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Antique Furniture Showcase

Detailed antique cabinets and showcases embodying intricate carvings and historical craftsmanship, highlighting vintage wooden furniture.

Jean-Pierre Latz and Léonard Boudin. Enoignure. Satin veneer, around 1740. Paris, Carnavalet museum. ENCOIGNURE 18th Century, Corner Cabinet, Enoignure, Furnishings, Marble, Marble, Mobilier, Floral Pattern, Satin Placing, Satin Finish, Wood Veneer, 18th century, Furniture
Jean-Pierre Latz and Léonard Boudin. Enoignure. Satin veneer, around 1740. Paris, Carnavalet museum. ENCOIGNURE 18th Century, Corner Cabinet, Enoignure, Furnishings, Marble, Marble, Mobilier, Floral Pattern, Satin Placing, Satin Finish, Wood Veneer, 18th century, Furniture
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. Showcase of oak and fruit wood, glued with, among other things, elpro root, rosewood and maple wood resting on four high legs. The cabinet consists of a lower and a surface separated from each other by means of a sheet that protrudes on both sides. The lower case consists of an open block with three drawers, in the middle of an open part and at the top of a tray. The three drawers contain marquettery in the form of lisen and water trial and have plated bronze tractors in the form of butterflies. The tray at the top has a keyhole in the middle. The legs, sliced in stylized leaf shapes, run over in the fluted side styles. A second style has been installed along the side styles. This is down parallel to the side style, but flexes from the center to the ends of the leaf. The resulting gap has been filled with sculpture in the shape of a flower on a handle with leaves. The upper cupboard consists of a display cabinet with two doors. Each door consists of a window whose styles are cut inBookcase , c. 1720. Attributed to Charles Cressent (French, 1685-1768). Kingwood and rosewood veneers, gilt metal mounts; overall: 247.6 x 132.1 x 57.2 cm (97 1/2 x 52 x 22 1/2 in.).Cabinet 19th century Style of Hugues Sambin French. Cabinet. possibly French. 19th century. Walnut. Woodwork-FurnitureHanging Key Cabinet ca. 1876 A. Kimbel and J. Cabus This Modern Gothic key cabinet has been attributed to the firm of Kimbel and Cabus on the basis of an illustration of the company's showroom published in the February 1877 issue of the "American Architect and Building News," which shows a cabinet such as this hanging on the back wall. With its florid oak carving and details reminiscent of medieval architecture, the cabinet, which has hooks for twenty keys, is an unusual example of the firm's Modern Gothic furniture designs. Anthony Kimbel (d. 1895) and Joseph Cabus became partners by 1863 and were one of the few firms to show Modern Gothic furniture at the Philadelphia Centennial Exhibition in 1876.. Hanging Key Cabinet. American. ca. 1876. Oak. Made in New York, New York, United StatesPanel, Overdoor; wood, carvedJean-Pierre Latz and Léonard Boudin. Enoignure. Satin veneer, around 1740. Paris, Carnavalet museum. ENCOIGNURE 18th Century, Corner Cabinet, Enoignure, Furnishings, Marble, Marble, Mobilier, Floral Pattern, Satin Placing, Satin Finish, Wood Veneer, 18th century, FurnitureDoorframe c 1840-1860 United States. White pine . Artist unknownDesk. Dated: c. 1939. Dimensions: overall: 45.4 x 32.7 cm (17 7/8 x 12 7/8 in.) Original IAD Object: 82"high; 35"wide. See data sheet for dets.. Medium: watercolor, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Charles Bowman.Cupboard. Culture: American. Dimensions: 60 x 44 x 21 1/2 in. (152.4 x 111.8 x 54.6 cm). Date: ca. 1699. Museum: Metropolitan Museum of Art, New York, USA.Hall wardrobe. unknown, creatorQueen Anne Mirror. Dated: c. 1939. Dimensions: overall: 35.1 x 24.4 cm (13 13/16 x 9 5/8 in.) Original IAD Object: 43"high; 17 1/2"wide; diam. of circle on crest: 6".. Medium: watercolor, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Leslie Macklem.Baby linen cabinet, Anonymous, c. 1655 - c. 1675ClothespressChest of drawers inlaid with marquetry, 1905. Artist: Shirley Slocombe.Dressing table. Wood; carving,painting, gilding. From Saint Petersburg. Mid. 18th century. The State Hermitage Museum. Saint Petersburg. Russia.Art cabinet, anonymous, c. 1627 - c. 1630 Rectangular artificial cabinet lumbled with ebony, with beveled corners and standing on a wider pedestal on a frame with feet on the corners, decorated with lobe ornament. The pedestal shows lying diamond -shaped cushions interspersed by smooth fields with robber frames. The cupboard has double on three sides and a single door on one side, decorated with Robbell lists and lobe ornament, just like the shells on the corners. To crown a driven silver river god. Two silver -colored keys belong to the cupboard. Augsburg wood (plant material). ebony (wood). boxwood. walnut (hardwood). cedar (wood). rosewood (wood). silver (metal). silver (metal). marble (rock). bone (material). horn (animal material). ivory. copper (metal). silk. gilding (material). precious stone (material). agate (chalcedony). jasper. serpentine (mineral). lapis lazuli (rock). opal. agate (chalcedony). encaustic paint. deck paint. paper. looking glasses. embroidering / gilding RectWall Cupboard 1740-80 American. Wall Cupboard. American. 1740-80. Walnut. Made in Pennsylvania, United StatesWilliam and Mary Marquetry Cabinet, (c1690), 1925. Artist: UnknownHeweliusz's product box unknownLooking Glass. England, probably London. Date: 1695-1705. Dimensions: 207 × 121.3 cm (88 1/2 × 47 3/4 in.). Gessoed and gilt pine, verre églomisé (reverse painted glass), gilding, and mirror glass. Origin: London. Museum: The Chicago Art Institute, Chicago, USA.Room door with letter panels, door building part wood oak wood, Gothic room door with eight different letter panels: decorated with vertical on top and bottom serrated hollow scalloped folds Unclear if the panels were originally in this door: at the back, the lists of styles and lines have been removed and the panels are fixed with modern nails. The panels are also enlarged with glued strips of old wood. Original hinges disappeared and replaced with modern shut-off living environment interior GothicDesk and Bookcase 1794 American This desk and bookcase is exceptional in quality and condition. The proportions are good, the richly figured tiger-stripe maple carefully selected and precisely wrought. The original red finish, in imitation of mahogany, has faded to a golden hue.. Desk and Bookcase 3150Borders, Machine-printed, Stylized floral border in architectural framework. Printed in shades of brown and rust, on background simulating grasscloth. Printed two across., USA, 1900-1920, Wallcoverings, Bordersold coat an old coat of arms isolated on a white background Copyright: xZoonar.com/OleksandrxPakhayx 3540134Wall fountain 1527-34 Simone Mosca Italian Born in the stone-working town Settignano and trained by the great architect Antonio da Sangallo (the younger), Simone Mosca worked with leading artists as a sculptor of architectural ornament. This fountain was carved along with a chimneypiece for the Palazzo Fossombroni in Arezzo, of a favored local stone, pietra serena. It vacillates delightfully between architecture and sculpture, striking a balance among the bases, columns, and entablature, on one hand, and the masks, scallops, and vegetal motifs on the other. In these same years, Mosca executed decoration for Michelangelo in the Medici Chapel; the subtle push and pull of surfaces across the fountain show Mosca's grasp of Michelangelo's intentions.. Wall fountain 205351Fauteuil chair and cast-iron stove, 1900, living room in the teacher's apartment, school building from Pfaffenhofen, built in 1801, Franconian open-air museum, Eisweiherweg 1, Bad Windsheim, Middle Franconia, Bavaria, Germany, EuropeEikhout box in Sleevoet, Anonymous, 1550 - 1600 Eikhout box at Sleevoet. The front board has four large panels and a smaller, decorated with letter fillings with scaly and torsmen. The sides consist of flat widths, connected to the long plates by iron corner tires and provided with twisted iron handles. The Iron Slotplaat has forged flat-gothic praise for decoration. The flat lid, on simple iron handles, consists of two plowed widths. The heads of the sloteggers are stabbed with sample masks. Northern Germany (Possible) wood (plant material). oak (wood). iron (metal) Eikhout box at Sleevoet. The front board has four large panels and a smaller, decorated with letter fillings with scaly and torsmen. The sides consist of flat widths, connected to the long plates by iron corner tires and provided with twisted iron handles. The Iron Slotplaat has forged flat-gothic praise for decoration. The flat lid, on simple iron handles, consists of two plowed widths. The heads of the sloteggers are staDraw-top table 1560-90, with later restorations French In the sixteenth century, simple planks resting on trestles gave way to tables with sturdy, fixed supports of varying design. Following an architecturally inspired scheme that gained favor during the reign of Henri II (1547-59), this example has a rectangular top supported by leaf-carved balusters that form an arcade. Panels at either end feature personifications of seasons: Spring, with flowers, and Summer, with wheat.. Draw-top table 197166Secretary ca. 1804-09 French Although the handles and mounts are arranged to give the illusion of a chest of drawers, the upper part is a fall front that conceals a writing compartment. Tradition has it that this secretary was presented by Napoleon to Maréchal Lannes, duc de Montebello (1769-1809).. Secretary 195017Frame, Johannes Hannart, c. 1690 - c. 1700 Mirror or paintery list, glued with palm and ebony on oak core. The middle part of the list consists of a wide edge with wind blades with grape bunches. At the top a broken volute above which a cartouche with initials and on both sides of eagles that hold a festoon in the mouth. At the bottom a smaller festoon and a cartouche with swan flying out of the water, two cupidos and a castle. Pendant with signature, read as that of Jan Hanart, present in the collection of i.untermayer sculptor: Northern NetherlandsNetherlands wood (plant material). oak (wood). boxwood. ebony (wood). amalgam Mirror or paintery list, glued with palm and ebony on oak core. The middle part of the list consists of a wide edge with wind blades with grape bunches. At the top a broken volute above which a cartouche with initials and on both sides of eagles that hold a festoon in the mouth. At the bottom a smaller festoon and a cartouche with swan flying out of the water, twoNut tree wardrobe from the Gustaw Subise -Bisier collection in 1916 - front views and cross -sections sketches; Sztolcman, W Adys Aw Roman (1873-1950); 1916 (not after 24.05.1916) (1916-00-00-1916-00-00);Sliced pipe rack, anonymous, c. 1600 - c. 1699 Cut pipe rack behind which a double eagle, a crowned weapon. Batavia wood (plant material). teak (wood). paint (coating) gilding Cut pipe rack behind which a double eagle, a crowned weapon. Batavia wood (plant material). teak (wood). paint (coating) gildingGuilford Painted Chest. Dated: c. 1936. Dimensions: overall: 28 x 29.1 cm (11 x 11 7/16 in.) Original IAD Object: 42"long; 43"high; 19"wide. Medium: watercolor, colored pencil, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Martin Partyka.Cabinet ca. 1850-65 Alexander Roux French. Cabinet 14927Chest of Drawers. Dated: c. 1938. Dimensions: overall: 29.2 x 22.8 cm (11 1/2 x 9 in.) Original IAD Object: 28 1/3" high; 21" deep; 32 1/2" wide. Medium: watercolor, pen and ink, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Lorenz Rothkranz.Bliżej Kultury unknownJohn H Tercuzzi, Mirror Frame, 1940 Mirror FrameLooking Glass. Culture: American. Dimensions: 50 1/2 x 31 in. (128.3 x 78.7 cm). Date: 1795-1810.This looking glass bears motifs characteristic of the work of the Scottish architect Robert Adam (1728-1792), such as paterae, urns, bellflowers, and fans. It reflects the neoclassical taste that swept the United States after the Revolution. Museum: Metropolitan Museum of Art, New York, USA.Castle in Pieskowa Skala, Ojcow, Poland, EuropeChest of Drawers. Dated: 1935/1942. Dimensions: overall: 44.9 x 35 cm (17 11/16 x 13 3/4 in.). Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Frances Lichten.Bouwfragment, anonymous, c. 1400 - c. 1950 Decoration of Lindenhout () Surrounded with curls and acanthus leaves. The entire object has the shape of a stylized French lily. Netherlands (possibly) linden Decoration of Lindenhout () Surrounded with curls and acanthus leaves. The entire object has the shape of a stylized French lily. Netherlands (possibly) lindenCabinet, by Arduino da Baiso, 1414 - 1414, 15th Century, sculpted oak wood. Italy, Tuscany, Lucca, National Museum, Villa Guinigi. Two-door cabinet with mirrors carved in the shape of shoots and vine leaves.Pier glass (overmantel) ca. 1770-90 French. Pier glass (overmantel). French. ca. 1770-90. Walnut (), painted and gilt. WoodworkTall clock 1789 Case by John Townsend American This clock case is eloquent testimony that John Townsend's later block-and-shell pieces were among his most masterful achievements. It is also the only signed Townsend piece with stop-fluted quarter columns and its original reeded-urn finials. The clock movement and dial are by William Tomlinson of London (active 1733). William Claggett's death in 1749 left Newport without a master clockmaker, so it is not surprising that some of the finest tall clock cases made there house movements by English makers. In his will, Townsend left his son, John, his own clock "made by Storr of London" (Marmaduke Storr, active 1755-79).. Tall clock. American. 1789. Mahogany, cherry, chestnut, oak. Made in Newport, Rhode Island, United StatesPair of candlesticks second half 17th century Italian. Pair of candlesticks. Italian. second half 17th century. Iron. Metalwork-IronNo 20 Tavola, Tambouret, photograph, foto, foto's, height mm, width mm, photographer, 1870 - 1878, third quarter 19th century, fourth quarter 19th century, albumen printBookcase, c. 1720. Attributed to Charles Cressent (French, 1685-1768). Kingwood and rosewood veneers, gilt metal mounts; overall: 247.6 x 132.1 x 57.2 cm (97 1/2 x 52 x 22 1/2 in.).Cajonera Imperio, siglo XIX. Colección privada.Console table, by Turin Work, 1785, 18th Century, wood carved and gilded, marble top. Italy: Piemonte: Turin: Royal Palace. Front view wall table console table gold gilt/gilding wood garland vase medallionSeventeenth century wooden desk, imitation tortoiseshell and bone, Valladolid Museum , Castile and Leon, Spain.Furniture around the turn of the century 1900, Carved mahogany China cases (1911) .Aparador (trinxant), 1890. Colección privada.Pier glass 1790-1805 American or British. Pier glass. American or British. 1790-1805. Gilded gesso, mirror glass with pine. Possibly made in England; Possibly made in United StatesPhoto tandard, 1880 - 1900 wood (plant material). metal. leatherConsole table 1780-90 after a design by Richard de Lalonde Several console tables of this design, with a demi-lune-shaped top, a frieze carved with trailing foliage and pearls, resting on three pierced and scrolling supports which end in claw feet, are known. The form is derived from a design by the decorateur-dessinateur Richard de Lalonde (active 1780-90). Lalonde worked as part of the team of designers and architects in the Menus Plaisirs and subsequently the Garde-Meuble de la Couronne. These departments were responsible for the preparations of ceremonies, major events and festivities and for the order, upkeep, storage and repair of the furniture and art in the French Royal palaces. This console is part of the pieces of woodwork and furniture formerly in the possession of the French decorator and dealer, Georges Hoentschel, whose collection was acquired in 1906 by the financier J.P. Morgan, and which formed the founding gift to the MMA of the European Sculpture and Decorative Arts Mirror; beginning of the 18th century (1700-00-00-1710-00-00);Model cylinder-fall desk with cabinet top second half 18th century German. Model cylinder-fall desk with cabinet top. German. second half 18th century. Wood. Woodwork-FurnitureManuscript Storage Cabinet 18th century Thailand. Manuscript Storage Cabinet 37666Tall CaseClock. Maker: John Fisher, American, born Germany, 1736-1808Eikhout cabinet decorated with pilasters, chain ornaments and Acanthus magazine in the Rijksmuseum in Amsterdam, c. 1875 - c. 1900 photograph Rijksmuseum Amsterdam photographic support cupboard. acanthus ~ ornament. column, pillar ~ architectureDisplay Cabinet; Flanders, Belgium; early 17th century; Walnut and oak veneered with ebony, tortoise shell, coconut, and ebonized wood; 210.2 x 158.1 x 74.6 cm (82 3,4 x 62 1,4 x 29 3,8 in.)Mashrabiya Screen 18th-19th century Originally this mashrabiya was part of a larger window screen. The niche or mashraba once contained porous earthenware water jugs for storing fresh water. The jug would sit inside the protruding three-sided concaved niche.. Mashrabiya Screen 445978Small work and jewelry cabinet mid-19th century British The well-preserved floral decoration of this so-called lady's cabinet demonstrates the brilliant and richly embellished surfaces of Victorian papier-mché household objects.. Small work and jewelry cabinet. British. mid-19th century. Black lacquered, gilded and painted, papier-mché, mother-of-pearl, silk velvet, and paper linings. Papier MchéThe Brand Cabinet. Designed by Horace Walpole; English, 1717-1797; Probably made by William Hallett; English, c. 1707-1781; London, England. Date: 1738-1748. Dimensions: 134 × 98 × 21 cm (52 3/4 × 38 5/8 × 8 1/8 in.). Padouk and ivory. Origin: . Museum: The Chicago Art Institute, Chicago, USA.British, Louis XIV style frame, Unknown framemaker, mid-18th century, Carved wood, original patinated oil, water gilding and sanded friezeWardrobe (Kast), c. 1580-1600. Netherlands, 16th century. Oak; overall: 170.8 x 193 x 89 cm (67 1/4 x 76 x 35 1/16 in.). abstract house door in italy lombardy column the milano old closed nail rustyCenter Table ca. 1830 Anthony G. Quervelle Although Anthony Quervelle, who emigrated to Philadelphia from Paris in 1817, is thought to have produced many pieces of furniture, few are documented. This table bears the label Quervelle used between 1825 and 1849. Such details as the gadrooning around the top and the front-scroll paw supports relate to designs published in George Smith's "Cabinet-Maker and Upholsterer's Guide" (London, 1829) and appear on similar tables, including three that Quervelle made in 1829 for the East Room of the White House. The brilliantly colored intarsia marble top was probably manufactured in Europe. Listen to experts illuminate this artwork's story Listen Play or pause #4539. Center Table Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Center Table. American. ca. 1830. Mahogany, intarsia marble, brass. Made in Philadelphia, Pennsylvabronze door handle on dark door old bronze door handle on brown wooden urban doorEngraving showing Alexander Pope's chair, pictured in 1862. Alexander Pope (1688-1744) was the English essayist, critic, satirist and poet of the Enlightenment period. Date: 1 February 1862Wardrobe late 16th or early 17th century China. Wardrobe 56355Frame, Cast and chased, patinated, and silvered brass and bronze with glass, Rectangular form with cast scrolling floral and foliate decoration, and cherub mask in lower right corner, all surrounding beaded oval opening; glass panel in opening. Reverse with hanging-ring in top, center., Possibly France, 19th century, metalwork, Decorative Arts, FrameArmario, 1784. Castell de Peralada.Lantern ca. 1770. Lantern 4743A LouisÉtagère ca. 1855 Alexander Roux French This rosewood étagère is a superb example of the Rococo Revival style, known variously during the mid-nineteenth century as "modern French" (because at the time it was the latest style), "French antique," "Louis Quatorze," and "Louis Quinze." The latter two descriptions refer to French eighteen-century furniture styles popular during the reigns of Louis XIV (1643-1715) and Louis XV (1715-1774). Referencing eighteenth-century French sources, furniture in the Rococo Revival style is characterized by curved, cabriole legs, strong C- and S-curves and scrolls, and the extravagant use of carved, naturalistic ornament, particularly flowers. In keeping with the mid-nineteenth-century belief that certain styles were appropriate for specific rooms in the home, the Rococo Revival style was popular for the decoration of formal parlors, or reception rooms, and this étagère, combined with a parlor suite of seating furniture and a fine center table, would have iCabinet bookcase, Regency era. Rosewood cabinet, doors decorated with classical figures in metal gilt, shelves and drawers inside. The top with mirrored steps to display vases. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, Literature, Fashions, Manufactures, etc., Strand, London, 1823.Coffin whose preferred is decorated with grotesken grouped around medallions with heads, inside laurel wreaths .. Casket of oak. The front plate shows two panels, decorated with grotesken within a framework of a central piece around medallide heads within laurel circuits. The center piece is flanked by two fluctuated half columns, between which two standing, holding a coat of arms. A lock plate and a robbery at the front. Iron handles on the sides. The medalloles are sawn off.Anonymous. Vase mounted. Céladon, golden bronze, 1775-1785. Paris, Cognacq-Jay museum. 78926-14 Anse, blue, bronze gilded, ceramic, ceramic, gilding, vase monte, 18th 18th 18th 18th 18th 18th 18 centuryCabinet. Culture: American. Dimensions: 78 1/2 x 53 x 19 1/4 in. (199.4 x 134.6 x 48.9 cm). Date: 1700-1750. Museum: Metropolitan Museum of Art, New York, USA.Lantern with glass ball, surrounded by a candlestick, the whole rests on a bronze foot with ornament; 13. Le Nouvel Opéra de Paris. Bronzes.; Le Nouvel Opéra de Paris with 50 photos ..Mirror in frame of mirror glass with cut ornaments., Anonymous, 1760 Mirror in a list of mirror glass. The frame is decorated with ornaments in cut glass, left and right consisting of stylized flower vases with rocaille motifs and also with rocaillem motifs. The sawn -out attachment shows rocaillem motifs with a men's head in the right part and in the middle a fiddling figure with shoulder jacket and umbrella, behind which a bird. At the bottom a cut out and decorated with rocaillem motifs. Germany (possibly) looking glasses. amalgam Mirror in a list of mirror glass. The frame is decorated with ornaments in cut glass, left and right consisting of stylized flower vases with rocaille motifs and also with rocaillem motifs. The sawn -out attachment shows rocaillem motifs with a men's head in the right part and in the middle a fiddling figure with shoulder jacket and umbrella, behind which a bird. At the bottom a cut out and decorated with rocaillem motifs. Germany (possibly) looking glasseFurniture around the turn of the century 1900, The sisters inlaid double secretaire and bookcase cabinet (1911) .Buffet cupboard in Flemish style, prepared during the exhibition Rétrospective of 1873 in Tours, France, Gabriel Blaise, 1873 photomechanical print Tours paper ornamental cupboard (+ wood and other phytogenic material). temporary exhibition, 'Salon' ToursKey Cupboard ca. 1800 American. Key Cupboard 4603Mirror ca. 1685-1700 Johannes Hannart (or Jan Hanat) A tour de force of carvers art, this frame, together with its pair (Rijksmuseum, Amsterdam), was most likely made to display a marriage portrait, the unidentified coat of arms in the cresting referring to the sitter. Veneered with ebony, embellished with finely carved pieces of applied boxwood and garlands of naturalistic flowers, the frame is signed by Hannart, who was active in The Hague and Leyden. This artist worked in wood as well as in stone, indicating that the traditional division between stone sculptors and wood carvers was no longer strictly adhered to at the end of the seventeenth century.. Mirror 203893Doll Furniture - Sideboard. Dated: c. 1937. Dimensions: overall: 27.9 x 23 cm (11 x 9 1/16 in.) Original IAD Object: 5 5/8" high; 3 5/8" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Ellen Duncan.MirrorParis, Imprimerie Eudes, Dujardin, Lyon, 17th century French wooden sideboard, at the Exposition Rétrospective of 1877 in Lyon, France, recto - printed, photomechanical print, page, photographs, photographically illustrated books, EXPOSITION RÉTROSPECTIVE DE LYON, PAR JB GIRAUD., PL. XLVII., CRÉDENCE, FRANCE_XVIIe SIÈCLE, COLLECTION DE Mr CHAMBRIÈRES-ARLES., height 234 mm, width 191 mm, photographer, 1877 - 1880, paper, papier, heliogravure, clichémaker, French, printerStaircase Model (France); planed and carved walnut and firCast iron plate for conversion of the fireplace, with a portrait medallion, anonymous, c. 1700 - c. 1750 Plate of cast iron, part of the fireplace construction. The opening is bordered with an egg list. The pilasters are decorated with tenders, which end up in a volute at the top. The whole is crowned with a men's head in an egg list surrounded medallion, worn by two putti. Germany (possibly) iron (metal) casting Plate of cast iron, part of the fireplace construction. The opening is bordered with an egg list. The pilasters are decorated with tenders, which end up in a volute at the top. The whole is crowned with a men's head in an egg list surrounded medallion, worn by two putti. Germany (possibly) iron (metal) castingUSA, Florida, Sarasota, Ringling Estate Grounds, Museum of Art Water Fountain.Ottoman art example of Mother of Pearl inlays from IstanbulMolding; oakChandelier late 15th century South Netherlandish. Chandelier. South Netherlandish. late 15th century. Brass. Made in possibly Dinant, South Netherlandish. Metalwork-BrassAn engraving depicting a single-basin lavatory designed by Doulton & Co. Dated 19th centuryvintage ornament An image of a nice vintage ornament Copyright: xZoonar.com/magannx 3775229Door knockerin oman the sky of lantern and abstract illuminationKamin (low).