Angels and Mythological Scenes

Illustrations of divine beings like angels and mythological figures, depicted in dynamic positions with intricate details, showcasing historical artistic techniques.

Aurora with a star above her head, hovers accompanied by four putti as personifications of the arts, above a landscape with trees and water The title page was made for the Dutch-language literary almanac Aurora, published between 1840 and 1878, Title page for Aurora, The Hague 1840-1878 Aurora , print maker: Jan Baptist Tetar van Elven, (mentioned on object), intermediary draughtsman: Willem Benedictus Stoof, (mentioned on object), publisher: Koenraad Fuhri, (mentioned on object), print maker: Netherlands, intermediary draughtsman: Netherlands, publisher: The Hague, 1840 - 1878, paper, engraving, etching, h 160 mm × w 95 mm

A feather and ink drawing by Domenico del Barbiere showing Viktoria in a front view with outstretched wings blowing two tubes, executed with laved technique.

Sarpedon Lévy, Henri, 1840-1904. still image. Art reproductions. 1881. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Homer. Iliad, Death, Flying, Wings (Anatomy), Zeus (Greek deity)

Umbria Perugia Bettona S. Maria Maggiore. Hutzel, Max 1960-1990 Medieval: 13th century architecture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco painting, 17th century remodel Specific Location: Piazza Cavour Antiquities: Architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portret van Louise Albertine von Grapendorf, Georg Friedrich Schmidt, After Blaise Nicolas Lesueur, 1753 - 1775 print paper engraving / etching historical persons - BB - woman

Winged genius seated on a cloud, sounding a trumpet with his left hand extended upwards 1628 Cherubino Alberti (Zaccaria Mattia) Italian. Winged genius seated on a cloud, sounding a trumpet with his left hand extended upwards 652077

Aurora with a star above her head, hovers accompanied by four putti as personifications of the arts, above a landscape with trees and water The title page was made for the Dutch-language literary almanac Aurora, published between 1840 and 1878, Title page for Aurora, The Hague 1840-1878 Aurora , print maker: Jan Baptist Tetar van Elven, (mentioned on object), intermediary draughtsman: Willem Benedictus Stoof, (mentioned on object), publisher: Koenraad Fuhri, (mentioned on object), print maker: Netherlands, intermediary draughtsman: Netherlands, publisher: The Hague, 1840 - 1878, paper, engraving, etching, h 160 mm × w 95 mm

Peace, Christian Josi, ca. 1765-1828, Dutch, c. 1802, Stipple

Painting by Matthäus Loder depicting 'The Rude des Ganemed', executed in gray brush with red lavation.

Poetry According to Wojciech Gerson. Cleastle from Tygodnik Ilustrowany 1874 (1) 349 Krzyż Anowie, Kazimierz (N.N.), Gerson, Wojciech (1831 1901)

Misfortune, c. 1541. Hans Sebald Beham (German, 1500-1550). Engraving;

Allegory, 1818. Charles Abraham Chasselat (French, 1782-1843). Pen and black ink and brush and brown wash, heightened with white gouache; framing lines in black ink; sheet: 15.3 x 9.7 cm (6 x 3 13/16 in.); image: 14.3 x 9.1 cm (5 5/8 x 3 9/16 in.).

Leiden, Linden, Johannes van der (uitgever), Wandelaar, Jan, Noord-Nederland, Title page for: E. Simson, Chronicon historiam catholicam complectens, 1752, Allegorical title page with the portrait of writer Edward Simson, verso bottom center - stamped, Minerva sits next to History and looks over her shoulder at the book in which she is writing. History looks up at three allegorical female figures (Truth, Poetry and a third figure). Behind them Father Time, Fame and a two-headed figure who chisels an inscription into a pyramid. Four putti fly in the air, holding eternity symbols in their hands, carrying the portrait of writer Edward Simson., print, engraving, title page, prints, height 367 mm, width 238 mm, Noord-Nederlands, 1690-04-14 - 1759-03-26, print maker, printmaker, 1752 - 1752, paper, papier, etching, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, publisher

Albrecht Dürer (German, 1471 - 1528), The Virgin and Child on a Crescent with a Starry Crown, 1508, engraving

Personification of Virtue Numismata virorum illustrium ex Barbadica gente (series title), A console with the female personification of Virtue: a winged woman with a skewer in her left hand and some in her right hand laurel wreaths. The sun is on her chest. The print is part of an album, garland, wreath, casting weapons: spear, Robert van Audenaerd (mentioned on object), Rome, 1673 - 1743, paper, engraving, h 183 mm × w 180 mm

Wszyscy Święci w MNK Wenzel, Giovanni (1791 1880), Bigioli, Filippo (1798 1878)

This painting, titled Lament for Icarus, was painted by Herbert J Draper in 1898. It shows the deadIcarus, surrounded by lamentingnymphs. The wings of Icarus are based on thebird-of-paradisepattern. In Greek mythology, Daedalus was the builder of the labyrinth at Knossos in Crete (designed to keep the Minotaur within). To escape his confinement on the island by the king, he designed wings of wax and feathers for himself and his son, Icarus (here). But, Icarus flew too close to the sun. The wax melted, and he fell into the sea (name after the Icarian sea). Daedalus made it to Sicily, where he was said to have died later. Herbert James Draper(1863/4 - 1920) was an EnglishClassicistpainter whose career began in theVictorian era.

Lazio Roma Rome Stimmate di San Francesco24. Hutzel, Max 1960-1990 Baroque church built over an early Roman church; crypt of church still in existence. Views of sculpture, stucco, painting, fresco, gilding. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Vatican City, Clement XI, Italy, Albani, Francesco, Pietri, Pietro Antonio de, Rome, Frezza, Giovanni Girolamo, Paintings by Francesco Albani, Putto Throwing Arrows, verso - stamped, print, prints, height 267 mm, width 202 mm, Italian, 1659 - 1748, print maker, printmaker, 1704 - 1704, paper, engraving, engraving (printing process), 1663-02-20 - 1716-12-20, intermediary draughtsman, after a drawing by, 1578 - 1660-10-04, after, after a painting by, Work conception, after a design by, 1649-07-22 - 1721-03-19, granter of privilege

Heilige Bartolomeüs, Joseph Wagner (possibly), 1739 - 1780 print Numbered below: No. 103. Venice paper etching the apostle Bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff

Allegory on the peace of Amiens, 1802; War. Allegory on the peace of Amiens, on March 27, 1802, which put an end to the war between Great Britain and the French Republic, Spain and the Batavian Republic. Centrally, peace floats over the world where there is still war. She has an olive branch in hand and looks at heaven with a momentary look. At the bottom of war and murder, right lies a family for violence. See also the pendant.

Barbarigo, Giovanni Francesco, Rome, Audenaerd, Robert van, Numismata virorum illustrium ex Barbadica gente, Christ defeats evil, Personifications of Virtuous Existence, verso - stamped, A console with the personification of Virtuous Existence (according to Ripa's Iconologia). A man with a halo as well as a wreath around his head and a coat of arms has stabbed a snake or dragon to death with his spear. The spear is broken. In his left hand the man has a book and under his feet lies a skull. The representation resembles the victory of Christ over evil. The print is part of an album., print, album sheet, prints, height 183 mm, width 182 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, engraving, engraving (printing process), Italian, 1658-04-29 - 1730-01-27, patron

Angel with a Banderole. Artist: Camillo Procaccini (Italian, Bologna 1555-1629 Milan). Dimensions: 9 7/16 × 4 3/16 in. (24 × 10.7 cm). Date: 1555-1629. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Viterbo Bagnaia Villa Lante60. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Vignette with Putti carrying Hermes Staff and Lyre and Angel blowing Trumpet, Three Muses, undated. Engraving.

Tuscany Grosseto Massa Marittima S. Agostino9. Hutzel, Max 1960-1990 Post-medieval: Includes views of neighboring Cappella di S. Lucia (1348) Architecture, architectural sculpture (14th century, restored 1958), sculpture, stained glass, frescoes, painting, Object Notes: Bibliographic material included and housed in the Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Antwerp, Gheyn, Jacob de (I), Pax Vobis, Allegory of the Eternal Edict, 1577, verso - stamped, Winged female personification of Peace tramples under her feet the Discord lying on the ground among weapons. Standing in front of a monumental building with frieze and obelisks (one of which is crumbling), in the clouds two putti with a wreath of olive branches around the title. With a 5-line caption in Dutch. Allegory of the Perpetual Edict and the proclamation of this peace treaty in Antwerp on 27 February 1577., print, propaganda print, prints, height 268 mm, width 206 mm, 1532 - 1582, print maker, printmaker, 1577-02-27 - 1577-02-27, fourth quarter 16th century, paper, etching, etchings

Poetry personified as a winged woman ca. 1515-50 Anonymous. Poetry personified as a winged woman 342645

Reward / Praemium; PraemiM; Properties for a successful life. Ceres is on a winged globe, in her hands the Cornucopia, the reward for leading a successful life. The print has a Latin caption.

Pierre Guérin (French, 1774 - 1833). The Sluggard (Le Paresseux), 1817-1818. Lithograph.

Nicolas André Monsiau's black chalk drawing with feather depicts a mythological scene, showing figures, gestures, and symbolic elements, executed with washes.

Archangel Jophiel, Crispijn van de Passe (I), 1574 - 1637

Plate 29 of 38 from Oeuvres de J B Huet 1796-1799 France. Etching on paper . Jean Baptiste Huet

Aurora. Engraver and Etcher: Giovanni Girolamo Frezza, Italian, 1659-1741 After: Francesco Albani, Italian, 1578-1660

The Sudarium held by one angel, 1516, by Albrecht Dürer. Gift of Dr and Mrs John Hardwick-Smith, 1967.

Lons, Dirk Eversen, unknown, Sadeler, Aegidius, Theatrum Passionis Christi, Instruments of the Passion, Angel with the sword of Peter, the money bag of Judas and a torch, verso bottom center - stamped, Angel with in the hands Judas' money bag and a torch. In front of the angel the sword with which Peter cut off the ear of a soldier. The print has a Latin caption, print, prent, prints, prenten, height 155 mm, width 109 mm, Zuid-Nederlands, 1570 - 1629, print maker, prentmaker, 1580 - 1629, paper, papier, engraving, engraving (printing process), Publication (Event), Publicatie, 1600 - 1686, publisher

Soul redemption, Julien-Léopold Boilly, After Pierre Prud'Hon, 1847 print Paris paper the soul travelling. snakes

Habit of a young woman of Otaheite dancing, 1790 - 1799., 1790 - 1799. (Questionable), London Dance, French Polynesia, Tahiti. Engravings., Engraving, 29 x 15 cm

Feather drawing by an anonymous artist depicting Diana with a quiver on her back to the right, using laved technique and white highlights on blue-gray paper.

The winged fame, blowing her trumpet, scattering garlands of flowers., Flying fame, print maker: Frédéric Théodore Faber, Brussels, 1810 - 1817, paper, etching, h 96 mm × w 127 mm

Ink lavated drawing with red highlights by Johann Nepomuk Ender showing Diana and Actaeon, emphasizing figures, gestures, and interaction, 1815-1817.

Mary Magdalen Sir Robert Strange (Kirkwall, Orkney, Scotland, 1721 - 1792) 1773 Portrait, Female

Victory. Gustav Karl Ludwig Richter (1823-1884). Oil on canvas. Painted in 1878. 346 x 172cm.

Winged woman as muse of poetry with book and Lier sitting on clouds flanked by putti, Marcantonio Raimondi, After Rafaël, 1513 - 1517 print Winged woman as muse of poetry with book and Lier sitting on clouds. It is flanked by putti with textboards, on the right on a plate the text numie / off -pc / R. paper engraving symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa). (story of the) Muses; 'Muse' (Ripa). cupids: 'amores', 'amoretti', 'putti'

The Angel of the Eighth Sphere (from the Tarocchi, series A: Firmaments of the Universe, #48), before 1467. Master of the E-Series Tarocchi (Italian, 15th century). Engraving;

Writing angel. A writing angel in an oval frame. Design for a grave monument.

Emblem of the United States of America, 1804, engraving in black on laid paper, sheet: 35.4 × 25.4 cm (13 15/16 × 10 in.), Samuel A. Harris (artist) American, 1783 - 1810, John Coles (publisher) American, 1774 - 1855

Vatican City, Papal Court, Rome, Rossi, Giovanni Giacomo de', Domenichino, Italy, Po, Pietro del, Cardinal Virtues, Fortitudo superbos premit humiles elevat, Fortitudo, verso - stamped, A pendentive with the personification of the cardinal virtue Fortitudo (Courage) with sword and shield, three putti and a man with arrow on a lion., print, prints, height 661 mm, width 515 mm, Italian, 1610 - 1692-07-22, print maker, printmaker, 1620 - 1692, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, 1581-10-21 - 1641-04-06, after a painting by, Publication (Event), Publication, 1627 - 1691, publisher, granter of privilege

Lazio Roma Rome S. Ignazio di Loyola75. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

EL ARCANGEL S RAFAEL. Location: CONVENTO DE LA ENCARNACION. MADRID. SPAIN.

The Resurrection. Cornelis Visscher (Dutch, c. 1629-1658); after Paolo Caliari, called Veronese (Italian, 1528-1588). Date: 1650-1660. Dimensions: 403 x 307 mm (image); 141 x 314 mm (plate); 490 x 373 mm (sheet). Engraving on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: Cornelis Visscher.

Der Erzengel Michael, nach einem Gemälde von Guido Reni, Illustration aus 1870, digital verbesserte Reproduktion von einer Vorlage aus dem 19.Jahrhundert, Historisch, genaues Datum unbekannt 1f-4999785

Faith bringing a woman to paradise, Francesco Bartolozzi, After Matthew William Peters, 1752 - 1815 print Allegorical representation with the apotheosis of a woman. The personification of faith (Fides), together with Putti, leads the woman to paradise. Title and assignment in English in STUDMARGE. print maker: Italypublisher: Londonpublisher: Dublin paper etching / engraving cupids: 'amores', 'amoretti', 'putti'. Fides (faith) as Roman personification

Diana Artemis. Engraving by G.H. Frezza, 1704, after P. de Petris after F. Albani.

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo33. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnaia Villa Lante66. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Flight into Egypt, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Dorothea Lister, 1766-1839, British, 1790, Engraving

Sight 1730-65 Etched by Anne Claude Philippe de Tubières, comte de Caylus. Sight. The Five Senses(Les Cinq Sens). Etched by Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692-1765 Paris). 1730-65. Etching and engraving. François Joullain (French, Paris 1697-1778 Paris). Prints

Valentine Green after Maria Cosway, Clytie, 1785 Clytie

Sketch for the Church of Charenton-le-Pont: Glorification of Saint Pierre George Durangel. Glorification of St. Peter. Sketch for the Church of Charenton-le-Pont. Oil on canvas. 1874.

Diploma of the Freemasons of Bordeaux. Artist: François Boucher (French, Paris 1703-1770 Paris). Dimensions: 15 3/8 x 10 5/8 in. (39.1 x 27 cm). Museum: Metropolitan Museum of Art, New York, USA. Author: Francois Boucher.

Lons, Dirk Eversen, unknown, Sadeler, Aegidius, Theatrum Passionis Christi, Passion instruments, Angel with the reed stem, the rooster and the crown of thorns, verso center bottom - stamped, Angel with the reed stem in his hand. In front of the angel on a table the rooster of Peter, the crown of thorns and a pair of iron gloves. The print has a Latin caption, print, prent, prints, prenten, height 155 mm, width 109 mm, Zuid-Nederlands, 1570 - 1629, print maker, prentmaker, 1580 - 1629, paper, papier, engraving, engraving (printing process), Publication (Event), Publication, 1600 - 1686, publisher

Prelude to Lohengrin, 1898. Henri Fantin-Latour (French, 1836-1904). Lithograph;

Martin Schongauer, The Angel of Saint Matthew, c 1490 The Angel of Saint Matthew

Satan and Death with Sin Intervening. John Henry Fuseli (Johann Heinrich Fussli) (Switzerland, Zurich, active England, 1741-1825). Switzerland, 1799-1800. Paintings. Oil on canvas

Cupid and Psyche Uwins, Thomas, 1782-1857. still image. Reproductive prints. 1855. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Kissing, Cupid (Roman deity), Mythology, Love, Psyche (Greek deity), Gods & goddesses, Eros (Greek deity)

Study of an Angel Giovanni Francesco Barbieri Guercino (1591-1666 Italian) Windsor Castle, London

Simone Martini / Angel of Annunciation

Portrait of Pietro Barbarigo and the personifications Sincerity and immortality, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. Then a medallion with the portrait of Pietro Barbarigo, procurator of the Basilica of San Marco in Venice. On the back is a group of senators for the Doge van Venice. The pedestal is flanked by the female personification of the sincerity with pigeon and heart. On the right is immortality: a woman with wings and a golden circle. The print is part of an album. paper engraving medal (considered as a piece of sculpture, regardless of its specific function). heart symbolism. other birds: dove. Immortality, Imperishableness; 'Immortalità' (Ripa). Sincerity; 'Purità et Sincerità d'animo', 'Sincerità' (Ripa)

Antonio María Esquivel y Suárez de Urbina / 'The Fall of Lucifer', 1840, Spanish School, Oil on canvas, 275 cm x 205 cm, P07569. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Pietro Facchetti (Copy after Raphael (Raffaello Sanzio)) / 'Saturn with the sign of Capricorn'. XVI century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Albions Angel rose upon..... Blake, William, 1757-1827. text. Prints, Illustrations. 1794. Henry W. and Albert A. Berg Collection of English and American Literature. Angels, Devil

Apotheosis of Franklin by Jean Honore Fragonard, 1732-1806

Pietro Facchetti (Copy after Raphael (Raffaello Sanzio)) / 'Venus with the signs of Libra and Taurus'. XVI century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Design for an allegorical figure of the Republic, Rodolphe Bresdin, 1880 - 1883, Seated woman in front of banners and in the background figures. Design for a print., draughtsman: Rodolphe Bresdin, France, 1880 - 1883, tracing paper, pen, h 166 mm × w 121 mm

Netherlands, Weissenbruch, Isaac, Faam blowing a trumpet, print, prints, height 51 mm, width 115 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, 1836 - 1912, paper, wood engraving

Umbria Terni Terni Palazzo Spada2. Hutzel, Max 1960-1990 Post-medieval: Architecture (16th century). Triple-arched portal; frescos (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

. Episode from the Ossian: The spirits of Malvina and Oscar.

Artist: Elihu Vedder, American, 1836-1923, Boy with Wings +Cornucopia, Black and white chalk, 2 shades of blue pastel and orange pastel on grey paper, sheet: 19 1/8 × 13 3/16 in. (48.6 × 33.5cm), Made in United States, American, 19th-20thcentury, Works on Paper - Drawings andWatercolors

The Abduction of Ganymede, 1531-1532, by Antonio Allegri, known as Correggio (1489-ca 1534). Oil on canvas, 163.5x70.5 cm.

In the morning according to the painting of Hermann Kaulbach. A clip from a German magazine. Weber, Max (1847 ), Kaulbach, Hermann von (1846 1909)

Eugène Delacroix / ''Job Tormented by the Demons', Oil on canvas, 62 x 52 cm. Museum: MUSEE BONNAT, Bayona, France.

Andromeda Chained to the Rock, Rembrandt, Harmensz van Rijn, 1629.

Allegorical representation with the Time and other figures around monument or altar. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 83 mm × w 63 mm. Museum: Rijksmuseum, Amsterdam.

Volare Digital Capture

Painting, Reproduction of the painting, Work of art, Historical, Guido Reni, called il Guido or il divino Guido (b. 4 November 1575 in Bologna, d. 18. August 1642) Italian painter, fresco artist and etcher of the Bolognese school, main representative of a baroque classicism in painting, here the work:, Blessed Soul (between 1640 and 1642), Blessed Soul (between 1640 and 1642), Angel with outstretched wings under a radiant light in a spiritual context

Francisco Bayeu / 'Allegories of Agriculture and Trade'. XVIII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Fama sitting on Bol, After 1616 - Before 1689 print Vignette. On either side of Fama is a lion under a leaf vank. One of 18 magazines. Paris (possibly) paper engraving

Abduction of Ganymede. Date/Period: 1635. Painting. Oil on canvas. Height: 177 cm (69.6 in); Width: 129 cm (50.7 in). Author: Rembrandt.

The Phenix or the allegorical tomb Harmensz van Rijn Rembrandt (1606-1669). The phoenix or the allegorical tomb (B 110 - single state), 1658.

Madonna and Child Enthroned. Artist: Hans Werl (German, Munich ca. 1570-1608 Munich). Dimensions: sheet: 11 1/2 x 7 1/2 in. (29.2 x 19 cm). Date: late 16th-early 17th century. Museum: Metropolitan Museum of Art, New York, USA.

The Dream of the Roman patrician and his wife, table Murille, the Madrid Museum, vintage engraving. The Dream of the Roman patrician and his wife, table Murille, the Madrid Museum, vintage engraved illustration. Magasin Pittoresque 1873. Copyright: xZoonar.com/PatrickxGuenettex 10679408

The Tiburtine Sibyl. Date/Period: 1875. Pencil, black chalk and pastel, heightened with gold paint on paper. Width: 453 mm. Height: 1116 mm. Author: Edward Burne-Jones.

Allegory: The Music exalts the Spirit, The Music exalts the Spirit, draughtsman: Matthias Joseph de Noël, (mentioned on object), 1792 - 1849, paper, pen, brush, h 110 mm × w 174 mm

Allegory: The music elevates the mind.

Lazio Viterbo Caprarola Palazzo Farnese09. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

EUROPESE SIBILLE, GILLES ROUSSELET, After Claude VIGNON, 1635 - 1640 print France paper engraving / etching sibyls

Pompeian mural and bas-reliefs, Pompeii archaeological site, Campania, Ancient Rome, Italy. Europe. Old 19th century engraved illustration, El Mundo Ilustrado 1881

Eugène Romain Thirion (1839-1910). "Sketch for the Church of the Trinity: the dream of Saint-Joseph". Oil on canvas. 1870-1870. Museum of Fine Arts of the City of Paris, Petit Palais. Figurative art, religious art, sketch, holy history, Christian iconography, religious iconography, saint

St. Michael. Date/Period: Ca. 1663. Painting. Oil on canvas. Height: 198 cm (77.9 in); Width: 147 cm (57.8 in). Author: LUCA GIORDANO.

of 2