Architectural and Decorative Drawings

A collection of intricate designs featuring ceiling decorations, furniture, and decorative elements. Styles range from classical to ornate, showcasing detailed artistry.

Design for a Cabinet with Glass Side Doors and Porcelain Plaques 19th century Anonymous, British, 19th century British. Design for a Cabinet with Glass Side Doors and Porcelain Plaques 386619

Design for stained glass, Alice Cordelia Morse, American, 1863-1961, Brush and gouache, graphite on paper mounted on tan illustration board, Rectangular window in green, yellow and salmon, in woven pattern., USA, late 19th century, architecture, interiors, Drawing, Drawing

Bound Print, Design for a Carriage; Designed by Johann Michael Hoppenhaupt II (German, 1709-ca. 1778); Print Maker: I. W. Meil (German); Germany; etching and engraving on white laid paper; 40.8 x 64.2 cm (16 1/16 x 25 1/4 in

Textile, Medium: silk on silk Technique: embroidered on taffeta, Fragment of silk embroidered with silk showing design of leaves, flower swags and lattice forming a vertical framework that encloses and man with dog. Large floral blooms, extend to the left, into unembroidered area., France, mid- 18th century, embroidery & stitching, Textile

Design for a Wijwatervat, c. 1760 - c. 1780 Design for a holy water vessel, the right half more elaborated, and with details other than the left half. Rome paper. ink. graphite (mineral) pen Holy Water font

Design for a tomb for court glass painters Karl Geyling, Friedrich von Schmidt -, draft

Four chalices, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, At left the high foot is decorated with medallions, connected by festoons. The stem is a richly decorated baluster. Above it is a row of cherubim which support the bowl, whose lower part is decorated with festoons supported by bunches of ears of grain. Center: the stem is a standing angel, supporting with both hands upon his head the bowl. It has below a leaf calyx and is decorated with crossing ears of grain rising from the hands of the angel. A cloth hands from his left shoulder around his hips, forming below a background for him. At right, in smaller scale: at left, festoons supported by cherubim surround the foot. The stem has below the shape of a baluster, to which ears of grain are fastened by a ribbon. The bowl emerges from them. At right: the stem is an angular baluster. The bowl has a short foot and is decorated below by festoons supported by cherubim. U

Giustizia di Paride Pompei. Sommer & Behles (Italian, founded 1867, dissolved 1874)

Tour portal / fries / new design

Moreau Frères. Ceiling of the old Hotel Flesselles / Rue de Sévigné, 52 -Mars 1908- / Offered to the Commission du Vieux Paris by the office of the Parisian iconography society- / January 26, 1909. "Decor of private hotel ceiling, 3rd arrondissement, Paris ". Albumin paper draw. Around 1908-1908. Paris, Carnavalet museum. 123819-3

A pencil and watercolor study by Moritz von Schwind from 1853-1854 on the Wartburg frescoes, showing a partial design of the life of St. Elisabeth and the works of mercy.

Sculpture group to the Arc de Triomphe in Paris, representing the victory of the Peace of Schönbrunn; Le Nouveau Paris ..

Detail of the gilded Durbar Hall, Sirohi Palace, Sirohi, Southern Rajasthan state, India, Asia

Decorated door, anonymous, after Christoffel Plantijn, c. 1876 - in or before 1881 photomechanical print Antwerp paper collotype / photolithography door

Print (Netherlands); Jan van Doetechum the Elder (Netherlands); After Hans Vredeman de Vries (Dutch, 1527 - ca. 1606); Print Maker: Johannes van Doetechum I (ca. 1530 - 1606), Lucas van Doetechum (Dutch, after 1584); support: white laid paper; Platemark/repeat: 20.8 x 25.6 cm (8 3/16 x 10 1/16 in.)

Design for Pink and White Curtains with Green Fringes, and Gold and White Pediments. Artist: Anonymous, British, 19th century. Dimensions: sheet: 10 13/16 x 15 in. (27.5 x 38.1 cm). Date: ca. 1820. Museum: Metropolitan Museum of Art, New York, USA.

Capital from the Mosque of El-Aksa (Chapiteau de la mosquée d'El Aksa) James Tissot (French, 1836-1902). Capital from the Mosque of El-Aksa (Chapiteau de la mosquée d'El Aksa), 1886-1887 or 1889. Ink on paper mounted on board, Sheet: 3 7/8 x 5 1/8 in. (9.8 x 13 cm). European Art 1886-1887 or 1889

Lazio Viterbo Caprarola Palazzo Farnese21. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for room decorations with two panels, one with a diamond in yellow and one with a wreath of roses in a window. Design for a wall decoration.

Painting of the Honor Staircase, Opera Garnier, 9th Arrondissement, Paris. New opera - painting of the staircase of honor Painting of the Honor Staircase, Opera Garnier, Paris (ixth arrow) ". Photograph of Léon & Lévy. Colded seamless stereoscopic view (night effect), albuminum paper, light holes. Between 1866 and 1900. Paris, museum Carnavalet.

Paris (7th arr.), France The exhibition of decorative arts, mosaics of class VII, galleries of the French section, between the Tour de Champagne and the Tour de Paris , 1925 - International Exhibition of Modern Decorative and Industrial Arts Paris (French - Paris ( VIIe arr. ) , France L' Exposition des arts décoratifs , Mosaïques de la Classe VII , Galeries de la section française , entre la Tour de Champagne et la Tour de Paris). Woman, animal represented , fantastic animal, decorative arts, bird, mosaic, exhibition, exhibition of decorative arts, gallery, ephemeral architecture, Human beings, animal, art, housing , architecture, France, Paris, Exhibition of decorative arts, mosaics of the Marble Gallery of Class VII

Spielberg Herrmann (1827-1886), products from the Ernst March Terewarware Factory in Berlin-Charlottenburg (without dat.): Views. Pencil watercolored on paper, 23.2 x 32.8 cm (including scan edges) Spielberg Herrmann (1827-1886): Erzeugnisse der Tonwarenfabrik Ernst March, Berlin-Charlottenburg

Decor Pastoral, Jules Desfossé, French, active 1851 - 1863, Block-printed paper, a) Horizontal rectangle. In grisaille, a series of animals is arranged horizontally: cows, donkeys, goats, lambs, dog and geese. Yellow ocher scrolling architectural bands along top and bottom; b) Small piece having gold where yellow is used in 'a'., Paris, France, 1863-65, Wallcoverings, Frieze, Frieze

Alinari, Fratelli, No. 11340 PISA, Fresco Disbelief of Thomas by Buffalmacco in the Campo Santo in Pisa, bottom left, PISA - Camposanto. L'Incredulità di S. Tomasso (Bonamico Buffalmacco)., photograph, foto, foto's, VOSMAER, height 250 mm, width 193 mm, Italian, photographer, 1850 - 1890, third quarter 19th century, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, albums print, albumen print, Publication (Event), Publication, publisher

Five Miscellaneous Designs for the de la Rochejaquelein Family second half 19th century Eugène-Pierre Gourdet French. Five Miscellaneous Designs for the de la Rochejaquelein Family 345509

Decorated Monogram IN; or Reichenau, Germany; late 10th century; Tempera colors, gold paint, silver paint, and ink on parchment; Leaf: 27.8 x 19.2 cm (10 15,16 x 7 9,16 in.)

Inlaid satinwood commode. Ormolu mounts. Property of Henry Hirsch, Esq., ca. 1780.. Foley, Edwin, d. 1912. Foley, Edwin, d. 1912. Prints, Drawings, Paintings. 1910 - 1911. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Furniture , History, Commodes (French chests of drawers)

A fragment of Andrzej Kuropatnicki's thesis (upper part of the composition with Jan III on a horse); Kilian, Bartholomäus II (1630-1696), Lublinski, Martin Anton (1636-1690); after 1682 (1682-00-00-1690-00-00);

Allegories of Study and Intelligence Flanking the Zuccaro Emblem. Federico Zuccaro (Italian, about 1541 - 1609)

Design for a Carriage with a Variant for the Decoration 17th-18th century Anonymous, Italian, 17th or 18th century Italian. Design for a Carriage with a Variant for the Decoration 346396

Gothic portal; Lesser, Aleksander (1814-1884); 1835 (1835-00-00-1835-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, gift (provenance), details, architectural details, gothic (style), portals (archite.)

Great or Saint Lawrence Church, anonymous (Monument Care), Grave monument of Egbert Bartolomeusz Kortenaer in the Great or Saint Lawrence Church in Rotterdam, verso - stamped, photograph, photo, photos, topography, Roman Catholic St. Laurentius Church, Grave monument of Kortenaer, Aug. 1911, Rotterdam, recto - handwritten, JC Ludeman, 1685-1757, verso - handwritten, R.MUS., height 210 mm, width 165 mm, photographer, 1911 - 1911, photographic paper, photo paper, cardboard, daylight collodion silver print

Drawing, Project for a Ceiling; Designed by Mauro Antonio Tesi (Italian, 1730 - 1766); Italy; pen and ink, brush and wash on paper

Drugaia chast' mozaiki pod kupolom tserkvi sv Georgiia, v Fessalonike, IV v. Mosaic below the cupola of the church of Saint George, Thessalonike.. Gagarin, Grigorii Grigorevich, kniaz (1810-1893). Prints, Illustrations. 1897 - 1903. General Research Division. Architecture , Russia, Architecture, Byzantine, Architecture , Georgia (Republic), Decoration and ornament, Byzantine, Decoration and ornament, Russian

Drawing, Design for a Ceiling; Italy; pen and ink, brush and wash on paper

Abruzzo Teramo Atri S. Maria di Propezzano8. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior, with emphasis on the interior frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Album 11, David, Jacques-Louis, 1748-1825, pencil, charcoal, ink and wash, 1775-1785

Charles Sprague Pearce, Study of Two Female Figures in Arched Border, 1890 1897 Study of Two Female Figures in Arched Border

Campania Caserta Caserta Palazzo Reale30. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Second Venice Set: The Garden, 1879-80. James McNeill Whistler (American, 1834-1903). Etching and drypoint;

An area decoration design by Alexander Rothaug, using pencil, ink, and gouache, highlighting ornamental and spatial composition.

Six Designs for Decorated Plates. Artist: Alfred Henry Forrester Alfred Crowquill (British, London 1804-1872 London). Dimensions: sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm). Patron: Probably commissioned by Samuel Alcock & Company (British, active ca. 1828-1859). Date: 1845-55. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Stage Set. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

Warsaw. Mural art in the Salle de Salomon at the Palace on the Isle in the Royal Łazienki Park - view of one of the walls with polychromy and door woodwork. Maszyński, Mariusz (1888-1944), draughtsman, cartoonist

Design for Bedroom Alcove, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Alcove side of a bedroom., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

A column in the giant of the city; Makowski, Tadeusz (1882-1932); 1924 (1924-00-00-1924-00-00);

Landing of Columbus. Rogers Bronze Door, U.S. Capitol. Landing of Columbus. Bronze door by Randolph Rogers in the U.S. Capitol. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol, Columbus, Christopher, Bas-reliefs, Columbus Doors (United States Capitol, Washington, D.C.)

Frieze (USA); Manufactured by Maxwell & Co., S.A. (United States); machine-printed paper; 114 x 49.5 cm (44 7/8 x 19 1/2 in.)

Paris Modern Receives Worldwide, Sketch for City Hall Paul-Louis Delation (1848-1924). Paris modern receives the world, sketch for the Town Hall. Oil on canvas, 1892.

Design for the Upper Part of an Entablature 18th century Anonymous, British, 18th century British. Design for the Upper Part of an Entablature 364288

Stained Vitrail Drawing of Saint Victor Prosper Lafaye (1806-1883). Stained Vitrail Drawing of Saint Victor: Stained Glass Assembly with Color Mention (upper part), between 1845 and 1875.

Gramsalbus touches his fiancé in the large sky bed, Daniel Nikolaus Chodowiecki, 1793 print Berlin paper etching / letterpress printing Literature. four poster bed. betrothal. candle. Temptation; 'Tentatione' (Ripa)

In the third room in the artist's apartment in the church of Warsaw; Ruszczyc, Ferdynand (1870-1936); 1906 (1905-00-00-1906-00-00);Partage Plus, Italy (Warsaw), residential buildings, stoves, interiors, purchase (provenance)

The bowl has a plan of a rectangle, the short sides of which are supported by half circles. It is supported by an octagonal base, consisting of a plinth and moldings, the main one being fluted. The bowl has a rededing neck, with a garland lying upon the shoulder, at te front, and hanging down as festoons. The lid has the shape of an octangonal, curved pyramid roof, with a cross on top. Below, in front of it, is a circular medallon with the representation of the baptism of Christ, laterally framed by two cornucopias, and with two cherubim above it. Usual background. Date: ca. 1775. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Print (France); Published by François Chéreau, the younger (French, 1717 - 1755)

Painted and inlaid satinwood sideboard designed by Thomas Shearer, ca. 1789. Mahogany bracket clock. Property of the Bank of England.. Foley, Edwin, d. 1912. Foley, Edwin, d. 1912. Prints, Drawings, Paintings. 1910 - 1911. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Furniture , History, Sideboards (furniture), Clocks & watches , England

Design for a Painted Ceiling, Graphite, brush and gouache, watercolor on paper, A quarter of the design is shown. Bands separate the central oblong from rows of coffers. A shell is placed in the corner of the central panel, the field of which shows an octagonal molding. Molding and a stripe frame the decoration., Austria, 1820-40, interiors, Drawing, Drawing

Fresco on a facade of the former home of Hans Jakob Fugger in Augsburg, c. 1865 photograph Part of photo album of a trip through Switzerland, Austria and Germany by the Dutch Derkinderen family. Augsburg paper. photographic support albumen print travelling; tourism. painting (including book-illumination, miniature-painting) (+ plaster ~ arts) Augsburg

Diversi capitelli di colonne Egizie.. Denon, Vivant, 1747-1825. Denon, Vivant (1747-1825). Prints, Illustrations. 1808. General Research Division. Egypt , Description and travel, Capitals (Columns)

Ruins from mouse, Sketches for graphics from the TRAKI series; Romanowicz, Walenty; 1941-1944 (1941-00-00-1944-00-00);

Eventail: "Bust of Neker, assisted by fame and abundance, is implored by France. Revolution". Paper, gouache engraving, fruit wood. Paris, Carnavalet museum. 99158-31

Exedra in a Park Dedicated to the Virtues and Human Activities, Pen and black and brown ink, brush and watercolor on paper, lined, A rendering of garden architecture. In groupings, in front of the ends of the exedra are, at left, a seated woman holding jewels (Generosity) with two lions crouching at her feet, placed on a base. 'Generosite' is printed on the base. At right, a woman with a sword leaning against a shaft of a column (Constancy), upon which a pair of billing doves rests. 'Constance' is printed on the column. On the other side of the woman are a putto and an altar. There is a decaying tombstone at the right foreground. In the center, at the middle ground, a pavilion forms the center of the structure. It is a dome elevated on eight Corinthian columns. Truth, 'Verite' tops the dome. It is a standing female sculpture. A group of Charity, 'Bienfaisance', stands in the middle, directly below the dome. In projecting curving wings, between the columns, are the statues of 'Temperanc

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Design for a Sedan Chair, Pen and black ink, brush and gray, brown, red, yellow and blue watercolor over graphite on cream laid paper, Shown from the right rear corner with two bars. On top is a crown of an earl. From the upper corners hang tassels, at those in the height of the upper edge of the lower panels are ram heads. All the panels are decorated above with festoons. In the upper one of the back, below, are two conjoined coats of arms framed by garlands; right a bend sinister; left a Maltese cross. The window is divided into four panes by curved branches. Decoration of the bar and erasure similar to 1900-1-15. Written in the upper left corner with pencil: 'Lady AEB'., London, England, ca. 1775, furniture, Drawing, Drawing

Manfredo Settalas Cabinet of Art and Curiosities in Milan, Cesare Fiori, c. 1666 print A panoramic overview of the huge artificial room in the house of the Settala family in the Via Pantano in Milan. In the curiosity cabinet, a display of scientific instruments, natural history objects such as horns, tusks, crocodiles and lizards, but also vases, sculptorken, paintings, etc. paper etching Cabinet of Curiosities, 'Kunst- und Wunderkammer' Malib

Sepulcher with Death Seated and Crowned, Pen and black ink, brush and brown, gray, blue-gray wash, graphite on off-white paper, Architectural fantasy. Sarcophagus stands in a niche which contains on right wall an inset occupied by an owl. The figure of Death sits before the tomb bearing royal devices., France, 1779-84, architecture, Drawing, Drawing

Obliquely and somehwat incompletely shownn. Two steps lead to a platform. Apollo is seated on a plinth. His left hand lies upon an urn. Inscription at the front side of a base: "QVI - GIACE. IL. GALILEI. CHE. SCRISSE. CONTRO / IL. TASSO. VIVE. E. LVI. E. MORTO. PER. SE." Projecting at the front side corners of the base are columns, bearing inscriptions: "PER IL. TASSO" and "NON PLVS. VLTRA.", respectively, and topped by urns with fire. In landscape. Date: 1795-1809. Pen and brown ink, brush and brown wash, graphite on blued-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Alexander Rothaug's pencil, watercolor, and ink drafts on Maria Church Protection artworks, including spring motifs, figures, and compositional studies.

DIVERSE ORDERENTS, Cécile BeauValt, 1820 Ornament print with various ornaments, including chair, table, altar, oil lamp. Part (7th CAH. F.LE 3) of the Prentalbum with two series of a total of 138 ornament prints by Beauvallet and Normand, 'Fragmens d'Ortuens dance le style antique'. paper etching ornaments ~ art. furniture and household effects

Warszawa. Zwierciadło stojące z drewna mahoniowego z wyposażenia Pałacu Belwederskiego w 1915 roku - widoki z przodu i z boku oraz detal przekroju poprzecznego w skali 1:10. Maszyński, Mariusz (1888-1944), draughtsman, cartoonist

Two Sections of a Columbarium 1710-27 Pietro Paolo Coccetti (Cocchetti) Italian. Two Sections of a Columbarium 344221

A column in the giant of the city; Makowski, Tadeusz (1882-1932); 1924 (1924-00-00-1924-00-00);

Studies for the caisson/lacunar ceiling of the passageways connecting the nave and the aisle chapel of the St Peter's Basilica in Rome, by Cordini Antonio known as Antonio da Sangallo the Younger, 16th Century, brown ink. Italy, Tuscany, Florence, Uffizi Gallery, Drawings and Prints Cabinet. Whole artwork. Sheet drawing recto ceiling caisson: lacunar ceiling autograph notes..

Russia, Moscow, Prospekt Mira Metro Station, Mosaic On Ceiling

12. Apollo show. / (Tuileries Palace). Apollo show, Tuileries Palace, 1st arrondissement, Paris. Tuileries Palace. Apollo show. Paris (IER ARR.). Photograph of A. Graves & Cie. Transparent stereoscopic view colored on albuminum paper.

Two parts of promotional print by Antoine Talon, Claude Mellan, 1608 - 1688 print paper engraving

Neues Reich. Dynastie XVIII. a - d Felsengrotte von Panopolis; e - h Felsengrotte von Schataui; i. Stele i. jetzt im K. Museum. Weidenbach, Ernst (1818-1882). 1849 - 1856. Lepsius, Richard, 1810-1884. Prints. General Research Division. Egypt , Antiquities, Stelae

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 31st Cahier, Fireplaces, Cheminée à la Moderne, Fireplace with floral motifs, verso - stamped, A fireplace decorated with floral motifs. Print number 183., print, ornamental print, prints, ornamental prints, height 203 mm, width 331 mm, 1736 - 1780, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Room Design in the Renaissance style. Artist: John Gregory Crace (British, London 1809-1889 Dulwich). Designer: Designed by John Dibblee Crace (British, London 1838-1919 London). Dimensions: sheet: 14 3/16 x 20 5/8 in. (36 x 52.4 cm)image: 9 7/16 x 16 7/16 in. (24 x 41.7 cm). Date: mid-19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Antoine Etex (1808-1888). "Plan du ANTOINE ETEX (1808-1888). "Map of the Monument of Monsignor Denis Affre, Archbishop of Paris, Competition of 1848". Drawing.

Walnut kas inlaid and with painted medallions of Delft ware. The Pruyn Collection, Albany, U.S.A.. Foley, Edwin, d. 1912. Foley, Edwin, d. 1912. Prints, Drawings, Paintings. 1910 - 1911. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Furniture , History, Cupboards , United States , 1600-1699, Looped-pile carpets, Colonies , Dutch , United States , 1600-1699

Augsburg, Haid et filius, JJ, Hauer, Johann Thomas, Six ornamental vases, verso - stamped, Designs for six ornamental vases with ornaments and floral motifs. The vases in the middle have two ears. The four vases on the left and right are shown half., print, ornament print, prints, ornamental prints, height 168 mm, width 214 mm, Hungarian, 1748 - 1820, print maker, printmaker, 1785 - 1786, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Vignette with putti on either side of a coat of arms, 1725 print paper etching / letterpress printing ornaments ~ art. Cupids: 'Amores', 'Amoretti', 'Putti'

Print (Germany)

Drawing, Stage Design, Fantasy of Rome with the Castel Sant 'Angelo, the Ponte Elio and the Centaurs Aristens and Pappias; Italy; pen and brown ink, brush and brown and gray watercolor on white laid paper

Entomologist (Design for a Fan) Jean-Louis Hamon (French, 1821-1874). Entomologist (Design for a Fan), 1872. Watercolor and graphite on parchment, 10 1/2 x 20 7/8 in. (26.7 x 53.0 cm). European Art 1872

A red chalk drawing by Sébastien Le Clerc depicting a rider statue of the Duc de Bourgogne at Brisac, with circular and horizontal lines in red or black chalk, on composition paper, around 1702.

Woodcut by Hans Springinklee depicting Emperor Maximilian I's wars in the triumphal procession, carved on wooden stick, created between 1516 and 1518.

Drawing (Italy)

Rev. James Bulwer, 1794-1879, British, One from A Volume of Drawings and Prints. Graphite, watercolor on slightly textured, moderately thick, cream wove paper.

Alternative Projects for the Hall, Gallery and Drawing - Room at Charleville Castle: Sections. Charles William Bury, 1st Earl of Charleville (1764-1835). Pen and grey ink and watercolour. 48.4 x 58.9cm.

Cabinet Design. Artist: Anonymous, British, 19th century. Dimensions: sheet: 5 7/16 x 7 1/16 in. (13.8 x 18 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Martens Wilhelm (1842-1910), wall decoration (fireplace) (30.8.1905): View. Watercolor on the box, 28.8 x 23.5 cm (including scan edges) Martens Wilhelm (1842-1910): Wanddekoration (Kamin)

Vestigia delle Terme di Tito. Young man with wreath on horseback. Quadro from vault decoration in room 21. Carlone, Marco (1742-1796), graphic artist, Smuglewicz, Franciszek (1745-1807), draughtsman, cartoonist, Manna, Pietro (17..-18..), publisher

Cabinet Design with a Porcelain Plaque 19th century Anonymous, British, 19th century British. Cabinet Design with a Porcelain Plaque 386611

Gezigt from the theater at Van Mollem / to Utregt. DT: 23. Aug: 1745.

Pouluple |side, rideau de L'cer Jacques Louis David (1748-1825). Triumph of the French people, curtain of the opera.

'Ornamentation in the Grotesque Style'. France, Between 1750 and 1755. Dimensions: 38,1x14,8 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.

Dubufe, Georges (n. - d.), Study for a dome decoration project in the Lobau gallery, at the Town Hall: La Danse (main title), 1891. Graphite pencil, watercolor and gold on brown paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Stencilled Wall. Dated: 1935/1942. Dimensions: overall: 61.3 x 41 cm (24 1/8 x 16 1/8 in.). Medium: watercolor, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Mildred E. Bent.

Bamberg (Germany). Cathedral Piotr and Jerzy - a fragment of stone decoration, Bamberg (Germany). Drawings of architectural details and various buildings; Verso: Architectural details, Bamberg (Germany). A fragment of a building from the mouth of architectural details, Bamberg (Germany). Two architectural details (Recto and Vero), Bamberg (Germany). Gothic architectural detail - fragment of the railing; Lesser, Aleksander (1814-1884); around 1841 (1841-00-00-1841-00-00), 1841 (1841-00-00-1841-00-00);Bamberg, Lesser Emiljan - collection, Lesser Wiktor, collections of Aleksander Lesser - Dar, Lesser, Aleksander (1814-1884) - collection, architecture, foreign architecture, balustrades, gift (provenance), detail, architectural detail, Gothic (artist), Ornament, Gothic ornament

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