Antique Engravings and Illustrations

Illustrative prints depicting figures, allegories, and themes from history and mythology, richly detailed and framed with ornate designs.

Italy, Bonasone, Giulio, Amori sdegni et gielosie di Giunone, Love, anger and jealousy of Juno, Juno and Mars, recto - stamped, Juno sits under a tree. Cupid stands between her legs. Mars stands on the right. Below a four-line verse in Italian. The representation is set in a decorative frame with putti, dogs and birds. The representation is also interpreted as Juno giving birth to Mars., print, prints, verso - stamped, height 134 mm, width 103 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Italy, Bonasone, Giulio, Amori sdegni et gielosie di Giunone, Love, anger and jealousy of Juno, Juno and Mars, recto - stamped, Juno sits under a tree. Cupid stands between her legs. Mars stands on the right. Below a four-line verse in Italian. The representation is set in a decorative frame with putti, dogs and birds. The representation is also interpreted as Juno giving birth to Mars., print, prints, verso - stamped, height 134 mm, width 103 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Teatro delle Nobili et Virtuose Donne..., title page (recto) 1616 Isabella Catanea Parasole Italian Written by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Mauritio Bona, Rome. Engraved illustrated title page. Title printed in black onto a cartouche in the center, which is framed by an unidentified coat of arms above and a portrait of Princess Elisabeth of Austria and Spain at the bottom. The title is further surrounded by robed and nude putti that sit and lean against various architectural elements. At the top left and right corners are 2 sculpted diabolical faces that hold bunches of fruit with their mouths.. Teatro delle Nobili et Virtuose Donne..., title page (recto) 661968

Garibald II., Duke of Bayern.

Allegory on anatomy; Title page for: Willem Vink, short and progressing of the bones and muscles of Menschen Ligham, Rotterdam 1732; Short and progressing the bones, muscles and blood tvats of man's lights. Allegory on anatomy, a female personification of anatomy tront on an architectural list, she is flanked by the mind and caution. A cloth with title hangs between two anatomical models: a skeleton and a model with muscles. Surgical instruments lie on the base and the interior of a cutting room is shown.

Typus Utriusque S. Legis 1570-1619 Hieronymus (Jerome) Wierix Netherlandish. Typus Utriusque S. Legis 357057

Frame with an elongated cartouche with round sides in the middle, 1593 print In the middle of a rectangular cartouche. Bottom and bottom right is a vase with flowers including the Iris. Belongs to a series of 18 blades in which twenty -four emblemata and forty -five coats of arms are printed in the middle of separate plates. The Emblemata are partly numbered A-D, 1-7 and 9-21. Three magazines have no number. The coats of arms, which are partly printed double, are unnumbered. Netherlands (possibly) paper engraving

Bookplate of Willibald Pirckheimer 1529 Germany. This engraved bookplate was made for Albrecht D¸rerís best friend, the Nuremberg humanist Willibald Pirckheimer. The artist created a circular preparatory drawing of an allegory of three women pounding a heart on an anvil in 1528. When D¸rer died prematurely that year, leaving the work unfinished, his student the Master I. B. adapted it into the final printed design. Pirckheimer used the print as an ex libris along with D¸rerís portrait of him at least once, in a 1502 edition of Danteís Divine Comedy (Terze Rime) now at the New York Public Library.. Engraving in black on ivory laid paper . Master I.B.

Nanni d'Antonio di Banco.

Torti, Francesco.

Portrait of Lazzaro Vasari, Italian painter from Arezzo, 13991468. Lazaro Vasari Pittore Aretino. Woodcut from Giorgio Vasaris Le vite de piu eccellenti pittori, scultori, et architettori, The Lives of the Most Excellent Painters, Sculptors and Architects, Florence, 1678.

Frankfurt Kurtto (1566-1638); , Specvlvm sinner, 1596

Title page of book I. Stenen tablet with inscription between Diligentia and Amor, Wendel Dietterlin (I), 1560 - 1593 print Titelblad van de Duitse editie van de series' architecture. Quinqz simmetric columns with distribution ... 'met zuilen, kapitelen, vensters en portalen. Germany (possibly) paper etching

Josef II., Roman-German Kaiser.

Joshua; Iosue dux; Nine best. Joshua, a famous Geldleer from the Old Testament, stands with a sword and a banner in the hands in a landscape. He is part of the nine best. Under the show a verse in Latin. The show is caught in a frame with curl ornaments and various animals such as rabbits, dogs, squirrels and birds. This print is part of an album.

Ferdinand of Austria, governor of the Southern Netherlands, Antwerp, Cnobbaert, Jan, Southern Netherlands, Galle, Cornelis (I), Title page for: Cornelius Curtius, Virorum illustrium ex ordine Eremitarum D. Augustini elogia, Antwerp: 1636, verso - stamped, Stone table with the title of the book. On either side two female statues. On the left a woman writing in a book with a quill. Possibly a personification of historiography. On the right a woman with a helmet and wooden sword. Above the table a Janus head and two putti., print, engraving, title page, prints, height 188 mm, width 154 mm, South Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1636 - 1636, paper, engraving (printing process), Publication (Event), Publication, publisher, 1609-05-16 - 1641-11-09, granter of privilege

Frederick III. The beautiful, German king.

Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck, Abbot, 1651 Abbot

Dead of Feltre.

Woodcut by Hans Brosamer depicting a coat of arms designed by Georg Tantstetter, created in 1532.

Traveler is received at city gate; Title page for: W. Lithgouw, 19 Jarege Lantreasse, 1652. A traveler on horseback is received by three women at a city gate. On both sides the female personifications of Spain and France, holding the maps of their country. Above the traveler fame with Asia map. In the background a face on Rome.

Elisabeth Christine, Princess of Braunschweig-Wolfenbüttel (1715-1797) Publisher: Nilson, Johannes Esaiasmaler: Pesne, Antoinescher: Nilson, Johannes Esaias

Portrait of Frederik V, King of Denmark and Norway, Martin Tyroff, 1714 - 1746 print Nuremberg paper etching historical persons. baton of general. knighthood order (ELEPHANT)

New ABC Booklet: I, 1627. Lucas Kilian (German, 1579-1637). Engraving;

Juno orders sleep on Jupiter to Dalen, Giulio Bonasone, 1501 - 1580 print Juno and the god of sleep stand in front of a wall with bow. Juno asks him to descend on Jupiter. Under a four -line verse in Italian. The show is caught in a decorative frame with putti and sphinxes. Italy paper etching / engraving (story of) Juno (Hera). Juno in the House of Sleep: she asks Hypnos' assistance

The Arms of Habsberg Flanked by an Elegant Couple Made 1582-1592 Switzerland. The Swiss artist Daniel Lindtmayer primarily made designs for stained-glass panels, a thriving luxury trade during the Renaissance. A typical example of this decorative genre, this drawing showcases a coat of arms likely commissioned for a member of the noble Habsburg family. The scribbled notes in the center of the drawing specify the color of the glass to be used, and the note in the cartouche below mentions a Habsburg defeat. A battle scene at the top seemingly pits the Habsburgs against the retreating Ottoman Turks, a likely reference to the intensifying Balkan-area border hostilities, which continued into the 17th century.. Pen and black ink and brush and gray and black washes on ivory laid paper . Daniel Lindtmayer, II

Alba, Fernando Herzog .

Paris, Crépy, Louis, France, Ducerceau, Paul Androuet, The four seasons, Le Printemps, Flora between two leaf tendrils, Allegory of the four seasons in which Flora is the personification of Spring. Sheet 1 from the second edition., print, ornament print, prints, ornament prints, height 150 mm, width 241 mm, French, 1630 - 1710-02-01, print maker, printmaker, 1727 - 1754, second quarter 18th century, third quarter 18th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, 1680 - 1754, publisher

Johann Georg I, Elector of Saxony Designer: Wagner, Valentine (1610) Stecher: Höckner, Johann Caspar

Kidnapping of Europe; Title page For: L. Smids, Holding Europe, or a short chronyk of the attentive capable and war, 1715 ..

Nuremberg, Bussemacher, Johann, Solis, Virgilius, Portrait of Theuderic IV, King of the Franks, verso - handwritten in brown ink, print, book illustration, prints, verso - stamped, 158, height 117 mm, width 78 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1598 - 1598, paper, papier, etching, etchings, engraving, engraving (printing process), plate tone, Publication (Event), Publication, German - 1627, publisher

Bliżej Kultury Masiewski (Masieski, Maszewski), Jan (fl. 1763 1774)

Leiden, Gheyn, Jacob de (II), Groot, Hugo de, Netherlands, Dolendo, Zacharias, The masquerades, Title print for print series The masquerades, below, outside the plate edge - handwritten, A Latin text in a cartouche, above which a skeleton emerges. This skeleton holds a mask in front of the faces of the two figures leaning against the left and right sides of the cartouche. This print is part of a series of ten numbered prints: a title print and nine prints showing two or three masked and, or disguised figures in full length., print, prints, verso lower right - stamped, Inter cansas ... Epist: 123, height 242 mm, width 168 mm, 1565 - 1629-03-29, print maker, printmaker, 1595 - 1596, fourth quarter 16th century, vier kwart 16e eeuw, paper, papier, engraving, engraving (printing process), Noord-Nederlands, 1561 - 1604, Work conception, after a design by, 1583-04-10 - 1645-08-28, author, Publication (Event), Publication, publisher

A woodcut by Hans Burgkmair, circa 1514 or earlier, depicting Jupiter, the Roman king of gods, illustrating early 16th-century German printmaking techniques.

Lorenzo di Bicci.

De oude vrouw en de Dood; Dodendans.Death supervises an old woman. For her on the ground there is a broken hourglass. 29th print from a series of death dance expressions; With a picture frame with time and eternity.

Allegorical representation of Emperor Ferdinand III. Equestrian portrait of Ferdinand III, Archduke of Austria and emperor of the Holy Roman Empire, as a victor. Above his head an angel with a laurel wreath. The portrait of Ferdinand III is framed by portraits of his predecessors, also depicted as victors.

Portrait of Lodewijk IV, King of France, Virgilius Solis (Rejected Attribution), 1598 print Nuremberg paper etching / engraving historical persons. ruler, sovereign. scrollwork, strapwork ~ ornament. instruments of torture, execution or punishment: gallows

Portrait of Christoffel van Brants with assignment. Allegorian portrait of the Lutheran merchant Christoffel van Brants, who was elevated by Tsar Peter in 1717 to the Russian nobility and was appointed Russian Ambassador in Amsterdam. His portrait is against an obelisk in a garden, flanked by Mercury and Neptune. At the top of the obelisk are a weapon. Under the portrait a sailing ship at sea and two children with a card. Below the mission of Simon seem to him. Facing along the sides on the garden of its district 'Petersburg' on the 'Petersburg' by appearance. At the top right numbered: 2.

Jupiter with constellations Sagittarius and Fish, monogramemist Andl, after Hans Burgkmair (I), 1483 - 1581 print The God Jupiter as a personification of the planet Jupiter with attributes a crown on his head and a scepter in his hand. At his feet are the constellations of archer and fish, his planet children. He is on a pedestal in an architectural frame decorated with ornaments. In the Frisian at the bottom there is a star in a medallion, which is flanked by playing putti. The print is printed with multiple logs. paper Jupiter and his children ('Planetenkinder') ~ Pisces and Sagittarius

Ceres, Roman goddess of agriculture, grain crops and fertility. She is shown holding a torch and branch, in front of farmers harvesting wheat and tilling soil. Copperplate engraving from Andrew Tookes The Pantheon, Representing the Fabulous Histories of the Heathen Gods, London, 1757.

Portrait of the insurgent Masaniello In his right hand he holds a stuffed fishing net in reference to his original profession Around his portrait a laurel wreath Underneath, a six-line poem of praise in Dutch In the distance and in two medallions below the portrait are fighting scenes, Masaniello, print maker: Laurens Scherm, (mentioned on object), Laurens Scherm, (mentioned on object), Joost van den Vondel, (mentioned on object), Amsterdam, 1669, paper, etching, h 157 mm × w 90 mm

France, Raimondi, Marcantonio, Delaune, Etienne, The sciences, represented by women, PHISIQVE, Physics, verso lower left - stamped, The Physics with a branch and a vase, standing under a canopy on which an eagle sits at the top left and top right. From a series of 6 sheets., print, ornamental print, prints, ornamental prints, height 81 mm, width 64 mm, French, 1519 - 1583, print maker, printmaker, 1528 - 1583, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, after a design by, Italian, 1482 - 1534, after a print by, Publication (Event), Publication, publisher

Anatomic Theater, Anonymous, After Jan Stefan van Calcar, 1555 print An anatomical theater with a dissection of a human body in the foreground. paper physiology and anatomy

Saint Ursula, 1 of 25 plates from the series Martyrologium Sanctarum Virginum (Female MartyrSaints). Publisher: Adriaen Collaert, Flemish, 1560-1618

Justice; IVstitia; The seven virtues. Landscape with Female Justice Personalization (Justitia), one of the four cardinal virtues. In her hands the sword (power) and the balance (impartiality). In the background the judgment of Solomon. The performance is caught in an ornamental frame. Print from a series with the seven virtues.

Konrad I, Duke of Bohemia.

Wapen van Johann Tscherte, Albrecht Dürer, 1516 - 1520 print The coat of arms of Johann Tscherte, crowned by a helmet, from which a male figure appears that blows on a horn. The whole surrounded by leaf motifs and vines. At the very top of a tablet with the text 'Soli deo Gloria'. Nuremberg paper armorial bearing, heraldry. wild man, wodewose, woodehouse. vine

Löwenstein-Wertheim, Maximilian Karl Fürst.

Matteis, Paolo de.

Dieterich, Konrad Stecher: Furck, Sebastianverleger: Görlin, Johann (1633) Dating: 1620/1655 publisher: Ulm

France, Delaune, Etienne, Various small ornamental prints, Stephanus De Lavne inventor et excidebat, STEPH, ANVS., DE.LAVNE, INVENTOR, ET.EXCID, EBAT, Oval, flanked by two angels, From a series of 7 sheets with ornaments in the form of a Lorraine cross with a short, round top and bottom., print, ornamental print, title page, prints, ornamental prints, height 48 mm, width 31 mm, width 39 mm, French, 1519 - 1583, print maker, printmaker, 1528 - 1573, second quarter 16th century, second quarter of the 16th century, third quarter of the 16th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Titelpagina voor: Andreas de la Moneda, CVRSVS vtrivsqve theology, Richard Collin, after Erasmus Quellinus (2), 1672 print In the middle a cartouche with the title of the book. On either side the scholars Anselmus from Canterbury and Thomas van Aquino. A queen with a carriage drives in the clouds. Above the carriage the all -seeing eye. Four putti wear spell tires with Bible verses. Under the cartouche a weapon with six dots and also four putti with spell tires that wear attributes of a bishop. paper engraving the Benedictine monk Anselm, archbishop of Canterbury; possible attributes: book, pen, ship. the Dominican theologian, 'Angelic Doctor' Thomas of Aquino; possible attributes: book, (chain with) sun, dove, girdle of chastity, lily, model of church, monstrance (or chalice), mitre (under feet), star (on breast). the all-seeing eye, triangle with eye ~ symbol of God the Father

Nuremberg, Bussemacher, Johann, Solis, Virgilius, Portrait of Dagobert III, King of the Franks, verso - handwritten in brown ink, print, book illustration, prints, verso - stamped, 158, height 118 mm, width 79 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1598 - 1598, paper, papier, etching, etchings, engraving, engraving (printing process), plate tone, Publication (Event), Publication, German - 1627, publisher

Garbo, Raffaellino del.

Title page with Maria with child sitting on the crescent moon. Maria with the Christ child on the arm, seated on a crescent lake surrounded by clouds and angels. Below this a tablet, intended for a text, but left empty.

An ornate frame of masonry in which four atlantes support an entablature on which a scholar and Hercules support the globe of the earth. Engraving, 1569.

Waldburg-Wolfegg-Waldsee, Maximilian Willibald Count Stecher: Kohl, Andreastragner: Shrub, Georg Regener: Prince, Pauldation: 1641/1666

Berthold, Count of Savoyen.

Vos, Maerten de, Southern Netherlands, Wierix, Medallions with the conquest of the citadel of Antwerp in 1577, The keys of the citadel are transferred to Liedekercke, 1577, The keys of the citadel are transferred by Bourse to Liedekercke, 23 August 1577. Liedekercke, Bourse and Roeck surrounded by soldiers, the citadel in the background. Representation in a round medallion with ornamental allegorical frame with the seated female personifications of Reason (Ratio) and Faith (Fiducia) at the top. At the bottom a cartouche with 2 verses of 6 lines each in French and Dutch., print, propaganda print, prints, Frederik Muller Historieplaten, height 281 mm, width 216 mm, print maker, printmaker, 1578 - 1578, fourth quarter 16th century, paper, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman

The Three Jewish Heroes (Die Drei Guten Juden), from Heroes and Heroines 1516 Hans Burgkmair German Standing, from left to right, are Joshua, King David, and Judah Maccabee, each fully armored and accompanied by their coat of arms. The architectural border was added by Weiditz and does not appear in the first state. From a series of six woodcuts each with groupings of three heroes or heroines.. The Three Jewish Heroes (Die Drei Guten Juden), from Heroes and Heroines 404530

Saint Ursula. Saint Ursula. Part of a series of 24 performances of female martyrs (Martyrological). The performances are equipped with edges with flowers and animals.

Wilhelm August, Duke of Cumberland.

Oval cartouche in a diamond shaped frame; Cartouches in a picture frame with grotesken, mascarons and garlands. Oval cartouche in a diamond-shaped frame, decorated with garlands and mascarons. From series of 17 sheets.

Karl I, the big, Roman emperor.

David plays Harp for Saul, Michiel le Blon, after Lucas van Leyden, 1611 - 1616 print Vellum with the title of the book. Above in a medallion, drinking a deer from a stream. Under the Vellum an oval with the image of the harp playing David for Saul. Amsterdam paper etching / engraving hoofed animals: deer. the book of Psalms. David playing his harp before Saul

In detractores, Emblemata, Alciati, Andrea, 1492-1550, Unknown, Woodcut, 1551

Portret van Sigebert 1, Gaspar Oselli, after Francesco Terzio, after Anonymous, 1569 print Italy paper engraving historical persons. ruler, sovereign

TITELBLAD: Various designs of chimneys in the Royale, Antoine Pierretz (The young), c. 1655 - C. 1657 print Top of lower bosom, in a round medallion is text. Title page from series of 13 magazines, second edition. Paris (possibly) paper engraving

Portrait of Ambrogio Lorenzetti or Ambruogio Laurati, Italian painter of the Sienese school, c.1290-1348. Ambrogio Lorenzetti Pittore Sanese. Woodcut from Giorgio Vasaris Le vite de piu eccellenti pittori, scultori, et architettori, The Lives of the Most Excellent Painters, Sculptors and Architects, Florence, 1678.

Callot, Jacques Stecher: Bosse, Abrahamverleger: Israel, Dating: 1621/1635

Shutter's note from Captain Johan van Soestdijk with Allegorie on Holland and Schutterij, Barent de Bakker, 1762 - 1777 print Amsterdam paper etching / engraving allegory, personification of good government

Frundsberg, Kaspar of.

Ruiter statue of Cosimo I, Grand Duke of Tuscany, Antonio Tempesta, After Giammologna, 1608 print Equestrian statue of Cosimo I, Grand Duke of Tuscany. Soldiers fighting in the background. At the top left the coat of arms of the De'Medici family worn by putti and an angel with a cartouche with the emblem of Cosimo. Under the statue a cartouche with assignment in Latin. print maker: Italyafter sculpture by: Florencepublisher: Rome paper etching equestrian statue. battle. the soldier; the soldier's life. warfare; military affairs (+ cavalry, horsemen). cupids: 'amores', 'amoretti', 'putti'

Four figures around a frame with view of Dordrecht, Jan de Jonge, Philip Verbeek, 1701.

Barclay, John .

Minerva and Mercury, together with an angel, hold the portrait of Caspar Barlaeus, Jan Luyken, 1689 print Amsterdam paper etching (story of) Minerva (Pallas, Athena). (story of) Mercury (Hermes). cupids: 'amores', 'amoretti', 'putti'

Luna (moon) with arrow and bow and zodiac sign lobster in architectural picture frame; LVNA; Seven planets. The goddess Diana as a personification of the planet moon (Luna) with her attributes, an arrow and bow. At her feet there is a lobster, referring to the constellation and her planetary child. On her head she wears horns. She is decorated on a pedestal in an architectural picture frame with ornaments. In a medallion a crap in a medallion is shown in a medallion, it is flanked by playing putti. The print is printed with multiple logs.

Noah curses his son Cham, Crispijn van de Passe (I), After Maerten de Vos, 1580 - 1588 print Noah curses his son Cham after he woke up from his intoxication and learned what his youngest son had done to him. Noah sits in front of his tent and points to his youngest son Cham. His other sons Sem and Jafet watch. The performance is caught in a circular frame with a border script in Latin. Antwerp paper engraving Noah curses Ham (and Canaan)

Oecolampad, Johannes .

Portrait van Johann Ernest van Polau, Leonhard Heckenauer, 1660 - 1704 print paper engraving historical persons. abbot. armorial bearing, heraldry. abbey, monastery, convent ~ Roman Catholic church Poll

Trophy of weapons, a women's figure and angels; Tropoea Marmorea Ut Aliqui Existiman (...); Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

Portrait of Hans von Aachen, Jan Saenredam, after Pieter Isaacsz., 1601 print Bust to the left of the artist Hans von Aachen with a pleated question in an oval frame. The frame contains a Latin edge with the names of the portrayed and the designer. The person portrayed holds his right hand in front of his chest. The list is contained in an ornamental, architectural frame with allegorical figures. Hercules or the personification is on the left. On the right is the personification of painting. Both figures pull the hair of Fortuna, which is on top of a globe. She holds a bulging sail. On either side of her male toros and putti with writing or drawing utensils. Left and right are painting supplies. Under the portrait a cartouche with a performance of Hercules on the Twee -Sprong () In a round medallion. paper engraving portrait, self-portrait of painter (+ portrait, self-portrait of artist). 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa). Hercule

Justice sits on her throne with eyes bandaged, scales and sword in hand On either side of her is a woman carrying a basket of fruit and a soldier with a lion, Justice seated on her throne Title page for: Hugo de Groot, De jure belli ac pacis libri tres, print maker: Willem de Broen, (mentioned on object), anonymous, Amsterdam, c. 1712 - c. 1715, paper, etching, h 182 mm × w 115 mm

Table No. 1 to the work: Heraldica is the place of settlement for the jewels and symbols of the knights, not characterised or explained in Poland Joseph Alexander Jablonowski, pubIIshed in Lviv in 1752 Labinger, Jakub (fl. 1726 1760)

Maximilian II Emanuel, Elector of Bavaria.

Traité du Jardinage selon les Raisons de la Nature et de l'Art. Artist: Possibly by Michel van Lochom (Flemish, Antwerp 1601-1647 Paris). Author: Written by Jacques Boyceau (French, active 1602-ca. 1633). Dimensions: Overall: 16 15/16 x 11 7/16 x 1 1/2 in. (43 x 29 x 3.8 cm). Published in: Paris. Publisher: Michel van Lochom (Flemish, Antwerp 1601-1647 Paris). Date: 1638.Jacques Boyceau de la Baraudière's Traité du jardinage selon les raisons de la nature et de l'art, published in Paris in 1638, was the most important publication on the subject of garden architecture in the period prior to André Mollet's 1651 treatise. The title explains the content of the book, which combines practical information with aesthetic insight. It was through the dissemination of such print works that the latest French garden-artistic principles and new patterns for parterre decorations would become known abroad. Boyceau's treatise depicts the gardens of the Luxembourg, commissioned in 1615 by Marie de' Med

Allegorical portrait of Leopold Willem, governor of the Southern Netherlands. Frans van den Wijngaerde, 1636 - 1679

Medallion in which Minerva with a lance and a shield with medusa head, Adriaen Collaert, 1570 - 1618 print Medallion in frame of grotesken in which a winged Herme with a fruit basket on her head. Shaded background. Part of series of 6 magazines with medallions in a frame of grotesken with flowers, garlands, animals and mascarons. Netherlands (possibly) paper engraving (story of) Minerva (Pallas, Athena)

Epitaph of Conrad Celtis 1507 Hans Burgkmair German. Epitaph of Conrad Celtis 431124

Alexander the Great; Alexander Macedo; Nine best. Alexander the Great, a famous Geldleer from antiquity, on horseback on the battlefield. He is part of the nine best. Under the show a verse in Latin. The show is caught in a frame with curl ornaments and various animals such as rabbits, dogs, squirrels and birds. This print is part of an album.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), André takes the habit of Carmes. Third issue of a sequence of 20 pieces (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Cartouche flanked by two female upper bodies; Armes du Roy de Franc (...). On top of the cartouche is the award-winning French coat of arms.

Menzel, Johann Daniel von Stecher: Fridrich, Jacob Andreas (1684) Dating: 1740/1751

Portrait of Buonamico di Martino or Buonamico Buffalmacco, Italian painter who worked in Florence, Bologna and Pisa, c.1290-1340. Buonamico Buffalmacco, Pittor Fiorentino. Woodcut from Giorgio Vasaris Le vite de piu eccellenti pittori, scultori, et architettori, The Lives of the Most Excellent Painters, Sculptors and Architects, Florence, 1678.

Portrait of Vergilius, Crispijn van de Passe (I), 1612 print Portrait of the poet Publius Vergilius Maro, below his name in Latin. The portrait is caught in a laurel wreath and is flanked by an OS and a horse. In the margin a two -way caption in Latin. Utrecht paper engraving ox. horse. agricultural implements

King Kazimierz Jagiello, sitting on the throne, according to the illustration from: "Polish Chronicle Marcin Bielski again by the Ioach. Bielsko-Bielsko-Bielski Son published", Kraków 1597, p. 386; Lesser, Aleksander (1814-1884), Bielski, Bielski, Joachim (Ca 1540 Ca 1550-1599); 1830-1884 (1830-00-00-1884-00-00); was downloaded from the Muse of the National Museum in Warsaw; drawing / feather, drawing / ink, painting / laving; products; z W LOKEN / PAPER / CALKA, products from W Dzkien / Paper, Products with W Bozkien / Paper / cardboard; Card: height 16.7 cm, width 15.6 cm, cardboard: height 35.6 cm, width . 26.1 cm; di 31552 MNW; all rightsBielski, Marcin (Ca 1495-1575). Chronicle of Poland, Kazimierz Jagiellończyk (Polish King - 1427-1492), Kazimierz Jagiellończyk (Polish King - 1427-1492) - iconography, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collecti

Vatican City, Clement VIII, Italy, Vaccari, Andrea, Vanni, Francesco, Saints' Lives, Life of Saint Stephen, verso - stamped, Saint Stephen with the palm branch of martyrdom in his hand. Stones lie under his foot and on his head. Around this representation thirteen smaller representations with scenes from the life of Stephen. Dedication and coat of arms below the central representation., print, prints, height 486 mm, width 368 mm, print maker, printmaker, 1604 - 1604, paper, engraving, engraving (printing process), etching, etchings, plate tone, Work conception, Italian, 1563 - 1610-10-26, after a design by, Publication (Event), Publication, Italian - 1627, publisher, 1536 - 1605, granter of privilege

Johannes Vesling, seated below a swag of surgical instruments, indicates illustrations of the heart in a book displayed by a skeletal corpse. Engraving 1666.

Equestrian portrait of a pope, Philips Serwouters, 1601 - 1650 print Equestrian portrait of a pope in an ornamented frame with columns and his title in a frame. Netherlands paper letterpress printing equestrian state-portrait. pope

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