Architectural and Angelic Designs

Intricate sketches and prints showcasing angelic figures and ornamental architecture, emphasizing fine lines and flowing shapes in 17th to 18th-century artistic styles.

Floating Angel with Banderol, Jan de Bisschop, After Giuseppe Cesari, 1668 - 1671 print Northern Netherlands paper etching angel(s) with book(-scroll) or banderole

Pencil sketches by Ferdinand Georg Waldmüller, 1827, showing human figures, trees, landscapes, and architectural elements with compositional structure and detail.

A chalk and brown brush drawing by Pier Francesco Piola depicting the fall of giants, showing figures, posture, and action on a whitewashed surface.

Knelted woman with bare chest on cloud, Sébastien Leclerc (I), 1706 print print maker: Francepublisher: Paris paper etching adult woman

Oberkirche St. Cyrakius, Duderstadt: Detail (from: sketch and photo album 22)

Rice fields in Bali, Wijnand Otto Jan Nieuwenkamp, 1905 print In the background, above treetops, the setting sun. paper drypoint sawahs, rice paddies. sunset Bali

Rinceaux with Child Frightened by Dogs, Plate 8 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 3 in. × 9 3/4 in. (7.6 × 24.7 cm). Series/Portfolio: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami). Date: ca. 1648. Museum: Metropolitan Museum of Art, New York, USA.

Menu Sylvain. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1896. Dimensions: 215 × 199 mm (image); 327 × 225 mm (sheet). Color lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Filippino Lippi, An Angel Carrying a Torch, c 1500 1504 An Angel Carrying a Torch

Sawrey Gilpin, 1733-1807, British, Head of a Ram, undated. Graphite on medium, moderately textured, beige, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

Signboard paint shop, Anonymous, 1600 - 1800 drawing Design for a sign for a paint shop. An angel with a trophy and a banderol with inscription: paint shop from. paper. pencil. ink pen / brush angels. signboard

upon an outlined boulder. Black crayon on paper. Date: September 1844. Museum: Cooper Hewitt, Smithsonian Design Museum.

Alfabeto Di Lettere Iniziale before 1760 Designed by Mauro Poggi. Alfabeto Di Lettere Iniziale 705286

A sketch sheet by Rudolf Weyr using coal and brown feather, showing figure and compositional studies with details.

A Fountain with Three Tritons. Dated: 1740s(). Dimensions: sheet: 43.8 × 28.2 cm (17 1/4 × 11 1/8 in.). Medium: black chalk heightened with white chalk on beige laid paper. Museum: National Gallery of Art, Washington DC. Author: Joseph Ignace François Parrocel.

Eagle with the inscription The Treasury". Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Print (France)

Moritz von Schwind's circa 1865 design shows a lampshade featuring a grotesque putto on the left, drawn with ink and brush on oiled paper, highlighting ornamentation and figure placement.

Resurrection, verso: the same composition recalculated with Recto; Thoma, Hans (1839-1924); around 1908 (1903-00-00-1913-00-00);

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

A console with a griffin. He is defeated with a sword by the lion of Saint Mark (Venice). Here Good wins from Evil. The print is part of an album, Griffin defeated by the lion of Saint Marcus Numismata virorum illustrium ex Barbadica gente (series title)., print maker: Robert van Audenaerd, (mentioned on object), Giovanni Francesco Barbarigo, (mentioned on object), Rome, 1673 - 1743, paper, engraving, h 185 mm × w 182 mm

Design for a ceiling painting with Jupiter and Mercury, Elias van Nijmegen, 1677 - 1755 drawing paper. ink. pencil brush / pen (decorated) ceiling. (story of) Jupiter (Zeus). (story of) Mercury (Hermes)

Shriveled Leaves. Dated: 1817. Dimensions: sheet: 21.9 x 16.4 cm (8 5/8 x 6 7/16 in.). Medium: pen and gray-black ink and pen and black ink over graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: FRIEDRICH OLIVIER.

Design for a corner piece of ceiling with personification of caution, Mattheus Terwest, after Augustine Terwest (I), 1680 - 1757 drawing Corner piece of a ceiling with a cartouche containing a personification of caution. paper. chalk cupids: 'amores', 'amoretti', 'putti'. ornament ~ festoon, garland. Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. Precaution. (decorated) ceiling

Knotwilg. .

A drawing book by Josef von Führich begun on May 6, 1807, containing sketches in pencil and watercolor. The works focus on figures, landscapes, and color studies with observational detail.

Perseus en Andromeda. By,

Print, Grotesque Ornament Design; Designed by Jean Bérain, the elder (French, 1640 - 1711), Jean Bérain the Younger (1674-1726); Published by Nicolas Langlois; France; etching and engraving on laid paper

Giovanni Ambrogio Figino Sheet of studies WGA07884 Drawing; pen and brown ink with brown wash on light tan laid paper; overall: 28.8 x 22.2 cm (11 5/16 x 8 3/4 in.);

Kain kills Abel, Nicolaes Maes, 1650 - 1660 drawing paper. ink pen the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon. the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon

Jauira (Olea africana), Luigi Balugani, 1737-1770, Italian, undated, Graphite on medium, slightly textured, beige laid paper, Sheet: 12 × 7 3/4 inches (30.5 × 19.7 cm), flowers (plants), olive, trees

Edward Francis Burney, 1760-1848, British, Designs for Illustrations to Mozart's Operas, undated. Pen and black ink on medium, smooth, beige wove paper.

Branch, proof. Dated: 1892. Dimensions: image (irregular): 7.62 × 9.84 cm (3 × 3 7/8 in.) sheet: 13.49 × 14.13 cm (5 5/16 × 5 9/16 in.). Medium: offset lithograph in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: James Henry Moser.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), second collection of various scratches. Old man's head wearing a hat. Seventeenth issue of a suite of 47 pieces. (A. de Vesme 428; Dutuit 122) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Lew fighting the tiger (Alfred Robaut (1830 1909) according to Eugene Delacroix) Robaut, Alfred (1830 1909), Robaut, A., Delacroix, Eugène (1798 1863)

Le mort du vagabond , Death, Tramps, Trees, Alphonse Legros (1837-1911)

Frieze with Tritons and Dolphins, Plate 13 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami) ca. 1648 Stefano della Bella Italian. Frieze with Tritons and Dolphins, Plate 13 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami) 377488

Berndtson, Gunnar, work, Sketch book, 1876, pencil and black chalk, drawing, 12 cm x 20 cm, Berndtson, Gunnar, 1876, pencil and black chalk

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Naked woman Henry Cros (1840-1907). Naked woman lying down. Pencil and watercolor on white paper.

Saints image on the facade of the Rathaus in Gernsbach.Leaf 36 Recto from a sketchbook with 69 sheets.

Design for a Medallion with Cupid. In the 16th century this type of medallion (agrafe) was mostly worn by men and fastened to the brim of their hats. In terms of its form, this design for a gold and colourfully enamelled medallion was inspired by examples from the Renaissance. However, the kneeling Cupid armed with bow and arrow lends this design that touch of romance that people were so fond of in the 19th century.

Four floating children, Frederick Bloemaert, After Abraham Bloemaert, c. 1679 - c. 1700 print Study of four naked babies. print maker: Utrechtpublisher: Amsterdam paper engraving human races; peoples; nationalities (+ babies and children)

Lovers and a Red Bird; Les Amoureux et Oiseau Rouge. Marc Chagall (1887-1985). Coloured wax crayons, pen, and india ink on paper. Drawn in 1958. 25.4 x 21cm

A stunted oak, 1822, Lithograph by James Ward, original condition with stains, England, Historical, digitally restored reproduction from a 19th century original

Reed stiers in the wind; Monastery life in emblems. Presentation of Rietstengels, Wuivend in the wind, on a small island in the water. This magazine is part of the emblem series 'monastic life in emblems'. In addition to an illustrated title page and 26 emblems, the second state of this series contains a title page and a blade with assignment, both in letterpress without image.

Man on shrumb, jeanne dyshe, ne were jauch banners policists, 1770 print In a landscape a man sits under a shelter on a swing, a staircase under him. Paris paper etching sitting figure. swing

A Seraph (Cartoon for an Embroidery). Artist: Raffaellino del Garbo (also known as Raffaelle de' Capponi and Raffaelle de' Carli) (Italian, Florence 1466-1524 Florence). Dimensions: 4-5/16 x 2-13/16 in. (11.0 x 7.1 cm). Date: 1466-1524. Museum: Metropolitan Museum of Art, New York, USA.

Study of a Tree in the Luxembourg Gardens. Artist: Pierre Henri de Valenciennes (French, Toulouse 1750-1819 Paris). Dimensions: Sheet: 9 1/16 × 6 7/16 in. (23 × 16.3 cm). Date: 1773.Valenciennes was a central figure in the development of landscape painting in French art, effectively elevating its status through his promotion of the "historical landscape." According to his writings, such constructed scenes should be based on the direct study of nature. This recently acquired sheet was made, according to the inscription, in the Luxembourg Gardens in Paris when the artist was only twenty-three years old. He does not represent the setting but rather focuses on a single tree with gnarled and interlocking branches, each twist, knot, and broken branch chronicling the incidents and losses of an eventful life. Museum: Metropolitan Museum of Art, New York, USA.

Mariano Salvador Maella / 'The Archangel Michael'. 1800 - 1810. Grey-brown wash, Black chalk on laid paper. Museum: Museo del Prado, Madrid, España.

Mosaic picture of a guard dog in the house of Lucius Caecilius Iucundus. Illustration drawn by Discanno and lithographed by Victor Steeger from Emil Presuhn's "Pompeji. Die Neuesten Ausgrabungen von 1874-1881," Weigel, Leipzig, 1882. German archeologist Presuhn (1844-1881) lived in Italy for eight years and, with Mr. Discanno and Miss Amy Butts, made exact copies of many wall paintings that are now lost.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), heads of different animals. Two horse heads. Third issue of a suite of 4 rooms. (A. de Vesme 728) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Design for a watermark of a banknote: hand with rose, rose, panther. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 250 mm × w 325 mm. Museum: Rijksmuseum, Amsterdam.

Love (cutting foot)

The Rape of Ganymede 1694 Sophia Blesendorf German. The Rape of Ganymede 380425 Artist: Sophia Blesendorf, German, active late 17th century, The Rape of Ganymede, 1694, Red chalk, with graphite underdrawing, sheet: 3 11/16 x 5 3/8 in. (9.4 x 13.7 cm). The Metropolitan Museum of Art, New York. Purchase, Jean A. Bonna Gift, 2007 (2007.223.52)

Painting. Artist: Unidentified Artist. Culture: China. Dimensions: H. 9 11/16 in. (24.6 cm); W. 12 in. (30.5 cm). Date: 20th century. Museum: Metropolitan Museum of Art, New York, USA.

The 1000 binettes. (IT)

Les Pensées. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

Grotesque Winged and Bearded Head Looking to the Left within a Circle 1727 Gaetano Piccini Italian. Grotesque Winged and Bearded Head Looking to the Left within a Circle 345839

Two studies of a foot, Guido Reni (attributed to), 1585 - 1642 drawing paper. ink pen foot. foot

Edelfelt, Albert, work, Sketch book, drawing, 21 cm x 17 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Study of a right arm and hand on a wide sleeve.

Study for The Creation of Light, Plate 3, Physica Sacra, Johann Melchior Füssli, Swiss, 1677-1736, Christian Ulrich Wagner, German, 1686-1763, Brush and grey, black wash, white goauche, pen and brown ink on cream laid paper, Scene depicting the creation of light, featuring a sun with extended rays shining down from the top right corner. The sunlight is breaking apart the multitude of grey clouds, which appear in front of a large circular structure, possibly representing earth. A small circular structure appears in the lower left corner., Zürich, Switzerland, before 1731, landscapes, Drawing, Drawing

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Woman's Head Artist's working dates 1630-1664 Italy. Pen and brown ink on ivory laid paper, discolored to buff . Stefano della Bella

Enckell, Magnus, Sketch book, drawing, Enckell, Magnus, Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

'A Rider on a Rearing Horse', c1480 (1945). Artist: Leonardo da Vinci.

The Daughter Of Herodias (Salome), 1904 Joseph Edward Southall (d.1944), Cartoon for the tempera on canvas painting, Ink, Pencil, Women, Religion, Christian, Frame, Female, Animal, Cat, Stringed Instruments, Leopard, Bird, Parrot, Musical instrument, Tambourine, Musical instrument, Lute, Works on Paper, Bible, New Testament

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