Architectural and Decorative Designs

Illustrations of elaborate architectural interiors and artistic designs, highlighting decorative elements, ornate motifs, and historical context from various periods.

Homage to a Hero, Firmin Perlin, Pen and brown ink, brush and brown wash, watercolors, white gouache, graphite on cream paper, lined and framed with paper stripe representing molding, A large loggia shown from an oblique angle. A large arch opens up into the outdoors. A fountain and other buildings are visible just beyond the arch. The interior of the loggia includes two large apses with half domes. The walls are lined with fluted columns and pilasters. Inside, at left, is a scene in which a hero in classical attire receives a wreath from Fortune and another gift from Architecture who is flanked by Painting and Sculpture in the apse at left. Attributes of Music, Science, Justice, Commerce, Seafaring, and three putti are shown before the apse. Fortune is accompanied on her clouds by putti; two carry a medallion with the monogram V S, and by Fame. Apollo and the Muses are represented in the courts of the apse., France, 1772, architecture, Drawing, Drawing

The design of the oblong with the ruined painting is similar to that of -1538. It is framed by ramifications of a band, framing also the oblong panels with plants forming the central motifs in the lower section. An octagonal painting is suggested for its center; square paintings flanked by groups of children in conchiae, and parts of coffered vaults for the lateral parts. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1790-1800. Museum: Cooper Hewitt, Smithsonian Design Museum.

Interior of the Anatomic Theater Collegium Surgicum in Amsterdam, Barent de Bakker, 1780 print Interior of the Anatomical Theater Collegium Surgicum with grandstands and cutting table. On both sides are images in niches, on the left the god Apollo with a bow and lier and on the right an unknown male saint or philosopher with palm leaves and the caduceus, the magic wand with winding snake of Mercury and attribute of the surgeons. paper. ink etching / engraving / pen dissecting-room, 'theatrum anatomicum'. (story of) Apollo (Phoebus). caduceus (staff with two snakes, attribute of Mercury)

Part of the Wall Decoration for a Church, Doorway at Left, 1/2 Altarpiece at Right. Artist: Attributed to Francesco Ferrari (Italian, Rovigo 1634-1708 Ferrara). Dimensions: 13-7/8 x 10-7/8 in. (35.2 x 27.6 cm). Date: 1634-1708. Museum: Metropolitan Museum of Art, New York, USA.

Landshut. Trausnitz Castle - a fragment of the Krunges with a view of the city; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Bavaria (Germany), Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection , Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Trausnitz (Landshut - Castle), architecture, German architecture, foreign architecture, Dar (provenance), cloisters , porching, views, city views, castles (architect.)

Dahlberg, Erik Jönssen, Reitz, Erik, Suecia Antiqua et Hodierna, Sacellum Templi cathedralis Ubsaliensis, in quo sepulchrum Catharinae Iagellonicae, Reginae Sveciae, Tomb of Katarina Jagiellonica in Uppsala Cathedral, The print is part of an album., print, album page, prints, height 264 mm, width 170 mm, print maker, 1695 - 1695, paper, etching, Swedish, 1625-10-10 - 1703-01-16, supervision

Corner fountain with a statue of Christ under a canopy, 1568 print Corner fountain with a statue of Christ under a canopy. Next to the fountain a man with beard and beret. Behind him view in a corridor. This print is part of an album. paper etching ornamental fountain. piece of sculpture, reproduction of a piece of sculpture. civic architecture; edifices; dwellings

The interior of the St. Marcurskirche in Venice W: Payne's universe. Presentation and description of the most beautiful areas, cities around the world, of portraits of excellent people, folklit scenes and genre pictures in excellent steel stings VII TOM, VIII Zeszyt Payne, Albert Henry (1812 1902), publisher of the English artistry v. AH. Payne in Leipzig

Design for Stage Set. Artist: Attributed to Giovanni Battista Natali III (Italian, Pontremoli, Tuscany 1698-1765 Naples). Dimensions: sheet: 5 7/8 x 4 in. (15 x 10.2 cm). Date: 1698-1765. Museum: Metropolitan Museum of Art, New York, USA.

Homage to a Hero, Firmin Perlin, Pen and brown ink, brush and brown wash, watercolors, white gouache, graphite on cream paper, lined and framed with paper stripe representing molding, A large loggia shown from an oblique angle. A large arch opens up into the outdoors. A fountain and other buildings are visible just beyond the arch. The interior of the loggia includes two large apses with half domes. The walls are lined with fluted columns and pilasters. Inside, at left, is a scene in which a hero in classical attire receives a wreath from Fortune and another gift from Architecture who is flanked by Painting and Sculpture in the apse at left. Attributes of Music, Science, Justice, Commerce, Seafaring, and three putti are shown before the apse. Fortune is accompanied on her clouds by putti; two carry a medallion with the monogram V S, and by Fame. Apollo and the Muses are represented in the courts of the apse., France, 1772, architecture, Drawing, Drawing

The Chapel and Founder's Tomb, Charterhouse, Sir David Young Cameron, 1865-1945, British, 1894-1910, Etching on laid paper, Plate: 6 3/8 x 4 3/8in. (16.3 x 11.1cm) and Sheet: 13 5/8 x 8 3/8in. (34.6 x 21.3cm)

Illumination of the cross in the basilica. Piotr in Rome; Desprez, Louis-Jean (1743-1804); around 1782 (1778-00-00-1787-00-00);Bloch, Jan Gottlib (1836-1902), Bloch, Jan Gottlib (1836-1902) - collections, Rome (Italy), Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, Basilica of St. Piotr (Rome), Illuminations, Churches (architect), message (provenance), French drawings, interiors, temples (architect.)

Sotterraneo sepolcrale ad una chiesa. , Theatrical productions, Sets Architectural elements, Allen A. Brown Collection

Architectural scene and frame; Wilhelm Fistulator, German, died 1669, active 1602, Frame maker Unknown; Germany, South Germany, Europe; plaque about 1650; frame 1730 - 1740; Plaque: scagliola; Frame: ebonized wood with gilt bronze mounts; Object (Plaque): 43.5 x 50 cm (17 1/8 x 19 11/16 in.), Frame: 73 x 67 cm (28 3/4 x 26 3/8 in.)

Design for a Ceiling Attributed to Faustino Trebbi Italian. Design for a Ceiling 395350

TOMB OF QUEEN ELIZABETH

'Sketch of the Painting for the Gonzaga Gallery in Pavlovsk'. Italy-Russia, 18th century. Dimensions: 18,2x38,6 cm. Museum: State Hermitage, St. Petersburg. Author: PIETRO DI GOTTARDO GONZAGA.

Scheme for an Architectural Decoration with a Standing Male Figure in a Niche. Artist: Fabrizio Boschi (Italian, Florence 1572-1642 Florence). Dimensions: Sheet: 10 1/2 x 5 1/16 in. (26.7 x 12.9 cm). Date: 1572-1642. Museum: Metropolitan Museum of Art, New York, USA.

A View in San Lorenzo Fuori le Mura, Rome. Gustav Friedrich Hetsch; German, 1788-1864. Date: 1815-1825. Dimensions: 295 × 388 mm. Pen and brown ink and brush and various brown washes on ivory wove paper, edge-mounted to an ivory laid paper inlay. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Orange Hall at Huis ten Bosch, The Netherlands, Frans Molenaar (1821-1886), Tieleman Cato Bruining, Jacob Jordaens (I), 1831 - 1886

Pierre-Antoine Demachy. "The sarcophagus of Jean -Jacques Rousseau exposed to the Pantheon; light effect (20 vendémiaire year III - October 11, 1794)". Oil on marouflaged paper. Paris, Carnavalet museum. 27113-15 Borough V, official ceremony, French writer, light effect, Maroufle paper oil, pantheon, sarcophagus, 5th 5th 5th

P. Cacchiatelli - G. Gleter, Le Scienza e le Arti sotto il pontificato di Pio IX, edito a Roma nel 1860 dalla Tipografia delle Belle Arti, via Poli, 91. Internamente sono contenute delle acqueforti che raffigurano le opere pubbliche realizzate durante il Pontificato di Pio IX

Elevation of Reims Cathedral with the Royal Box for the Coronation of Louis XVIII 1815 Charles Percier French This sheet shows an elevation of part of the interior of Reims Cathedral with the royal box for the coronation of King Louis XVIII. This design represents one of six drawings that form the only documentation of the plans for the coronation of King Louis XVIII, which never took place. The event was likely delayed, and eventually dismissed due to the precarious state of the French monarchy and the declining health of the King. In addition, the idea of a Royal coronation, bestowed by the French Catholic Church had become a point of contention after the fall of the first monarchy and the Emperor Napoleons decision to crown himself. For these reasons, King Louis XVIIIs successor, Charles X, opted not to have a coronation in Reims when he ascended the throne in 1824. Some of the concerns for how the coronation would be perceived can be noted in the decoration scheme that was devise

Rehlender Georg (born 1845), Provincial Museum, Wroclaw (without Dat.): Antique sculpture courtyard: Perspective interior view. Tusche watercolor on the box, 72.5 x 87.1 cm (including scan edges) Rehlender Georg (geb. 1845): Provinzialmuseum, Breslau

(DON JUAN TENORIO) - GRABADO SIGLO XIX. Author: JOSE ZORRILLA (1817-1893). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Unexecuted elevation for the Stanza Egizia, Antonio Asprucci architectural drawings for the Villa Borghese, ca. 1770-ca. 1793, Conca, Tommaso, 1734-1822, Pencil, pen and ink with watercolor on paper, between 1775 and 1780

The Dream of St Ursula, by Vittore Carpaccio (ca 1465-1525 or 1526), sketch.

Daniël's dream of the four animals, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, 1643 print Daniël is sleeping in a bed under a canopy and dreams. At the top left his dream of the four animals: a winged lion, a bear, a four -member panther and an animal with ten horns. Above that the old way. In the landscape on the left are vision of the RAM and the goat buck. Under the show a reference in Latin to the Bible text then. 7: 1. Amsterdam paper etching four great beasts rising from the sea ~ Daniel's visions. the Ancient of days, in white robes, on a fiery throne ~ Daniel's visions. the he-goat fights with the ram and slays it ~ Daniel's visions

Wand im atrium der Casa di Modesto Pompeji still image. Art reproductions. 1884. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Pompeii (Extinct city), Mural painting and decoration, Murals , Italy, Architectural decorations & ornaments , Italy , Pompeii (Extinct city), Walls , Italy , Pompeii (Extinct city), Interiors , To 499

'Composition with the Fountain from Album by Percier and Fontaine'. From the Album No 3 "Souveni d'Italie". 1807. Dimensions: 26,6x36,8 cm. Museum: State Hermitage, St. Petersburg. Author: Jean François Thomas de Thomon.

Design for a Wall of the Chapel of Revealed Religion, Benjamin West, 1738-1820, American, active in Britain (from 1763), ca. 1780, Watercolor with pen in gray and black ink on medium, moderately textured, cream, laid paper, Sheet: 11 1/2 × 18 1/2 inches (29.2 × 47 cm) and Mount: 15 1/4 x 22 1/4 inches (38.7 x 56.5 cm), allegorical, architectural subject, design, figures, plans, religious

Thiry, Léonard, Orléans, Androuet, Jacques, Iacobus Androuetius Du Cerceau Lectoribus S Cum Nactus Essem Duodecim Fragmenta Structurae veteris, Ruins, Ruins of a multi-aisled building, Remains of a multi-aisled building. On the first floor two men lean over the balustrade. This print is part of an album., print, album sheet, prints, height 165 mm, width 105 mm, French, 1515 - 1584, print maker, printmaker, 1550 - 1550, paper, papier, etching, Work conception, South Dutch (before 1775), 1500 - 1550

Ricardo de Madrazo y Garreta (1851-1917). La Ilustracion Artistica, 1884. Engraving por A. Closs. Reproduces a painting by Madrazo. An Arab model.

Drawing by Nikolaus van Hoy showing the painting gallery of Archduke Leopold Wilhelm, executed with brown ink, gray washes, graphite pencil, and white corrections, with minor brown spots and vertical lines.

'St. Anastasia, Verona', 19th century, (1935). Artist: William Wood Deane.

Ampitheatre Gallery.

Herold Reinhard, national hall for art and science at Königsplatz in Berlin. Schinkel competition 1896 (1896): meeting room of the Academy of the Arts. Detail of wall design 1:25. Tusche, pencil watercolor on the box, 43.8 x 59.9 cm (including scan edges) Herold Reinhard : Nationalhalle für Kunst und Wissenschaft am Königsplatz, Berlin. Schinkelwettbewerb 1896

Gang in the Vatican Museums in Vatican City, c. 1875 - c. 1900 photograph Vatican Museums photographic support albumen print (decorated) ceiling. gallery (spacious corridor)

Pierre-Victor Galland (1822-1892). Sketch for the Town Hall Galerie des Métiers. Glassmakers. Ink and oil on cardboard, 1890. Museum of Fine Arts in the city of Paris, Petit Palais. Sketch, gallery of traders, town hall, oil on cardboard, 19th 19th XIX 19th 19th 19th century

Exhibition of the paintings of Ferdynand Ruszczyc, verso: details of the exhibition. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Pulpit in Ravello, sketch. Gierymski, Aleksander (1850-1901), painter

The Coulis Decoration De Klooster Kerk with scene from: Gijsbrecht van Aemstel. Only the decor printed from a separate plate, so without the passe-partout. Part of a series of 12 stage decorors from the Amsterdamse Schouwburg on the Keizersgracht.

Ashmolean Museum, Ashmolean Museum of Art and Archaeology, Oxford, Panoramic View of the Statue Gallery, England, Historic, digitally restored reproduction of an original of the period

'Congratulations on the Arrival of Prince Ferdinand (Adventus Seren. Princ. Gratulatio)'. Sketches of Decorations of Antwerp Produced on the Occasion of Arrival of Prince Ferdinand, the New Governor-General, on 17 april 1635. Flanders, 1634. Dimensions: 73x78 cm. Museum: State Hermitage, St. Petersburg. Author: Peter Paul Rubens (Pietro Pauolo).

Dickens tomb is in the south transept of the Poets' Corner at Westminster Abbey in London, England, and is marked by a small stone inscription (area pictured here).This was per Dickens' wish and he wrote in his will: that my name be inscribed in plain English letters on my tomb... I rest my claims to the remembrance of my country upon my published works. Charles Dickens died June 9, 1870, and was buried at the Abbey on June 14. Charles Dickens (1812-1870) was an English writer and social critic, and considered by some the best novelist of the Victorian era. Some of his best-known works are David Copperfield, A Christmas Carol, A Tale of Two Cities. This illustration by John Saddler is from the 1874 edition of The Life of Charles Dickens Vol III 1852-1870 by John Forster. Saddler, an English line engraver (died 1892), based it on a watercolor by English Victorian painter Luke Fields (died 1927).

Drawing, The Circular Dining Room at Carlton House, London; Charles Wild (British, 1781 - 1835); brush and watercolor, gouache on white wove paper; Frame H x W x D: 74.3 x 64.1 x 2.5 cm (29 1/4 x 25 1/4 x 1 in.) 46.1 x 38.1 cm (18 1/8 x 15 in.); Thaw Collection; 2007-27-2

Framed Unfinished Design of a Baroque Church Interior. Artist: Attributed to Giovanni Maria Galli Bibiena, the Younger (Italian, died 1769). Dimensions: sheet: 14 1/8 x 10 9/16 in. (35.8 x 26.8 cm). Date: before 1769. Museum: Metropolitan Museum of Art, New York, USA.

Paris, Duchange, Gaspard, Lesueur, Eustache, Picart, Bernard, The paintings of Charles le Brun and Eustache Le Sueur who are in the house of President Lambert, Interior of the Cabinet de l'Amour in the Hôtel Lambert, verso - stamped, Interior of the Cabinet de l'Amour in the Hôtel Lambert in Paris. The walls and ceilings of the room are covered with paintings by Eustache Lesueur. On the walls hang consoles on which stand vases. On the right a mantelpiece. On the left a man writes at his desk, probably Nicolas Lambert. Print is part of a series of prints after the paintings in the Hôtel Lambert in Paris., print, prints, height 387 mm, width 506 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1740 - 1740, first quarter 18th century, second quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, French, 1617-11-19 - 1655-04-30, after, after a painting by, Publication (Event), Publica

Industry Exhibition. Gardens of Armida, executed wallpaper by the house of Jules Desfosse. 1855. Paris, France, Exposition Universelle. An international Exhibition held on the Champs-Elysees in 1855, consisting of an industrial and an beaux Arts exposition. Engraving

Fireworks at the celebration of the Peace of Utrecht, 1713, 1713 - 1714 print Scaffolding with fireworks commissioned by the States-General on the Hofvijver in The Hague at the celebration of the Peace of Utrecht, 14 June 1713. On either side of the show The title and legend in Dutch. Marked in the middle: 1713. II. Part. And at the top right: page: 159. Northern Netherlands paper etching festivities (+ illumination, fire-works ~ festive activities). bonfire, fire-works Hofvijver

Bound Print, Chinese Gallery As It Was, Plate XV in Illustrations of Her Majesty's Palace at Brighton...Printed by T. Sutherland, Frederic Lewis, Robert Havel Jr., and M. Dubourg. Published by J. B. Nichols and Son, London, England, 1838.; Designed by John Nash (1752 - 1835); England; etching and aquatint, brush and watercolor, letterpress on white wove paper mounted on heavy tan board, ruled lines in color and gold paint; 20.7 x 30.1 cm (8 1/8 x 11 7/8 in.)

A watercolor depiction of the grave of Friedrich III in the Stephanskirche by Rudolf von Alt, created in 1848.

France, Paris, Bearin's sketch for Les Fêtes de l'Amour et de Bacchus, performed at Royal Palace on May 2nd, 1651

Emilia-Romagna Ferrara Ferrara S. Antonio in Polsine7. Hutzel, Max 1960-1990 Medieval: Architecture (15th century). Post-medieval: Frescoes (15th century); Baroque interior, choir loft, sculpture (15th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Architectural Capriccio: Courtyard of a Palace (recto); Saint Aloysius Gonzaga Holding a Crucifix (verso) 1712-93 Francesco Guardi Italian. Architectural Capriccio: Courtyard of a Palace (recto); Saint Aloysius Gonzaga Holding a Crucifix (verso) 338932

Set design for Mozart "Don Giovanni" by Giuseppe Brioschi. Vienna 1892. Museum: Museen der Stadt, VIENA, AUSTRIA. JOHANN WOLFGANG MOZART.

Tiffany Drawing. Culture: American. Designer: Designed by Jacob Holzer (American (born Switzerland) Péry 1858-1938 Florence, Italy). Dimensions: 43 x 29 in. (109.2 x 73.7 cm). Manufacturer: Manufactured by Tiffany Glass and Decorating Company (American, 1892-1902). Date: 1893. Museum: Metropolitan Museum of Art, New York, USA.

Depicts a buffet scene with figures, table, and setting, drawn with gray feather, brush, gray wash, and gray-green cover colors.

Portrait of Jacob Cats, Jacob Ernst Marcus, 1817 print paper etching historical persons

Brignall Church, Samuel Rawle, 1771-1860, British, after Joseph Mallord William Turner, 1775-1851, British, 1818-1823, Open etching and line engraving on thick, slightly textured, cream, wove paper, with cream, chine colle, Mount: 11 13/16 × 16 3/4 inches (30 × 42.5 cm), Chine collé: 11 1/8 × 16 inches (28.3 × 40.6 cm), and Image: 7 × 10 11/16 inches (17.8 × 27.1 cm)

Robert Caney, Fantastic Pavilions in a Grotto Fantastic Pavilions in a Grotto

Anonymous / 'The Return of the Prodigal Son'. XVII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Two overlaid architectural designs by Antonio Galli Bibiena showing details executed with spring and feather techniques, including gray washes.

Rettig Erwin, Gothic staircase in the National Museum, Munich. (From: Architect. Rundschau, ed. V. Eisenlohr & Weigle, 1914) (1914-1914): Perspective view. Print colored on paper, 33 x 24.4 cm (including scan edges) Rettig Erwin : Gothische Treppe im Nationalmuseum, München. (Aus: Architekt. Rundschau, hrsg.v. Eisenlohr & Weigle, 1914)

Decor design. Giuseppe Galli da Bibiena (1696-1757) Italian designer. Pen, brown ink, brown and grey wash.

Views in Egypt (plates) Made 1801 Italy. Book with forty aquatints, with hand-coloring, in black on ivory wove paper . Luigi Mayer

Design for Stage Set 1698-1765 Attributed to Giovanni Battista Natali III Italian. Design for Stage Set 362003

Rohscan

Architectural interior and staircase, by Giovanni Battista Piranesi (1720-1778), drawing.

1141 Piedigrotta Napoli; Naples Piedigrotta. A photo of a print gambling representing the PeaDigrotta, an old Roman tunnel.

Views in Egypt (plates). Luigi Mayer (Italian, act. 1776-1792); engraved by Thomas Milton (English, 1743-1827); printed by Thomas Bensley (English, 1760-1835); published by Robert Bowyer (English, 1758-1834). Date: 1801. Dimensions: 473 x 335 x 22 mm (book, closed); 473 x 675 x 45 mm (book, open). Book with forty aquatints, with hand-coloring, in black on ivory wove paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Invenzioni Capric di Carceri; Hind 16, First State of Three Giovanni Battista Piranesi (Italian, Venetian, 1720-1778). Invenzioni Capric di Carceri; Hind 16, First State of Three, ca. 1749. Etching on laid paper, 15 15/16 x 21 1/2 in. (40.5 x 54.6 cm). European Art ca. 1749

A Room To Sleep In, (1885). Artist: Durin

Carved oak armoire, bearing the cipher of Lambert Suavius of Liége, and dated 1540. In the Royal Scottish Museum, Edinburgh. Carved oak table, in the Musée Carnavalet, Paris.. Foley, Edwin, d. 1912. Foley, Edwin, d. 1912. Prints, Drawings, Paintings. 1910 - 1911. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Furniture , History, Tables, Armoires

Stage design for the opera Don Carlos by G. Verdi by Ryndin, Vadim Fyodorovich (1902-1974) State Tretyakov Gallery, Moscow 1950s Pencil on Paper 18,5x28 Russia Theatrical scenic painting Opera, Ballet, Theatre Painting

Manresa Axel Herman Haig (Gotland, Sweden, 1835 - 1921) 1895 Axel Herman Haig was a Swedish printmaker, painter and architect. During his career, he travelled widely to sketch in countries such as Italy, Germany and Spain. In 1880, he founded the Royal Academy of Painter-Etchers and Engravers with Francis Seymour Haden and became one of the most notable architectural draughtsmen in Britain. This drawing of the interior of the cathedral in Manresa in North East Spain is typical of Haig's balance between drama and accuracy. The tall, pointed arches soar around the elaborate Gothic altar. The large expanse of space dwarfs the lone praying figure in the foreground, as Haig simultaneously links and contrasts divine power and individual faith. Cathedral, Interior

The Gallery of Notre-Dame, Paris 1853 France. Etching on verdtre (greenish-ivory) laid paper . Charles Meryon

Design for Stage Set. Artist: Attributed to Giovanni Battista Natali III (Italian, Pontremoli, Tuscany 1698-1765 Naples). Dimensions: sheet: 7 13/16 x 6 15/16 in. (19.8 x 17.6 cm). Date: 1698-1765. Museum: Metropolitan Museum of Art, New York, USA.

The Library at Dingestow. Date/Period: 1840s. Drawing. Brush and watercolor and pen and black ink over graphite. Author: Charlotte Bosanquet.

Paris prisons Prison Saint Lazare; Where the victims of terror were locked in in 1793

Stanis Aw Tondos (1854-1917), Wojciech Kossak (1856-1942), Batory Chapel. Anna Jagiellonka sit in stalls; Salon Painters Salon Publishing House (Kraków; 1895-1949), Anczyc, W ADYS AW Ludwik and Spóża (Kraków; Drukarnia; 1875-1948); around 1910 (1905-00-00-1915-00-00);

Rohscan

Interior of the British Institution (Old Master Exhibition, Summer 1832). Date/Period: 1833. Painting. Oil on canvas. Height: 718 mm (28.26 in); Width: 921 mm (36.25 in). Author: Alfred Joseph Woolmer.

The St Mark's Square in Venice by Chernetsov, Nikanor Grigoryevich (1805-1879) State Russian Museum, St. Petersburg 1846 Oil on cardboard 29,3x22 Russia Russian Painting of 19th cen. Architecture, Interior Painting

Guillem Bestard, Interior esglesia del Roser, oil on canvas, pollensa museum, Majorca, Balearic Islands, Spain.

Project for a Painted Oblong Ceiling, Pen and brown ink, brush and green, gray, and brown wash on paper, lined with white heavy textured paper with lithographed frame and geometric lines in pen and black ink over graphite, Depiction of a quarter of a ceiling viewed from below. View into a cupola with a fluted tambour. The dome rests on the octagonal entablature. Its sides are supported by arches through which landscapes can be seen. The panels of the parapet at the sides are decorated with pairs of festoons supporting each other., Italy, 1800-1815, interiors, Drawing, Drawing

Stage design for the ballet The Little Humpbacked Horse by C. Pugni, Korovin, Konstantin Alexeyevich (1861-1939)

Fireworks in Leeuwarden at the entry of the newlywed pair of Prince William IV and Anna van England, 1734, Jan Caspar Philips, After Rienk Keyert, 1734 print Fireworks in Leeuwarden on 11 May 1734 on the occasion of the entry of the newlywed pair of Prince William IV and Princess Anna, married on March 25, 1734. Centrally a temple decorated with allegorical figures, at the front of a gate with a monogram of the driven letters W and A. Amsterdam paper etching / engraving public festivities at marriage of royal persons (+ illumination, fire-works ~ festive activities) Leeuwarden

Jenaro Perez Villaamil (1807-1854). Spanish painter. Interior of the Cathedral of Seville, 1838. Museum of Romanticism. Madrid. Spain.

Interior view of the courtroom college Currency Exchange, Perugia, vintage engraved illustration. Magasin Pittoresque 1847.

Choir Stalls in a Spanish Cathedral, c. 1868. Henri Regnault (French, 1843-1871). Watercolor and gouache with traces of graphite on cream wove paper ; sheet: 27.9 x 36.3 cm (11 x 14 5/16 in.).

DISEÑO GRUTESCO-FLAMENCO - SIGLO XVI. Location: VICTORIA AND ALBERT MUSEUM. LONDON. ENGLAND.

BAÑOS DE MARIA DE PADILLA EN LOS REALES ALCAZARES DE SEVILLA - 1849. Author: RAMON MARTI ALSINA (1820-94). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Monument Display Room, 1888. Dated: 1935/1942. Dimensions: overall: 57.3 x 78 cm (22 9/16 x 30 11/16 in.). Medium: watercolor, gouache, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Perkins Harnly.

A guide in a catacomb at Pozzuoli. Draughtsman: Daniël Dupré. Dating: 1761 - 1817. Place: Italy. Measurements: h 163 mm × w 156 mm. Museum: Rijksmuseum, Amsterdam.

Stage design for the theatre play The stone Guest by A. Pushkin by Shukhaev, Vasili Ivanovich (1887-1973) A. Pushkin Memorial Museum, St. Petersburg 1935-1936 Watercolour, Gouache on cardboard 19x27 Russia Theatrical scenic painting Opera, Ballet,

Golovin, Alexander Yakovlevich (1863-1930) State Central A. Bakhrushin Theatre Museum, Moscow 1905 54x76,5 Pastel on cardboard

Triumphbogen 4, Taf. N. p. 108 Off: Description of the Zezen: Recommendation Deasgune Order: Volume of Heyrath: VND Happy home: as well as the considerable introduction: Held knight game VND Frewdenfests: of the ... Mr. ... Friederichen deß Fifth / Pfaltzgraven Bey Rhein ... with the ... Princessin / Elisabethen ... / with beautiful crop runs / description of the zipper: Receipt depressed Kidnier Order: Volume of Heyrath: and Happy home: as well as the considerable introduction: held knight's game And Feedenfests: of the ... Mr. ... Friedichen deß Fifth / Pfaltzgraven Bey Rhein ... with the ... Princessin / Elisabethen ... 1613. Dresden: Slub hist.rhen.inf.161

Domestic life by Nikolai Ivanovich Podklyuchnikov, Oil on canvas, 1840s, 1813-1877, Russia, St. Petersburg, A. Pushkin Memorial Museum, 58x87, 5

Interior View, c. 1805-1810. Anonymous. Watercolor and pen and black ink heightened with white, shell gold, and touches of other opaque colors and with traces of graphite; sheet: 30.4 x 42.6 cm (11 15/16 x 16 3/4 in.); mounted: 40.4 x 49.9 cm (15 7/8 x 19 5/8 in.).

Chteau Interior, 1834. V. Germain (French). Pen and ink, watercolor, gouache with graphite underdrawing on heavy cream wove paper; sheet: 41.9 x 67.1 cm (16 1/2 x 26 7/16 in.). Little is known today about V. Germain, the artist who produced this drawing. Here, he focused on an interior scene with exacting detail, using a small group of figures at the sheets center to emphasize the massive scale of the castle where they have gathered.

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