Architectural and Decorative Designs

Intricate prints featuring coat of arms, memorials, and decorative elements with floral motifs and classical architecture themes.

Netherlands, Letter of greeting with Mercury and Argus, recto - handwritten in brown ink, Letter of greeting with inscribed cartouche within a decorative frame with a representation of Mercury and Argus. Handwritten message in calligraphy (New Year's letter) by Maria van deen H... to her father and mother., print, folk print, letter of greeting, prints, folk prints, verso - stamped, New Year's letter, Esteemed father and mother, Dear father, dear mother ..., height 416 mm, width 323 mm, Publication (Event), Publication, publisher, 1700 - 1899, paper, ink, inkt, etching, etchings, calligraphy, pen, print maker, printmaker

Cartouche for coat of arms. PRENT Nr. 6 in a bundle of eight numbered prints with cartouches for coats of arms, first sheet entitled "New weapon Schilde". Tied together with a string in a cover of 19th-century decorative paper.

Memorial to Eleanor Boucher from Paddington Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 7/8 inches (37.8 × 27.6 cm), architectural subject, church, memorial, England, Greater London, London, Paddington, St Mary on Paddington Green, United Kingdom

Blazoen van de Vlaardingen Rederijkerskamer Den Aeckerboom, 1594, 1594 print Blazoen van de Vlaardingen rederijkerskamer den Aeckerboom, 1594. The emblem with Christ on the cross for an oak, surrounded by weapons, rolling and vines. Northern Netherlands paper engraving Chamber of Rhetoric (Dutch: 'Rederijkerskamer') Vlaardingen

Birth of Bacchus; Banquet of Bacchus and Ariadne, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and wash over graphite on wove paper. Borders ruled in ink., Rome, Italy, Italy, early 19th century, figures, Drawing, Drawing

Verscheyde Constige Vindigen om in Gout, Silver, Hout en Steen te wercken (Plate 9) ca. 1651-53 Engraved by Michiel Mosyn Dutch The publisher Cornelis Danckerts was clever enough to quickly pick up on the popularity of print series showing designs in the Auricular Style. Taking full advantage of the wide demand, he compiled a series after all the first important protagonists of the style such as the Van Vianen brothers, Van den Eeckhout and Lutma. This design for a silver powder box after Lutma contains a great amount of information about its construction, showing both a side view and the decorations on top of the lid as well as two views of the cupid-shaped grip and a more simple variation.. Verscheyde Constige Vindigen om in Gout, Silver, Hout en Steen te wercken (Plate 9) 639888

Memorial to Mrs. Trevelyan from Heston Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 1/2 inches (37.8 × 26.7 cm), architectural subject, church, memorial, England, Greater London, Heston, London, St Leonard Church, United Kingdom

Les exercices de dévotion de Monsieur Henri Roch works on paper

Ornamental frame with coats of arms, André Symphorien Barreau Taurel, 1856 print Amsterdam paper ornaments ~ art (+ framing decorations)

Netherlands, Letter of greeting with Mercury and Argus, recto - handwritten in brown ink, Letter of greeting with inscribed cartouche within a decorative frame with a representation of Mercury and Argus. Handwritten message in calligraphy (New Year's letter) by Maria van deen H... to her father and mother., print, folk print, letter of greeting, prints, folk prints, verso - stamped, New Year's letter, Esteemed father and mother, Dear father, dear mother ..., height 416 mm, width 323 mm, Publication (Event), Publication, publisher, 1700 - 1899, paper, ink, inkt, etching, etchings, calligraphy, pen, print maker, printmaker

Cartouche with four musicians and a monkey; Cartouches Modernes a Compagnés Par des Enfans. A Rocaille cartouche with a pine cone as a crowning. Below the cartouche is a monkey with a triangle. Left plays a man on a harp and dancing a man and a woman. Right a woman plays on a string instrument. In the undermaster a German text. Publisher number VII.

Print, Title Page; Designed by Jacques de Sève (French, active 1742 - 1788); Published by Louis-Joseph Mondhare (French, 1734-1799); France; etching and engraving on laid paper

Nouveavx Desseins D'Arquebvseries. Culture: French, Paris. Dimensions: plate 1 (2016.403.1): sheet: 11 1/2 x 9 in. (29.2 x 22.9 cm); plate: 9 3/8 x 6 5/8 in. (23.8 x 16.8 cm); plate 2 (2016.403.2): sheet: 11 7/8 x 9 in. (30.2 x 22.9 cm); plate: 9 3/8 x 6 5/8 (23.8 x 16.8 cm); plate 3 (2013.906): 10 1/2 x 7 1/2 in. (26.7 x 19.1 cm); plate 4 (2016.403.3): sheet: 11 3/4 x 9 1/8 in. (29.8 x 23.2 cm); plate: 9 1/4 x 6 5/8 in. (23.5 x 16.8 cm); plate 5 (2016.409): sheet: 11 1/2 x 9 in. (29.2 x 22.9 cm); plate: 9 3/8 x 6 5/8 in. (23.8 x 16.8 cm); plate 6 (2016.311): sheet: 11 7/8 x 9 in. (30.16 x 22.86 cm); plate: 9 1/8 x 6 3/8 in. (23.17 x 16.19 cm); plate 7 (2016.403.4): sheet: 12 x 9 in. (30.5 x 22.9 cm); plate: 9 3/8 x 6 3/8 in. (23.8 x 16.2 cm); plate 8 (2016.403.5): sheet: 11 7/8 x 9 1/16 in. (30.2 x 23 cm); plate: 7 7/16 x 5 1/4 in. (18.9 x 13.3 cm); plate 9 (2016.403.5): sheet: 11 3/4 x 9 1/8 in. (29.8 x 23.2 cm); plate: 7 1/4 x 5 1/4 in. (18.4 x 13.3 cm); plate 10 (2016.312): sheet:

Print, Title Page for Book of Ornament Designs; Designed by Pierre Germain (French, 1703 - 1783); Print Maker: Jean Jacques Pasquier (French, died 1785); France; engraving on laid paper; Platemark: 24.7 x 18.3 cm (9 3/4 x 7 3/16 in.)

Cartouche with calligraphy, the corners of which are decorated with a leaf motif, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, 1569 print Leaf IIII. Cartouche with the text Bien-Heureux Est LHomme. A shell above cartouche. In the middle of a mascaron with horns. From series of 21 numbered cartouches with calligraphy in a frame of rolling and fittings with grotesken, garlands and mascarons. print maker: Netherlands (possibly)print maker: Netherlandsafter design by: Netherlands (possibly)publisher: Antwerp paper engraving ornament ~ cartouche. calligraphy

Kroon met zwaard en kruis / Hen met kuikens onder haar vleugels; Pro Lege Et Grege / Non Dormit Qui Custodit; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Above is a crown. A sword and cross stitch through the crown in the ground. Under, among other things, a them protects its chicks among its wings. The inventions of Jacobus II and Jacobus III of Scotland.

Unknown architect, table card for the Schinkelfest March 13, 1867. Monthly competition December 1866 () (03.1867): View. Tusche watercolor on paper, 10.7 x 15.8 cm (including scan edges)

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Fraces Trotman from Acton Church, between 1796 and 1811. Pen and black ink and watercolor on medium, slightly textured, cream wove paper.

Drawing (Italy)

Business card from printing Blanchet-Blanchet in Kortrijk. Frame with four allegorical figures, including Mars and Mercury. At the top of a face on a square with the Sint-Maartenskerk in Kortrijk, at the bottom of a still life, including a globe and a opened book.

Sleeping huties / game. Oval board game with 8 portraits of men with sleep huties. Central De Pot. In the four corners of the game four numbered sleeping hats.

Honor, Amor, virtus, glossy of glory and splendor, in his own people adore them; and from the setting to dawn, makes everything homage to its size ... (IT)

Decoration on the house of Mr. Frans van Lelijveld on the Nieuwe Rijn in Leiden, 1766, Noah van der Meer (II), 1776 print Decoration applied to Mr Frans van Lelijveld's house on the Nieuwe Rijn, between the Herengracht and the Langestaart in Leiden on 8 March 1766 on the occasion of the majority of Prince Willem V. Three separate scenes with inscription: Eendracht makes power. At the top of the bundle of arrows as a symbol for Eendracht, in the middle of a garden with the rising sun, at the bottom of the Netherlands Lion. Numbered at the top: VI. print maker: Amsterdampublisher: Leiden paper etching public festivities

Announcement of a meeting in honor of Prof. dr. J. Förster in Maison Stroucken, Carel Adolph Lion Cachet, 1896 print Ornament edge with ten rectangular compartments for signatures in the middle. There are signatures in eight courses. paper. watercolor (paint)

Deraisme, Pierre -Georges (n.1859 - D.1932), coat of arms (main title), 1900. Graphite on white cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

Artist at work in nature, Pierre Louis Dubourcq, 1850 print Cover for folder with six et tests. In a landscape, an artist is working under the protection of a parasol to nature. With a floral edge of sailing and ivy. paper etching working situations of artist - BB - out of doors

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 20 (recto). Designer: Pietro Paulo Tozzi (Italian, active 1593-1628). Dimensions: Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm). Publisher: Libraria del Giesu , Padua. Date: October 1, 1604.Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.Design is composed of a central rectangle upon which calligraphic text is printed in black. Surrounding this middle section is a decorative border comprised of 2 levels of geometric and linear motifs. Museum: Metropolitan Museum of Art, New York, USA.

Six motifs around a wreath of leaf vines and flowers, c. 1690 - c. 1700 print Title in round frame of flower vines, with a bird on either side, flower ornaments and a winged bladder ball. Leaf from the second series of 6 blades with examples of ornaments for silversmiths. Amsterdam paper engraving ornament derived from plant forms

Sleeping hats / game, 1792 - 1847 print. gameboard Oval board game with 8 portraits of men with sleeping hats. Central De Pot. In the four corners of the game four numbered sleeping hats. Amsterdam paper etching board-games of chance. board-games. nightwear: night-cap

The Bethaniënklooster in Amsterdam, ca. 1544, anonymous, in or before 1760 print Bird's flight face and view of the Bethaniënklooster between the Oudezijds Achterburgwal and the Kloveniersburgwal in Amsterdam, in the situation around 1544. At the top in the middle an empty cartouche. paper etching / engraving abbey, monastery, convent ~ Roman Catholic church Bethaniënklooster. The Oudezijds Achterburgwal. Kloveniersburgwal

William Blake, Sketch for the Title Page of the Engraved Illustrations to the Book of Job, c 1823 1826 Sketch for the Title-Page of the Engraved Illustrations to the Book of Job

Stamps and arms pods from the city of Delft. Four stamps and in the middle the front and back of two arms pods from the city of Delft.

Nicolao Copernico Grata Patria Unknown, Thorvaldsen, Bertel (1768 1844)

Draperie surrounded by coats of arms and war attributes, Israel Silvestre, 1662 print paper etching military parade, pageant. tournament

Coat with broken crowns and a torn banner of the Rhine Confederation, Hermanus Fock, 1813

Antwerp, Jode, Gerard de, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Turris Babijlonicae : per Iohannem Snellincx . 3. fol:, History of the Tower of Babel, Cartouche with scrollwork, Title in cartouche with scrollwork. Title print for a series of prints about the history of the Tower of Babel. Print is part of an album., print, title print, album page, prints, height 99 mm, width 144 mm, print maker, printmaker, 1579 - 1579, fourth quarter 16th century, paper, engraving, engraving (printing process), Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Klage der Ceres. Josef Albert (German, 1825 - 1886)

Decoration in the Beurssteeg, 1795, A. Schol (II), 1795 print Decoration in the Beurssteeg in Amsterdam, seen from the Rokin, at the Alliantie festival on 19 June 1795. Founded by a meeting of deputies from the Batavian clubs, civil neighborhoods and national companies in Amsterdam. Part of a series of thirteen records. Netherlands paper etching festivities on events of national importance (+ festive decoration ~ festive activities) Amsterdam. Beurssteeg

Heins, Armand, Brussels, Reproduction of an engraving of the Exposition Nationale of 1880 in Brussels, surrounded by portraits of, among others, Leopold I and Leopold II of Belgium, by Armand Heins, recto - handwritten, photomechanical print, reproduction, page, photographs, photographically illustrated books, height 236 mm, width 298 mm, maker, producer, 1881 - 1882, paper, papier, collotype, Work conception, 1856-08-01 - 1938-12-25

GRABADO - ALEGORIA POR DETENCION LUIS XVI-LEON Y AGUILA DEVORANDO A LAS VIBORAS (CONVENCION DE PARIS). Author: PEREZ DAVILA J. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Radirungen, 1842/1846, Radirungen, complete set of title page and 25 etchings, sheet: 30.9 x 22.2 cm (12 3/16 x 8 3/4 in.), Caspar Johann Nepomuk Scheuren (artist) German, 1810 - 1887

French captured in the Battle of Spierbach, 1703, 1713 - 1720 Frans captured by standard in the Battle of Spierbach, 1703. In the book with drawings of French banners, standards and timpani, conquered during the Spanish War of Succession (1701-1713). Northern Netherlands paper drawing Frans captured by standard in the Battle of Spierbach, 1703. In the book with drawings of French banners, standards and timpani, conquered during the Spanish War of Succession (1701-1713). Northern Netherlands paper drawing

Cartouche surrounded by grotesken, left and right is a bird; Cartouches in a picture frame of roller and fitting work with grotesken, moresken, garlands, mascarons and trophies; Groteske cartouches. Fourteen pieces from a lettered suite of four and twenty. On I. Die Cock / Cant Qualyck / Al Tuolck in Passe / Coopen. At L: Spaert Loere / U Volck. On M: The Cock Nou Ghoet will benefit / do to this / So Sou Tuveltel as you glad if / he selved ueses. Top left and top right is a bird with an eel in its beak. At the bottom of Garlandes hang with fruit roses. Leaf I from series of 16 sheets, literate A-Q. Shaded or dotted background.

Flat flowers and buttons, Edouard Gautier d'Agoty, After Jean Baptiste Pillement, 1770 print A frame of flat triangular flowers and buttons around the series title. Paris paper etching fabulous flowers

Jonas Haas (1721-1775), Vignet, 1720 - 1775

Commemorative plaque with a portrait of Nicholas II and donors (). Ivanovskij (bibliotekarz ; fl. 1867), author, unknown, photographer, Schaufelberger, Leonhard (1839-1894), draughtsman, cartoonist

Spiegellijst, Charles Onghena, 1836 print paper etching mirror

Memorial magazine at the silver marriage of King William I and Queen Sophia, 1839-1864, 1864 print Memorial magazine on the occasion of the silver marriage of King William I and Queen Sophie van Württemberg, on June 18, 1864. Centrally the portraits of the couple. Since here representations of the marriage of the prince in 1839, the inauguration of the king in 1849, the flood of 1861, the first -age laying for the National Monument in 1863 and the establishment of the couple in The Hague. print maker: Netherlandsprint maker: Netherlandsprinter: The Hague paper silver anniversary National Monument. Noordeinde Palace

Title print with medieval figures and parrots, Caspar Johann Nepomuk tear, 1842 print paper. etching medieval history, middle ages (historical epoch). ornamental birds: parrot

Business card from lithographer Albert van Monckhoven in Ghent, 1842 - c. 1875 print. porcelain card Two angels provide flowers that grow on the cartouche with the name of the lithographer. On the right a portrait of Alois Senefelder, surrounded by artists' attributes. . tools, implements of painter. angels

Title page for 'Nouvelle Suitte de Cahiers de fleurs Idéales' No. 3, Jean-Baptiste Pillement, French, 1728-1808, Anne Allen, English, active France, ca. 1750-1810, Etching a la poupée and teal, green, purple, brown, magenta, and ochre colored inks on paper, Two stems of fantastical leaves and blossoms in a gradient of color cross at the base to form a frame surrounding text that reads: Nouvelle Suitte de Cahiers de fleurs idéales a l'usage des déssinateurs et des Peintres Inventés et déssinés Par Jean Pillement graves par Anne allen' And below, 'no. 3', France, ca. 1760, nature studies, Print, Print

Title Page, from 'Petits Parasols Chinois', Jean-Baptiste Pillement, French, 1728-1808, Engraving on paper, France, Europe, 18th century, Print, Print

Willem den Eersten, / King of the Netherlands, / Prince of Oranje -Nassau, / Groot Duke of Luxembourg, / etc. etc. etc., Jan Oortman (Sr.), 1831 - 1854 print Portrait of William I Frederik on Horse, caught in a decorative list of ranks, draped cloths and weapon. print maker: Netherlandspublisher: Amsterdam paper letterpress printing equestrian state-portrait

Drawing, Design for Brooch; Italy; pen and ink, brush and sepia on paper

Titel voor het tweede hoofdstuk over de nieuwe Amsterdamse schutterij van 1783-1787. Reflextie of waare en natuurlijke afbeeldinge van de nieuw Burgerij gereformeerd tot een Corps Oxulaire in 't jaar 1783 tot 87 (title on object). Draughtsman: S.G. Casten (signed by artist). Dating: 1795. Place: Amsterdam. Measurements: h 197 mm × w 310 mm. Museum: Rijksmuseum, Amsterdam.

Cartridge puts busts in harnas, Jean Moyreau, after Jean Antoine Watteau, 1718 - 1740 print A cartouche with arabesken, rocailles, male and female busts and on the right a harness with spears. The serial title in the cartouche. Paris paper etching ornament ~ cartouche

Card for the Gurlitt Exhibition Imagination and the Child Artist 1881 Germany. Etching and aquatint on ivory laid paper . Max Klinger

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 19 (recto). Designer: Pietro Paulo Tozzi (Italian, active 1593-1628). Dimensions: Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm). Publisher: Libraria del Giesu , Padua. Date: October 1, 1604.Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.Design is composed of a central rectangle upon which calligraphic text is printed in black. Surrounding this middle section is a decorative border comprised of 2 levels of geometric and linear motifs. Museum: Metropolitan Museum of Art, New York, USA.

Double cartouche with weapon and assignment, 1578 Double cartouche with the coat of arms of Antoine Perrenot at the top, Cardinal de Granvelle, flanked by two putti with a banderol (dur/ate). Below that in a cartouche with an assignment to Granvelle, in a frame of rolling work. The print is part of an album. Antwerp paper etching Double cartouche with the coat of arms of Antoine Perrenot at the top, Cardinal de Granvelle, flanked by two putti with a banderol (dur/ate). Below that in a cartouche with an assignment to Granvelle, in a frame of rolling work. The print is part of an album. Antwerp paper etching

Relief of an unknown man in a decorated circle, Anonymous, 1875 - 1930 photomechanical print Florence paper collotype anonymous historical person portrayed. sculpture Florence

Mercury with Banderol with assignment to Johann Christian Schumann, Moritz Bodenehr, after Samuel Bottschild, 1693 print paper etching specific aspects, allegorical aspects of Mercury; Mercury as patron. ribbon, scroll, banderole ~ ornament

Portrait of Fatou Angeline, (dancer) Franck (Fran�ois Gobinet de Villechole, said). Portrait of Angelin Fatou, dancer. Business card (verso). Draw on albuminum paper. 1870-1890.

Deraisme, Pierre -Georges (n.1859 - D.1932), box (main title), 1911. Graphite on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Dearest Thee I Do Love (valentine) 1845-1855 England. Collaged element and pen and blue ink on color lithograph on ivory laid paper .

Cameo Brooch. Dated: c. 1937. Dimensions: overall: 28 x 22.8 cm (11 x 9 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Frederick Jackson.

Insects, Basil Thyme, and Land Snails; Joris Hoefnagel (Flemish , Hungarian, 1542 - 1600), and Georg Bocskay (Hungarian, died 1575); Vienna, Austria; 1561 - 1562; illumination added 1591 - 1596; Watercolors, gold and silver paint, and ink on parchment; Leaf: 16.6 x 12.4 cm (6 9,16 x 4 7,8 in.)

Epitaaf van Io. Fr. A Slingelant. In de St Ians Kerk te Mechelen (title on object). Draughtsman: anonymous. Dating: in or after 1647. Measurements: h 336 mm × w 238 mm. Museum: Rijksmuseum, Amsterdam.

Sample (France)

Decoration in the stock exchange alley, 1795; Illuminatie in the street fair, in Amsterdam 1795; Thirteen decorations at the Alliantiestiefesteest in Amsterdam in 1795. Decoration in the Beurssteeg in Amsterdam, seen from Dam Square, at the Alliance party on 19 June 1795. Founded by a meeting of the Properties of the Batavian clubs, Civilians and Patriotic companies in Amsterdam. Part of a series of thirteen plates.

Bookplate: Ex Libris ErnaLiebaldt. Artist: Heinrich Vogeler, German, 1872-1942

attributed to Daniel Lysons, 1762-1834, British, Memorial to Thomas Cartwright , John Carter and John Reynolds, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

New Year's letter 1741, 1741 print Oval in which a calligraphy New Year's wish, written by A. Cornelis. Above it a vignette with the text: Anno 1741 12/29. Bottom left the proclamation to Maria; In the middle right the proclamation to the shepherds and below the worship of the shepherds. paper etching / calligraphy calligraphy. the Annunciation: Mary sitting. adoration of the Christ-child ~ Christ's birth. annunciation of Christ's birth to the shepherds (and/or shepherdesses) at night; a host of singing angels in the air

Lid of a golden box with allegory on gold mining. Allegory on gold mining by the West Indian Compagnie, with Mercury and the weapon of Willem IV, Prince of Orange and Nassau; In an ornamental frame with tropical fruits and plants.

page 2. Book - Urne Buriall and The Garden of Cyrus, 1932. Artist: Paul Nash (d. 1946). Author: Sir Thomas Browne. Printer: Curwen Press. Publisher: Cassell & Co Ltd.. The book was conceived entirely by Nash: he designed the binding and the thirty illustrations, and even chose the typeface.

A monkey, dressed in human clothing and holding up a medicinal remedy: representing quacks or itinerant medicine vendors. Lithograph by W. Nichol after J. Watteau.

Silk tissue, painted à trompe l'Oeil with five prints against a background of flowers, c. 1770 - c. 1790 Silk tissue, painted à trompe l'Oeil, with five prints against a background of multicolored sprinkles and bouquets. The central print represents a landscape with ruins and figures. Two ports and two portraits on both sides. Maker: Netherlands (Possible) Print Maker: Tournai print Maker: Meissen silk Silk tissue, painted à trompe l'Oeil, with five prints against a background of multicolored sprinkles and bouquets. The central print represents a landscape with ruins and figures. Two ports and two portraits on both sides. Maker: Netherlands (Possible) Print Maker: Tournai print Maker: Meissen silk

Greeting letter with man in rowing boat. Greeting letter with described cartouche inside a decorative frame with a representation of a man in a rowing boat. Handwritten message in calligraphy (New Year's wish) by Jakob D. Zwaag to his grandmother and aunt. Numbered at the top right: No. 4.

Print (France)

Memorial to Thomas Cartwright and to John Reynolds, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 × 11 inches (35.6 × 27.9 cm), architectural subject, church, memorial, England, Greater London, London, United Kingdom

Przeszoc Przyszoci unknown

Guide for Constructing the Letter Q. Joris Hoefnagel (Flemish / Hungarian, 1542 - 1600)

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Maria Hutchinson and Michael Hutchinson from Fulham Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Untitled Valentine (Gold Ship in Wreath) 1845-1850 England. Collaged elements on cut and embossed ivory wove paper . Joseph Mansell

Escutcheon with a Landscape; Jacques Bailly (French, 1634 - 1679); Paris, France; about 1663 - 1668; Gouache and gold on parchment; Leaf: 37.5 x 25.1 cm (14 3,4 x 9 7,8 in.)

Design for a Token: Galères, 1740. Artist: Edme Bouchardon (French, Chaumont 1698-1762 Paris). Dimensions: 8 3/8 x 8 7/16 in. (21.3 x 21.4 cm). Date: 1740. Museum: Metropolitan Museum of Art, New York, USA.

Drawing of a stamp for the discount fund Augustin Dupr� (1748-1833). Drawing of a stamp for the discount box.

Netherlands, Amsterdam, Rijckhoff jr., Jacobus, Letter of greetings with a group eating outdoors and a shepherd, verso - stamped, Letter of greetings with unwritten cartouche within a decorative frame with representations of a group at a table, in front of an inn, and a shepherd blowing the shawm, leaning against a tree., print, popular print, letter of greetings, prints, popular prints, height 415 mm, width 328 mm, height 402 mm, width 322 mm, Publication (Event), Publication, publisher, 1738 - 1749, paper, papier, etching, etchings, colours, print maker, printmaker

Forget Me Not Dear Love (valentine) 1825-1835 United States. Collaged elements on embossed ivory wove paper .

Memorial to Elizabeth and Frances Boone, and Mrs. Esther Chapham from Sudbury Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/8 × 11 inches (38.4 × 27.9 cm), architectural subject, church, memorial, England, Greater London, London, St. Gregory Church, Sudbury, United Kingdom

Business card from lithographer j.b. Coppens in Brussels. In ornamental picture frame with fantasy stations an upper in the portrait of Alois Senefelder flanked by two women with laurel circuits drawing on a stone.

A pencil sketch sheet by Rudolf Weyr showing detailed studies of forms, figures, and compositional arrangements with precise line work.

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Henry Hawley, between 1796 and 1811. Pen and black ink, watercolor and gouache on medium, slightly textured, cream wove paper.

Company label of the piano manufacturer ,fortepiano factory Seuffert Sohn, et Seidler, Wienstraße Next of the chain bridge, new difference , Vienna, Johann Rauh -

So-called Sapieha brooch, tracing; verso: notes. Czachórski, Władysław (1850-1911), draughtsman, cartoonist

Ornamental design with names of companies. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 212 mm × w 166 mm. Museum: Rijksmuseum, Amsterdam.

Business card from Paperhandel Verlinde in Brussels, c. 1842 - 1894 print. porcelain card Decorated frame with acanthus leaves. Verlinde also sold cash books and office supplies. . paper (writing material). acanthus ~ ornament

Title print for the scene of foolishness, 1720, 1720 print Title print with a central performance in which father holds a mirror to a young woman with a globe. Around a frame with dwarfs, animals and rolling work with all kinds of inscriptions, printed from a second album. On the leaf under the plate a fresh in 4 columns. Prent 1 in the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. paper etching / engraving / letterpress printing Father Time, man with wings and scythe. little people

Renee A Monfalcone, Stern Board, c 1941 Stern Board

Guide for Constructing the Letter A; Joris Hoefnagel (Flemish , Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint, and ink on parchment; Leaf: 16.6 x 12.4 cm (6 9,16 x 4 7,8 in.)

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Marie Walker from Chadwick Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

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