Architectural and Decorative Drawings

Detailed sketches and designs for architectural elements, showcasing intricate patterns and ornamental features characteristic of classical design.

Elevation of an Altar with Alternative Suggestions, Pen and brown ink, brush and brown and blue wash on off-white laid paper, laid down, Horizontal rectangle consisting of two separate pieces of paper. The left side of the central part was missing; it was later added when the drawing was mounted. Three steps lead up to the altar, which is flanked by pilasters. At the top there is a high and richly molded decorated ledge, which projects laterally. In the center is a scrollwork frame, which shows three cherubim on an oval-shaped tabernacle door. Above the frame is a pedestal ornamented with angels and clouds. Two adult angels lean against either side of the ledge. Each angel holds a wreath; the angel on the right also holds a palm branch. A vase stands beside the left angel., Probably Naples, Italy, ca. 1700-40, architecture, Drawing, Drawing

Two Variant Designs for the Interior of a Room, Decorated with Porcelains, Fireplace in Center, and With the Doorways at Either Side 18th century Anonymous, Italian, first half of the 18th century Italian. Two Variant Designs for the Interior of a Room, Decorated with Porcelains, Fireplace in Center, and With the Doorways at Either Side 340605

Elevations of a Door, Door Frames, Overdoor, and Adjoining Wall Panel, Mauro Antonio Tesi, Italian, 1730 - 1766, Red chalk on paper, Vertical format elevations of door, frame, overdoor, and wall panel. Two designs in the scheme of 1940-21-32. At left: suggested are a folding door with three panels in either wing, hermae as supports of the overdoor which shows a relief with children flanking an escutcheon in front of a curtain and a circular pediment with a mask. At right: two panels are suggested for the door, a trophy of arms for the lower one, a mask with rinceaux and a flower vase for the upper one. The figures of putti standing upon a base are to support an escutcheon which serves as an overdoor., Italy, late 18th century, architecture, interiors, Drawing, Drawing

China Case, from Chippendale Drawings, Vol. II 1753 Thomas Chippendale British Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate CIX in the 1754 and 1755 editions, renumbered as plate CXXXIV in the 1762 edition.. China Case, from Chippendale Drawings, Vol. II 390660

Elevation of an Altar with Alternative Suggestions, Pen and brown ink, brush and brown and blue wash on off-white laid paper, laid down, Horizontal rectangle consisting of two separate pieces of paper. The left side of the central part was missing; it was later added when the drawing was mounted. Three steps lead up to the altar, which is flanked by pilasters. At the top there is a high and richly molded decorated ledge, which projects laterally. In the center is a scrollwork frame, which shows three cherubim on an oval-shaped tabernacle door. Above the frame is a pedestal ornamented with angels and clouds. Two adult angels lean against either side of the ledge. Each angel holds a wreath; the angel on the right also holds a palm branch. A vase stands beside the left angel., Probably Naples, Italy, ca. 1700-40, architecture, Drawing, Drawing

Drawing, Project for a Painted Wall; Italy; graphite, pen and ink, brush and watercolor, sepia on paper

Drawing, Designs for a Console Looking Glass; Italy; pen and brown ink, graphite on cream wove paper

Two Alternate Designs for Triumphal Arch 18th century Anonymous, French, 18th century French. Two Alternate Designs for Triumphal Arch 348602

Drawing, Elevation of a wall with a soloist singing; Italy; pencil and ink on paper

Wall filling, sheet from a sequence. .

Project for a Church Facade 17th century Anonymous, Italian, 17th century Italian. Project for a Church Facade 342306

Architectural Design or Stage Set for the Colonna Family 16th century Anonymous, Italian, 16th century Italian. Architectural Design or Stage Set for the Colonna Family 342142

Print (France)

Upright piano forte.. Nicholson, Michael Angelo, -1842. Prints, Drawings, Design drawings. 1826. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament

Design for a Wall Decoration with Pasted-in Sketches after Raphael (verso), c. 1580s-90s. Frederico Zuccaro (Italian, 1540/1-1609). Pen and brown ink with brown wash over red chalk and traces of pencil, the three pasted-in compositional sketches in black chalk laid down on an album sheet; sheet: 33.9 x 43.6 cm (13 3/8 x 17 3/16 in.); page: 34.1 x 46 cm (13 7/16 x 18 1/8 in.).

Two Variant Designs for the Interior of a Room, Decorated with Porcelains, Fireplace in Center, and With the Doorways at Either Side. Artist: Anonymous, Italian, first half of the 18th century. Dimensions: 11-11/16 x 17-5/8 in. (29.7 x 44.8 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for the Ornamentation of a Wall or a Private Altar. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: Overall: 16 5/8 x 12 3/4 in. (42.2 x 32.4 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Drawing (Italy)

Design for a Commode. Artist: Anonymous, French, 19th century. Dimensions: 8 9/16 x 7 1/2 in. (21.8 x 19 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Elevation of a Door Case, Filippo Marchionni, Italian, 1732-1805, Black chalk, brush and sepia wash on laid paper, Broken pediment with shells beneath cornices. What seems to be a grotesque mask is in the center of the attic., Italy, 1750-75, architecture, Drawing, Drawing

Elevation of a room with designs for the decoration of walls and wainscot. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 11 3/16 x 8 3/8 in. (28.4 x 21.3 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Wall Elevation with Wood Paneling, Pen and brown ink, red crayon, graphite on cream laid paper, A door frame with an overdoor at left, two children with torches in escutcheons. Pilaster strips alternate with broader panels. Billing doves are suggested for the left panel., France, ca. 1720, interiors, Drawing, Drawing

Design for wallpaper painting, Design for wallpaper painting (room Keizersgracht 105, Amsterdam)., Plants, vegetation (flowers, blossom, blossoming), Jurriaan Andriessen, c. 1752 - c. 1819, paper, watercolor (paint), ink, graphite (mineral), brush, h 147 mm × w 217 mm

Design for a Door Frame, Black chalk, pen and ink, brush and gray, black watercolor on laid paper, With a circular pediment inside a triangular one. It shows a mask and festoons., Italy, 1740-50, architecture, Drawing, Drawing

Design for a Renaissance Style Carved Cabinet. Artist: Anonymous, British, 19th century. Dimensions: sheet: 10 11/16 x 14 15/16 in. (27.2 x 37.9 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Concave Corner Cabinet (Possibly Part of a Larger Wall-Covering Unit) ca. 1730-40 Anonymous, German, 18th century German Although at first sight this design for a cabinet may appear somewhat strange, a second view tells us that were looking at the somewhat flattened perspectival view of a concave corner cabinet. A very similar shaped example can be found in the secret library of the Benedictine monastery at Ottobeuren (Schwaben, Germany), where it is part of a larger wall unit dated 1730. The decorations of both cabinets are also very similar with a relatively modest pattern made up out of strapwork which is so typical for the Baroque period. Strongly adding to the decorative effect however, was the interplay of the different wood species used for the marquetry. The cabinet at Ottobeuren is characterized by a base of nut wood, which was contrasted by the dark outline of mahogany and plum and enlivened by the painterly effect of the flaming wood grain of birch and maple wo

Architectural Drawing Michelangelo Buonarroti (1475-1564 Italian) Watercolor Pen & ink Staatliches Kunstsammlungen, (Kupferstichkabinett)Dresden, Germany

Print (France)

Architecture Study containing Details of One or Several Buildings (possibly part of the street-facing architecture of old Saint Peter's Square in Rome). Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580) (Baccio Pontelli ). Dimensions: 10-5/8 x 7-3/4 in. (27.0 x 19.7 cm). Date: 1490-1510. Museum: Metropolitan Museum of Art, New York, USA. Author: Anonymous, Italian, 16th century (Baccio Pontelli) (Italian, active Central Italy, ca. 1550-1580).

Project for a Window Case, Pen and brown ink, brush and gray wash on off-white laid paper, Window case with triangular pediment, whose frieze is supported by corbels with masks at the base., Italy, 1650-1700, architecture, Drawing, Drawing

Design for a Chimneypiece with a Frieze with Floral Decoration and Capitals Decorated with Animals. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Dimensions: sheet: 9 13/16 x 9 5/16 in. (24.9 x 23.7 cm). Date: 1743-96. Museum: Metropolitan Museum of Art, New York, USA.

Bound Print, FAÇADE DES AUTELS ET PRINCIPALE ENTRÉE DU CHOEUR DE L'EGLISE CATHÉDRALE DE MEAUX; Designed by Gilles-Marie Oppenord (French, 1672-1742); Print Maker: Gabriel Huquier (French, 1695-1772); Published by Chez Huquier; France; etching and engraving on paper

Elevation of a Royal Bedroom. Artist: Anonymous, French, 17th century; Formerly attributed to Jean Le Pautre (French, Paris 1618-1682 Paris). Dimensions: 7 3/8 x 12 3/16 in. (18.8 x 30.9 cm). Date: 1656-57 or after.Jean Lepautre was the older brother of the architect Antoine Le Pautre. He is mainly known for his enormous production of prints of which a large part contains designs for architecture, the interior and ornament, often based on his own designs. He devoted 10 series, comprising a total of 71 prints to designs for bedrooms, some of which contain narrative scenes while others are purely focused on the aspect of design. This drawing relates to the series 'Alcoves à l'Italiene' sic (Alcoves in the Italian manner) which was published by Pierre II Mariette around 1656-1657. It shows an elegant canopy bed, supported by caryatids and is crowned by a fleur-de-lis. This emblem of the French monarchy is used as a theme throughout the interior returning in the crown surmounting the al

Design for a Chimneypiece 1740-1800 Sir William Chambers British, born Sweden. Design for a Chimneypiece 384157

Design for an Interior Wall with Pedimented Niches or Windows, Flanking a Cartouche. Artist: Anonymous, Italian, 16th to 17th century. Dimensions: 9-3/4 x 13-9/16 in. (24.8 x 34.4 cm). Date: 1500-1700. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Chimneypiece. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Date: 1740-1800. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Court Theatre. Artist: Anonymous, French, 18th century. Dimensions: 7 7/16 x 10 9/16 in. (18.9 x 26.8 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Elevation of an Interior Wall with Chimneypiece, Jean-Charles Delafosse, French, 1734-1791, Pen and black ink, brush and yellow, rose and grey wash, A looking glass is in the over mantel. Putti form bases of candelabra on mantle shelf. Flanking mantle are two women carrying baskets on their heads, medallions above, defined by fluted pilasters. In niches on either side are putti playing in shell-shaped fountains., France, 1770-80, architecture, interiors, Drawing, Drawing

Design for a Chimneypiece 1743-1800 After Sir William Chambers British, born Sweden. Design for a Chimneypiece 365866

Design for a Facade. Artist: Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710-1727). Dimensions: 17-1/4 x 12-3/4 in. (43.8 x 32.4 cm). Date: 1710-27. Museum: Metropolitan Museum of Art, New York, USA.

Rome, Ferranti, Callisto, Italy, Montano, Giovanni Battista, Architettura con diversi ornamenti cavati dall' Antico, Ionic entablature and capital, With details of the capital and architrave. Explanation at the bottom. From first edition., print, ornament print, prints, ornament prints, height 280 mm, width 181 mm, Work conception, 1534 - 1621, after a design by, 1636 - 1636, second quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Italian, publisher

Drawing, Project for a Mantelpiece; charcoal, pen and ink, brush and watercolor on paper

Project: An organ loft and the organ with alternative suggestions, Pencil, pen, brush and bistre on paper, Horizontal composition of an organ and organ loft. The loft is supported by four consoles with small angels in the panels above them. The lateral parts of the parapet are concave while the central part is convex. It is decorated with an escutcheon with the representation fo David playing the harp. Two angels are on parapet stands on the left while three vases with flowers are on the right. The upper part of the central motif of the cresting of the organ case is missing. Legs standing between leaf scrolls are visible and the loft is shown somewhat from below. The uppermost part of the doorframe is also shown., Italy, 1700-1725, architecture, Drawing, Drawing

Drawing, Project for the decoration of a chapel; Italy; black chalk, pen, ink, brush, and grey, brown and rose water colors on paper.

Amsterdam, Passe, Crispijn van de (II), Oficina Arcvlaria ((...)), Bovticqve Menvseries ((...)), Schriner Laden ((...)), Schrinwerckers Winckel, Two sideboards and a table, The sideboard at the top left is only half visible. The sideboard at the top right shows a variant for the right half. The legs of the table are decorated differently., print, ornament print, prints, ornament prints, height 310 mm, width 216 mm, Work conception, 1597 - 1670-01-06, after a design by, 1642 - 1642, second quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, publisher

Project: The elevation of a prayer stool, Pencil, pen, ink, chinese black washes and light green water color on paper, Horizontal composition of a prayer stool with panels and a circular medallion in the center square. Pilasters in the corners are receding. The bottom captial reads 'Prospetto del Inqionocchiato del Sufraggio,' and the sacle reads 'duk pal-mi sei.', Rome, Italy, 1725-1775, architecture, interiors, Drawing, Drawing

Design for Curtains. Artist: Charles Hindley and Sons (British, London 1841-1917 London). Dimensions: sheet: 13 1/4 x 10 3/8 in. (33.7 x 26.4 cm). Date: 1841-84. Museum: Metropolitan Museum of Art, New York, USA. Author: Charles Hindley and Sons.

Religion and divine love Michel Anguier (1614-1686). Religion and Divine Love. LAVIS feather. 17th century.

Design for a Mantelpiece with the Arms of Bavaria(). Artist: Anonymous, German, 19th century. Dimensions: 7 5/16 x 8 11/16 in. (18.6 x 22 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Ravensburg, Gradmann, Johann, Hauer, Johann Thomas, Cheminèees Fourneaux et Lavoirs, Designs for mantelpieces, Mantelpiece with candlesticks, verso - stamped, Design for a mantelpiece with ornaments, garlands, laurel wreaths, a panel and on the left and right a two-armed candlestick. Publisher number 37., print, ornamental print, prints, ornamental prints, height 243 mm, width 178 mm, Hungarian, 1748 - 1820, print maker, printmaker, 1780 - 1780, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, publisher

Drawing, Window for the Palazzo dei Conservatori, Rome; Follower of Michelangelo Buonarroti (Italian, 1475-1564); Italy; pen and brown ink, brown wash, black chalk on white laid paper ; 32.5 x 18.6 cm (12 13/16 x 7 5/16 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.)

Side view of an Altar with Red Marble to be set against a Wall. Artist: Anonymous, Flemish , 17th century. Dimensions: Sheet: 15 7/8 × 10 1/16 in. (40.3 × 25.5 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Frame for a town gate with alternate suggestions; Designed by Filippo Marchionni (Italian, 1732-1805); Italy; graphite, charcoal, brush and watercolor on paper; 33.4 x 24 cm (13 1/8 x 9 7/16 in.)

Design for Grate, with Plan 1874 Anonymous, British, 19th century British. Design for Grate, with Plan 393044

Print (France)

Drawing, Project for an Alter; Designed by Léonard Chailleat (Italian, active 1640 - 1650); France; pen and bistre, brush and wash on paper

Two lists, c. 1830 - c. 1850 Paris tracing paper. graphite (mineral) Paris tracing paper. graphite (mineral)

Stage Design: Arcade Leading to a Garden, Pen and brown ink on paper, Vertical format. Left-hand portion of a proscenium, with a columned and statued hall receding back and opening on to a garden, with a fountain. Back drop is an architectural screen, or casino. Right half of drawing incomplete., Italy, early 18th century, theater, Drawing, Drawing

Design for the Elevation of a Wall Interior. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 14 7/16 x 11 1/8 in. (36.7 x 28.3 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Print

Design for a Chest of Drawers. Artist: Anonymous, French, 18th century. Dimensions: sheet: 14 5/16 x 9 1/8 in. (36.3 x 23.2 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Ceiling design, draughtsman: anonymous, 1600 - 1699, paper, pen, brush, h 340 mm × w 200 mm

Project for the decoration of an Altar. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 14-7/8 x 10-1/4 in. (37.8 x 26 cm) : irregular.. Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Design for room decorations with a bust on a foot between two urns, Abraham Meertens, 1767 - 1823 drawing Design for a wall decoration. paper. ink. pencil pen / brush wall-covering

Design for a Salon Wall, Pen and ink, brush and watercolor, graphite on paper, A folding door between two mirror wall panels., France, ca. 1760, drawing, drawing

Design for a Door Wall. Pen and brown ink, brush and brown wash on off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design for a Panel or a Tablet with an Alternate Design. Artist: Anonymous, French, 16th century. Dimensions: sheet: 7 3/4 x 5 11/16 in. (19.7 x 14.5 cm). Former Attribution: Formerly attributed to workshop of Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Wall with Two Windows 16th century Anonymous, Italian, 16th century Italian. Design for a Wall with Two Windows. Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). 16th century. Pen and brown ink

Plan and Elevation for a Fountain. Artist: Anonymous, French, 16th century. Dimensions: sheet: 17 1/4 x 11 9/16 in. (43.8 x 29.3 cm). Former Attribution: Formerly attributed to workshop of Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Incomplete project for the elevation of an altar, Brush, grey and black water colors on paper, Italy, 1740-1770, architecture, Drawing, Drawing

Ravensburg, Gradmann, Johann, Hauer, Johann Thomas, Wall mirrors with tables, Mirror with helmet, Design for a wall mirror with a table, decorated with garlands, a shield, helmet and weapons. On the right a window. Publisher number XXIV., print, ornamental print, prints, ornamental prints, height 229 mm, width 158 mm, print maker, printmaker, 1758 - 1820, paper, etching, engraving, engraving (printing process), Hungarian, 1748 - 1820, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Design for Window 16th century Anonymous, Italian, 16th century Italian. Design for Window 342268

Drawing, Project for an Alcove or Mantelpiece; graphite, pen and ink, brush and watercolor on paper

Design for Gothic Ornamentation, Augustus Welby Northmore Pugin, 1812-1852, British, Augustus Charles Pugin, 1762-1832, French, undated, Graphite on medium, moderately textured, cream laid paper, Sheet: 7 1/8 x 4 1/2 inches (18.1 x 11.4 cm), architectural subject, architecture, design, Gothic (Medieval), ornamentation

Stiehl Otto (1860-1940): Sketch and photo album 5: San Benedetto in Polirono, San Benedetto Po

Teichen Carl, Ionic order (1881): View. Tusche watercolor on the box, 98.5 x 68.9 cm (including scan edges) Teichen Carl : Ionische Ordnung

Print, Porte-Cochère Design; Designed by Laurent Francart (French, active 1681-1690); Published by Jean Mariette (1660-1742); France; etching and engraving on laid paper

Plate LIX from Theatrum instrumentorum et machinarum, Julio Paschale, Woodcut on paper, Machine of axel and screws to raise blocks of wood or marble. Two men turn the axel, lower right, and left. Indoors. Description in Latin on verso of 1949-152-256., Lyon, France, 1582, Print, Print

Display of different coulissions on the stage.Three Representations of One Plate, with Numbers. Print at the Top Right Labeled: p. 318.

Design for a Main Altar, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, In the center of the retable is a niche with a group of the Deposition of Christ, laterally framed by a projecting column and a strip with two panels and a pilaster outside; above is a triangular pediment supported by a pedestal with an inscription in a wreath at the front and two angels sitting laterally upon its base. In front of the socle stands the mensa. In the panels below the pilasters are panels with a prelat's escutcheons. The socle is elongated and two groups of a saint with angles stand upon the pedestals at the outsides. The apsis is outlined., Rome, Italy, 1780-1783, architecture, Drawing, Drawing

Design for a Lady's Tomb. Artist: Anonymous, French, 16th century. Dimensions: sheet: 17 1/16 x 11 7/16 in. (43.4 x 29 cm). Former Attribution: Formerly attributed to workshop of Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Design of a Wall with a Built-in Cabinet, Pen and ink, graphite on paper, The left bay of the wall, the left half of a door and the overdoor are shown. Children carry the Bacchus boy in the latter. A pilaster beside the door shows a wreath in the dado, a pendant of fruit in the pilaster strip. Near the corner, a pilaster decorated with a thyrsus in the dado, a waved bough in the pilaster strip., France, 1790, drawing, drawing

Design for Wall with Alcove. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

A sketch sheet by Rudolf Weyr combining pencil, brown pen, and brown brush, showing compositional and figure studies.

Architrave, frieze, cornice and Doric capital, Theatre of Marcellus, Rome, Italy, engraving from Il Vignola Illustrato, by Giambattista Spampani and Carlo Antonini, printed by Marco Pagliarini, 1770, Rome.

Design for a title page. Artist: Jean Bernard Toro (French, Dijon 1672-1731 Toulon). Dimensions: 17 x 9 1/4 in. (43.2 x 23.5 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Source bed; Several school sweets / plusieurs Menuiseries. Source bed. In the headboard a medallion with women's bra. Byond this a flower vase flanked by sphinxes. In the middle of a foot in the shape of an eagle. The print is part of an album.

Elevation of a Stairway and Balustrade 17th century Anonymous, Italian, 17th century Italian. Elevation of a Stairway and Balustrade 401790

Stage Design: Side Wing, Giuseppe Barberi, Italian, 1746-1809, Pen and bistre on paper, A left side. A garden pavilion, the back wall of which is decorated with a trophy of arms hanging from a head. Framing line except at right., Rome, Italy, ca. 1675 - 1690, Drawing, Drawing

Drawing, Sketches for Altars; Italy; black chalk, pen, ink on paper

Georg Erdman Rosenberg (1739-1788), a sarcophagus, 1763

Design for a Monument. Dimensions: overall: 11.5 x 18.2 cm (4 1/2 x 7 3/16 in.). Medium: graphite. Museum: National Gallery of Art, Washington DC. Author: JOHN FLAXMAN.

Design for a Chimneypiece 1740-1800 Sir William Chambers British, born Sweden. Design for a Chimneypiece. Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). 1740-1800. Pen and ink, brush and wash

Netherlands, Galle, Philips, Vredeman de Vries, Hans, Borcht, Pieter van der (I), Differents pourtraits de menuiserie. The series without title and without sheet 16, Differents pourtraicts de menuiseri, Four half portals, The two portals on the left side of the sheet have a door frame with two pilasters (left) and two columns (right) respectively. The side of the two right portals is also visible. Sheet 4 of 15 numbered sheets + title page from a series of 16., print, ornament print, prints, ornament prints, height 191 mm, width 259 mm, South Netherlands, 1545 - 1608, print maker, printmaker, 1583 - 1583, fourth quarter 16th century, paper, etching, etchings, Work conception, 1527 - 1607, after a design by, Publication (Event), Publication, 1537 - 1612-03-29, publisher

Design for a Chimney Piece and Adjoining Bays with Alternative Suggestions, Nicolas Pineau, French, 1684-1754, Pen and brown ink, brush and brown and gray wash on cream laid paper, The left half includes a candle bracket showing a child holding two scrolls topped by sockets; a medallion with the bust of a woman under a canopy; a painting with a woman and two children one of whom is Cupid. The decoration is sparser in the right half. Bottom margin; plans of the mantelpiece., 18th century, interiors, Drawing, Drawing

Album # 2; Stained glass project for Mr. Brebar A Lille: Ornament Gsell-Laurent workshop. Album # 2; Stained glass project for Mr. Brebar in Lille: Ornament. Watercolor pencil.

Drawing, Design for the section of a part of a wall with a doorcase; Possibly by Carlo Marchionni (Italian, 1702-1786), Filippo Marchionni (Italian, 1732-1805); Italy; graphite, pen and sepia ink, brush and gray watercolor on paper; 16.2 x 15.9 cm (6 3/8 x 6 1/4 in.)

John Sell Cotman, 1782-1842, British, Sculpture upon a House on the North Side of the Cathedral at Bayeux, 1819. Graphite and brown wash on medium, slightly textured, cream wove paper.

Print, Decoration of the Bedroom in Palais Bourbon; Designed by Jacques Gabriel (1667-1742), Jean Aubert (1680-1741); Published by Jean Mariette (1660-1742); France; etching on paper; 27.6 × 41.4 cm (10 7/8 × 16 5/16 in.); 1959-85-65

Chimney; Liure de Cheminées. Increase a coat of arms with three fleors-de-lys.

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