Architectural and Decorative Drawings

A collection of intricate designs featuring ceiling decorations, furniture, and decorative elements. Styles range from classical to ornate, showcasing detailed artistry.

Design for a Cabinet with Glass Side Doors and Porcelain Plaques 19th century Anonymous, British, 19th century British. Design for a Cabinet with Glass Side Doors and Porcelain Plaques 386619

Design for the Gallery ceiling, Richmond House, Whitehall, London. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Dimensions: sheet: 9 1/2 x 17 in. (24.1 x 43.2 cm). Date: 1760. Museum: Metropolitan Museum of Art, New York, USA.

Pair of Designs for the Decoration of the Grips of Pocket Pistols ca. 1797-1805 Workshop of Nicolas Noël Boutet French. Pair of Designs for the Decoration of the Grips of Pocket Pistols. French, Versailles. ca. 1797-1805. Pencil, ink, gray wash on paper. Versailles. Works on Paper-Drawings

Drawing, Quarter Section of Painted Ceiling; Designed by Unknown; England

Print (France)

Design for a Cabinet with Glass Side Doors and Porcelain Plaques 19th century Anonymous, British, 19th century British. Design for a Cabinet with Glass Side Doors and Porcelain Plaques 386619

Ornamental design for a door panel. Design for a painting.

Wilkinson Tracing, Two elevations of windows and curtains, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Design for a Ceiling with Lion and Lioness 19th century Anonymous, British, 19th century British. Design for a Ceiling with Lion and Lioness. Anonymous, British, 19th century. 19th century. Pen and ink and watercolor

Design for Banknote or Certificate. Artist: Robert William Hume (British, London 1816-1904 Long Island City). Date: 1830-1900. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Ceiling Decoration. Artist: Donato Giuseppe Frisoni (Italian, Laino near Como 1683-1735 Ludwigsburg). Dimensions: sheet: 8 5/16 x 11 9/16 in. (21.1 x 29.4 cm). Date: 1709-20. Museum: Metropolitan Museum of Art, New York, USA.

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 15) 1773 After Georges Reverdy Page from an album with 54 prints, 40 of which come from a series published by Carlo Losi in Rome in 1773. For some reason often overlooked, these prints actually reproduce16th-century designs attributed to the enigmatic French artist Georges Reverdy and the better-known Netherlandish artist Jacob Floris. All copies are in reverse. In some cases they are combined with the originals in this album. Several pages in the album are empty, indicating that some prints may have been taken out at some point.. Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 15). After Georges Reverdy (French, active Lyon, 1529-57). 1773. Etching and engraving. Carlo Losi (Italian, 1757- after 1805)

Design for a Decorated Wall and Ceiling of a Gallery, marked with the monogram of the French King Henri III or IV ca. 1580-1600 Toussaint Dubreuil French Design for the decoration of a wall and ceiling, most likely with a barrel vault. On the bottom of the sheet (part of) a wall elevation is shown decorated with a large rectangular compartment in which a landscape scene is depicted. The decorations along the frame of the compartment were most likely meant to be executed in stucco. To the right cursory indications of a window bay are painted in wash. Above the wall elevation, the ceiling is divided in two parts. On the left side, a large rectangle represents the main body of the barrel vault. At its center a trompe l'oeil painting of a balcony and oculus are indicated. The trompe l'oeil is surrounded by grotesque decorations reminiscent of the Fontainebleau School designs of Rosso Fiorentino and Leonard Thiry. To the right, above the window bay, a narrower strip shows a cartouche with t

Six claw pieces and three swing pieces, 1565 Three segments with a total of six half claw pieces and three half swing pieces, decorated with batter, grotesken and garlands. In the middle segment, a satap is trapped in the batter. A loose vase in the middle and right segment. The print is part of an album. Antwerp paper etching Three segments with a total of six half claw pieces and three half swing pieces, decorated with batter, grotesken and garlands. In the middle segment, a satap is trapped in the batter. A loose vase in the middle and right segment. The print is part of an album. Antwerp paper etching

Victoria Sleigh #20680 1894 Brewster & Co. Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt

Design for a Painted Ceiling. Artist: Anonymous, Italian, 19th century. Date: 1800-1900. Museum: Metropolitan Museum of Art, New York, USA.

Design for the Decoration of a Pistol Grip. Culture: French, Versailles. Designer: Workshop of Nicolas Noël Boutet (French, Versailles and Paris, 1761-1833). Dimensions: 4 x 8 1/2 in. (10.2 x 21.6 cm). Date: ca. 1797-1805. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Cabinet with Three Glass Doors and a Porcelain Plaque 19th century Anonymous, British, 19th century British. Design for a Cabinet with Three Glass Doors and a Porcelain Plaque. Anonymous, British, 19th century. 19th century. Graphite, watercolor and scratching on green ground

Wilkinson Tracing, Various, mostly partial, designs for furniture and inlaid decoration, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Print (France)

Wall Elevation for an Antechamber or Salon, Pen and black ink, brush and watercolor, black chalk on laid paper, Sheet depicts a wall with three shallow niches. The middle niche is larger than the side niches. In each niche, a pink sofa is placed under/against a framed green panel with tied-back pink curtain on either side. In front of the pilasters separating the niches, stand statues of pairs of putti holding a candle, elevated on round bases. Above, on the pilasters, portrait medallions are suspended., France, ca. 1785, architecture, interiors, Drawing, Drawing

Design for a theater in Karlsberg, Anonymous, After Giovanni Francesco Guerniero, 1706 print Print is part of an album. paper etching theatre (building) - AA - open-air performances Karlsberg. Bergpark Wilhelmshöhe

Design drawing for a room wall, with peeled variant. Part of an album consisting of 102 sheets with 124 drawings.

Print, Four Border Designs; Designed by Richard de Lalonde (French, active 1780-96); Print Maker: Augustin Nicolas Foin (French, 1726-c. 1759); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching on off-white laid paper

Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, Drawing of a Column from Ekvera, undated. Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper.

Lithograph by Rudolf Rössler from circa 1910 showing a diploma with ornamental details, lettering, and structured layout.

Sketchbook Florence Fragment of the Tower Krysi Ski, Anzelm Dobromir (1836 1885)

Relief with arabesks and a mask head, c. 1875 - c. 1900 photograph Italy photographic support albumen print sculpture (+ relief ~ sculpture). mask, mascaron ~ ornament. ornament ~ arabesque

Print (France)

Pencil study by Rudolf Weyr focusing on architectural design, structural elements, and compositional arrangement.

Architecture study: Nordic braiding and sniffing ornamentation with rune script

Design for a corner piece of ceiling with Jupiter as Diana with Callisto. Draughtsman: Mattheus Terwesten. Intermediary draughtsman: Augustinus Terwesten (I). Dating: 1680 - 1757. Measurements: h 576 mm × w 462 mm. Museum: Rijksmuseum, Amsterdam.

Two plates from 'the new school law and the report of the commissie / illustrated by veridus', 1879; Cartrans from the Booklet New School Act and the report of the commissie, 1879. Leaf with the records numbered VI and Xi. Part of a series of eight sheets, each with two cartoons on the new primary education law, taken from the 'New School Act and the report of the Commissie', by veridus, April 1879.

Brown pen drawing by Alessandro Algardi showing part of a frieze featuring a decorative ship, brown-lavated.

PROJECT FOR THE CHAR OF THE DOLLITARY TRANSLATION IN THE PANTHEON Jacques Cellerier. Project for the Chart of the Translation of the Voltaire Corps at the Pantheon, 1790. Drawing.

New Modelbüch (Page 2v). Designer: Andreas Bretschneider (German, Dresden ca. 1578-ca. 1640 Leipzig). Dimensions: Overall: 12 x 8 1/16 in. (30.5 x 20.5 cm). Printer: Henning Gross the younger , Leipzig. Date: 1615.Designed by Andreas Bretschneider, German, ca. 1578-1640, printed by Henning Gross the younger, Leipzig.Etched hand-colored title page, 29 etched plates (including 3 counterproofs), 20 pages of designs including 4 duplicates. Museum: Metropolitan Museum of Art, New York, USA.

Ceiling Design. Artist: Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730-after 1797). Dimensions: 9 1/8 x 11 1/4 in. (23.1 x 28.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Wall Elevation of the Bedroom of the Prince de Rohan, Hôtel de Soubise, Paris; Germain Boffrand (French, 1667 - 1754); France; pen and black, gray ink, brush and gray wash, gouache, graphite, on three joined sheets of white laid paper, incised for transfer to engraving plate; 29 x 52.4 cm (11 7/16 x 20 5/8 in.)

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, A variation of the design of 1938-88-8206. The rinceaux spring from a palmette of ears of grain, with birds sitting beside. Shadow, background, base line, scale like that in 1938-88-8213. At left is the plan of the lateral part, at right, of the right half of the entablature., Italy, 1780-1800, Drawing, Drawing

Print (France)

Alvin M Gully, Free Hand Wall Decoration, 1935 1942 Free Hand Wall Decoration

Augustus Welby Northmore Pugin, 1812-1852, British, Design for a Gothic Staff, undated. Pen and brown ink on thin, smooth, brown tracing paper mounted on medium, slightly textured, cream laid paper.

Half panel with cartouche and winged woman, c. 1866 - c. 1900 drawing At the top left is the upper body of a winged woman holding a garland, a crown hangs in the middle. At the bottom, half of a cartouche with leaf vines is visible. Netherlands paper. pencil drawing

Ceiling, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Frame for the view of the Borejkow region about J. Obsta; Ruszczyc, Ferdynand (1870-1936); 1912 (1912-00-00-1912-00-00);Lithuania and Ruthenia (Vilnius - monthly - 1912-1913), Partage Plus, illustration projects, vignette projects, purchase (provenance)

Design for Altar at Santo Spirito dei Napolitani (Holy Spirit of the Neapolitans), Rome, Italy, Pen and brown ink, brush and grey wash, graphite on cream laid paper, laid down, Depiction of Santo Spirito dei Napolitani (Holy Spirit of the Neapolitans) in Rome, Italy. The drawing features part of the church altar, including a set of Corinthian columns on both the left and right. A structure in the shape of a quarter circle appears above each set of columns, with a cherub resting atop the left. A lightly drawn arch, interspersed with pairs of cherubs on the middle and the right, connects the sets of columns., Rome, Italy, Verso probably made in Vatican City, Italy, 1690-1702, religion, Drawing, Drawing

Design for the grand staircase at Buckingham Palace, West View, Thomas Stothard, 1755-1834, British, 1828, Pen and brown ink and wash on medium thick, slightly textured, cream wove paper, Sheet: 6 1/8 × 18 3/4 inches (15.6 × 47.6 cm), architectural subject

Print, Design for Three Iron Grates; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Print Maker: Jean Pelletier (French, born ca. 1736); Published by Charles Le Pere (French, active 18th century), Pierre-Michel Avaulez (French, active 1772 - d. 1774), Chez Le Pere et Avaulez; France; engraving on off white laid paper

Drawing, Project for a Ceiling; Designed by Giuseppe Mannocchi (Italian, Active 1775 - 1782); Italy; graphite, pen and ink, brush and watercolor on paper

Dec. for café of high school, Marblehead , Flowers, Vases. The Massachusetts WPA Federal Art Project Photograph Collection

Shields for Pediments, in Chippendale Drawings, Vol. I 1754 Thomas Chippendale British Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as the bottom half of plate CXLIX in the 1754 and 1755 editions, but not reprinted in the 1762 edition.. Shields for Pediments, in Chippendale Drawings, Vol. I. Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). 1754. Black ink, gray ink, gray wash

BerglandSchap Met Omlijsting, Antonio Fantuzzi (ACTRUTED TO), Fiorentino Rosso, After Francesco Primaticcio, 1543 print A representation of a mountain landscape in an ornamental frame with male and female saters, naked figures, putti and garlands with fruits. Fontainebleau paper etching mountains. ornament ~ festoon, garland. satyr(s) (in general). cupids: 'amores', 'amoretti', 'putti'

Triptych made of wood, copper and email with relic, from the Holy Kruiskerk in Liège, set up at an exhibition about religious objects from the Middle Ages and Renaissance in 1864 in Mechelen, Joseph Maes, 1864 photograph Mechelen photographic support albumen print piece of sculpture, reproduction of a piece of sculpture (+ wood, e.g.: panel ~ arts). relics (and reliquaries) Mechelen

Design for a Painted Ceiling 1800-1900 Anonymous, Italian, 19th century Italian. Design for a Painted Ceiling 390400

Still Life: Vases, a Cassolette on a Pedestal, and an Overturned Basket of Fruit. Artist: Jean Jacques Lagrenée (French, Paris 1739-1821 Paris). Dimensions: 5 7/8 x 9 1/8 in. (15 x 23.2 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Sheet of Decorative Studies. Follower of Agostino Mitelli (Italy, Battidizzo, 1609-1660). Italy, late 17th century. Drawings. Pen and brown ink

'Two Groups of Trophies'. France. Dimensions: 16,1x26,9 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.

Carnavalet museum, history of Paris.

BloemoNamulation, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing tracing paper. pencil flowers ~ ornament

GSELL-Laurent workshop. Album n ° 3; stained glass project for Huy; Second fragment of a window with representation of the 15 mysteries: Pentecost, two saints and a pope in worship in front of the Virgin and the Child. Pencil on layer paper. Paris, Carnavalet museum. Album n ° 3, Adoration, Catholic, Christian, Penon on layer, two, child, son God, Fenetre, Mystery, Pope, Pentecote, Project, Fifteen, Representation, Second Fragment, Holy, Virgin, Glass

Print, Elevation d'une Porte entre deux Pilastres; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Print Maker: Jean Pelletier (French, born ca. 1736); Published by Chez Le Pere et Avaulez, Charles Le Pere (French, active 18th century), Pierre-Michel Avaulez (French, active 1772 - d. 1774); France; engraving on off white laid paper

Volta, Sala delle SIbille, appartamenti Borgia - Vaticano, Roma. Romualdo Moscioni, photographer (Italian, 1849 - 1925) about 1870-1900 Detail of a ceiling covered in paintings and designs. The center of the ceiling has a repeated pattern of circles connected by lines, framed by a rectangular border. The perimeters of the ceiling have painted scenes with various figures and mythological creatures. (Recto, mount) upper left, pencil: "Ceilings-Italy-Rome-/Vatican";

New Modelbüch (Page 3r) 1615 Andreas Bretschneider German Designed by Andreas Bretschneider, German, ca. 1578-1640, printed by Henning Gross the younger, Leipzig.Etched hand-colored title page, 29 etched plates (including 3 counterproofs), 20 pages of designs including 4 duplicates.. New Modelbüch (Page 3r). 1615. Etching

Print, Three Border Designs; Designed by Richard de Lalonde (French, active 1780-96); Print Maker: Pierre-Gabriel Berthault (French, 1737-1831); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching on off-white laid paper

Cover The Well High Doll Lecerf, Unknown, Imprimerie d'Imbert

Vilnius. "Coast of Mikha, a fragment of the tombstone of the lion of Sapieha"; Zdanowscy, Edmund and Boles; 1930s (1930-00-00-1939-00-00);

Two Studies of the Throne of Gregory the Great, Church of San Gregorio Magno, Rome, John Flaxman, 1755-1826, British, 1787, Graphite, pen and ink, and gray wash on medium, slightly textured, cream laid paper bound in vellum, Sheet: 8 5/8 x 6 inches (21.9 x 15.2 cm) and Spine: 9 inches (22.9 cm)

Print, Perfume Burner Designs; Designed by Charles Pierre Joseph Normand (French, 1765 - 1840); Published by François-Étienne Joubert; France; etching on laid paper

Panel filling with mask and two torches, Bernard Picart, 1683 - 1733 drawing Design for a print. paper. deck paint. ink pen / brush ornaments ~ art

Stained glass window with a cartouche, photograph, photo, drawings, height 100 mm, width 148 mm, photographer, 1907 - 1930, photographic paper, photo paper, gelatin silver print, developing gelatin silver print

Boetticher Carl (1806-1889), various decorations (1832): View. Pencil watercolored and gold heighted on paper, 43.7 x 24.1 cm (including scan edges) Boetticher Carl (1806-1889): Verschiedene Dekorationen

Drawing, Brooch; Italy

Drawing, Chimney Pieces, Furniture and Ceiling Medallion; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink on laid paper

Emonts or Emonds, Pierre (n.1831-03-29-D.1912), Fontaine des Quatre seasons, rue de Grenelle. 7th arrondissement, Paris, 1869, albumin paper. Carnavalet museum, history of Paris.

Pencil drawing by Carl von Hasenauer depicting wooden hanging heads, showing their perspective and restoration details.

Sidewall, Block-printed, L-shaped portion of a paper with repeating figured scenes: house and ship, boatman, and teamsters at rest. A complete width of paper., USA, 1840-60, Wallcoverings, Sidewall

Relief performance on a Roman sarcophagus in the Glyptothek in Munich, c. 1875 - c. 1900 photograph Glyptothek photographic support gelatin silver print grave, tomb. sculpture (+ relief ~ sculpture). Apollo and Diana kill Niobe's children Glyptothek

Portable Relic Water Cabinet of Gold from the Senator Vergauwen collection from Ghent, drawn up at an exhibition on religious objects from the Middle Ages and Renaissance in 1864 in Mechelen, Joseph Maes, 1864 photograph Mechelen photographic support albumen print piece of sculpture (+ precious metals ~ arts). relics (and reliquaries) Mechelen

Plans, sections, elevations, and hieroglyphic decorations of various hypogea from Syout Asyût (Lycopolis), published between 1809 and 1828. The work was issued in Paris by Impr. impériale. The dimensions of the item are 50 x 70 cm, and it includes references to Egypt, hieroglyphics, and rock-cut tombs in Asyût

Drawing, Design for a Candelabra; Italy; pen and ink, brush and wash on paper

Etching by Philipp Otto Runge from 1802-1807 titled 'The Four Times of the Day: Night,' depicting a nighttime scene with figures, celestial elements, and symbolic composition.

Cast of a frieze of the cathedral of Bourges, c. 1875 - c. 1900 photograph France cardboard. photographic support albumen print sculpture (+ relief ~ sculpture). ornament ~ round and curved forms Cathedral of Bourges

Motif for Decorative Design, Walter Shirlaw, American, b. Scotland, 1838-1909, Graphite and black crayon on paper, A woman with outstretched arms and two crouching persons are surrounded by a circular shape. Above the woman is written XI and XII, likely marking the hours on a clock face., USA, 1875-80, figures, Drawing, Drawing

Ceiling Plan for Clifton Castle, Attributed to Thomas Harrison, 1744-1829, British, ca. 1780-1790, Watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper, Sheet: 21 3/8 × 14 3/4 inches (54.3 × 37.5 cm), architectural subject

Design for a Louis XIV pen table, 1662, paper, ink, chalk, brush, h 197 mm × w 344 mm

Print, Three Designs: Perfume Burner, Vase, Plinth; Designed by Charles Pierre Joseph Normand (French, 1765 - 1840); Published by François-Étienne Joubert; France; etching on laid paper

Design for the MailBoot dining room, Carel Adolph Lion Cachet, 1874 - 1945 drawing Design for an interior. paper. ink. pencil pen / brush interior of the house. parts of ship's interior. names of artefacts and man-made objects (buildings excluded)

Handle. Dated: c. 1936. Dimensions: overall: 22.8 x 28.2 cm (9 x 11 1/8 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Harry Mann Waddell and Dana Bartlett.

Waesemann Hermann Friedrich (1813-1879), ceiling in the room of the mayor of the town hall, Berlin. (From: Architectural sketchbook, H. 114/3, 1872.) (1872-1872): View. Lithography colored on paper, 35 x 25.2 cm (including scan edges)

Vilnius. "Fresco in the chapel Casimir"; Zdanowscy, Edmund and Boles; Before 1939 (1930-00-00-1939-00-00);

Print (France)

Design for Elevation of Gallery Bay, Deepdene, Dorking, Surrey 1875-79 Jules-Edmond-Charles Lachaise French. Design for Elevation of Gallery Bay, Deepdene, Dorking, Surrey 345561

Bull gustav (1807-1880), lid vessel (without date): view. Pencil watercolor on the box, 52.6 x 81.9 cm (including scan edges) Stier Gustav (1807-1880): Deckelgefäß

Imperial court, Augsburg, Wolf, heirs Jeremias, Schübler, Johann Jakob, Nuremberg, Lichtensteger, Georg, Johann Jacob Schüblers Zwölffte Ausgabe seines vorhabenden Wercks, Worinnen vorgestellet were Neu-inventirte Confessioneaux oder Beicht-Stühle, Ornamented confessional, verso - stamped, An ornamented confessional in a niche. In the bottom margin a four-line German text., print, ornament print, prints, ornament prints, height 295 mm, width 180 mm, 1700 - 1781-03-18, print maker, 1724 - 1724, paper, etching, engraving, engraving (printing process), Work conception, German, 1689 - 1741, designed by, Publication (Event), Publication, publisher, grantor of privilege

Designs for three medallions: Freedom, Equality and Brotherhood, Freedom, Liberty, 'Libertà' (Ripa) (allegorical scene, ie two or more personifications involved in an action), Parity, Equality (allegorical scene, Brotherly Love (allegorical scene, ie two or more personifications) involved in an action), Jurriaan Andriessen, 1752 - 1819, paper, chalk, h 207 mm × w 476 mm

Painting with landscape, by Unknown artist, 1st Century, mural (fresco). Italy: Campania: Naples: National Archaeological Museum. Detail. Wall decoration red background black base/plinth painting/picture landscape rural sanctuary

Design for a Ceiling with an Oval Trompe L'Oeil Painting 17th century Anonymous, Italian, 17th century Italian. Design for a Ceiling with an Oval Trompe L'Oeil Painting 389394

Print (Germany)

Frame, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, Frame., Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Potsdam, City Cock, Fortunaportal, Clock chair, design

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 4 13/16 x 3 1/8 in. (12.2 x 8 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

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