Cruikshank (England, London, 1792-1878). England, 1861. Drawings. Graphite and watercolor

Street scene Batavia, Jan Brandes, 1779 - 1785 drawing Left front a group of people including some Chinese and a Moor, in the background a carriage with Europeans. The coachman of the carriage hits a rider with his whip. Possibly imagination of a well -known incident (perhaps after an example). Batavia paper. pencil brush street (+ city(-scape) with figures, staffage) Batavia

Vignette with burning torch, arrow, heart and band with inscription Non Erubecsendis Adurit Ignitus, Willem Bilderdijk, 1766 - 1831 print Netherlands paper etching torch. attributes of Cupid: arrow(s). heart symbolism. vignette

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Six scenes from Gellert's fables, Daniel Nikolaus Chodowiecki, 1776 print Numbered: 7, 6, 9, 4, 11, and 2. paper etching Literature. deathbed. somersaulting (hands touching the ground)

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