Antique Decorative Artifacts

Photographic documentation of decorative artistic elements and engravings from the Renaissance, showcasing intricate details and craftsmanship.

The little man Dr. Dwingdwangius Naturalis as Alchemist, 1716, 1716 The little man Dr. Dwingdwangius Naturalis as an alchemist. In the caption verses in German, French and Dutch. Print printed within a decorative frame of a separate plate with heads of small people and masks. Numbered right in the middle: 36. Part of the Dutch -bound edition from a series of caricatures of small people, known as the dwarf tone, copied to an older German example. print maker: Northern Netherlandspublisher: Amsterdam paper etching The little man Dr. Dwingdwangius Naturalis as an alchemist. In the caption verses in German, French and Dutch. Print printed within a decorative frame of a separate plate with heads of small people and masks. Numbered right in the middle: 36. Part of the Dutch -bound edition from a series of caricatures of small people, known as the dwarf tone, copied to an older German example. print maker: Northern Netherlandspublisher: Amsterdam paper etching

Bookbire from the Collection of the Soeurs de Notre-Dame De Namur, prepared at an exhibition on religious objects from the Middle Ages and Renaissance in 1864 in Mechelen, Joseph Maes, 1864 photograph Mechelen photographic support albumen print book-cover, binding Mechelen

Casts of antique sculptures and building fragments including a piece of Frisian of the Parthenon, H.G. Smith, c. 1864 - in or before 1874 photograph photographic support albumen print piece of sculpture, reproduction of a piece of sculpture. stylistic and formal differentiation of art

The little man Dr. Dwingdwangius Naturalis as Alchemist, 1716, 1716 The little man Dr. Dwingdwangius Naturalis as an alchemist. In the caption verses in German, French and Dutch. Print printed within a decorative frame of a separate plate with heads of small people and masks. Numbered right in the middle: 36. Part of the Dutch -bound edition from a series of caricatures of small people, known as the dwarf tone, copied to an older German example. print maker: Northern Netherlandspublisher: Amsterdam paper etching The little man Dr. Dwingdwangius Naturalis as an alchemist. In the caption verses in German, French and Dutch. Print printed within a decorative frame of a separate plate with heads of small people and masks. Numbered right in the middle: 36. Part of the Dutch -bound edition from a series of caricatures of small people, known as the dwarf tone, copied to an older German example. print maker: Northern Netherlandspublisher: Amsterdam paper etching

Two photo productions of decorative flat fillings, c. 1875 - c. 1900 photograph Above (75) a drawing of figures and barrels in a strip, below (76) a drawing of grotesque wall decoration. Europeafter drawing by: Italy cardboard. photographic support albumen print ornament ~ grotesque. wooden container: barrel, cask, bucket. cupids: 'amores', 'amoretti', 'putti' Europe

1. Bildwerke neben dem Eingang der inneren Thüre; 2. Bildwerke zur Linken des Haupteinganges; 3. Ein mit Reliefs bedeckter herabgestürzter Steinblock; 4. Zwei Hieroglyphenschilder von einem anderen Fragment des Tempels; 5. Bildwerke Bildwerke des Ammontempels zu Siwah.. Minutoli, Heinrich, Freiherr von, 1772-1846. Prints. 1824. General Research Division. Libyan Desert, Siwah Oasis (Egypt)

30. Cross the Israeli people through Jordan; 31. Joshua enters the city of Jericho; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

A peasant woman churning. The churn is made of the tanned skin of a goat stripped off whole; it is partly filled with milk and the extremities being securely closed, it is suspended in any convenient place, by four ropes fastened to the skin of the legs.. Prints, Illustrations. 1881 - 1884. Dorot Jewish Division. Tobacco pipes, Buildings , Lebanon, Butter making , Lebanon, Women , Lebanon, Peasants , Lebanon

Photo production of the Clärchen drawing, Egmont by Wilhelm von Kaulbach, Joseph Albert, After Wilhelm von Kaulbach, 1863 - 1870 photograph Photo is part of book. München paper albumen print drawing, sketch. female literary characters

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects ca. 1800-1850 Workshop of Charles Percier. Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects 706395

Designs for a Ewer and a Candlestick. Artist: Alfred Henry Forrester Alfred Crowquill (British, London 1804-1872 London). Dimensions: sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm). Patron: Probably commissioned by Samuel Alcock & Company (British, active ca. 1828-1859). Date: 1845-55. Museum: Metropolitan Museum of Art, New York, USA.

Album Page, Door with Dragon, Chteau de Chambord; Whitney Warren Jr. (American, 1864-1943); France; graphite on off-white wove paper tipped into binding with fabric; 24.9 x 32 cm (9 13/16 x 12 5/8 in.), irregular

Speaking, Grave, 1857 - 1859 Page 64 Verso from a sketchbook with 77 sheets. paper. pencil lectern

Left-up corner of a print of the scene of Cebes; Tabula Cebetis Carta Vitae. Allegory about the Salvation of Man. Life as a city with three walled sites, with a temple in the middle. At the outer gate, the souls of children are waiting, ready to enter the adult life. Before entering, they get something to drink seduction (Seductio), which makes them ignorant. The first walled terrain shows all kinds of and distractions, such as prejudice (Opinio), desire (Cupiduas), doubt (Error) and ignorance (Ignorantia). They prevent the youthful man to penetrate the next circle. Only by following the personifications from repentance (Poenitentia), hope (SPES) and good desire (Bonnem Desiderium) can manage to access the second circle. There he is taught in all forms of worldly knowledge. On the left are the seven artes liberales and on the right arguing different scholars. Man is put to the test in this circle and confronted with false knowledge (Falsa Disciplina). With the help of self-control (con

Cartouche with a pooping dog; Cartouches with animals in landscapes.rollerwork cartouche with a pooping dog in a landscape. A Stone Bridge In The Background. The Print is part of an al album.

Robert Smirke, 1752-1845, British, Allegorical Designs for Medals, undated. Watercolor, with pen and black ink, over graphite on medium, moderately textured, cream, laid paper, mounted on, thick, smooth, peach, wove paper.

The return of the lost son, Salomon Savery (Possible), 1648 - 1706 print The return of the lost son. Part of a series of 4 prints of the story of the lost son. Numbered below: 4. In the margin a rule of text in Latin. Part of an album with mainly Christian performances. paper engraving the prodigal son returns home, where his father awaits him

Six casts from antique sculptures from Mercury, Hercules and Silenus with the child Dionysos ..

Two running men in Toga, 1658 - 1728 Page 12 Recto from a sketchbook with 33 sheets. paper. ink. pencil pen walking

Fra Filippo, British museum, 1387. Pleading woman.. Illustrations, Prints. 1903. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , Tuscany (Italy), Painters , Florence (Italy), Drawing, Women, Drapery in art

Considered to Pont-de-L'arche, anonymous, after Christophe Tassin, 1638 print This print is part of an album. publisher: ParisThe Hague paper engraving / etching city-view in general; 'veduta' Pont-de-l'Arche

Copper engraving and etching by Jean Marie Leroux depicting Madeleine in the desert, created between 1803 and 1818.

Naked woman with a laurel wreath near a monument, Anonymous, 1688 - 1698 print A naked woman, perhaps a bacchante, crowns herself with a laurel wreath. She is leaning against a monument with relief, on which saters are depicted. Next to her a pot with plants and fruits. Left in the foreground a mask on the ground. In the background trees. This print is part of an album. Netherlands paper etching maenad(s), female bacchant(es). crowning with laurel. mask

Verrière project representing the life of the Virgin Jean Gaspard Jules or Johann Caspar Julius Gsell (1814-1904). Verrière project representing the life of the Virgin. Pencil, watercolor on layer.

Gondels, Christoph Krieger, After Cesare Vecellio, 1598 Gondels in Venice paper Gondels in Venice paper

15th-century German suitcase of wood and a 17th-century French suitcase made of wood, on the exhibition Rétrospective of 1877 in Lyon, France, Anonymous, 1877-in Or Before 1880 photomechanical print Lyonprinter: Paris paper chest, coffer (+ wood and other phytogenic material) Lyon

Designs for a Candlestick, Two Handled Vase, Decorated Plate and Footed Dish. Artist: Alfred Henry Forrester Alfred Crowquill (British, London 1804-1872 London). Dimensions: sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm). Patron: Probably commissioned by Samuel Alcock & Company (British, active ca. 1828-1859). Date: 1845-55. Museum: Metropolitan Museum of Art, New York, USA.

116. Dawid throws stones from a slingshot; 117. Abimelek Kap An gives bread after David and Golia's sword; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Plan d'une des extremités de la gallerie. Plan of one of the far ends of the gallery.. Cotte, Robert de, 1656-1735. Prints, Drawings, Design drawings. 1875 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Architectural

Album 11, David, Jacques-Louis, 1748-1825, pencil, charcoal, ink and wash, 1775-1785

Photo production of a print of three dancing putti, Bibois, After Anonymous, c. 1852 - in or before 1857 photograph photographic support salted paper print Cupids: 'Amores', 'Amoretti', 'Putti'. Group Dancing

Ornamental Design from 'Nouvelle suite de cahiers chinois a l'usage des dessinateurs et des peintres' No.3, Inventes et dessines par Jean Pillement. Graves par Anne Allen., Jean-Baptiste Pillement, French, 1728-1808, Anne Allen, English, active France, ca. 1750-1810, Etching with colored inks à la poupé on off-white laid paper, Single figure fishing in exotic surroundings., France, after 1775, ornament, Print, Print

Chambranle de marbre de la cheminée de la galerie de l'hôtel de villars avec les ornemens de bronze dont il est revetû. sic Marble mantelpiece of the chimney of the gallery of the hotel of the covered with bronze ornements.. Leroux. Prints, Drawings, Design drawings. 1875 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Architectural

Livre de Moresques, page 7 (verso). Artist: Francesco di Pellegrino (Italian, born Florence, died 1552). Dimensions: Overall: 12 x 8 5/16 x 1/4 in. (30.5 x 21.1 x 0.7 cm). Published in: Paris. Publisher: Published by Hiérosme de Gormont; Previously published by Cornelis Bos (Netherlandish, Hertogenbosch ca. 1510-before 1566 Groningen). Date: 1546.This book of moresques reproduces designs by the Italian artist Francesco Pellegrino, first published in book form by the artist in Paris in 1530 under the title La Fleur de la Science de Pourtraicture. It is considered the first elaborate publication to introduce the exotic designs in Western Europe, although the ornament was known already through the import of textiles and other objects from the Near East. The publication of the ornament in books and prints immensely increased the interest of native artist and it soon became highly fashionable. Pellegrino's designs were reordered and presented in compressed form in the Livre de Moresque,

Night Cap. Dated: c. 1938. Dimensions: overall: 52.7 x 41.7 cm (20 3/4 x 16 7/16 in.). Medium: graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Herbert Marsh.

Plaster casts of a bust and two angels, presumably from a reliquary, anonymous, c. 1875 - 1900 paper. photographic support albumen print paper. photographic support albumen print

Album Page, Sketches from Hoorn; Whitney Warren Jr. (American, 1864-1943); Netherlands; graphite on cream paperboard tipped into binding with fabric; 31.7 x 24 cm (12 1/2 x 9 7/16 in.), irregular

Six photo productions of drawings of wall decorations, c. 1875 - c. 1900 photograph Before top left (479) A wall decorated with sculptures and pilasters, bottom left (483) Three Frisians with fabeld animals and puti, in the middle (481) a niche surrounded with plant motifs, in the middle of a decoration with angels and plant motifs, a frieze with putti, a vase and a vase and a vase and a vase and a vase and Fruit, below a wall decorated with garlands and birds. Europe cardboard. photographic support albumen print drawing, sketch. cupids: 'amores', 'amoretti', 'putti'. piece of sculpture, reproduction of a piece of sculpture. ornamental birds. fruits and vegetables ~ ornament Europe

Right corner of a print of the scene of Cebes, Philips Galle, after Frans Floris (I), 1561 - 1596 print Allegory about the salvation road of man. Life as a city with three walled sites, with a temple in the middle. At the outer gate the souls of children are waiting, ready to enter adult life. Before entering, they get something to drink from temptation (seductio), which makes them ignorant. The first walled site shows all kinds of transfers and distractions, such as prejudice (opinion), desire (cupiduas), doubt (error) and ignorance (ignorantia). They prevent the youthful person from penetrating further to the next circle. Only by following the personifications of repentance (Poenitentia), Hope (Spes) and Good desire (Bonnnem Desiderium) can people gain access to the second circle. There he is taught in all forms of worldly knowledge. On the left are the seven Artes Liberales and on the right various scholars debate. Man is put to the test in this circle and confronted with false know

Tewer or Cupboard. Dated: c. 1938. Dimensions: overall: 38.1 x 27.3 cm (15 x 10 3/4 in.) Original IAD Object: none given. Medium: watercolor, graphite, colored pencil and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Sarah F. Williams.

The man with the colorful hat. / Third Follow -up, Hermanus Numan, 1832 - 1850 print Leaf with 2 performances from the man's story with the fur hat. The heirs of an old castle discover a man with fur hat on the head in an underground corridor who, seated behind a table, threatens with a bat. However, it appears that it is a wooden doll, which is set in motion by stairs on the steps that lead to the underground stay. Under each performance a two -way verse. Numbered at the top right: No. 7. print maker: Amsterdamprint maker: Amsterdampublisher: Rotterdam paper letterpress printing tales and fairy tales. head-gear: hat (+ fur used for clothes)

Print (France)

Knight, 1400; Half length figure of a woman. Watson, Stewart, active 1843-1847. 1840. Watson, Stewart, active 1843-1847. Drawings. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , Italy, Grand tours (Education), Women , Clothing & dress , Italy, knights , Clothing & dress , 1300-1399

Employment of the VOC on audience at the prince of Kandy, Sri Rajadi Raja Sinha, Jan Brandes, 1785 drawing Pencil sketch of the reception by the king of Kandy of the Compagniesambassade (see NG-377). Vague print of portrait in part 2, p. 108. Part from the sketchbook by Jan Brandes, dl. 2 (1808), p. 95. Colombo paper. pencil audition; ruler giving audience

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Medallion with a portrait of Musgrave Watson, Anonymous, c. 1861 - In or Before 1866 photograph photographic support albumen print portrait, self-portrait of sculptor

Drawing, Design for Ceiling with Spartan Women in Central Rectangular Panel; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash over traces of graphite on cream laid paper; 27.5 x 33.5 cm (10 13/16 x 13 3/16 in.)

Drawing, Design no. 15 for the Embroidery of a Man's Waistcoat, Unfinished; France; graphite, brush and gouache, white on paper; 12.5 × 23.5 cm (4 15/16 × 9 1/4 in.)

View of the Trevifontein in Rome, Anonymous, c. 1850 - in or before 1860 photograph Rome photographic support albumen print ornamental fountain Trevifontein

Grave figure of man from the Frosch family found at the church of St. Catherine in Frankfurt am Main. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Photo production of a print of grotesque ornaments and two putti, Bibois, After Anonymous, c. 1852 - in or before 1857 photograph photographic support salted paper print ornament ~ grotesque. Cupids: 'Amores', 'Amoretti', 'Putti'

Print (France)

Illustration by Albrecht Dürer in 1512 from 'The Ring and Fencing Book' drawn in pen and slightly watercolored, showing fencing figures and positions.

Gropius Martin (1824-1880), sketch album 2 (approx. 1870): decoration studies. Pencil, ink, mounted in album, 47.7 x 30.4 cm (including scan edges) Gropius Martin (1824-1880): Skizzenalbum 2: Dekorationsstudien

Portrait of Rudolph III Habsburg, King of Bohemia. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

German Joust of Peace, c.1512-1515, Freydal, The Book of Jousts and Tournaments of Emperor Maximilian I: Combats on Horseback (Volume I), pen and ink with watercolor on laid paper, sheet: 33.8 × 26.2 cm (13 5/16 × 10 5/16 in.), German 16th Century (artist)

Wrijfprent. Rubbing.

Krishna and Balarama Exact a Toll, Scene from a Bhagavata Purana Series Indian. Krishna and Balarama Exact a Toll, Scene from a Bhagavata Purana Series, ca. 1800. Ink and color on paper, sheet: 6 1/2 x 10 3/8 in. (16.5 x 26.4 cm). Asian Art ca. 1800

Samples, Medium: cotton, paper Technique: warp-dyed velvet, Six small manufacturer's samples of waistcoat velvets. Geometric small-scale ground patterns with stripes or border designs of chiné technique in tiny conventionalized flower designs., France, ca. 1850, printed, dyed & painted textiles, Samples

Grave monument for Pope Innocent XI, Anonymous, 1693 - 1717 print Grave monument for Pope Innocent XI. An ornamental canopy over a sarcophagus. Print is part of an album. print maker: Italypublisher: RomeThe Hague paper etching grave, tomb. sarcophagus. canopy, baldachin St. Peter's basilica

Fauteuils from the Tomb of the Kings, Thebes.. Wilkinson, John Gardner, Sir, 1797-1875. Prints, Illustrations. 1837. Rare Book Division. Egypt , Antiquities, Agriculture , Egypt, Civilization , Egypt, Chairs, Furniture , Egypt

A Violent Argument in the Bedchamber Chamba. A Violent Argument in the Bedchamber, early 18th century. Ink with corrections in red and white, (sheet): 9 1/2 x 11 3/4in. (24.1 x 29.8cm). Asian Art early 18th century

Design for a Chimneypiece, Wall with Chinoiserie Landscape, possibly for Library, Royal Pavilion, Brighton, Frederick Crace, English, 1779-1859, Brush and watercolor, graphite on paper, Elevation of a wall, with a fireplace at center, and walls to left and right containing large painted panels of Chinese scenes., England, 1802, architecture, interiors, Drawing, Drawing

Flag of Galicia, Anonymous, 1667 - 1670 drawing Flag of Galicia (or possibly from the house Wasa). Golden Chalice on a red field. Flag on flagsteng and mast foot. Shown on folio 60r. Part of a flag book with flags from Europe, North Africa, Near and Far East. France paper. ink. watercolor (paint) pen / brush flag, colours (as symbol of the state, etc.) Galicia

Ten designs for the decoration of the Opéra Comique, Paris. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: sheet: 12 13/16 x 19 5/8 in. (32.6 x 49.8 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for the cupboard of a standing watch, with a star in front of a jet wreath, Jean Charles Delafosse, c. 1770 - c. 1775 drawing Paris paper. ink pen / brush

Fragments of painting on stone from a tomb depicting a harpist, recto - printed, photograph, photo, page, photos, photographically illustrated books, VII, height 204 mm, width 153 mm, photographer, 1890 - 1895, photographic paper, gelatin silver print, developing gelatin silver print

Enrichments from Indian illuminated manuscripts &c.. Wyatt, M. Digby (Matthew Digby), Sir, 1820-1877. Prints. 1853. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decorative arts , Exhibitions, Great Exhibition (1851 : London, England)

A grocer's shop, Jerusalem. Two peasant women seated in the foreground, and a man of Silwan (Siloam) carrying a patched goat's skin filled with water from Job's Well. Fenn, Harry (1838-1911). Prints, Illustrations. 1881 - 1884. Dorot Jewish Division. Containers, Jerusalem, Hookahs, Stores & shops , Jerusalem

Chronik des Constanzer Concils, ff. 226-227. 1460. Richental, Ulrich von, ca. 1365-1437. Manuscripts, Illuminations. Spencer Collection

I. Blatt aus einem Djami; II. Blatt aus einem Djami.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Luik, Delhuvenne, PJ, Heylige Génovéva, verso - stamped, Two fragments of a popular print with scenes from the life of Genevieve of Brabant., print, popular print, popular prints, prints, height 166 mm, width 70 mm, height 121 mm, width 398 mm, Publication (Event), Publication, publisher, 1842 - 1856, paper, woodcut, colors, letterpress printing, print maker, printmaker

Uniforms; Verso: Gentlemen, in the past, erotic scene from Rubens; Stanis Awski, Jan (1860-1907), Rubens, Peter Paul (1577-1640); 1885 (1885-00-00-1885-00-00);

View of Soissons, Anonymous, After Jan Peeters (I), 1656 print This print is part of an album. publisher: Frankfurt am MainThe Hague paper engraving / etching city-view in general; 'veduta' Soissons

Zuidwand Van de Santa Casa Te Loreto, Hubert Vincent, After Donato Bramante, After Andrea Sansovino, 1693 - 1717 print South wall of the Santa Casa in Loreto. The wall is peppered with six Corinthian pilasters that are flanked by images of saints in niches. In between two doors with above presents of the worship by the shepherds and the worship by the kings. Text in Italian in STUDMARGE. Print is part of an album. print maker: Romeafter design by: Loretoafter sculpture by: LoretoThe HagueRome paper etching piece of sculpture, reproduction of a piece of sculpture. monument, statue. saints. adoration of the Christ-child by the shepherds; Mary and Joseph present. adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh) Santa Casa

Facade with rolling work, c. 1783 - c. 1797 Page 17 from a sketchbook with 175 pages. paper. pencil. ink. watercolor (paint) pen / brush Page 17 from a sketchbook with 175 pages. paper. pencil. ink. watercolor (paint) pen / brush

Designs 75a-116a. Morris & Company Windows Book - Photographic Album of Stained Glass Designs, 1900-1910. Design Record Book. Photographer: Frederick Hollyer. Editor: HC Marillier. Photographs of stained glass cartoons by Dante Gabriel Rossetti, Ford Madox Brown, William Morris, Edward Burne-Jones, Simeon Solomon and Philip Webb, dating from 1862 and numbered 1a to 297a with six additional architectural photographic pages.

Persischer Lackeinband; Perisischer Lackeinband.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

The home stove and fender by Stuart and Smith of Sheffield, published by Day & Son in London between 1851 and 1853. The work features lithographs and chromolithographs related to decorative arts and the Great Exhibition of 1851 in London

Design for Spanish Chair 1835-1900 Robert William Hume British. Design for Spanish Chair. Robert William Hume (British, London 1816-1904 Long Island City). 1835-1900. Pen and ink, watercolor

Encyclopedia of Musical Theater Performances (Seikyoku ruisan 曲類纂), vol. 5, 1889, Hasegawa Settei, Japanese, 1819 - 1882, 10 1/4 × 6 15/16 × 5/16 in. (26.04 × 17.62 × 0.79 cm), Woodblock printed book; ink and color on paper, Japan, 19th century

Print, Vase (Plate 8 of a Series); Designed by Enea Vico (Italian, 1523-1567); Italy; black ink on paper; Platemark: 27.6 × 19.5 cm (10 7/8 × 7 11/16 in.)

Five Ceiling Schemes, Felice Giani, Italian, 1758-1823, Pen and brown ink on laid paper, Top: Oblong ceiling with three sections, framed by bands; entire panels of sections held by pair of crossed boughs. Second row: at left, oblong ceiling with shell motifs in corners, connected by rows of arches. Inner oblong undecorated. At right, oblong ceiling with inner square into which octagon inscribed. Segments with figures shown in corners. Bottom left, oblong ceiling with richly decorated imaginary vaults and central oblong with landscape. Alternative suggestions made for schemes of decorations. Open arches alternatively suggested at bottom in opposite direction: oblong ceiling with inner square into which octagon inscribed. Segements with figures shown in corners. Caption at bottom: in opposite direction, 'dedicat a romolo'. Bottom right, oblong ceiling with row imaginary arches outside. Inside bands frame oblong. Partly sketched decorations. Figures inscribed. Written on top: 'sogetto nas

Caricature of a standing figure with hat. Companion leaf A, front bract, from a sketchbook with 25 sheets.

Israelites - four women and two men in attire from the 15th century, busts and entire figures, sketches. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Bouquet of Orange Lilies, Moth, and Caterpillar, folio 19 (verso), from Florilegium (A Book of Flower Studies), 1608. France. Watercolor, ink, silver and gold over occasional traces of pencil, on vellum; sheet: 31.1 x 20.2 cm (12 1/4 x 7 15/16 in.).

Portraits of Sidonie of Poděbrady, wife to Saxon duke Albert the Courageous according to picture by Lucas Cranach. Cranach, Lucas (1472-1553 ; st.), graphic artist, Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Tulp (tulip), Anselm Bootius of Boodt, 1596 - 1610 drawing Orange-pink and red and white tulip. Numbered at the top right: 56. Part of the first album with drawings of flowers and plants. Eighth of twelve albums with drawings of animals, birds and plants known around 1600, made on behalf of Emperor Rudolf II. With explanation in Dutch, Latin and French. draughtsman: Praagdraughtsman: Delft paper. watercolor (paint). deck paint. chalk brush flowers: tulip

Head of Turk without a Moustache, 1768, Jean-Baptiste Le Prince, French, 1734 - 1781, 4 1/4 x 3 1/2 in. (10.8 x 8.89 cm) (image)6 1/8 x 4 9/16 in. (15.56 x 11.59 cm) (plate)7 1/8 x 5 7/16 in. (18.1 x 13.81 cm) (sheet), Etching and aquatint in sepia ink, France, 18th century

Drawing, Piano Bench and Taboret, Henry J. Allen Residence, Wichita, KA; Architect: Frank Lloyd Wright (American, 1867-1959); Client: Henry J. Allen; USA; graphite, color pencil on cream tracing paper; 37 x 45cm (14 9/16 x 17 11/16in.)

Table arrangement and meal during dinner in Falmouth, Jan Brandes, 1778 drawing Peel drawing, limited colored, from a set table during the main course with a servant. Drawing of footwear. The table during the dessert. Some of the sitters are drawn on the front of this sheet: part 2, p.81. Part of Jan Brandes' sketchbook, dl. 2 (1808), p. 82. Falmouth paper. pencil. ink. watercolor (paint) pen / brush laid table: table-ware, table-decoration, etc.. celebration meal, feast, banquet

Rustam shoots Ashkabûs.. 1616. Firdawsî. text. illuminated manuscripts, Illuminations, Manuscripts. Spencer Collection. Manuscripts, Persian

Tak-i Bostan. Détails des chapiteaux et des inscriptions Pehlvi.. Coste, Pascal, 1787-1879. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Dragoon.. Alexander, William, 1767-1816. Prints, Illustrations. 1814. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , Great Britain, Great Britain , Social life and customs, Military uniforms , England

Portrait of Vasili III of Russia, grand prince of Moscow. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Woman spinning thread on a wheel. Drawings. 1800 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. China, Drawing, Chinese, Spinning apparatus, Clothing and dress , China

Amsterdam, Ancona, GJ d', Herinneringsgeschenkje aan 1840, voor de Nederlandsche Jeugd, in commemoration of the Solemn Inauguration of HM King William II. With XII pictures on which the most remarkable is depicted, Eerepoort op het Koningsplein, verso - stamped, Eerepoort heeft op het Koningsplein. Part of a folder with a series of twelve pictures of the entry of William II, the triumphal arches erected in the city and the inauguration on 28 November 1840 in the Nieuwe Kerk in Amsterdam., print, prent, prints, Frederik Muller Historieplaten, height 110 mm, width 90 mm, print maker, printmaker, 1840 - 1841, paper, papier, lithografie (technique), handkleuring, Publication (Event), Publicatie, publisher

Blacksmith and Stonecutters. Original caption: From "Frontinus and The Water Supply of the City of Rome" by Clemens Herschel - 1899 Copy 2.

Drawing, Textile Design: Grindlwald; Designed by Anny Schröder (Austrian, 1898-1972); Made for Wiener Werkstätte (Austria); Austria; brush and gouache on paper; 7.5 x 12 cm (2 15/16 x 4 3/4 in.) Mat: 32.5 x 46 cm (12 13/16 x 18 1/8 in.)

Silver Shaker. Dated: 1935/1942. Dimensions: overall: 19 x 12.4 cm (7 1/2 x 4 7/8 in.) Original IAD Object: 5" high. Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Eugene Barrell.

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