Architectural and Decorative Designs

These artworks consist of detailed designs for monuments and fountains, showcasing exquisite architectural elements and classical themes from the 18th century.

Design for a monument to Jan van Speijk, 1831, anonymous, 1831, Design for a monument to honor Jan van Speijk, died February 5, 1831. Column crowned with a ship's crown, Dutch Lion with burning torch and a bas-relief depicting the gunboat being overrun by the Belgians. At the bottom a map of the monument. Large double-folded leaf., draughtsman: anonymous, Netherlands, 1831, paper, pen, brush, h 930 mm × w 580 mm

Design for a Sepulchral Monument, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, red ink on lined off-white laid paper, Steps, leading up to a platform, are bordered laterally by pairs of figures lying or leaning against some object, and by bowls with fires, standing upon four legs. In the center rises a high pedestal with a relief in its front panel and with figures standing upon the entablature. A sarcophagus is on top from which an obelisk rises, having a medallion portrait at the front and a knob as a point. Slightly colored background. Some lines are drawn over an unfinished sketch of a plan., Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Fontein van Diana Te Versailles, Jean Raymond, After Dominique Girard, 1705 - 1747 print View of the fontain of Diana, rightfully a statue of Diana (by Desjardins) with Cornucopia. To the left of the fountain a statue of Venus (by Marly). Two sculptures on the fountain: a lion with a wild boar and a lion with a wolf. Numbered at the bottom: 13. Paris paper engraving / etching statues, sculptures in garden. (story of) Diana (Artemis). (story of) Venus (Aphrodite) Castle of Versailles

Decorated column with references to antique antiquity, Guillaume Philippe Benoist, 1735 - 1800 print France paper etching base (~ column, pillar). lyre, cithara, psaltery

Industry building, exhibition of Algerian products: 1 decorated ostrich eggs, 2 cushion and arms, 3-4 Burnous and Gandourah, 5-6 saddles, 7 cereals and fruit, Universal exhibition in Paris, France, Illustration, Journal Universel, No 647, Volume XXVI, July 21, 1855.

Scenes of July 1830. (TF)

Wischke Karl, sarcophagus in a high -romantic style. (From: Prints of seminar works by the Royal Technical University of Berlin, Vol. III) (1903): View. Pressure on paper, 31.5 x 23.4 cm (including scan edges) Wischke Karl : Sarkophag im hochromanischen Stil. (Aus: Drucke von Seminararbeiten der Königlich Technischen Hochschule Berlin, Bd. III)

Round basin with crown from which water sprays; Nova Fontium Deineatio. In the background smaller basins and floorres. Obachi copy to leaf from series Liure de Fontaines published by Daniel Marot.

Design for a monument to Jan van Speijk, 1831, anonymous, 1831, Design for a monument to honor Jan van Speijk, died February 5, 1831. Column crowned with a ship's crown, Dutch Lion with burning torch and a bas-relief depicting the gunboat being overrun by the Belgians. At the bottom a map of the monument. Large double-folded leaf., draughtsman: anonymous, Netherlands, 1831, paper, pen, brush, h 930 mm × w 580 mm

Spielberg Herrmann (1827-1886), 2 fountains of the Villa Medici and Villa Borghese in Rome (1855): Views. Pencil watercolor, white heighted on the cardboard, 41.1 x 31.3 cm (including scan edges) Spielberg Herrmann (1827-1886): 2 Brunnen der Villa Medici und der Villa Borghese, Rom

Paris in July 1831 / Monument raised in memory of dead citizens for freedom. (IT)

St. Pierre, Caen. Axel Herman Haig; Swedish, 1835-1921. Date: 1879. Dimensions: . Etching on paper. Origin: Sweden. Museum: The Chicago Art Institute, Chicago, USA.

Drawing, Door and Upper Window of; Architect: Giuseppe Valadier (Italian, 1762-1839); Italy; graphite, gray wash support: laid paper; 40.2 x 18 cm (15 13/16 x 7 1/16 in.) Mat: 55.9 x 40.6 cm (22 x 16 in.)

Greeting letter with different figures on the street. Greeting letter with unwritten cartouche inside a decorative frame with performances of different figures on the street. Numbered at the top right: N. 1.

Looting of the Remonstrant meeting place in Amsterdam, 2 February 1617, Simon Fokke, 1722 - 1784 drawing Design for a print. paper. ink. pencil pen / brush church (exterior). Protestant Churches and denominations (with NAME). plundering of churchbuilding, convent, etc.. destruction of buildings (~ revolutionary action) Amsterdam

Giovanni Battista Piranesi (Italian, 1720 - 1778), Title Plate, published 1749-1750, etching, engraving, sulphur tint or open bite

Speculum Romanae Magnificentiae: Interior and ground plan of an ogtagonal temple. Artist: Anonymous. Dimensions: sheet: 19 x 14 in. (48.3 x 35.6 cm)plate: 12 1/2 x 9 5/16 in. (31.7 x 23.6 cm). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 16th century.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title 'Speculum Romanae Magnificentiae' first appears.

Monument for Vice-Admiraal J.C. Koopman, 1857, 1857 print Grave column for vice-admiral Jan Coenraad Koopman, died April 21, 1855, unveiled at the Soestbergen cemetery in Utrecht on March 20, 1857. Netherlands . grave-building, monumental tomb Soestbergen Cemetery

Fireworks at the celebration of the Peace of Utrecht in Rotterdam, 1713, Bernard Picart, After F. van Douwe, 1713 print Scaffolding with fireworks commissioned by the committed councils of the Admiralty of Rotterdam on the Maas in the port of Rotterdam, 1713. Central a building in the form of a fort with the Dutch Lion for crossed anchors. In the caption the titles in Dutch and French. Amsterdam paper etching / engraving bonfire, fire-works (+ illumination, fire-works ~ festive activities) Rotterdam

Two faces on the parade of Landjuweel in honor of the fiftieth anniversary of the Academie d'Archéology de Belgique in 1892 in Antwerp, Frères Dero, 1892 photomechanical print Antwerp paper collotype public festivities (+ parade, pageant, cavalcade ~ festive activities) Antwerp

Decorations 77-83 in The Hague, 1747; Haga Comitis Illustrata; Whether the Verheerlyt and relieves the Gravenhage in a (...) collection of 116 (...) in the buyer found pictures, der (...) Intended decoratien and syilthe images (...) at the leash (...) Election, Proclamation & Installation of ZDH Willem Carel Hendrik Friso, Prince van Oranje & Nassau, etc. From Stadtholder (...) Den 3 & 15 May 1747: Clarified by a (...) Discree. Leaf with the decorations indicated by the figures 77-83, hanged on the houses of residents of The Hague. Loos Leaf Originally part of the sheet metal HAGA commitis Illustrata from 1751 with the decorations prepared in The Hague during the festivities around the installation of Prince Willem IV as the Stadholder of Holland and West Friesland on 3 and 15 May 1747.

Memorial stone for Coster by 400-year anniversary Invention, 1823. Monument to Coster established in the Haarlemmerhout at the celebration of the 400-year anniversary on 10-11 July in 1823 of the Invention Print by Laurens Jansz. Coster in Haarlem in 1423.

Smelled by the drugs of the forests of the woods.

Gerhard Ludvig Lahde (1765-1833), Parteue picture to the Royal Theater, 1801

Vignet with the family crest of the Bosch family.

Schupmann Ludwig (1851-1920), Brunnen (1880): Views. Material/technology N.N. recorded, 43.2 x 33.8 cm (including scan edges)

Plate XLIII from Theatrum instrumentorum et machinarum, Julio Paschale, Woodcut on paper, Pulley system for a well. Man, left, turns large wheel to a beam, rope wound around it. Cut-away below shows bucket on pulleys. Description in Latin on verso of 1949-152-240., Lyon, France, 1582, Print, Print

Mesmer's 'baquet-moral' does for the soul what his regular baquet does for the body : vices are eradicated, virtues inculcated, thanks to the powerful forces it exerts. Date: 1785

Ornamental composition in Chinoiserie-Stijl, Jean Baptiste Pillement, 1770 drawing Design for a print. Paris paper. chalk viola, violoncello; double bass

The Expulsion from Paradise (Vignette), Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1835

Astronomy and horology; Astronomy, watchery; H medallions; Nouvelle iconology Historique Ou Attributs Hierogliphyques (...). A round medallion with an eagle, the sun with a star wreath and signs of the zodiac, around olive branches and measuring instruments. Below it a round medallion with the sun, a sundial and a bijhenkorf, around measuring instruments and a clock. Print number 101.

Decorations on the Hogesluis in Amsterdam, 1816, 1817 print A fountain with weapon and water gods and two columns of guns crowned with a burning grenade. Three decorations set up on the Hogesluis. Illustration of the decorations prepared during the visit of the Prince and Princess of Orange to Amsterdam on September 19, 1816. Netherlands paper etching / engraving triumphal arch. public festivities on the occasion of royal events (+ decorated staff, portable structure ~ festive activities). ornamental fountain. 'tropaion', i.e. decorative ornament ~ weapons Amsterdam. Hogesluis

Drawing, The Elevation of a Niche with Statue of a Man; Filippo Marchionni (Italian, 1732-1805), Carlo Marchionni (Italian, 1702-1786); Italy; graphite, brush and gray wash on paper; 39.1 x 18.9 cm (15 3/8 x 7 7/16 in.)

Ornament, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, Elevation above, plan below. The legs of a table are indicated in the elevation. AN exedra with four crouching sphinxes is flanked by two obelisks., Rome, Italy, 1750-1775, metalwork, Drawing, Drawing

Entrance to the Great Temple of Aboo Simble sic, Nubia. vignette, vol. 1 Entrance to the Great Temple of Aboo-Simbel, Nubia.. Roberts, David, 1796-1864. Brockedon, William, 1787-1854. Prints, Illustrations. 1846 - 1849. General Research Division. Egypt, Antiquities, Temples , Egypt , Abû Sunbul, Ra (Egyptian deity)

Denkblatt , An Austria three most glorious days , under , Emperor Ferdinand I, Friedrich Berndt, Lithographer, after, Ferdinand Tewele, Draft, Eduard Sieger -, printer

The Tiara 1888 Félix-Hilaire Buhot French. The Tiara. Félix-Hilaire Buhot (French, Valognes 1847-1898 Paris). 1888. Etching and drypoint; first state of three. Prints

Letter I and a number of objects from the nineteenth century, including a gear and a steam locomotive, Isaac Weissenbruch, after Johannes Henderikus Morriën, 1836 - 1912 print Netherlands paper fancy letters. steam locomotive

Print (France)

Lorenz Froelich (1820-1908); Constantin Hansen (1804-1880), Back of cover for Adam Oehlenschl�ger's poem "The two Kirketaarne", 1844

Dagobert Peches 'The Commodian Throw' (1915) is a linocut depicting a stylized figure or object in motion, emphasizing form, line, and print technique.

Bronze Chandelier, Kaid Bey Mosque, Cairo, Alfred Normand, French, 1822-1909, Pen and black ink, brush and gray wash, red, green watercolor on tracing paper mounted to heavy wove paper, Design for a mosque lamp. Design, pictured center, is comprised of a plate-like disk, multi-sided metal body perforated with designs, and a domed top., France, 1856-66, metalwork, Drawing, Drawing

N.N.: Laufbrunnen, Berlin. Monthly competition April 1855

Design for wallpaper painting, Jurriaan Andriessen, c. 1752 - c. 1819 drawing Design for a wall painting. paper. ink. graphite (mineral) pen / brush

Edward Alfred Goodall, 1819-1908, British, A Village Fair, 1834. Line engraving, engraver's proof.

Idyll. Hirzel, Hermann (1864-1939), graphic artist

Kickton Arthur (1861-1944), monumental running fountain (1888): View. Tusche watercolor on the box, 98.1 x 68.1 cm (including scan edges) Kickton Arthur (1861-1944): Monumentaler Laufbrunnen

Coloured illustration entitled 'The raised mountain in the field of the reunion'. Below the illustration is the calendar for the third year of the French Republic and carrying the date 20 Prairial Year II. The French Republican calendar was used for about 12 years beginning in 1793 and was intended to remove all religious and royalist references to dating.

The firework display called 'Girandola' at the Castello Sant'Angelo in Rome, a nocturnal scene with fireworks issuing from the castle and a crowd of spectators in the foreground. Artist: Giovanni Ambrogio Brambilla (Italian, active Rome, 1575-99). Dimensions: sheet: 21 x 15 15/16 in. (53.3 x 40.5 cm)plate: 19 9/16 x 14 7/8 in. (49.7 x 37.8 cm). Publisher: Claudio Duchetti (Italian, active Venice and Rome, ca. 1565-died ca. 1585). Date: 1579. Museum: Metropolitan Museum of Art, New York, USA.

Putti around a medallion. Draughtsman: Dionys van Nijmegen. Dating: 1715 - 1798. Measurements: h 376 mm × w 246 mm. Museum: Rijksmuseum, Amsterdam.

Kataflak for the Koningdienst of the Queen of Belgium, Jean Théodore Joseph Linnig, 1850 - 1888 print paper. engraving Catafalque 'Castle of Pain' (~ Public Funeral) Antwerp

Monument with a statue and the year '1856', Isaac Weissenbruch, 1856 - 1912 print Netherlands paper monument, statue

Zodiac surrounded by Biblical scenes and a figure on his deathbed, Anonymous, 1700 - 1799 print paper etching zodiac; the twelve zodiacal signs together. deathbed. Eve takes the fruit

At Rattisbone. Samuel Prout (English, 1783-1852); probably printed by Charles Joseph Hullmandel (English, 1789-1850); probably published by Rudolph Ackermann (English, 1764-1834). Date: 1833. Dimensions: 290 × 425 mm (image); 310 × 445 mm (primary support); 345 × 500 mm (secondary support). Lithograph in black on grayish-ivory chine, laid down on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Print (France)

Speculum Romanae Magnificentiae: The Egyptian Obelisk of Augustus 1589 Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clie

New Year's wish from the Torenwachters van de Zuiderkerk in Amsterdam, ca. 1840-1870, Anonymous, 1840 - 1870 print New Year's wish from the tower keeper of the Amsterdam Zuiderkerk, ca. 1840-1870. View of the Westerkerk in Amsterdam, two men raise money on the houses. At the bottom of a poem in two columns and a song in three verses. Van de Torenwachter: F.W. Bulsing. Amsterdam paper letterpress printing street. tower sentry Amsterdam. Westerkerk. Zuiderkerk

Print (Germany)

Print (France)

Vuurbok puts Vaas, Jean Pelletier, after just Nathan François Boucher, 1772 - 1779 print An ornamented Vuurbok with a vase with fire and lion heads. Print number 304. Paris paper etching / engraving andiron, fire-dog. vase ~ ornament. lion's head ~ ornament

Edward Alfred Goodall, 1819-1908, British, Columbus and his Son, 1834. Line engraving on thick, slightly textured, cream, wove paper, with gray, chine colle.

The catalake set up in the Sint Gudula (plate III upper half), 1622; Rogus Funebris, Alberto VII. Archiduci Austriae Duci Burgundiae, Brabantiae etc. in Aede D. Gudulae Bruxelis XII Marty MDC.XXII Erectus; D'sincere affertationhe Vande Loffelycke barring Capelle. Geared in Brussels in S Goedelen Kercke den XII. Meert 1622. INT UYTVAERT VANDEN BELLIJSTERS PRINCE ALBERT DEN VII. Primary of the Oostryck, Hertoghe van Bourgoignie, Brabant etc.; Funeral of Aartshertog Albrecht, 1622; Pompa Funebris Optimi Potentissimiq. Principis Alberti Pii. The Katafalk or Chapelle Ardente founded in the Sint Gudula church in Brussels (upper half). With titles in Latin, Spanish, French and Dutch. Plate III in the series of the funeral of Aartshertog Albrecht of Austria in Brussels on 12 March 1622.

A Tournament in St. Mark's Place, Print made by Edward Alfred Goodall, 1819-1908, British, after Thomas Stothard, 1755-1834, British, 1830, Etching and line engraving on medium, slightly textured, cream wove paper

Colossi al Guisinale. Giacomo Luswergh (Italian, 1819 - 1891)

unknown artist, nineteenth century, Cheapside Cross, Alone, 1809. Engraving.

Design for a fountain and a face on the Wartburg, Carl Federne, After Joh. LEEB, After Hugo von Ritgen, 1850 - 1859 print München paper. ornamental fountain. castle. landscape with tower or castle Wartburg

Two cross-sections of the well at Trafalgar Square: people gathered around the fountain in Trafalgar Square. Wood engraving.

Raschdorff Julius (1823-1914), Crelinger's monument in the cemetery near Cologne. (From: Architectural sketchbook, H. 122/5, 1873.) (1873-1873): View. Stitch on paper, 25.3 x 34.3 cm (including scan edges)

Victor Hugo dans son jardin (Victor Hugo in His Garden), pl. 12 from the suite Chez Victor Hugo (Victor Hugos House). Artist: Maxime Lalanne, French, 1827-1886Printer: Auguste Deltre, French, 1822-1907 Publisher: Alfred Cadart, French, 1828-1875 Subject: Victor Hugo, French, 1802-1885

Illustration for 'The Labor of Mars' by Allain Manesson Mallet. Two mathematical figures. There and a ride battle. In the top right the number 18 (= the number of the page in the book that has been placed on the illustration).

Cartoon - Flying at Last. John Collins (1917-2007)

Workmen sculpturing the bosses on the groined roof of the central hall in the new Palace of Westminster. Date: 1848

Columbus Setting Sail, Edward Alfred Goodall, 1819-1908, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving on thick, slightly textured, cream, wove paper, with gray, chine colle, Sheet: 17 1/8 × 11 11/16 inches (43.5 × 29.7 cm), Plate: 11 1/4 × 6 inches (28.6 × 15.2 cm), Chine collé: 11 1/16 × 5 3/4 inches (28.1 × 14.6 cm), and Image: 3 × 3 1/2 inches (7.6 × 8.9 cm)

Quintin well - Matsys, in Antwerp

Allegory on the death of Princess Louise van Oranje-Nassau, 1819; Dedicated to the memory of H.K.H. Mrs. Frederika Louisa Wilhelmina, Hertogin Douariere van Brunswijk-Luneburg, born Prinses van Oranje Nassau. Allegory on the death of Frederica Louisa Wilhelmina, Princess of Oranje-Nassau, widow of Hertog Karl George August van Brunswijk, on October 15, 1819. Forest landscape with weeping willows on a pond to which the grindombe of the princess is located. On the grave an oval portrait of the princess and an allegorical image of a lying woman.

"Dresser," table center piece for the Altieri family. Date: 1790-1795. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

In the Garden of Villa d'Este Rome Italy - George Wharton Edwards, circa 1928

Hedgehog column, Romeins Grafmonument te hedgehog, c. 1875 - c. 1900 photograph Hedgehog cardboard. photographic support collotype monument, statue. sculpture (+ relief ~ sculpture). column (marking grave). Hylas abducted by the nymphs whilst fetching water. triton(s). Oceanids. the rape of Ganymede: he is carried off through the air by Jupiter in the form of an eagle, or by the eagle of Jupiter Hedgehog

Print (France)

The Grand Chtelet, Paris, c 1780, after an earlier drawing 1861 France. Etching and drypoint on ivory laid paper . Charles Meryon

Weapon of William Frederick, Prince of Orange as sovereign ruler, 1814. Draughtsman: anonymous. Dating: 1814. Place: Netherlands. Measurements: h 195 mm × w 395 mm. Museum: Rijksmuseum, Amsterdam.

Schutsluis near Amsterdam, D. van den Bosch, 1817 print Two men are busy opening a lock. There is a weapon of Amsterdam on the quay wall. Amsterdam paper etching sluice, weir

Three of Clubs, E. Le Tellier, French, active late 19th century, B.P. Grimaud, Paris, France, Lithograph on paper, Three of Clubs playing card from a pack of transformation playing cards. Vertically, figural scene depicted in one tone. A girl jumps rope, which is twirled by two older women at either side, each of the three figures marked with a black club. At bottom, the woman's face is made black by the club, her facial features highlighted in white. A house and trees in the background. At lower left, a man holds the hand of a small child., Paris, France, late 19th century, toys & games, Playing card, Playing card

Herfurt Max, Krieger monument (1927): supervision 1: 200. Pencil on transparent, 60.1 x 38.2 cm (including scan edges)

Lavalley, the cemetery of the Saints-Innocents, copy according to the drawings of Bernier. Cross n ° 15. (Dummy title). Carnavalet museum, history of Paris.

Lamp made of twenty thousand incandescent lights. Invention created by Thomas Alva Edison (Milan, Ohio, 1847-West Orange, 1931). Nineteenth-century engraving.

Capt. Thomas Hastings, 1778-1854, British, At Hampstead, 1818. Graphite on medium, slightly textured, cream wove paper.

Burial monument of Amédée Courbet, Louis Jéhenne, Marie-Joseph-Louis Dert and a face at the cemetery near Magong, Anonymous, c. 1891 - In or Before 1896 photomechanical print paper collotype grave-building, monumental tomb. churchyard, cemetery Fishermen

Etching by Bernardino Capitelli depicting a tournament held in honor of the Duke of Siena, created in 1632, showing armored knights, spectators, and tournament equipment in a detailed composition.

Fireworks on the Hofvijver in honor of the coronation of Emperor Frans I Stefan, 1746; Imagee of the Illuminatie and the fireworks by Zyne Extell. Mr. Baron van Reischach (...) on the occasion of the election and kroation of Zyne Roman Keizerlyke Maj. Franciscus I, the 19 January 1746, in Den Vyver in 's Hage Given (...) / Representation de l'Illumination et du feu d'artifice Donnes le 19 janvier 1746 au environment du vivier de la Haye, Par Son Excell. LR. Le Baron de Reischach (...) a l'occasion de l'Election et du Couronnement de s.m. Imperial François I (...); Description description des principales rejouissances, phaites à la Haye, a l'occasion du Couronnnement de (...) François i / clarification of the main joy-wives in 's Gravenhage on the occasion of the Krooning of Zyne Keizerlyke Majesty Franciscus I. Fireworks lit on January 19, 1746 on the Hofvijver in The Hague commissioned by the German Minister and HANDSFUL BARON OF REISCHACH on the occasion of the coronation of Frans I

Isaac P. Martin Garden. Dated: c. 1936. Dimensions: overall: 50.5 x 38.1 cm (19 7/8 x 15 in.). Medium: pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Gilbert Sackerman and William Merklin and Tabea Hosier.

San Francisco. Charles Meryon (French, 1821-1868); printed by Auguste Delâtre (French, 1822-1907). Date: 1855-1856. Dimensions: 181 × 947 mm (image); 236 × 987 mm (plate); 348 × 996 mm (sheet). Etching and drypoint in warm black on grayish ivory chine. Origin: France. Museum: The Chicago Art Institute, USA.

Speculum Romanae Magnificentiae: Trajan's Column 1581-86 Giovanni Ambrogio Brambilla Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. I

Fontein van Paul-Louis Cyfflé op Place d'Alliance te Nancy, anonymous, c. 1891 - in or before 1896 photomechanical print This print is part of a cover with 103 prints on 101 sheets and a title page. NancyPublisher: Paris paper collotype ornamental fountain. square, place, circus, etc. Place d'Alliance

Man in front of the gate of the world of death, Jan Luyken, 1710 print Amsterdam paper etching gate, entrance. devil(s) and demons

Funeral Decoration for Louis XVI, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1793, architecture, Drawing, Drawing

De Vernietiging van de Oude Constitutie, decoratie op de Botermarkt, 1795. Vernietiging Der Oude Constitutie/ Botermarkt (title on object). Draughtsman: anonymous. Draughtsman: Johannes van Dregt (rejected attribution). Dating: 1795. Place: Netherlands. Measurements: h 323 mm × w 277 mm. Museum: Rijksmuseum, Amsterdam.

Astronomical timepiece in the cathedral of Strasbourg, Anonymous, 1650 - 1750 print In the upper margin: Tom. I p. 54. paper engraving / etching clock. astronomical instruments Strasbourg (France)

Persius Reinhold (1835-1912), pull well: Perspective view (children's drawing by R. Persius). Pencil on paper, 11.2 x 15.8 cm (including scan edges)

Drawing by Ferdinand Boberg. Uppland, Frösåkers hd., Forsmarks sn., Forsmark Nordic

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